Dear all,
I'm going to be chairing the symposium announced below and would love it if
we could turn it into a really good, deep discussion of what we've done
right, what we're doing wrong, and how cultural heritage markup (or its
equivalents) can be made better in the future. Heretics and True Believers
welcome! --Hugh
Cultural Heritage Markup:
Using Markup to preserve, understand, and disseminate cultural heritage
materials
a Balisage pre-conference symposium
Monday August 10, 2015
Bethesda North Marriott Hotel & Conference Center, Bethesda, MD, USA
Markup and markup technologies are used in a wide variety of cultural
heritage projects by linguists, students of literature, librarians,
historians, curators, and others. Markup is used behind the scenes in
archives, libraries, and museums to create and store metadata and the
textual content of a wide variety of materials both textual and
artefactual. We want to know how you or your project are using markup to
preserve, analyze, disseminate, or curate materials of long-term value to
society.
Balisage is an excellent venue to discuss both theoretical and practical
questions. Is cultural heritage markup essentially different from
industrial markup? Is it inherently more heterogeneous, more complex? Are
“industrial” tools like XML and HTML really appropriate for cultural
heritage materials? How well will standards like TEI and EAD serve us as
technology progresses? We dedicate this day to discussion of the challenges
and possibilities of markup technologies used in the preservation of our
cultural heritage and its transmission to future generations.
We welcome proposals to present at the Symposium. Topics may include, but
are not limited to:
• Representing heterogeneous materials
• Data modeling to support scholarly research
• Building for the long term, even after the money has run out
• Using/repurposing tools that weren’t designed for the kind of
thing you’re doing
• Is XML really appropriate for representing texts of scholarly
interest?
• Is XML really appropriate for representing metatdata about
non-textual artefacts?
• What does it mean for cultural heritage texts to be
interoperable? Is it desirable? Is it possible?
• Shared tag sets. Do shared markup vocabularies (e.g., TEI, EAD,
LIDO, CDWA) do more harm than good?
Full papers should be submitted by 17 April 2015. All papers are
peer-reviewed — we pride ourselves that you will seldom get a more
thorough, skeptical, or helpful review than the one provided by Balisage
reviewers.
Key dates:
- 27 March 2015 — Peer review applications due
- 17 April 2015 — Paper submissions due
- 17 April 2015 — Applications for student support awards due
- 22 May 2015 — Speakers notified
- 17 July 2015 — Final papers due
- 10 August 2015 — Symposium on Cultural Heritage Markup
- 11–14 August 2015 — Balisage: The Markup Conference
For more information: info(a)balisage.net or +1 301 315 9631
Balisage: The Markup Conference
There is Nothing As Practical As A Good Theory
======================================================================
Balisage: The Markup Conference 2014 mailto:info@balisage.net
August 5-8, 2014 http://www.balisage.net
Preconference Symposium: August 4, 2014 +1 301 315 9631
======================================================================
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Call for Papers: Göttingen Dialog in Digital Humanities
The Göttingen Dialog in Digital Humanities has established a new forum for the discussion of digital methods applied to all areas of the Humanities, including Classics, Philosophy, History, Literature, Law, Languages, Social Science, Archaeology and more. The initiative is organized by the Göttingen Centre for Digital Humanities (GCDH).
The dialogs will take place every Tuesday at 5pm from late April until early July 2015 in the form of 90 minutes seminars. Presentations will be 45 minutes long and delivered in English, followed by 45 minutes of discussion and student participation. Seminar content should be of interest to humanists, digital humanists, librarians and computer scientists.
We invite submissions of complete papers describing research which employs digital methods, resources or technologies in an innovative way in order to enable a better or new understanding of the Humanities, both in the past and present. Themes may include text mining, machine learning, network analysis, time series, sentiment analysis, agent-based modelling, or efficient visualization of bigand humanities-relevant data. Papers should be written in English. Successful papers will be submitted for publication as a special issue of Digital Humanities Quarterly (DHQ). Furthermore, the author(s) of the best paper will receive a prize of €500, which will be awarded on the basis of both the quality and the delivery of the paper.
A small budget for travel cost reimbursements is available.
Full papers should be sent by March 20th to gkraft(a)gcdh.de<mailto:gkraft@gcdh.de> in Word.docx format. There is no limitation in length but the suggested minimum is 5000 words. The full programme, including the venue of the dialogs, will be sent to you by April 1st.
For any questions, do not hesitate to contact gkraft(a)gcdh.de<mailto:gkraft@gcdh.de>
http://www.gcdh.de/en/events/gottingen-dialog-digital-humanities/
Regards,
Péter Király
-----
Péter Király
GWDG - Gesellschaft für wissenschaftliche
Datenverarbeitung mbH Göttingen
Am Faßberg 11, 37077 Göttingen
www.gwdg.de
T +49 551 39 20557
F +49 551 201 2150
E peter.kiraly(a)gwdg.de
Geschäftsführer: Prof. Dr. Ramin Yahyapour
Aufsichtsratsvorsitzender: Prof. Dr. Christian Griesinger
Sitz der Gesellschaft: Göttingen
Registergericht: Göttingen
Handelsregister-Nr. B 598
----------------------------
Zertifiziert nach ISO 9001
----------------------------
The Center for Comparative Studies of the University of Siena, in collaboration with AIUCD (Associazione per l'Informatica Umanistica e la Cultura Digitale) and CHLEL (Coordinating Commitee for the History of Literatures in European Languages) organizes in Siena, June 12-13, 2015, a meeting on Quantitative Literary Criticism. Proposal abstracts of 20 minutes papers or 10 minutes posters should be sent in English o centrostudicomparati(a)libero.it together with a CV or a short self-introduction by February, 28, 2015. The selected proponents will be guests of the University during the conference. Proposals concerning medieval literatures will be particularly welcome. Topics: Reading automata, Digital reading network, Computational Models of Narrative, Computer-based analysis of literary texts, Quantitative Literary History, Distant Reading , Authorship detection and literary criticism, Transmedia criticism. Call at http://tdtc.bytenet.it/centroideugsu/centrostudi_pag.asp?id=482.
Yesterday I attended a planning meaning concerning the Durham priory
library's manuscript collection, which is planned for digitisation
over the next 5-10 years. A question came up about whether there's
been any study done on the relative *technical* merits of different
platforms/programmes for viewing manuscripts, either online or
downloaded locally. (The person was specifically interested in reviews
or comparisons done by people with the relevant computational know-
how).
I confess to not being very familiar with this terrain; I've used
Uni-HD's reader online (see, e.g., the Manesse codex:
http://digi.ub.uni-heidelberg.de/diglit/cpg848/0001?sid=c1e158af8bb04a02441…)
and the reader used by, e.g.,
http://daten.digitale-sammlungen.de/0000/bsb00001649/images/, but I
don't even know what the programmes behind these sites are! The one
that was demonstrated to us is Mirador:
http://www.biblissima-condorcet.fr/en/news/interoperable-viewer-prototype-n…,
http://iiif.io/, and it was really
cool. I'd love to know how it stacks up against the competition.
Cheers,
-Sara
--
Dr. Sara L. Uckelman
Department of Philosophy
Durham University
https://www.dur.ac.uk/philosophy/staff/?id=12928http://dmnes.wordpress.com/
-------- Weitergeleitete Nachricht --------
Betreff: Atelier du livre BnF du 10 mars 2015 : Le phénomène
de la "rentrée littéraire"
Datum: Wed, 18 Feb 2015 12:51:48 +0100
Von: marie.galvez(a)bnf.fr <marie.galvez(a)bnf.fr>
Les Ateliers du livre - Le phénomène de la "rentrée
littéraire"
Bibliothèque nationale de France - site François Mitterrand, Petit
auditorium
En partenariat avec l'Université de Paris Ouest Nanterre la Défense
Mardi 10 mars 2015, 14h-20h
Entrée libre
Dans le cadre de ses Ateliers du livre, inaugurés en 2002, la
Bibliothèque nationale de France consacre une session annuelle à
l'histoire du livre et son univers contemporain.
L'après-midi d'étude du 10 mars, organisé en partenariat avec
l'Université de Paris Ouest Nanterre La Défense, sera consacré au
phénomène de la rentrée littéraire. Comment ce phénomène s'est-il imposé
dans le monde de l'édition et de la librairie au point de devenir un
événement incontournable, objet de promotions médiatiques de grande
ampleur ? Quelles espérances collectives porte-t-il ? Et en quoi est-il
au service de l'écrivain et de la littérature contemporaine ? Telles
sont quelques-unes des questions qui seront abordées au cours de cette
demi-journée qui mêlera communications, présentations interactives et
table ronde animée par des universitaires et des professionnels du monde
du livre.
Programme complet de la manifestation et informations pratiques dans le
PDF joint ou dans l'agenda culturel de la Bibliothèque nationale de
France à cette adresse :
http://www.bnf.fr/fr/evenements_et_culture/auditoriums/f.atelier_livre.html…
------------------------------------------------------------------------
Exposition */De Rouge et de Noir. Les vases grecs de la collection de
Luynes
<http://www.bnf.fr/fr/evenements_et_culture/anx_expositions/f.vases_grecs.ht…>/*
- jusqu'au 31 octobre 2015 - BnF - Richelieu
*Avant d'imprimer, pensez à l'environnement.*
Dear Colleagues,
I am pleased to let you know of the following symposium of interest to scholars of the medieval middle east: http://www.bethmardutho.org/index.php?option=com_content&view=article&id=627
There is no fee for attendance and the program is attached below.
Best,
David A. Michelson
Assistant Professor of the History of Christianity
Vanderbilt University
www.syriaca.org<http://syriaca.org/>
Hugoye Symposium IV: Syriac and the Digital Humanities
March 6, 2014
Hosted by:
Beth Mardutho Research Library, Piscataway, N.J.
Rutgers University Libraries
Rutgers Department of African, Middle Eastern, and South Asian Languages and Literature
Rutgers Center for Middle Eastern Studies
Syriaca.org: The Syriac Reference Portal
Alexander Library, Scholarly Communication Center (4th Floor)
169 College Avenue, New Brunswick, New Jersey 08901<https://www.google.com/maps/place/169+College+Ave,+Rutgers%E2%80%93New+Brun…>
*This event will be live streamed for free, thanks to the support of Rutgers Libraries. Further details on how to access the live stream will be added here.*
Friday, March 6: Public Symposium
10:00 AM Symposium Opening
First Mawtb? / D?w?n: Syriac Digital Libraries I
10:30 AM The Syriac Corpus<http://cpart.maxwellinstitute.byu.edu/home/sec/>, Kristian Heal (Brigham Young University)
11:00 AM eBethArké<http://www.libraries.rutgers.edu/rul/projects/ebetharke/>, Grace Agnew & Isaiah Beard (Rutgers University)
11:30 AM Electronic Critical Editions of Syriac Texts, James Walters (Princeton Theological Seminary)
12:00 PM Lunch
Second Mawtb? / D?w?n: Syriac Digital Libraries II
1:00 PM Comprehensive Bibliography on Syriac Christianity<http://csc.org.il/db/db.aspx?db=SB>, Daniel Salem (The Hebrew University) & Sergey Minov (University of Oxford)
1:30 PM eKtobe, A Portal for Syriac Manuscripts<http://www.mss-syriaques.org>, Andre Binggeli (CNRS, France)
2:00 PM vHMML<https://vhmml.wordpress.com>, OLIVER<http://www.hmml.org/oliver.html>, & Reading Room, Columba Stewart (Hill Museum & Manuscript Library)
2:30 PM Syriaca.org<http://www.bethmardutho.org/syriaca.org>: Linking Data from the Syriac Heritage, David Michelson (Vanderbilt University) & Tony Davis (University of Arkansas, Little Rock)
3:00 PM Coffee Break
Third Mawtb? / D?w?n: Digital Tools for Historical Research
3:15 PM The Cult of the Saints, Sergey Minov (University of Oxford)
3:45 PM Gateway to the Syriac Saints, Jean-Nicole Mellon Saint-Laurent (Marquette University)
4:15 PM SPEAR: Syriac Persons Events and Relations, Daniel Schwartz (Texas A&M University)
4:45 PM Coffee Break
Fourth Mawtb? / D?w?n: Tools for Syriac Digital Philology
5:00 PM Automatic Dotting of Ruk?kh? and Qush?y? Points, George Kiraz (Beth Mardutho)
5:30 PM The SEDRA 4 Database<https://sedra.bethmardutho.org/sedra/search>, A Syriac Lexical Resource, James Bennett (Beth Mardutho)
6:00 PM Prospects for Syriac OCR, James Prather (Abilene Christian University) & George Kiraz (Beth Mardutho)
6:30 PM Adjourn
7:00 PM Dinner for Presenters
Saturday, March 7: Private Workshop
A digital workshop for collaborators on Syriaca.org<http://www.bethmardutho.org/syriaca.org> will be held on the day following the Symposium. Interested participants should contact info(a)syriaca.org<mailto:info@syriaca.org>for further details.
Dear list-members,
The Center for Digital Humanities at Saint Louis University is looking for speakers for a session that will be held as part of the 2015 Symposium on Medieval and Renaissance Studies (http://smrs.slu.edu/index.html)
Session title and description:
'Seeing the past through digital eyes: new approaches to visualizing medieval texts and artifacts'
What do we gain when our experience of a medieval text or artifact is through a digital object rather than the original? The answer will depend on what tools were used to create, find, and view the digital object. Today medievalists can access online a wealth of photographs of manuscripts and artifacts, and many repositories even allow researchers to use personal cameras to create their own photographs. The result has been a proliferation of visual material that enhance access, but which also raise new challenges and present novel opportunities for researchers. This session will bring together medievalists who use digital facsimiles and surrogates as part of their research to consider how the tools they use to capture, manipulate, sort and present them impact the character of their scholarship. These tools can help scholars espousing long established methodologies, but they may also enable them to pose new questions and extend the scholarship in previously impractical directions.
If you would be interested in participating, please send a proposed paper title and abstract by February 21. Apologies for the very near deadline...
best wishes,
John McEwan
mcewanja(a)slu.edu
Dr John McEwan
Center for Digital Humanities Pius XII Memorial Library, 324 AB Tower
Saint Louis University
3650 Lindell Blvd.
St. Louis, MO 63108
I've now written about medieval manuscripts in all of the Lower 48
except for North Dakota, where there appear to be no medieval
manuscripts at all. I hope someone out there will let me know if I'm
wrong about this!
https://manuscriptroadtrip.wordpress.com/2015/02/16/manuscript-road-trip-th…
- Lisa
--
Lisa Fagin Davis
Executive Director
Medieval Academy of America
17 Dunster St., Suite 202
Cambridge, Mass. 02138
Phone: 617 491-1622
Fax: 617 492-3303
Email: LFD(a)TheMedievalAcademy.org
Voting for DH Awards is open!
DH Awards 2014 is open for voting at:
http://dhawards.org/dhawards2014/voting/ until the end of *28 February 2015*.
Versions of this announcement in French
<http://dhawards.org/dhawards2014/voting-announcement-french/>, Japanese
<http://dhawards.org/dhawards2014/voting-announcement-japanese/> and Spanish
<http://dhawards.org/dhawards2014/voting-announcement-spanish/> are
available from the website.
Digital Humanities Awards are a set of entirely open annual awards run as a
DH awareness raising activity. The awards are nominated and voted for
entirely by the public. These awards are intended to help put interesting
DH resources in the spotlight and engage DH users (and general public) in
the work of the community. Although the working language of DH Awards is
English, nominations may be for any resource in any language. Awards are
not specific to geography, language, conference, organization or field of
humanities. There is no financial prize associated with these community
awards. There were many nominations and the international nominations
committee (http://dhawards.org/dhawards2014/committee/) reviewed each
nomination. We’re sorry if your nomination was not included, or changed
category, all decisions are final once voting opens. Please see
http://dhawards.org/dhawards2014/faqs2014/ for this and other frequently
asked questions.
Anyone is allowed to vote, yes anyone, but please only vote once.
Please cast vote by looking at the nominations and following the link to
voting form at http://dhawards.org/dhawards2014/voting/ before midnight
(GMT) on *28 February 2015* when voting will be closed.
Good luck!
James
***Apologies for cross-posting, **
Dear friends,
To boost DH research, especially in theSpanish-speaking world, the Digital Humanities Innovation Lab @ UNED, LINHD http://linhd.uned.es and the journal SIGNA http://revistas.uned.es/index.php/signa are pleased to announce its next monographic number onDH “Sobre Humanidades Digitales”.
SIGNA is a peer-reviewed journal inexed with categoryA in most indexes (including Arts and Humanities Citation Index (A&HCI) andWeb of Knowledge).
Articles may be written in any language. Maximumlength is 25 pages with 1.5 space between lines. Please, find guidelines forpresentation enclosed.
Call for papers is open till 15th march at 23:59. If you are interested inparticipating, send your article (following the guidelines) to linhuned(a)gmail.com, and in the email subject write: “SIGNA-HumanidadesDigitales”.
Find attached SIGNA guidelines.
Please, feel free to send this information to any group or person who might be interested.Thanks a lot in advance and best regards
Elena González-Blanco
Elena González-Blanco García
Dpto. de Literatura Española y Teoría de la Literatura, Despacho 722Facultad de Filología, UNED
Paseo Senda del Rey 7
28040 MADRID
tel. 91 3986873
www.uned.es/remetcahttp://filindig.hypotheses.org/http://linhd.uned.eswww.uned.es/personal/elenagonzalezblanco
@elenagbg