dm-l September 2018

dm-l@uleth.ca

14 participants
15 discussions

CfP - Workshop on Scholarly Digital Editions, Graph Data-Models and Semantic Web Technologies
by Elena Spadini 07 Dec '18

07 Dec '18

Dear List members, we hope this Workshop will be of interest for some of you. Best wishes, Elena Spadini and Francesca Tomasi apologies for cross posting -------------------------------------------------------------------------------------------------- *Workshop on Scholarly Digital Editions, Graph Data-Models and Semantic Web Technologies* Université de Lausanne, 3-4 June 2019 <http://wp.unil.ch/graphsde/> *Call for Papers* Digital texts processed by machines are linear strings of characters, but in most research activities in the Humanities (philology, linguistics, corpus-based analysis, cultural heritage, etc.) we store them in *databases* and we add *markup* to the text, that is a kind of intelligence made computable thanks to the use of widespread data-models, formats and standards. In the last decades, the popularity of *graph* data-models has increased, in accordance with the *semantic web* proposition and the development of standards such as RDF and OWL. Graph databases, in the form of triple stores (such as Graph-DB) or of labeled-property-graphs (Neo4j), are regarded as powerful and flexible solutions by research and cultural institutions, and private companies alike. The workshop is held to explore possible interactions between *digital texts*, the *graph* data-model, *scholarly editions* and the *semantic web*. The combinations of these objects/concepts, pursued in the last decades, remains experimental to date, and it represents one of the possible development for the field of *digital scholarly editing*. Contributions on one or more of the following topics are particularly welcome: - the conceptualization of *text as graph*; - the use of *graph-databases* for digital editions; - the* semantic web resources* for building digital scholarly editions; - the *interoperability* among digital texts through Linked Data Vocabularies; - the *integration* of graph flavoured data into xml documents. We welcome contributions from those involved in the development of *tailor-made solutions* for small scale projects as well as of large-scale *infrastructure*, focused on the *theory* and/or on the *practice* of this happy or unhappy combination. The workshop includes *presentations* and a *working group* session. Please note that the word 'workshop' means here a place for sharing ongoing research and not a hands-on training. *Invited speakers* - Ronald Haentjens Dekker (Royal Dutch Academy of Sciences – Humanities Cluster) - Samuel Müller (University of Basel - National Infrustructure for Editions) - Michele Pasin (Springer Nature) - Tobias Schweizer, Sepideh Alassi (University of Basel – Digital Humanities Lab) - Georg Vogeler (University of Graz) *Scientific committee* - Gioele Barabucci (University of Cologne) - Fabio Ciotti (University of Rome Tor Vergata) - Claire Clivaz (Swiss Institute of Bioinformatics) - DASCH (University of Lausanne) - Simon Gabay (University of Neuchâtel) - Frederike Neuber (Berlin-Brandenburg Academy of Sciences and Humanties) - Elena Pierazzo (University of Grenoble-Alpes) - Michael Piotrowski (University of Lausanne) - Matteo Romanello (EPFL) - Elena Spadini (University of Lausanne) - Francesca Tomasi (University of Bologna) - Aris Xanthos (University of Lausanne) *Important dates* *9 December 2018*. Deadline for the submission of abstracts *14 January 2018*. Notification of acceptance *15 April 2019*. Camera-ready version of the papers *3-4 June 2019*. Workshop *Where* Université de Lausanne – 1015 Lausanne – Switzerland *Language* The language of the workshop will be English. *Abstract submission* We invite researchers to submit abstracts for a 30 mins contribution (20 mins + 10 mins Q&A) by December 9, 2018. Abstracts will be reviewed double-blind by the members of the scientific committee, and all submissions will receive several independent reviews. Instructions for formatting and submitting abstracts will be published in September 2018. *Camera-ready paper submission* Notifications of acceptance will be sent by January 14, 2019. The authors of accepted abstracts should send a camera-ready version of their paper by April 15, 2019. The papers will be made available on the workshop platform. Before the workshop, the papers will be paired and a discussant will be assigned to each participant. The discussant must prepare two questions, that the corresponding author will receive twenty days before the workshop and should address in her/his presentation. Instructions for formatting and submitting camera-ready papers will follow. *Proceedings publication* The authors of accepted contributions will be invited to submit a revised paper after the conference, to be published in an open-access, electronic conference volume endowed with persistent identifiers. *Organization committee* - Elena Spadini (Université de Lausanne, CRLR) - Francesca Tomasi (Università di Bologna) *With the support of* - Centre de recherche sur les lettres romandes <http://www.unil.ch/crlr/home.html> (CRLR), Université de Lausanne *In collaboration with* - Digital Humanities and Digital Knowledge <https://corsi.unibo.it/2cycle/DigitalHumanitiesKnowledge> (DHDK), University of Bologna - Section des sciences du langage et de l’information <https://www.unil.ch/sli/fr/home.html> (SLI), Université de Lausanne - Lausanne Laboratory for Computational and Statistical Text Analysis <http://unil.ch/llist/en/> (LLIST) ------------------------------------------------------------------------------------------------------------------------------------ -- elenaspadini.com elena.spadini(a)unil.ch PostDoc - UNIL Centre de recherches sur les lettres romandes <http://www.unil.ch/crlr>

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Le corpus épigraphique bourguignon (VIIIe-XVe siècle). Des catalogues aux applications numériques. Journée d’études, Paris, 23 octobre 2018, 10h-17h
by Eliana Magnani 24 Sep '18

24 Sep '18

*Le corpus épigraphique bourguignon (VIII^e -XV^e siècle). * *Des catalogues aux applications numériques.*** *Journée d’études* *23 octobre 2018, 10h-17h* Galerie Colbert - Salle AVD (Architecture, Ville, Design) 1^er étage - porte 133 6, rue des Petits-Champs - Paris 2^e Palais-Royal - Musée du Louvre (Métro 1 et 7) et Bourse (Métro 3) Dans le cadre de la collaboration établie par les programmes consolidés des CIFM (/Corpus des Inscriptions de la France Médiévale /- CESCM-Poitiers) et CBMA (/Corpus Burgundiae Medii Aevi /- LaMOP - Paris), leurs équipes ont constitué un corpus de plus de 1400 inscriptions bourguignonnes du VIII^e au XV^e siècle, publiées ou inédites, écrites en différentes langues, latin et ancien français en particulier. Le propos de cette journée d’études est de revenir sur le processus d’acquisition et de structuration des données du corpus et d’évaluer son potentiel d’exploitation pour la recherche historique au regard des différents traitements informatiques possibles, linguistiques et spatiaux. Il s’agit de discuter, sur la base des différentes expériences réalisées, aussi bien des caractéristiques propres du matériel linguistique des inscriptions que de leurs usages dans l’espace et dans le temps. Cette journée d’études est ouverte à tous les intéressés. En vue de l’organisation matérielle, les collègues souhaitant assister à cette rencontre sont priés de nous informer de leur présence avant le 08 octobre 2018 : cbma.project(a)gmail.com <mailto:cbma.project@gmail.com> Porté par le LaMOP (Laboratoire de Médiévistique Occidentale de Paris - UMR 8589) et le CESCM (Centre d’études supérieures de civilisation médiévale - UMR 7302). Il bénéficie du soutien du LabEx haStec (en partenariat avec l’IRHT - Institut de recherche et d’histoire des textes – CNRS UPR 841, le Centre Jean Mabillon -EnC - EA 3624 et le LEM/CERCOR (Laboratoire d’Études sur les Monothéismes – UMR 8584 / Centre européen de recherche sur les congrégations et les ordres religieux) et du Consortium COSME^2 (CNRS - TGIR Huma-Num). Coordination scientifique : Eliana Magnani et Estelle Ingrand-Varenne *Programme * *Acquisition et traitements* ** 10h -/Introduction. Autour du corpus épigraphique bourguignon : chiffres, chronologie, langues - /Eliana Magnani (CNRS, Lamop) et Estelle Ingrand-Varenne (CNRS, CESCM) 10h40 -/De l'OCR à Philologic. Un parcours informatique /- Pierre Brochard (CNRS, Lamop) 11h20 - /Le matériel épigraphique révisé et complété. Le traitement des inscriptions de la fin des années 1990 à aujourd'hui -/ Aurore Menudier (CESCM) 12h-12h30 - /Discussions/ ** *Exploitations* ** 14h -///La lemmatisation des inscriptions est-elle possible ? /- Nicolas Perreaux (Université de Francfort) 14h40 -///Les inscriptions d'après des expériences en SIG - /Davide Gherdevich (Univ. Versailles-Saint-Quentin, DYPAC), Thomas Lienhard (Univ. Paris 1 Panthéon-Sorbonne, Lamop) 15h30 - /Pause/ 16h - /Discussions et tour de table conclusif/ ** -- http://www.cbma-project.eu

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Ménestrels au Canada, 21-22 oct. 2019
by Kouky Fianu 19 Sep '18

19 Sep '18

For submission to the mailing list. Thanks. Prof. Kouky Fianu University of Ottawa

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CfP - AIUCD2019 ‘Pedagogy, teaching, and research in the age of Digital Humanities’
by Alberto Campagnolo 19 Sep '18

19 Sep '18

With Apologies for Cross-posting The main topic of the AIUCD 2019 Conference is ‘Pedagogy, teaching, and research in the age of Digital Humanities’. The conference aims at reflecting on the new possibilities that the digital yields for pedagogy, teaching, and scholarly research: how will these transform teaching in the humanities? What contributions can humanistic cultural critique offer to the digital revolution? What is the connection with the digitization plan for Universities outlined by the Ministry? It also concerns the Digital Humanities as a new discipline, and this brings forward further considerations: how can the new professional figure of the digital humanist be developed? Which areas of knowledge define the Digital Humanities as a subject of study, research, and teaching? How can we recognise, classify, describe, and evaluate research efforts in the Digital Humanities? While open to other topics related to Digital Humanities, proposals for contributions are particularly encouraged on the following: - - General questions: - *the epistemological positioning and area of knowledge of DH in relation to the systems of Academic Research Areas (Settori Scientifico-Disciplinari) and Recruiting in Italy;* - the positioning of DH in the European and International academic systems; - the evaluation of research in DH beyond traditional publications; - dissemination, public history, and crowdsourcing within research projects; - the role of inter(multi-trans-cross)-disciplinary DH research in European projects, enquiry, and teaching. - Pedagogy and teaching questions: - *teaching DH: which models, technologies, and methods?* - teaching the humanities in secondary schools and universities with DH tools; - teaching DH at the University: how is it taught today? - DH and media: production, dissemination, and analytical prospects - teaching history and DH; - DH and didactic strategies; - DH and hands-on teaching practices; - DH and primary source teaching; - Big Data methodologies and technologies in DH research and teaching. - Questions concerning research efforts: - *statistical and quantitative research methods and their teaching applications;* - Data Science and the role of DH in the definition of new knowledge; - Information science and DH: meeting points and methodological integration; - cultural and social impact of humanities research with computational methodologies; - Semantic web technologies and linked open data in the humanities; - models and tools for knowledge representation in the humanities and the cultural heritage sector; - visualization methodologies and technologies and their significance for humanities and cultural heritage knowledge and information; - Natural Language Processing methodologies and applications for the humanities; - digitization methodologies and technologies for the production, preservation, and promotion of digital cultural heritage. DEADLINES The deadline for submitting proposals is the 25th October 2018 (h. 23.59 CET ). Notifications of acceptance will be sent to the authors by 15th December 2018. The official languages of the Conference are Italian and English. However, it is possible to present in other languages if English slides are provided. PROPOSAL CATEGORIES AND SUBMISSION Proposals must be sent in the form of an extended abstract (see below for details), using the ConfTool conference management system, accessible at: http://www.conftool.net/aiucd2019 The Conference provides the following proposal categories: - - 1. long proposal (30 mins: 20 mins + 10 mins for for questions and answers): it should discuss innovative methodologies and their theoretical foundations, experiences of analysis and applications that are methodologically significant within a discipline; presentations devoted to presenting a specific tool or resource are acceptable only if they include a thorough critical discussion of the methods used and/or a theoretical evaluation of the results obtained; 2. short proposal (20 mins: 15 mins + 5 mins for questions and answers): it must present a mature research product or a research project; 3. panel (90 or 45 mins, including questions and answers): a series of presentations (maximum 6) should describe, from a theoretical and methodological point of view, a specific topic or a critical presentation of the grounding, methods and results of a big project; 4. poster: must primarily address the progress of an ongoing project or the technical details of a tool or of a digital resource; 5. workshop and tutorial: in the two days prior to the Conference, one or two workshops or tutorials on topics or tools of interest to the DH community will be accepted. Proposals will be evaluated through double-blind peer review by scholars in the Humanities, Computer Science and/or Digital Humanities. The proposal evaluation will be carried out based on the following criteria: - - - Relevance to the topic of the conference; consistency with the Digital Humanities and Digital Culture domains. - Originality, relevance, or innovative approach. - Methodological rigour, accurate description of the methodology; the research presented should be reproducible - Adequacy of the theoretical and conceptual approach to the reference domain. - Consistency of arguments; clear definition of the objectives; coherence between objectives and results. - Critical analysis of the literature; a bibliography - Quality of any technical solutions proposed within the reference domain. - Good balance between the Humanities and Computer Science components of the research. - Structure of the text; quality of writing; ease of understanding; explanations of scientific language. At the end of the evaluation process, the Program Committee may decide to move an accepted proposal to a different category of presentation. To submit a proposal, please sign into ConfTool ( http://www.conftool.net/aiucd2019). When submitting a proposal, authors must specify keywords from those suggested by the platform in order to facilitate the review process. PROPOSAL STRUCTURE AND FORMATS Proposals must clearly present the goals of the contribution, provide a brief overview of current research in the field, specify and discuss the methodology adopted and, where appropriate, the results obtained or expected. The abstracts will be published in a book with an ISBN identifier. The most promising contributions will be selected for publication as full articles in the AIUCD Umanistica Digitale journal ( https://umanisticadigitale.unibo.it). Proposals must also include a short bibliography. Figures or tables may be included. The length of the proposal varies depending on the type of proposal: - - - Long paper proposal should be 1500-1800 words in length (including footnotes but excluding the bibliography); - Short paper and poster proposals should be 800-1000 words in length (including footnotes but excluding the bibliography); - Panel proposals should be 800-1000 words in length plus 200-250 words for each single presentation, (including footnotes but excluding the bibliography); - Workshop or tutorial proposals should be at least 1000 words and include: a title and a short description of the content and its relevance to the conference and the DH community in general, complete information of all tutors with a brief description of their research interests and previous experience, requests for technical support at the conference, and whether the workshop will have its own Call for Participation. When submitting the proposal, ConfTool also requires the provision of a short abstract (300 words). Proposals should be drafted according to the templates available at: - - - Word: template-abstract-AIUCD2019-en.doc <https://aiucd2019.files.wordpress.com/2018/09/template-abstract-aiucd2019-e…> - ODT: template-abstract-AIUCD2019-en.odt <https://aiucd2019.files.wordpress.com/2018/09/template-abstract-aiucd2019-e…> which also includes editorial specifications. Valid formats are DOCX, DOC, and ODT. The official languages of the AIUCD 2019 Conference are Italian and English, but it is possible to submit a proposal also in the following languages: French, German and Spanish. In these cases, it is mandatory to provide a short abstract in English in ConfTool. Posters should be written in Italian or English. Posters will also need to clearly present the objectives of the project, provide a brief overview of the state of the art and the methodologies adopted and, where appropriate, the results obtained or expected. They must also contain a short bibliography. The format is portrait A1 (841×594 mm). Posters will be displayed in a dedicated space at the Conference venue. Display panels will be provided. Please bring your poster already printed, as we are unable to provide a printing service. Personal laptop computers may be used in the poster exhibition area. If your presentation includes a laptop, please inform the organising committee on acceptance of your proposal. Specific poster slam sessions will be scheduled in the Conference programme to give authors the opportunity to briefly introduce (max 2 minutes) their poster. -- Alberto Campagnolo, PhD CLIR <https://www.clir.org/> Postdoctoral Fellow in Data Curation for Medieval Studies Digital Humanities & Archaeology of the book Researcher *Digital Medievalist Director <https://digitalmedievalist.wordpress.com/>* Mob. +1-202-766-9626 (USA) Mob. +39 347 11 67 355 (IT) Orcid: orcid.org/0000-0002-8672-8400

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11th Annual Schoenberg Symposium_Registration open!
by Ransom, Lynn 17 Sep '18

17 Sep '18

In partnership with the Rare Book Department<https://libwww.freelibrary.org/rarebooks/index.cfm> of the Free Library of Philadelphia, the Schoenberg Institute for Manuscript Studies (SIMS<http://schoenberginstitute.org/>) at the University of Pennsylvania is pleased to announce the 11th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age: IIlluminations: Manuscript, Medium, Message<https://www.library.upenn.edu/about/events/kislak/SIMS/ljs-symposium11> November 15-17, 2018 Manuscript illumination has often been considered in relation to the texts it accompanies, but rarely in terms of its interplay with other artistic media. Historically, however, the technique was closely associated with other forms of artistic expression and served as a crucial point of contact and transfer for visual motifs across space and time. The goal of this year's symposium is to examine cases of intermedial exchange through the lenses of technique, style, iconography, social context, and cultural geography, while also posing broader questions about the deep connections between the craft of illumination and other arts more widely. Of special interest will be insights gained from the technical examination of works in different media, new comparisons made possible by digital technology, and the discovery of linkages once obscured by strict historiographical divisions The program will begin Thursday evening at 5:00 pm on November 15, 2018, at the Free Library of Philadelphia, Parkway Central Library, with a keynote lecture by Professor Susie Nash of the Courtauld Institute of Art. The symposium will continue November 16th-17th at the Kislak Center of Special Collections, Rare Books, and Manuscripts at the University of Pennsylvania. For more information on the program and to register, please go to http://www.library.upenn.edu/about/events/kislak/SIMS/ljs-symposium11

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UCLA Workshop on Digital Humanities, Helsinki Nov 7-8
by Jouni Tuominen 12 Sep '18

12 Sep '18

Dear colleagues, On November 7-8, 2018 we are organising a two-day workshop on digital humanities infrastructure and cultural heritage modelling at the Helsinki Centre for Digital Humanities (HELDIG). Core people of the DH Lab at UCLA (Annelie Rugg and Anthony Caldwell) will share their experiences. The idea is that this is a good chance to develop our thoughts about DH infrastructure, teaching and research at the University of Helsinki and beyond. The workshop is well suited for memory organisations as well. Please remember to sign up in time because the places at the workshop are limited. For more information, see: http://heldig.fi/ucla-dh-workshop-nov-2018 Best regards, Jouni Tuominen -- Jouni Tuominen, Coordinating researcher Helsinki Centre for Digital Humanities (HELDIG) University of Helsinki and Aalto University HELDIG: Room A130, Metsätalo, Unioninkatu 40, Helsinki Aalto: Room B126, Computer Science Building, Konemiehentie 2, Espoo +358 50 556 0402 http://seco.cs.aalto.fi/u/jwtuomin/

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Validation of POSTDATA’s data model
by LUCIANA AYCIRIEX . 11 Sep '18

11 Sep '18

[Apologies for cross-posting] Dear colleagues, One of the main aims of the project POSTDATA is to provide a means to publish European poetry data as Linked Open Data (LOD). With this goal in mind, we created a common data model that must cover any relevant concepts to carry out research about European poetry. The project is very ambitious, and we cannot develop it successfully without your collaboration. What do we need from you? We would like you to select any poetic resource of your interest and try to fill in this form <http://postdata-model-validation.linhd.es> about it with any pertinent information for your research. In exchange for your collaboration, whenever the validation process is over, you will receive an RDF dataset with the data you provided in this form. Thank you very much for your collaboration! POSTDATA Team Luciana Ayciriex R&D Project Manager Laboratorio de Innovación en Humanidades Digitales Escuela Técnica Superior de Ingeniería Informática, UNED Juan del Rosal, 16 28040 MADRID tel. 913988239 [1495805924928_linhd_signature.png] [1487162382233_POSTDATA] www.linhd.es<http://linhd.es/> www.postdata.linhd.es<http://postdata.linhd.es/> AVISO LEGAL. Este mensaje puede contener información reservada y confidencial. Si usted no es el destinatario no está autorizado a copiar, reproducir o distribuir este mensaje ni su contenido. Si ha recibido este mensaje por error, le rogamos que lo notifique al remitente. Le informamos de que sus datos personales, que puedan constar en este mensaje, serán tratados en calidad de responsable de tratamiento por la UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA (UNED) c/ Bravo Murillo, 38, 28015-MADRID-, con la finalidad de mantener el contacto con usted. La base jurídica que legitima este tratamiento, será su consentimiento, el interés legítimo o la necesidad para gestionar una relación contractual o similar. En cualquier momento podrá ejercer sus derechos de acceso, rectificación, supresión, oposición, limitación al tratamiento o portabilidad de los datos, ante la UNED, Departamento de Política Jurídica de Seguridad de la Información<http://portal.uned.es/portal/page?_pageid=93,24432769,93_24432770&_dad=port…>, o a través de la Sede electrónica<https://sede.uned.es/> de la Universidad. Para más información visite nuestra Política de Privacidad<https://descargas.uned.es/publico/pdf/Politica_privacidad_UNED.pdf>.

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"The Library: Spaces of Thought and Knowledge Systems", today opening of the Cologne Mediaevistentagung
by Franz Fischer 11 Sep '18

11 Sep '18

Dear digital medievalists, For spontaneous conference goers: Today opens the 41st Cologne Mediaevistentagung under the title "The Library: Spaces of Thought and Knowledge Systems". http://kmt.phil-fak.uni-koeln.de Admittedly, there are only little digital ingrediences. But Cologne and the conference are always worth visiting for medievalists. Best wishes, Franz

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CFP Kzoo 2019
by Anna Siebach-Larsen 09 Sep '18

09 Sep '18

Dear colleagues, Please find below a CFP for K’zoo 2019 which may be of interest, and don’t hesitate to contact me if you have any questions. Best wishes, Anna Siebach-Larsen, Ph.D. Director, Rossell Hope Robbins Library & Koller-Collins Center for English Studies River Campus Libraries, University of Rochester annasiebachlarsen(a)rochester.edu *CFP for Kalamazoo ICMS 2019* *Bibliothecarii ex machina**: Medievalist Librarians at the Nexus of Production of and Access to Medieval Studies Scholarship * *Sponsored by the International Society for Medievalist Librarians* In the Middle Ages, the *bibliothecarius* was responsible for a local book repository (monastic, cathedral, chapter, college, etc.). The librarian ensured the accuracy of record-keeping concerning the library’s holdings and made those books appropriately accessible to community members (or for the purposes of inter-community lending). In mastering the contents of their libraries, these early information professionals often were masters of the subject matter contained in those books, serving in a variety of other capacities within their communities (e.g., as masters, cantors, sacristans/porters). Although the types of media held by libraries have altered drastically in the intervening centuries ( and especially in recent decades), modern *bibliothecarii*, or “scholar librarians,” still must be masters of subject-specific knowledge as well as information professionals since their positions place them at the intersection of the production and publication of scholarly communication: as scholars and as information professionals, they collect and analyze information, facilitating others’ access to that data; they are thus involved in all aspects of and every point in the scholarly communications process. Whether the information that they produce, analyze, and store is in digital or analog format, librarians are responsible for facilitating access to that information on the part of other scholars (faculty, staff, students) within and without (visiting faculty, independent researchers, the public) their institutions, accomplishing all of this in a way that allows for self-reflection in order to engender continuous improvement in each process. This roundtable provides a space for medievalist librarians and archivists to discuss the unique issues facing them as scholars of the Global Middle Ages and as information professionals working in 21st century libraries and repositories. Subjects of interest for our roundtable include: the segregation of access to data-by-subscription (databases, e-books, images, video, audio, and other digital content) and the barriers to access that are faced by contingent and independent scholars; dealing with the lifecycle of digital content—longevity, discovery, and accessibility; information professionals integrating Medieval Studies scholarship into their professional lives in the face of 12-month appointments and lower status within the academic hierarchy; challenges to effective instruction and collection building unique to Medieval Studies programs; and, addressing the invisibility of librarians’ work within an academic ecosystem. We welcome submissions from library science students who are medievalists (or adjacent) as well as established professionals. Presentations should be no more than 10-15 minutes in length, leaving ample time for group discussion. The International Society for Medievalist Librarians is a recently established group intended to promote and support scholarly, academic, and informational outreach activities by medievalists who are employed in, studying to enter, or interested in library or information professions. Membership is open and there are currently no dues associated with membership. *Please send abstracts and participant forms to Julia Schneider (**jschneid(a)nd.edu) <jschneid(a)nd.edu)>** and Anna Siebach-Larsen (**annasiebachlarsen(a)rochester.edu) <annasiebachlarsen(a)rochester.edu)>** by September 15.*

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DPh 7.1
by Albert Lloret 08 Sep '18

08 Sep '18

Dear all, The new issue of Digital Philology came out a couple of weeks ago featuring a special number devoted to the Storia de Espanna Digital, a digital archive dedicated to the late thirteenth-century chronicle of Spain directed by King Alfonso X of Castile. Guest-edited by Aengus Ward, DPh 7.1 includes articles by Barbara Bordalejo, Heather Bamford and Emily Francomano, Polly Duxfield, and Aengus Ward. It also contains an essay by Brian J. Reilly on authorship verification through modern translations of Old French texts. Here is the TOC: http://muse.jhu.edu/issue/38874 . Enjoy! Albert Albert Lloret, Ph.D. Associate Professor of Spanish and Catalan Director of Spanish and the SpanPort Unit University of Massachusetts Amherst Managing Editor, Digital Philology https://www.press.jhu.edu/journals/digital-philology-journal-medieval-cultur es

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dm-l September 2018