**with the usual apologies for cross-posting**
7th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the
Digital Age
November 6-8, 2014
Collecting Histories
In partnership with the Rare Book Department of the Free Library of
Philadelphia, the Schoenberg Institute of Manuscript Studies at the
University of Pennsylvania is pleased to announce the 7th Annual Lawrence
J. Schoenberg Symposium on Manuscript Studies in the Digital Age. This
year's symposium highlights the work of the Schoenberg Database of
Manuscripts by bringing together scholars and digital humanists whose work
concerns the study of provenance and the history of collecting pre-modern
manuscripts. The life of a manuscript book only just begins when the
scribe lays down his pen. What happens from that moment to the present day
can reveal a wealth of information about readership and reception across
time, about the values of societies, institutions, and individuals who
create, conserve, and disperse manuscript collections for a variety of
reasons, and about the changing role of manuscripts across time, from
simple vehicles of textual transmission to revered objects of collectors'
desires. The study of provenance is the study of the histories of the
book.
PROGRAM ADDITION:
In addition to the regular program of papers and workshops, we will be
offering an opportunity to test-drive a prototype for the public user
interface for the NEH-funded New Schoenberg Database of Manuscripts on
Friday, November 7, at 5 pm. This interface will allow users to
contribute, edit, and evaluate manuscript data. All registrants are
invited to this special session. We need your input!
For more information and to register online, go to
http://www.library.upenn.edu/exhibits/lectures/ljs_symposium7.html. Or
contact Lynn Ransom at lransom(a)upenn.edu.
Dear Colleagues,
I am happy to announce that I have interactive Reflectance Transformation Imaging (RTI) files of the 8th-century St Chad Gospels available for viewing on the Web: https://lichfield.as.uky.edu . This past summer, I used RTI (originally known as Polynomial Texture Mapping, PTM) to capture dry-point glosses and the state of pigments in the 8th-century St Chad Gospels. RTI proved wonderfully successful, even capturing dry-point glosses that had previously gone unnoticed. These files are viewable in a regular browser and allow viewers to control the angle of light and adjust a specular enhanced view of surface details. I also have a short video about RTI and the Chad Gospels' dry-point glosses on the website, but it is also viewable directly on YouTube: http://youtu.be/SEr0rO3UHjs .
All best,
Bill
--
Manuscripts of Lichfield Cathedral
https://lichfield.as.uky.edu
Bill Endres
University of Kentucky
Division of Writing, Rhetoric & Digital Studies
Lexington, KY 40506
859-257-8337
*HASTAC 2015: Exploring the Art & Science of Digital Humanities*
May 27-30, 2015 Michigan State University, East Lansing, MI
Submissions *Deadline EXTENDED to: October 31, 2014*, 5:00pm EST (Proposals
are
welcomed at: <https://easychair.org/conferences/?conf=hastac2015>)
Join us on the campus of Michigan State University to celebrate and
explore the range of Digital Humanities Scholarship, Research, and
Performance! We welcome sessions that address, exemplify, and
interrogate the interdisciplinary nature of DH work. HASTAC 2015
challenges participants to consider how the interplay of science,
technology, social sciences, humanities, and arts are producing new
forms of knowledge, disrupting older forms, challenging or reifying
power relationships, among other possibilities. Themes addressed by the
conference include:
- the changing nature of humanities research and scholarship
- indigenous culture, decolonial and post-colonial theory and technology
- technology and education
- open learning, peer learning, and issues of access, equity for primary
and/or higher education
- communication of knowledge, publishing, and intellectual property
- digital cultural heritage and hegemony
- crowd dynamics, global outreach, and social media
- technology and social identity and roles: gender, race, and other
- identities
- digital animation and other visualization media arts and sciences
- games and gaming, including for learning
- community development including the importance of art and culture
- mobile technologies, activity streams, and experience design
- cognitive and other dimensions of creativity, innovation, and
scholarship
HASTAC 2015 will include plenary addresses, panel presentations
(variations detailed below), maker sessions, workshops, exhibitions,
performances and tech demos.
We seek proposals for participant presentations in the following
categories:
* 5-8 minute lightning talks
* 15-20 minute talks
* 75 minute curated panels (lightning talks, longer talks, curated
conversation)
* project demos
* digital and/or print posters
* creative performances or exhibitions
* maker sessions or workshops
For each submission, we will need the following information from you:
1) complete contact information including valid phone, email, and
institutional affiliation, if any;
2) 500 word abstract of the work you would like to present that must
discuss its relationship to the conference themes;
3) any technical requirements or other support (including space
requirements) that may be required for the presentation. For
exhibitions or other performances, please indicate any equipment that is
absolutely required and that you cannot bring with you. In the event
that we cannot guarantee access to the equipment, we regret that we may
not be able to accept your proposal.
Digital and/or Print Posters Wanted!
Print posters (4 x 3¹) and electronic posters (to be projected) are
solicited for emerging projects, ideas, and scholars. In presenting your
research with a poster, you should aim to use the poster as a means for
generating active discussion of your research. Limit the text to about
one-fourth of the poster space, and use visuals (graphs, photographs,
schematics, maps, etc.) to tell your story. Use the regular submission
form, but indicate that you are proposing a Poster by checking the
appropriate box.
Maker Sessions & Workshops
We will provide some room and resources for individuals or groups to
create informal maker spaces, where conference participants can share,
exchange, and experiment with new online tools, personal fabrication
technologies, open source electronics such as Arduino, and other
creative and learning devices and gadgets. To propose a maker session or
workshop, please use the standard submission form and indicate that
yours is a maker session. Please also tell us how long the session
Requires!
All proposals will be peer-reviewed, but we regret that we cannot
provide detailed reviewer feedback. We welcome applications from
scholars at all stages of their careers from all disciplines and fields,
from private sector companies and public sector organizations, from
artists and public intellectuals, and from networks and individuals.
Submit your proposal here.
<https://easychair.org/conferences/?conf=hastac2015>
**Submissions will be processed using EasyChair. If you do not
already have an EasyChair account, you will need to sign up for one in
order to submit a proposal.**
If you have any questions or require more information, please e-mail us at
hastac2015(a)gmail.com
Kristen Mapes
Digital Humanities Specialist
College of Arts and Letters
Michigan State University
718-216-5695
kristenmapes.com
kmapes(a)msu.edu
kmapes86(a)gmail.com
(apologies for cross-posting)
See call for presentations below for the Keystone Digital Humanities
Conference. The name of the conference is taken from Pennsylvania's
official nickname "The Keystone State," and although we encourage proposals
from within the state we welcome proposals from anywhere, and from any area
of the digital humanities.
***
Keystone Digital Humanities, a conference at the University of Pennsylvania
with the KeystoneDH Initiative
CALL FOR PRESENTATIONS
The Keystone Digital Humanities conference will be held in the Kislak
Center for Special Collections, Rare Books and Manuscripts at the
University of Pennsylvania Libraries, July 22-24, 2015. Proposals are now
invited for long presentations (20 minutes), short presentations (7
minutes), and project showcases (10 minutes) in all areas of digital
humanities. Presentations may take the form of interactive presentations,
short papers, project demos, or panel discussions. We welcome proposals
from emerging and veteran students, teachers, and scholars. For more
information, visit our conference website at
http://sceti.library.upenn.edu/KeystoneDH/.
The community will be invited to vote on proposals that they would like to
see included in the program. The 10 proposals with the highest scores are
guaranteed a slot at the conference. The Program Committee will curate the
remainder of the program in an effort to ensure diversity in program
content and presenters. Community votes will, of course, still weigh
heavily in these decisions.
Please send your name, email address, and a proposal of 200-300 words to
keystonedh.conference(a)gmail.com. The proposal deadline is January 2, 2015,
and community peer review will run from January 15-February 15. Proposers
will be notified by March 1.
We anticipate that we will have a small number of travel bursaries for
graduate and undergraduate students.
Thanks from the Conference Organizing Committee
Dawn Childress, Penn State University
Molly Des Jardin, University of Pennsylvania
Mitch Fraas, University of Pennsylvania
Patricia Hswe, Penn State University
Diane Jakacki, Bucknell University
David McKnight, University of Pennsylvania
Dennis Mullen, University of Pennsylvania
William Noel, University of Pennsylvania
James O'Sullivan, Penn State University
Dot Porter, University of Pennsylvania
Katie Rawson, University of Pennsylvania
Matt Shoemaker, Temple University
Stefan Sinclair, McGill University
Rebecca Stuhr, University of Pennsylvania
--
*~*~*~*~*~*~*~*~*~*~*
Dot Porter (MA, MSLS)
Digital Medievalist, Digital Librarian
Email: dot.porter(a)gmail.com
Personal blog: dotporterdigital.org
Medieval Electronic Scholarly Alliance: http://www.mesa-medieval.org
MESA blog: http://mesamedieval.wordpress.com/
MESA on Facebook:
https://www.facebook.com/MedievalElectronicScholarlyAlliance
*~*~*~*~*~*~*~*~*~*~*
Dear Digital Medievalists
I'm glad to inform you about a database which might be of some
interest to those of you working on the late eleventh century, the
investiture conflict or papal history.
Today, I've finished and published a database collecting and
containing information on where and in which collections/contexts the
letters of pope Gregory VII were transmitted.
www.g7ldb.history.uni-tuebingen.de
No full text of any letter is included (yet?) but nevertheless you can
do rather advanced search queries. There are also a synopsis of
letters and collections and a visualisation of the transmission. Both
show ALL elements by default, but are designed to display your
selection of items.
I appreciate any feedback, via mail or the forms at the bottom of each
page in the database.
For those of you rather interested in the technical side, just a few
words: The raw data is all in XML, with some elements in TEI. Wherever
possible, static HTML pages are created via XSLT. Search and synopsis
and visualisation of user selections are also done with XSLT, but in
real time on the server using Saxon/C. PHP is used to manage these
transformations and also the user sessions. eXist or any other XML
database is nowhere involved.
I guess, this solution is somehow “unorthodox”, but after all: It's
working! (At least, I hope so.)
I hope, the database is of some use at least to some of you!
Best regards
Christian
--
Dr. Christian Schwaderer
(Akademischer Mitarbeiter)
Eberhard-Karls-Universität Tübingen
Philosophische Fakultät
Fachbereich Geschichtswissenschaft
Seminar für mittelalterliche Geschichte
Wilhelmstraße 36 (Hegelbau)· 72074 Tübingen · Germany
Zimmer 212
Telefon +49 7071 29-72990· Telefax +49 7071 29-5905
christian.schwaderer(a)uni-tuebingen.de
Abstracts are now invited for a two-day workshop, jointly organised by
Digital Humanities @ Uni Bern and Infoclio.ch, to be held 29-30 January
2015.
The full call for participation is now online:
http://www.dh.unibe.ch/en/2014/08/software-scholarship/https://infoclio.ch/en/node/135615
Deadline for abstract submission: 11 October 2014.
With best wishes,
Tara Andrews
--
Prof. Dr. Tara L Andrews
Digital Humanities, Universität Bern
http://www.dh.unibe.ch/
*Scholarship in Software, Software as Scholarship: From Genesis to Peer
Review*
*‘Expressions’, 29 January 2015: Workshop on Software-based Scholarship*
*Organizer: Digital Humanities, Universität Bern*
Computation and software analysis have entered nearly every imaginable
field of scholarship in the last decades, in a variety of forms from
digital publication of results to computational modelling embedded in
experimental work. In each of these digital outputs – be it an interactive
publication with mapping of relevant geo-referenced data, or perhaps a
statistical program for the categorization of millions of books according
to their literary genre – there is some manifestation directly in the
computer code of the scholarly thought that underlies the project, of the
intellectual argument around which the outcome is based.
The fact that scholarly software includes scholarly content is reasonably
well-accepted. What remains controversial is the attempt at identification,
in any particular instance, of what scholarly contribution has been made by
a piece of software. Its makers tend to express the scholarship in writing
separate from the software itself, if they even make explicit at all the
scholarly reasoning that went into the code; its reviewers and users tend
either to treat the software as a ‘black box’, opaque to informed scrutiny
and therefore to be looked on with grave suspicion, or to deny that this
particular software has any scholarship inherent to the source code. Given
that our mechanisms for identifying and evaluating the scholarship within
computer code are nearly nonexistent, we must ask: how do intellectual
arguments — how does scholarship — come to be expressed in the software of
digital humanities? How does this scholarship, so evident in theory but so
elusive in practice, fit into the scientific process of advancement of
knowledge?
*‘Evaluation’, 30 January 2015: Round table on Peer Review for Digital
Scholarly Work*
*Organizer: Infoclio.ch*
Related to the question of the expression of scholarship in software, and
in other forms of digital publication as well, is the question of how to
evaluate it. This topic will be the focus of a half-day roundtable, Peer
Review for Digital Scholarly Work, to be held on 30 January 2015. Digital
scholarly works such as Digital Editions, Digital Libraries, Digital
Exhibitions, Data Visualization, Geographical Information Systems and the
like are increasingly frequent in the Humanities, as main or secondary
output of research projects; the question of how best to evaluate them
takes on ever greater importance. At the moment, researchers doing digital
scholarly work are usually unable to obtain academic credit for their
work—in order to obtain scholarly recognition, they must additionally
publish a “normal” article in a print-based journal about their digital
work.
As universities and national research funding agencies across the world
move toward encouraging more digital scholarship in the humanities, there
is an urgent need to discuss the criteria and benchmarks that should be in
place for evaluating digital scholarly work. We welcome contributions about
existing initiatives in this domain as well as more theoretical
contributions that treat the topic of peer review of digital scholarly work.
Hi all,
If you have a favorite Canadian researcher, feel free to nominate them
for the below...
-dan
-------- Forwarded Message --------
Subject: [CSDH/SCHN Exec] Call for Nominations: CSDH/SCHN Outstanding
Achievement Award for Computing in the Arts and Humanities
Date: Fri, 3 Oct 2014 15:16:41 +0000
From: Dean Irvine <Dean.Irvine(a)Dal.Ca>
Reply-To: exec(a)lists.digitalhumanities.org
To: Executice CSDH/SCHN <exec(a)csdh-schn.org>
Please distribute widely.
*Call for Nominations*
*
CSDH/SCHN Outstanding Achievement Award for Computing in the Arts and
Humanities*
The CSDH/SDCH Award for Outstanding Achievement, Computing in the Arts
and Humanities acknowledges a Canadian researcher or a researcher at a
Canadian institution who has made a significant contribution, over an
extended career, to computing in the arts and humanities, whether
theoretical, applied, or in the area of community building. The
recipient will be invited to accept the award and to address the society
in a plenary session of the annual conference at Congress, which will be
held in Ottawa in the spring of 2015.
This award is generally given to someone who has made a substantial and
prolonged contribution to the community, typically a senior researcher.
We have awarded it to teams. We have awarded it posthumously in
recognition of a lifetime contribution. We also recognize people who
have served the community in a service capacity and therefore may not
have a faculty position. For a list of previous recipients, see
http://csdh-schn.org/activities-activites/outstanding-awards-prix/
Nominations of up to 500 words must be submitted by October 31, 2014.
Only current current members of CSDH/SCHN are eligible to submit
nominations. Nominations must be sent by email to the chair of the
CSDH/SCHN Awards Committee (dean.irvine(a)dal.ca <mailto:dean.irvine@dal.ca>).
The Awards committee will compile a short list, confirm with nominees
whether they are willing to be considered, and request the submission of
supporting material (CV, letters of support, access to contributions or
projects if not readily accessible) by December 15, 2014. Adjudication
of the award will be conducted by the CSDH/SDCH Awards Committee (Dean
Irvine, Susan Brown, Juan Luis Suarez, Kevin Kee, and Janelle Jenstad),
who may consult the CSDH/SCHN Executive or external members of the
community for assistance in evaluating applications. Selection will be
made by the end of December 2014. An announcement will be made in spring
2014, along with the release of the CSDH/SCHN conference program for
Congress 2015.
Dear colleagues,
I am happy to announce that I now have available digitized slides of the St Chad Gospels from 1956. These slides were taken a few years prior to the St Chad Gospels' pages flattened and the manuscript rebound by Roger Powell in 1962, providing rare information about the effects of such flattening efforts on pigments : https://lichfield.as.uky.edu/st-chad-gospels/historical-image-overlays .
Of particular interests are areas of minimal pigment loss in the left border on the Cross-Carpet page (its left), lower right portion of Luke's robe on his portrait page, and the decoration on the last row of words of Luke's incipit.
Best,
Bill
--
Manuscripts of Lichfield Cathedral<https://lichfild.as.uky.edu>
Bill Endres
University of Kentucky
Division of Writing, Rhetoric & Digital Studies
Lexington, KY 40506
859-257-8337
*Please excuse cross-postings*
HASTAC 2015: Exploring the Art & Science of Digital Humanities
May 27-30, 2015 Michigan State University, East Lansing, MI
Submissions Deadline: October 15, 2014, 5:00pm EST (Proposals are now
welcomed) <https://easychair.org/conferences/?conf=hastac2015>
Join us on the campus of Michigan State University to celebrate and
explore the range of Digital Humanities Scholarship, Research, and
Performance! We welcome sessions that address, exemplify, and
interrogate the interdisciplinary nature of DH work. HASTAC 2015
challenges participants to consider how the interplay of science,
technology, social sciences, humanities, and arts are producing new
forms of knowledge, disrupting older forms, challenging or reifying
power relationships, among other possibilities. Themes addressed by the
conference include:
the changing nature of humanities research and scholarship
indigenous culture, decolonial and post-colonial theory and technology
technology and educationopen learning, peer learning, and issues of
access, equity for primary and/or higher education
communication of knowledge, publishing, and intellectual property
digital cultural heritage and hegemony
crowd dynamics, global outreach, and social media
technology and social identity and roles: gender, race, and other
identities
digital animation and other visualization media arts and sciences
games and gaming, including for learning
community development including the importance of art and culture
districts
mobile technologies, activity streams, and experience design
cognitive and other dimensions of creativity, innovation, and scholarship
HASTAC 2015 will include plenary addresses, panel presentations
(variations detailed below), maker sessions, workshops, exhibitions,
performances and tech demos.
We seek proposals for participant presentations in the following
categories:
* 5-8 minute lightning talks
* 15-20 minute talks
* curated panels (lightning talks, longer talks, curated conversation)
* project demos
* digital and/or print posters
* creative performances or exhibitions
* maker sessions or workshops
For each submission, we will need the following information from you:
1) complete contact information including valid phone, email, and
institutional affiliation, if any;
2) brief (150 word) bio;
3) 500 word abstract of the work you would like to present that must
discuss its relationship to the conference themes;
4) any technical requirements or other support (including space
requirements) that may be required for the presentation. For
exhibitions or other performances, please indicate any equipment that is
absolutely required and that you cannot bring with you. In the event
that we cannot guarantee access to the equipment, we regret that we may
not be able to accept your proposal.
Digital and/or Print Posters Wanted!
Print posters (4 x 3¹) and electronic posters (to be projected) are
solicited for emerging projects, ideas, and scholars. In presenting your
research with a poster, you should aim to use the poster as a means for
generating active discussion of your research. Limit the text to about
one-fourth of the poster space, and use visuals (graphs, photographs,
schematics, maps, etc.) to tell your story. Use the regular submission
form, but indicate that you are proposing a Poster by checking the
appropriate box.
Maker Sessions & Workshops
We will provide some room and resources for individuals or groups to
create informal maker spaces, where conference participants can share,
exchange, and experiment with new online tools, personal fabrication
technologies, open source electronics such as Arduino, and other
creative and learning devices and gadgets. To propose a maker session or
workshop, please use the standard submission form and indicate that
yours is a maker session. Please also tell us how long the session
Requires!
All proposals will be peer-reviewed, but we regret that we cannot
provide detailed reviewer feedback. We welcome applications from
scholars at all stages of their careers from all disciplines and fields,
from private sector companies and public sector organizations, from
artists and public intellectuals, and from networks and individuals.
Submit your proposal here.
<https://easychair.org/conferences/?conf=hastac2015>
**Submissions will be processed using EasyChair. If you do not
already have an EasyChair account, you will need to sign up for one in
order to submit a proposal.**
If you have any questions or require more information, please e-mail us at
hastac2015(a)gmail.com
Kristen Mapes
Digital Humanities Specialist
College of Arts and Letters
Michigan State University
718-216-5695
kristenmapes.com
kmapes(a)msu.edu
kmapes86(a)gmail.com