Hello list,
Are there any best practices aimed at scholars who wish to take images of manuscripts "in the field", using their own equipment? I'm thinking particularly of very remote repositories, that would not have their own digitization equipment; for a scholar interested in imaging only one or two manuscripts it might not be reasonable to try to have a professional set-up (with special book-cradle, special lighting, etc.). However even in those circumstances it's important to maintain high quality both in imaging and in metadata. I know for a fact that there are people doing work like that, hopefully some of them are on this list. Has anyone actually taken the time to write up best practices, though?
And if not, perhaps we need some.
Thanks, Dot
On 10/26/2010 8:05 AM, Dot Porter wrote:
it might not be reasonable to try to have a professional set-up (with special book-cradle, special lighting, etc.).
I knew a guy in the 50s who schlepped that stuff all over Europe -- on the other hand, I have seen people with digital cameras simply taking snapshots.
Hi Dot, I remember seeing on the HMML website some technical documentation about field photography of mss in rather rough conditions, but I didn't manage to find it right now. If it rings a bell to someone here... Best, Marjorie
Le 26/10/2010 17:28, NORMAN a écrit :
On 10/26/2010 8:05 AM, Dot Porter wrote:
it might not be reasonable to try to have a professional set-up (with special book-cradle, special lighting, etc.).
I knew a guy in the 50s who schlepped that stuff all over Europe -- on the other hand, I have seen people with digital cameras simply taking snapshots.
Is Wayne Torborg on the list? I guess he would be the person to ask about that.
Dot
On Tue, Oct 26, 2010 at 11:38 AM, Marjorie Burghart marjorie.burghart@ehess.fr wrote:
Hi Dot, I remember seeing on the HMML website some technical documentation about field photography of mss in rather rough conditions, but I didn't manage to find it right now. If it rings a bell to someone here... Best, Marjorie
Le 26/10/2010 17:28, NORMAN a écrit :
On 10/26/2010 8:05 AM, Dot Porter wrote:
it might not be reasonable to try to have a professional set-up (with special book-cradle, special lighting, etc.).
I knew a guy in the 50s who schlepped that stuff all over Europe -- on the other hand, I have seen people with digital cameras simply taking snapshots.
-- Marjorie BURGHART EHESS (pôle de Lyon) / UMR 5648 Histoire et Archéologie des Mondes Chrétiens et Musulmans Médiévaux 18 quai Claude Bernard 69007 Lyon - FRANCE
Digital Medievalist -- http://www.digitalmedievalist.org/ Journal: http://www.digitalmedievalist.org/journal/ Journal Editors: editors _AT_ digitalmedievalist.org News: http://www.digitalmedievalist.org/news/ Wiki: http://www.digitalmedievalist.org/wiki/ Twitter: http://twitter.com/digitalmedieval Facebook: http://www.facebook.com/group.php?gidI320313760 Discussion list: dm-l@uleth.ca Change list options: http://listserv.uleth.ca/mailman/listinfo/dm-l
Dot et al.,
at this year's RSA conference in Venice, Todd Rester --- who not only knows much about photography, but has a passion for it --- gave a paper:
TODD M. RESTER, CALVIN THEOLOGICAL SEMINARY A Digital Researcher's Toolkit: Sive, Ad Fontes, Renatos ac Digitaliter Acquisitos
The paper was accompanied by slides and detailed description on how to assemble a light field kit for making digital photos, complete with a stand and a connection to computer (you control the camera from the computer). Later, Todd shared the slides with me, which I can pass on to those interested.
We used Todd's recipes to put together a similar kit and photograph a three-volume Bible in the field (a Franciscan monastery). I can tell you that nothing can beat sunlight, and that getting the values of exposure and film sensitivity just right is an art. In the end we just stuck to defaults, and got quite acceptable results. But having a direct connection to the computer was very practical.
Yours,
Neven
Neven, if you could share this with me I would appreciate it!
Thanks, Dot
2010/10/26 Neven Jovanović neven.jovanovic@ffzg.hr:
Dot et al.,
at this year's RSA conference in Venice, Todd Rester --- who not only knows much about photography, but has a passion for it --- gave a paper:
TODD M. RESTER, CALVIN THEOLOGICAL SEMINARY A Digital Researcher's Toolkit: Sive, Ad Fontes, Renatos ac Digitaliter Acquisitos
The paper was accompanied by slides and detailed description on how to assemble a light field kit for making digital photos, complete with a stand and a connection to computer (you control the camera from the computer). Later, Todd shared the slides with me, which I can pass on to those interested.
We used Todd's recipes to put together a similar kit and photograph a three-volume Bible in the field (a Franciscan monastery). I can tell you that nothing can beat sunlight, and that getting the values of exposure and film sensitivity just right is an art. In the end we just stuck to defaults, and got quite acceptable results. But having a direct connection to the computer was very practical.
Yours,
Neven
Digital Medievalist -- http://www.digitalmedievalist.org/ Journal: http://www.digitalmedievalist.org/journal/ Journal Editors: editors _AT_ digitalmedievalist.org News: http://www.digitalmedievalist.org/news/ Wiki: http://www.digitalmedievalist.org/wiki/ Twitter: http://twitter.com/digitalmedieval Facebook: http://www.facebook.com/group.php?gidI320313760 Discussion list: dm-l@uleth.ca Change list options: http://listserv.uleth.ca/mailman/listinfo/dm-l
Dear Dot,
You should take a look at where people discuss and build different types of scanning/digitalizing machines, including portable ones meant to be used in archives. You can find some are really nice designs there, as well as software that people use to process those images.
Best regards, Maxim G. Romanov
Doctoral Student in Arabic & Islamic Studies Department of Near Eastern Studies University of Michigan Ann Arbor, MI, U.S.A.
On Tue, Oct 26, 2010 at 9:05 AM, Dot Porter dot.porter@gmail.com wrote:
Hello list,
Are there any best practices aimed at scholars who wish to take images of manuscripts "in the field", using their own equipment? I'm thinking particularly of very remote repositories, that would not have their own digitization equipment; for a scholar interested in imaging only one or two manuscripts it might not be reasonable to try to have a professional set-up (with special book-cradle, special lighting, etc.). However even in those circumstances it's important to maintain high quality both in imaging and in metadata. I know for a fact that there are people doing work like that, hopefully some of them are on this list. Has anyone actually taken the time to write up best practices, though?
And if not, perhaps we need some.
Thanks, Dot
-- *~*~*~*~*~*~*~*~*~*~* Dot Porter (MA, MSLS) Digital Medievalist, Digital Librarian Email: dot.porter@gmail.com *~*~*~*~*~*~*~*~*~*~*
Digital Medievalist -- http://www.digitalmedievalist.org/ Journal: http://www.digitalmedievalist.org/journal/ Journal Editors: editors _AT_ digitalmedievalist.org News: http://www.digitalmedievalist.org/news/ Wiki: http://www.digitalmedievalist.org/wiki/ Twitter: http://twitter.com/digitalmedieval Facebook: http://www.facebook.com/group.php?gid=49320313760 Discussion list: dm-l@uleth.ca Change list options: http://listserv.uleth.ca/mailman/listinfo/dm-l
I have taken several thousand photos of manuscripts over the years. Some institutions have a copy stand available for use, but I bring a lightweight tripod if they don't. One archive even had a pair of balanced lights, but most places where I have worked (in France and Belgium) won't let you add any light, so you are at the mercy of whatever you can get from a nearby window (if even that).
The job is most easily accomplished if you have a digital camera that you can operate remotely from your laptop (tethered operation). Someone here has reported that the Canon G11 has dropped that ability--that's really too bad. Canon used to provide that support for most of their cameras, and that would otherwise be a great camera for the job. Besides camera, tripod and laptop, I carry a pocket spirit level (to square the photographic plane with the tabletop), a grey scale, and a ruler for inclusion in each shot. I also have a sheet of white paper to place behind the folio being shot, so that if there are any holes in the folio, you don't see what's on the page beneath. Best color reproduction results come if you set a custom white balance. I always shoot in RAW and set the exposure for deep depth of field. We tend to think of the manuscript page as being a flat object, but my experience has been that most folios occupy the third dimension, often in ways that can be very difficult to reproduce. Therefore, I also take careful notes for each folio of things that might not render well in photographs--text lost in shreds, holes, creases, gutters, etc.
In 1993, I idealistically tried to invent the online manuscript image archive--originally as an ftp server, but as soon as there were web clients for PC and Mac, it migrated to the web (dscriptorium--currently off-line for server updating). I secured permission to distribute images from a number of libraries, but some of them refused to allow it. A large number of other on-line collections have appeared in the meantime--many of which (but not all) are operated by the institutions which own the manuscripts. Here's a list of some: http://manuscriptevidence.org/data/node/27. Even important libraries have extreme diversity in the quality of images that they put up.
Jesse
On Tue, Oct 26, 2010 at 7:05 AM, Dot Porter dot.porter@gmail.com wrote:
Hello list,
Are there any best practices aimed at scholars who wish to take images of manuscripts "in the field", using their own equipment? I'm thinking particularly of very remote repositories, that would not have their own digitization equipment; for a scholar interested in imaging only one or two manuscripts it might not be reasonable to try to have a professional set-up (with special book-cradle, special lighting, etc.). However even in those circumstances it's important to maintain high quality both in imaging and in metadata. I know for a fact that there are people doing work like that, hopefully some of them are on this list. Has anyone actually taken the time to write up best practices, though?
And if not, perhaps we need some.
Thanks, Dot