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Dear Digital Medievalists
The following call for submissions might be of interest to you.
On behalf of the organizers,
Franz
Call for Submissions
International Symposium “Textual Heritage in the 21st Century World. Exploring the Potential of a New Analytic Category”
Ca’ Foscari University of Venice,
Hosted on Zoom, March 22-24, 2021
Website: https://www.unive.it/textualheritage
Submission Deadline: December 21, 2020
Keynote Speakers
Wiebke Denecke (MIT)
David C. Harvey (Aarhus University)
We cordially invite proposals for the International symposium “Textual Heritage in the 21st Century World”, to be hosted virtually by Ca’ Foscari University of Venice (on Zoom).
Main topics
* Processes of canonization and heritagization of texts
* Hegemonic mechanisms of world literature and authorized heritage discourses
* The “UNESCO Memory of the World” and the problem of authenticity
* Heritage and materiality
* Non-European systems of musical notation
* Musical reconstructions
* The ownership, authorship, and copyright of textual products
* Any other aspect related to written texts and their heritagization
Aim
Heritage is spreading as a contagious academic category. Food heritage, heritage railways, smell heritage... the popularity of the word suggests that a new paradigm is quickly taking root across the Humanities and Social Sciences. At the same time, surprisingly, manuscripts, books, and other textual products have been notably absent from the interdisciplinary debate over intangible cultural heritage (ICH), despite their substantial cultural capital. This international symposium aims to explore the meanings and potentialities of textual heritage as a new analytic category through which we can challenge the split between tangible and intangible heritage. Given the increasingly connected and digitalized nature of research in the 21st century, we believe this debate is both timely and necessary. With this symposium, we wish to strengthen a dialogue between the Humanities and the Social Sciences through the interdisciplinary area of “heritage studies”. Bringing together both present-oriented approaches to texts and societies and disciplines that explore history and memory, our aim is to emphasize the role of modern and premodern texts in shaping cultural identities. We expand current notions of textuality, stretching the limits of what a text can be and do. Therefore, we adopt a broad approach to texts and their materiality, welcoming contributions that deal with all kinds of documents resulting from a technology of inscription. Such an inclusive conception of “text” encompasses manuscripts, epigraphs, musical notations, architectural plans and maps, both in analog and digital formats. We welcome theoretical contributions and case studies that engage with the concept of textual heritage, exploring how “texts” are produced, used and re-created in order to make sense of the relation between past and present.
Guidelines for Submission
We invite abstracts for 30-minute presentations, followed by 15 minutes of general discussion.
• Abstracts should not exceed 500 words, excluding references but including tables and charts.
• All abstracts should be submitted in English, which will also be the language of the conference.
• Please include a short biography of approximately 250 words.
Please submit your abstract and biography in a single PDF file by sending an email to edoardo.gerlini(a)unive.it<mailto:edoardo.gerlini@unive.it> before December 21, 2020.
We plan to collect some of the papers presented at our symposium, substantially revised, and publish them as an edited volume.
For any questions or inquiries, please send an email to a.giolai(a)hum.leidenuniv.nl<mailto:a.giolai@hum.leidenuniv.nl> or to edoardo.gerlini(a)unive.it<mailto:edoardo.gerlini@unive.it> .
Organizers
Edoardo Gerlini, Marie Curie Fellow, Ca’ Foscari University of Venice
Andrea Giolai, Leiden University
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/
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Dear all,
the VeDPH announces its next online seminar:
Samuel J. Huskey (University of Oklahoma), "What is 'Digital Latin'? An
Overview of the Digital Latin Library"
Wednesday November 24, 17:00 CET
Zoom link:
https://unive.zoom.us/meeting/register/tJUofu-ppjwvGd3BlvJLj6WZIOmyQYDoOzuM
Details: https://vedph.github.io/seminarseries
All best,
Paolo Monella
VeDPH - Venice Centre for Digital and Public Humanities
Ca' Foscari University, Venice
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As part of the recent SIMS conference I finally assembled an introductory video to my Books of Hours Calendar database, CoKL DB, which is available here: https://youtu.be/hJh6n_pCyys
I'm always looking for new and unusual Books of Hours to add into the system, so if there's something you think I should include, please let me know!
Aaron
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Starting tomorrow (Wednesday, November 18), the Schoenberg Institute for Manuscript Studies will be virtually hosting the annual Schoenberg Symposium on Manuscript Studies in the Digital Age through Friday, November 20. This year's theme is "Manuscript Studies in the Digital Covid-19 Age," where we will be considering the state of digital manuscript studies, where we've been, and where we need to go. While registration is currently full for the synchronous event, we are making available to the general public 25 5-minute lightening round talks via the SIMS Youtube channel here<https://www.youtube.com/playlist?list=PL8e3GREu0zuD1mR_tXBvn4ovYib9E3qwq> for asynchronous viewing.
The videos represent a broad spectrum of the exciting work going on in manuscript studies right now, and it's inspiring to see innovation taking place even during these uncertain times. We hope you'll enjoy them as much as we do. Links to individual videos and more information are available on the Lightning Round Video program posted here: https://www.library.upenn.edu/about/exhibits-events/ljs-symposium13.
Best,
Lynn
Lynn Ransom, Ph.D.
Director, Digital Medievalist<https://digitalmedievalist.wordpress.com/> (2020-2021)
Curator of Programs, Schoenberg Institute for Manuscript Studies<schoenberginstitute.org>
Project Director, Schoenberg Database of Manuscripts<https://sdbm.library.upenn.edu/pages/SDBM%20Name%20Authority>
Co- Editor, Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies<mss.pennpress.org>
The University of Pennsylvania Libraries
3420 Walnut Street
Philadelphia, PA 19104-6206
215.898.7851
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Dear all,
1) EUPORIA 2021
with apologies for cross-posting, the VeDPH (Venice Centre for Digital
and Public Humanities) announces EUPORIA 2021, a webinar series in
Theories and Practices of the Annotation through Domain-Specific
Languages, organized by Federico Boschetti (CoPHILAB, CHR-ILC, VeDPH)
and Andrea Taddei (LAMA - University of Pisa).
The first two webinars will be:
30 November 2020, 17:00 CET (https://www.unive.it/data/33113/2/44312)
Speaker: Luigi Bambaci
"Euporia and Textual Criticism: Domain–Specific Languages for Encoding
and Annotating Critical Apparatus"
7 Dicember 2020, 17:00 CET (https://www.unive.it/data/33113/2/44328)
Speakers: Daniele Fusi e Daniel Kiss
"Encoding a critical apparatus: the cases of «Musisque Deoque» and
«Catullus Online»".
More information in
https://www.unive.it/data/39290/
Please register through
https://unive.zoom.us/meeting/register/tZArceqtqj0jGdEf93l2ngjOW02Xem7qkf0t
2) A separate webinar, also organized by the VeDPH:
Dániel Kiss,"Per una nuova edizione di Catullo III"
19 November 2020, 16:00 CET (https://us02web.zoom.us/j/87067532701)
This will constitute the third session of the seminar cycle on the text
of Catullus. Most of the discussion will be in Italian, but
contributions to the discussion in English (and other major European
languages) are also very welcome.
Abstract by the speaker:
At the start of the session, we will look at philological problems in
Catullus, poems 26 (taking in the real estate market of ancient Rome)
and 102. We will move on to poems 61 (concentrating on lines 45–46,
90–96 and 215–16) and 62 (lines 22 and 54–56). Participants may find it
useful to look at these texts in advance.
All best,
Paolo Monella and the VeDPH team
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Helsinki Digital Humanities Centre HELDIG organizes on Dec 11, 2020,
9:00–15:00 CET, the annual HELDIG Digital Humanities Summit.
This year’s theme is “Results of Today – Visions for Tomorrow”,
summarizing results and lessons learned in the centre during its
kick-off phase 2016–2020, and discussing the future of Digital Humanities.
The webinar is free and open for everyone to join online:
https://heldig.fi/summit-2020
Welcome!
--
Jouni Tuominen, Coordinating researcher, Staff scientist
Helsinki Centre for Digital Humanities (HELDIG)
University of Helsinki and Aalto University
HELDIG: Room A131, Metsätalo, Unioninkatu 40, Helsinki
Aalto: Room 3171, Maarintie 8, Espoo
+358 50 556 0402
http://seco.cs.aalto.fi/u/jwtuomin/
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Dear Colleagues,
This weekend, the poem Beowulf will be performed by a troupe of 50 story-tellers from all over the U.S. and Canada on YouTube. I am the academic adviser for the performance. Details follow below. Please feel free to forward to anyone who might be interested.
I hope you'll join us, and that you'll find the performance useful and entertaining. And please accept my apologies for cross posting.
Yours,
Wendy
BEOWULF THE ETHEREAL EVENT BRINGS BEOWULF TO ZOOM
On November 14 and 15, Beowulf the Ethereal Event will present all of the poem Beowulf, performed live on Zoom. The entire epic will be split into two performances, live-streamed to the SCA East Kingdom’s YouTube channel: https://www.youtube.com/c/SCAEastKingdomEthereal
• Part 1: Saturday, November 14, starting at 7:30 pm Eastern time.
• Part 2: Sunday, November 15, at 2:00 pm Eastern time.
The performances will be posted to YouTube permanently at a later date.
Beowulf the Ethereal Event will feature the talents of 50 performers from all over the United States and Canada.
The performance is being produced by the artistic team who staged live story-telling performances of Beowulf in 2011 and 2012 and of Njal’s Saga in 2017.
The poem tells the story of the hero Beowulf, who rescues the Danes by killing the monstrous Grendel. He goes on to kill Grendel’s mother, become king, and then—in his old age—must face a dragon. Throughout, he learns lessons about kingship, feud, and the dangers inherent in fighting monsters.
The performance will be presented with the natural, organic backgrounds of our homes—bookshelves, workshops, home offices, kitchens, and living rooms. We will tell the story without stage magic, but instead will use the available medium to bring Beowulf into the homes of the audience.
The performance text includes translations by Howell Chickering, R.M. Liuzza, Craig Williamson, A.S. Kline, Francis Grummere, M. Wendy Hennequin, Michael Dixon, and Emily Holbert. We are grateful for the permission to use their works. The artistic team gratefully acknowledges the support of the East Kingdom Web Ministry, and the East Kingdom Ministry of Arts and Sciences.
>From Director Michael Dixon:
“Beowulf is still relevant today. Leadership matters, well-earned loyalty is essential, and pride is a dangerous path," Toki said, adding that Nietzche's advice was true for Beowulf, and is true today, "Beware that, when fighting monsters, you yourself do not become a monster."
For more information, see the performance web site: https://sites.google.com/view/ethereal-beowulf/home
Director: Michael Dixon
Assistant Directors: Karoline Kramer and Erik Abernathy
Stage Manager/Company Manager: Christine Connors
Academic and Literary Advisor: Prof. M. Wendy Hennequin (Tennessee State University, Nashville)
Dr. M. Wendy Hennequin
Department of Languages, Literature, and Philosophy
Tennessee State University
3500 John A Merritt Blvd.
Nashville, TN 37209
MWHennequin(a)gmail.com<mailto:MWHennequin@gmail.com>