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Dear Colleagues, I am pleased to announce the publication of ChrysoCollate, a free computer program for collation and critical edition in any language (Unicode) developed by Sébastien Moureau (FNRS, UCLouvain). This tool offers:
* two modes: collation mode and edition mode; * a collation table with automatic distinctive colours and previsional completion of readings; * annotation tools for the collation table, including a system of references to the images of the witnesses that allows you to navigate easily in your textual tradition; * automatic apparatus, according to the readings that are chosen by the editor; * a stemma codicum checker; * a translation box to manage and synchronise your translation; * exportation in various formats (odt, cte, etc.). ChrysoCollate is freely available at https://uclouvain.be/chrysocollate/. Kind regards, Sébastien Moureau, Chercheur qualifié at the FNRShttps://www.frs-fnrs.be/, Professor at the UCLouvainhttps://uclouvain.be/fr/index.html.
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We are pleased to announce that the second edition of Prue Shaw’s Digital Edition of Dante’s Commedia is now available at https://www.dantecommedia.it. Thanks to the cooperation of its publishers (Fondazione Ezio Franceschini, https://www.fefonlus.it/index.php/en/, and Inkless Editions, http://www.inklesseditions.com), of the libraries holding the manuscripts, of the participating scholars, and of DARIAH-IT, we are able to make the whole edition available to all free on-line.
The edition contains full transcripts and images of seven key manuscripts, together with the full text of the Petrocchi and Sanguineti editions, a complete word-by-word collation of the texts of the manuscripts and editions, some 500 pages of editorial materials, and analysis and visualizations of the manuscript relations using phylogenetic and other digital tools. A specialized variant database (“VBase”) enables precise searches for variant readings according to their distribution across the tradition.
This second edition offers all the data of the first edition, with updated editorial material, in a completely new interface. Its development was overseen by myself (University of Saskatchewan and Inkless Editions), Lino Leonardi (Scuola Normale Superiore, Pisa and Fondazione Ezio Franceschini), Prue Shaw (University College London), David Robey (Universities of Oxford and Reading) and Emiliano Degl’Innocenti (DARIAH-IT).
Peter Robinson
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Robinson, Peter -
Sébastien Moureau