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Estimados compañeros,
Os hacemos llegar un curso de verano organizado por el Laboratorio de Humanidades Digitales de la UNED<https://linhd.uned.es/>. El curso lleva por título Creación de un proyecto en Humanidades Digitales basado en el análisis de textos: modelado y procesamiento<https://extension.uned.es/actividad/idactividad/24581> y se celebrará del 28 al 30 de junio. Puede realizarse presencialmente o en línea (en directo o en diferido), tiene una duración de 20 horas y será eminentemente práctico.
La investigación en Humanidades Digitales no ha dejado de crecer en los últimos años y son cada vez más los proyectos de historiadores, filólogos, o antropólogos que utilizan la tecnología para el análisis de corpus literarios en busca de patrones, la construcción de mapas digitales interactivos para una mejor visualización de los resultados de sus investigaciones, o la geolocalización de enclaves a los que se añaden capas de información multimedia, entre otras muchas posibilidades.
Los humanistas digitales tienen un futuro prometedor en un área en crecimiento en el que se requieren perfiles profesionales mixtos y flexibles, capaces de organizar y etiquetar objetos digitales; así como gestionar su visualización y preservación en un entorno digital. Sin embargo, para desarrollar la investigación en esta área se ha de disponer de ciertos conocimientos técnicos tales como los que se abordan en el curso que os presentamos.
El objetivo del mismo es diseñar un proyecto de humanidades digitales, desde el modelado del dominio hasta la creación de resultados y su diseminación, haciendo uso de lenguajes de programación, técnicas de modelado y visualización provenientes del mundo de la inteligencia artificial. Comenzaremos con una aproximación al mundo de las Humanidades Digitales y las problemáticas que surgen para el análisis de textos. Después, nos acercaremos a las metodologías y técnicas para resolver esos problemas mediante el modelado semántico y la perspectiva de los datos enlazados y lenguajes de marcas. Asimismo, se presentarán nuevos paradigmas computacionales relacionados con la Inteligencia Artificial como el procesamiento de textos, la estilometría, el deep learning, etc., y su aplicación. Para finalizar, se representarán los resultados obtenidos.
Podéis obtener más información sobre el mismo y matricularos en este enlace.<https://www.fundacion.uned.es/actividad/idactividad/24581>
Un cordial saludo
Beatriz Tejada Carrasco
Subdirectora de Planificación, Calidad y Comunicación
Biblioteca UNED
C/ Paseo de la senda del rey, 5
28040 Madrid
Teléfono: 91 398 61 67
email: btejada(a)pas.uned.es
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Para más información visite nuestra Política de Privacidad<https://descargas.uned.es/publico/pdf/Politica_privacidad_UNED.pdf>.
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Dear digital medievalists,
We are pleased to invite applications for four postdoctoral fellowships in the fields of Archaeology, Art History, History and Philology at the Venice Centre for Digital and Public Humanities (VeDPH, Ca' Foscari University of Venice.
Successful candidates will be expected to:
- design and carry out a research project at their own proposal;
- present the project at a VeDPH seminar;
- contribute to teaching activities and the creation of contents and materials for higher education;
- contribute to grant proposal writing;
- take part in VeDPH meetings and other activities;
- contribute to VeDPH organization activities.
Application deadline: 31st August 2021
Duration: 12 months
The expected starting date is 1st October 2021 (or one month later).
The research fellowship amounts to Euro 19,367.00 gross to the recipient, net of the expenses to be sustained by the Provider. The amount may be subject to adjustment in the event of variations in the law.
An extra amount aimed at covering actual research costs amounting to 5% of ‘gross to the recipient’ amount (max. Euro 1.000,00), will be granted to the research fellow.
Call for Applications
https://apps.unive.it/common2/file/download/assegni_ricerca/60fa986007f42 (ITA)
https://apps.unive.it/common2/file/download/assegni_ricerca/60fa986008485 (ENG)
Application module:
https://apps.unive.it/domandeconcorso/accesso_cf/dsu-8-2021 (ITA)
https://apps.unive.it/domandeconcorso-en/accesso_cf/dsu-8-2021 (ENG)
Please circulate!
More info about the Venice Centre for Digital and Public Humanities:
Website: https://www.unive.it/vedph
Twitter: @venicedph
Instagram: @ve_dph
Youtube: VeDPH - unive
Github: github.com/vedph/<http://github.com/vedph/>
For any questions please contact vedph(a)unive.it<mailto:vedph@unive.it>
Best wishes,
Franz Fischer
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/
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Dear Colleague,
Please, share this opportunity widely.
Best wishes,
Orietta
University Lectureship in Digital Humanities
Cambridge Digital Humanities (CDH) is a thriving research centre reaching across the School of Arts and Humanities and School of Humanities and Social Sciences. We have strong associations with Cambridge's many museums and collections, work closely with the University Library, and have links to many other faculties and research centres.
The successful applicant will convene the new CDH-led MPhil programme in Digital Humanities to be launched in September 2022 and will work with the CDH Director and Learning Director to further develop the programme as it expands into new areas. They will offer postgraduate teaching and supervision, and they will also take on doctoral students in CDH and the Faculty of English. The role is likely to involve UG teaching in future years as CDH develops. Primary responsibilities of the role will be to CDH.
We are seeking candidates with a wide range of expertise in Digital Humanities, which we conceive as an expansive and intrinsically inter-disciplinary field, that brings together research focussed around collections, platforms, digital methods, public cultures, digital aesthetics, cultural analytics, digital media studies, medium theory, and cultural critique.
The post will be based in the Faculty of English, and we welcome applications from candidates whose DH work directly engages with English literature or other media. However, we also welcome other DH specialisms including: cultural analysis, archival cultures, film and visual cultures, digital media studies, digital methods, AI and humanities research, activism and critical media, race, decolonization and epistemic change. The successful applicant will have a commitment to Digital Humanities as their interdisciplinary home, and through their research and teaching, they will make a substantial contribution to the range, scope and depth of the work at CDH.
https://www.jobs.cam.ac.uk/job/29965/?fbclid=IwAR3-PEnAn2qCoL5MyBhAXGUDLG2w…
***********************************
Dr Orietta Da Rold
Faculty of English
9 West Road, Cambridge, CB3 9DP
01223 335089
Fellow of St John's College
Cambridge, CB2 1TP
01223 768181
od245(a)cam.ac.uk<mailto:od245@cam.ac.uk>
webpage: http://www.english.cam.ac.uk/people/Orietta.Da_Rold/
*****************************************************************************
NEW BOOKS:
• Paper in Medieval England: From Pulp to Fictions (Cambridge University Press, 2020), ISBN: 978-1-108-84057-6
https://www.cambridge.org/core/books/paper-in-medieval-england/1170CB3703A4…
• Companion to British Manuscript Studies, ed. with Elaine Treharne (Cambridge University Press, 2020), ISBN: 9781316182659
https://www.cambridge.org/gb/academic/subjects/literature/anglo-saxon-and-m…
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Dear Digital Medievalist community members,
We have the pleasure of announcing the results from the 2021 DM Executive Board elections for the term beginning in August 2021 and ending in July 2023. 140 DM members cast votes this year for four open seats. The four highest vote counts went to the following candidates who have now been elected to the board:
(in alphabetical order)
* Lisa Fagin Davis
* Rose Faunce
* Gustavo Fernández Riva
* Kivilcim Yavuz
We would like to thank the other candidates -- Tsehay Ademe Belay, Bill Endres, Sean M. Winslow, and Ephrem Aboud Ishac -- for standing for election and providing us with an outstandingly rich choice. Thank you for your participation!
Best wishes to the new DM board, and the DM community as a whole,
Lynn Ransom and Claudia Sojer
2021-23 DM Executive Board Elections Committee
https://digitalmedievalist.wordpress.com/
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Dear all,
the VeDPH is glad to announce that the new Lyon16ci website is online.
It includes a database of 10000 automatically searchable images of book
illustrations documenting the printing industry in Lyon during the
Renaissance.
It uses the VGG Image Search Engine (VISE) software, and it is the
result of the cooperation between the project by Dr. Barbara Tramelli
"The Illustrated Book in Lyon 1480-1600" (Equipex Biblissima/The Venice
Centre for Digital and Public Humanities) and the Visual Geometry Group
in Oxford.
For more: https://www.unive.it/data/33113/2/51526
All best,
Paolo Monella
--
Researcher (RTDA), Latin and Digital Humanities
Dipartimento di Scienze dell'Antichità
Sapienza University of Rome
Affiliated Scholar
Venice Centre for Digital and Public Humanities (VeDPH)
Ca' Foscari University, Venice
--
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--
Fai crescere i nostri giovani ricercatori
dona il 5 per mille alla
Sapienza
*codice fiscale 80209930587*
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Dear digital medievalists,
Two announcements about magazén, International Journal for Digital and Public Humanities (new issue on 'consolidation' and CfP on 'reconstructions'):
1) magazén - new issues out on 'consolidation'
The Venice Centre for Digital and Public Humanities (VeDPH) gladly announces the publication of the first issue of the second volume of magazén, International Journal for Digital and Public Humanities, available freely online at: http://doi.org/10.30687/mag/2724-3923/2021/03.
The articles are devoted to the topic of “consolidation” in the field of digital and public humanities. For your convenience here is the table of contents:
* Franz Fischer, Diego Mantoan, Barbara Tramelli
"Of Consolidation and Canons in a Unitary Field Called Digital and Public Humanities"
* Thomas Cauvin
"New Field, Old Practices: Promises and Challenges of Public History"
* James H. Brusuelas
"Scholarly Editing and AI: Machine Predicted Text and Herculaneum Papyri"
* Pavol Hnila, Julia Elicker
"Quality Assessment of Digital Elevation Models in a Treeless High-Mountainous Landscape. A Case Study from Mount Aragats, Armenia"
* Christian Wachter
"Publishing Complexity in the Digital Humanities"
* Samanta Mariotti
"The Use of Serious Games as an Educational and Dissemination Tool for Archaeological Heritage Potential and Challenges for the Future"
* Milena Corbellini, Paola Italia, Valentina Pasqual, Roberta Priore
"VaSto: un’edizione digitale interdisciplinare"
Exciting contents and colours.
Enjoy reading!
2) magazén - call for abstracts on '[re]constructions'
magazén, the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) at Ca’ Foscari University of Venice, launched an international Call for Papers for its next volume entitled “[re]constructions”. The 2022 volume shall devote two semestral issues of the journal to to the theories and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value.
Abstract submission: September 15, 2021
Abstract acceptance: October 15, 2021
Articles submission: February 15, 2022 (issue 1) or July 15, 2022 (issue 2)
Prospective publication: June 2022 (issue 1) and December 2022 (issue 2)
See the full CfP below and soon at: https://edizionicafoscari.unive.it/it/edizioni4/riviste/magazen/info
For questions please get in contact with the editors: magazen(a)unive.it<mailto:magazen@unive.it>
On behalf of the editorial board
Franz Fischer
--
Call for Papers – Volume 2022 – “[re]constructions”
magazén | International Journal for Digital and Public Humanities
Venice Centre for Digital and Public Humanities (unive.it/vedph<http://unive.it/vedph>)
Department of Humanities, Ca’ Foscari University of Venice, Italy
magazén | International Journal for Digital and Public Humanities
magazén is the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) based at the Department of Humanities at Ca’ Foscari University of Venice undergoing double blind peer review and published twice per year in digital copy and html version in open access by Edizioni Ca’ Foscari<https://edizionicafoscari.unive.it/en/edizioni4/>. The VeDPH is founded upon an initiative of excellence that aims at stimulating an interdisciplinary methodological discourse to serve as the basis for the collaborative development of durable, reusable, shared resources for research and learning in the field of digital and public humanities. Its disciplinary domains include Digital Textual Scholarship, Digital and Public Art History, Digital and Public History, Digital Cultural Heritage and Digital and Public Archaeology.
Call for Papers | Volume 2022: [re]constructions
magazén is accepting proposals to its 2022 volume entitled “[re]constructions”, which shall devote two semestral issues of the journal (June and December) to the theory and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value. Indeed, over the last decade the principle of [re]construction by means of scholarly expertise set the pace of many recent research projects in the prosperous field of digital and public humanities. Particularly digital tools and interdisciplinary collaborations provided the opportunity to [re]compose varied sources and [re]visualise research data, such as to offer unprecedented insights in historical, societal, cultural, artistic, archaeological, and political events. Evolving research technologies and consolidated methodological approaches in the digital and public humanities allowed scholars to test their analytical abilities against a set of novel possibilities to make their results public, immersive, and virtually appreciated. In this regard, digital and public humanities lay at the crossroads of the kind of speculation, intuition, and invention that comes with every act of scholarly [re]construction, seen as a creative task steered by scientific rigour.
A true symbol of this attitude are the square brackets, which stand as a visual sign and signifier of the “gap-filling” and “meaning-making” tasks humanists always aim to accomplish in their research work. In a sense, digital and public humanists have the privilege of [re]framing their disciplines in various ways, such as: filling the gap of missing text fragments and traditions, retracing the dynamics of historical processes and events, retrieving dispersed artworks and collections, reconstructing lost archaeological sites and artefacts. Eventually, magazén’s volume 2022 will draw particular attention to the public aspects of such endeavours, given that successful [re]constructions hold firm to the principle of research dissemination and audience involvement from their very inception, rather than having public access just as a late side-effect of scholarly work.
Hence, for its 2022 volume magazén is set to examine in two semestral issues the concept of “[re]constructions” as a procedural and constitutional peculiarity of digital and public humanities. Scholars are particularly invited to submit contributions that span from theoretical debates to methodological reflections, also comprising the examination of particular case studies from the heterogeneous domains of Digital Textual Scholarship, Digital and Public History, Digital and Public Archaeology, Digital and Public Art History, GLAM studies.
Submissions | Abstracts and guidelines
For scholars interested in submitting a proposal, please send the provisional title, the abstract of no more than 200 words together with a short biographical note. All materials should be sent by September 15, 2022 via email (subject: “magazen 2022 – Call for Papers”) to the editorial board at the following address: magazen(a)unive.it<mailto:magazen@unive.it>. Notice of selection will be given to authors within four weeks from the submission deadline.
Finalised contributions are expected to be 6.000–9.000 words long (notes and bibliography included) and will undergo double blind peer review. Accepted languages are Italian and English, though all texts must have an English abstract and stick to the editorial guidelines of Edizioni Ca’ Foscari<https://edizionicafoscari.unive.it/media/pdf/pubblicare-con-noi/ecf_norme_e…>. Texts that should not comply with editorial guidelines or that the editors should deem linguistically inappropriate won’t be accepted. Please note that the journal does not offer language proof-reading services to the authors, who must also secure all copyright permissions (reproduction costs included) for images and other media.
The deadline for all accepted articles is February 15, 2022, for issue 1 and July 15, 2022, for issue 2. Final publication of the first issue is planned by June 2022, while the second issue will be due in December 2022. For further details please contact the editorial board via email at magazen(a)unive.it<mailto:magazen@unive.it>.
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/
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On behalf of Theodora Danek and Tara Andrews, I forward the following job announcement:
-----
The ERC-funded RELEVEN project, led by Tara Andrews and hosted at the Institute for History of the University of Vienna, is seeking to fill two pre-doctoral academic posts. The aim of RELEVEN ("Re-Evaluating the Eleventh Century through Linked Events and Entities") is to cast a clearer light on the events of the "short eleventh century" (c.
1030-1095) and specifically to get a better understanding of the ways in which the Christian world was perceived by its inhabitants at the time, particularly in the eastern half of Christendom but also to the north, where the faith had rapidly been expanding.
The ideal candidate will have completed an MA or equivalent in medieval history with a focus on, and knowledge of the languages of, one of the following areas: Byzantium; the Caucasus; Syria and/or Egypt; Italy and/or Sicily; Central Europe and/or Russia.
The available positions are for 30h per week (0.75 FTE); pay is in accordance with the FWF salary scales.
(https://m.fwf.ac.at/en/research-funding/personnel-costs). Deadline for
application: 20 July 2021.
For more information and to apply, go to http://releven.univie.ac.at/jobs/
Thank you and best wishes,
Theodora Danek
--
Theodora Danek
Project administrator RELEVEN
Institut für Geschichte
Universität Wien
http://releven.univie.ac.at