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María Morrás
Profesora de Literatura Medieval
Departament d'Humanitats
Universitat Pompeu Fabra
Barcelona
maria.morras(a)upf.edu<mailto:maria.morras@upf.edu>
http://orcid.org/0000-0002-2516-0524
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Helsinki Digital Humanities Hackathon #DHH20 -> #DHH21
http://heldig.fi/dhh20
We regret to inform that #DHH20 is postponed until 2021, and thus will
be organized under the name #DHH21. The decision was made due to
restrictions in contact teaching and general guidelines at the
University of Helsinki during these challenging times. The new dates in
May-June 2021 and other information about #DHH21 will be announced later
next year.
For more information on what the hackathon was like in previous years,
see: http://heldig.fi/dhh
If you are a student and will need the credits for the DHH Hackathon
this year (e.g. to complete the the Digital Humanities minor study
block), please contact Mikko Tolonen (mikko.tolonen(a)helsinki.fi).
Regards,
#DHH General organizers
Mikko Tolonen, Eetu Mäkelä, Jukka Suomela & Jouni Tuominen
http://heldig.fi/dhh20
--
Jouni Tuominen, Coordinating researcher, Staff scientist
Helsinki Centre for Digital Humanities (HELDIG)
University of Helsinki and Aalto University
HELDIG: Room A131, Metsätalo, Unioninkatu 40, Helsinki
Aalto: Room 3171, Maarintie 8, Espoo
+358 50 556 0402
http://seco.cs.aalto.fi/u/jwtuomin/
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Dear all,
with the usual apologies for cross-posting, please find below the
announcement of the 'virtual summer camp' organized by the VeDPH (Venice
Centre for Digital and Public Humanities, Ca' Foscari University of
Venice) in substitution of the summer school that was cancelled due to
the COVID-19 pandemia.
Teaching materials will be published in
https://vedph.github.io/summercamp
Best regards,
Paolo Monella
Visiting Scholar
Venice Centre for Digital and Public Humanities
Ca' Foscari University of Venice
---
It was with great disappointment that we had to cancel the first Venice
Summer School in Digital and Public Humanities due to the coronavirus
emergency. All the more, we are now happy to announce the first Venice
Virtual Summer Camp on Digital and Public Humanities to take place from
6 - 10 July 2020. It is a condensed version of the original training
programme, transformed and adapted to the online modality and the
circumstances of the Covid-19 pandemic. As a positive side effect, a
large number of seminars and presentations can now be offered without
registration and free of charge as open events. Other training sessions
are restricted to a number of participants and places have been reserved
for the successful applicants of the originally planned Summer School in
Venice.
The virtual summer camp is organised by the Venice Centre for Digital
and Public Humanities [https://www.unive.it/vedph] and includes four
different thematic strands: (1) Digital Textual Scholarship, (2) Digital
and Public History, (3) Digital and Public Art History, and (4) Digital
Archaeology and its Public.
Classes will be delivered by the colleagues from the centre and other
expert scholars from internationally renowned institutions. We are most
grateful to everyone being actively involved in the realisation of an
outstanding programme, and especially to our keynote speakers Elena
Pierazzo (University of Tours) and Fabio Vitali (University of Bologna).
For more information, see the Virtual Summer Camp Website
[https://vedph.github.io/summercamp].
***
Strand #1: Digital Textual Scholarship
This strand provides a brief overview of theories and practices in
digital scholarly editing. Participants will be introduced to the very
basics of markup and text encoding, linked open data and semantic web
technologies, documentation and analysis of material textual aspects,
and tools and applications for publication. The format will alternate
open seminars with laboratory sessions and hands-on exercises restricted
to successful applicants of the originally planned summer school. The
famous travel report of the Venetian explorer Marco Polo will serve as a
starting point (as preserved in an illustrated manuscript copy from the
Bodleian Library). Further resources and all teaching materials will be
freely accessible on our Github repository
[https://github.com/vedph/event_materials/tree/master/2020_summer_camp]
Monday, 6 July 2020
INTRODUCTION
11:00-11:45 - Welcome, Keynote by Elena Pierazzo (Univ. Tours) [plenary,
open]
12:00-12:30 - Franz Fischer (Ca’ Foscari): Introduction to the Strand
(programme, objectives, digital scholarly editing and the “linked open”
edition) [open]
15:00-15:30 - Federico Boschetti, Angelo Mario del Grosso (CNR-ILC / Ca’
Foscari): Textual markup (typographic, structural, semantic: HTML, CSS,
XML) [open]
15:45-16:30 - Text Lab: Set up [restricted]
Tuesday, 7 July 2020
TEXTUALITY
11:00-11:30 - Holger Essler, Franz Fischer (Ca’ Foscari): Encoding texts
(TEI, pt. 1) [open]
11.45-12.30 - Text Lab: Hands-on exercises [restricted]
15:00-15:30 - Holger Essler, Franz Fischer (Ca’ Foscari): Encoding texts
(TEI, pt. 2) [open]
15:45-16:30 - Text Lab: Hands-on exercises [restricted]
Wednesday, 8 July 2020
SEMANTICS
11:00-11:30 - Tiziana Mancinelli, Daniele Fusi (Ca’ Foscari): Opening up
the edition (Semantic Web, pt. 1) [open]
11.45-12.30 - Text Lab: Hands-on exercises [restricted]
15:00-15:30 - Tiziana Mancinelli, Daniele Fusi (Ca’ Foscari): Opening up
the edition (Semantic Web, pt. 1) [open]
15:45-16:30 - Text Lab: Hands-on exercises [restricted]
Thursday, 9 July 2020
MATERIALITY
11:00-11:30 Alberto Campagnolo (Univ. Udine / Ca’ Foscari): Representing
materiality of texts (VisColl, spectral imaging) [open]
11.45-12.30 - Text Lab: Hands-on exercises [restricted]
15:00-15:30 - Paolo Monella (Univ. Palermo / Ca’ Foscari): Linking text
and image (IIIF) [open]
15:45-16:30 - Text Lab: Hands-on exercises [restricted]
Friday, 10 July 2020
VISUALISATION
11:00-11:30 - Tiziana Mancinelli, Daniele Fusi, Alberto Campagnolo,
Paolo Monella, Federico Boschetti: Presenting the edition [open]
11.45-12.30 - Discussion: How would I apply all this to my own research
project? [restricted]
15:00-15:45 - Closing keynote by Fabio Vitali (Univ. Bologna) [plenary,
open]
***
Strand #2: Digital and Public History
This strand focuses on the application of digital technologies and a
public approach to historical research and dissemination. The classes
aim at giving an overview of very different topics, ranging from memory
to social media, from television to digital tools, offering reflections
on how we connect to, reconstruct, understand and eventually tell our
past with digital and public methodologies. The strand includes
activities that the students can perform on their own before getting
feedback from the teacher. A special attention will be devoted to the
intersection between history and the exceptional situation we’re going
through due to the Covid-19 emergency.
Monday, 6 July 2020
11:00-11:45 - Welcome, Keynote by Elena Pierazzo (Univ. Tours) [plenary,
open]
15:30-16:45 - Stefano Dall’Aglio (Ca’ Foscari): Public History in a time
of crisis [open]
Tuesday, 7 July 2020
10:00-11:15 - Leonardo Campus (Ca’ Foscari): History and TV [restricted]
17:00-18:00 - Leonardo Campus (Ca’ Foscari): History and TV-Activity
Feedback [restricted]
Wednesday 8 July
10:00-11:15 - Frederick Clavert (C2DH, Univ. of Luxembourg): History and
social media. How to collect tweets for archiving and analysis purposes:
practice and methods [restricted]
Thursday 9 July
10:00-11:15 - Deborah Paci (Ca’ Foscari): Networks in History: methods
and tools for visualizing historical data [open]
Friday 10 July
10:00-11:15 - Mirco Carrattieri (Istituto Nazionale Ferruccio Parri):
Public History and Memory [open]
15:00-15:45 - Closing keynote by Fabio Vitali (Univ. Bologna) [plenary,
open]
***
Strand #3: Digital and Public Art History
This strand focuses on the technological development and its cultural
implications which occurred in the arts sector over the last decades. In
doing this, the digital aspect is approached both on the side of
artistic production and the art system as well as on the side of museums
and art historical representation. The issues of technological change,
digital nativity, virtual realms and digital tools will be discussed
also in the context of the current international situation of crisis.
Both the theoretical debate and practical tools for digital art
historians shall be explored by means of lectures and labs, which will
include a hands-on workshop on tools for digital analysis of
illustrations, a students’ forum on digital culture at the time of
Covid-19, and a roundtable to discuss recent tools and developments in
Digital and Public Art History with experts of European renown.
Monday, 6 July 2020
11:00-11:45 - Welcome, Keynote by Elena Pierazzo (Univ. Tours) [plenary,
open]
12:00-12:30 - Diego Mantoan, Barbara Tramelli (Ca’ Foscari), Carolina
Fernández-Castrillo (Universidad Carlos III Madrid / Ca’ Foscari):
Strand introduction [restricted]
15:30-17:00 - Diego Mantoan (Ca’ Foscari): Art Collections and
Digitization practices in the age of digital image circulation [seminar,
open]
Tuesday, 7 July 2020
11:00-12:30 - Barbara Tramelli (Ca’ Foscari): The Path of the Image: the
Image Matching and the Automatic Retrieval of Early Modern Digital
Illustrations [seminar, open]
15:30-17:00 - Giles Bergel (Univ. of Oxford): Computer vision for
digital art history: a hands on workshop with Visual Geometry Group
tools [workshop, restricted]
Wednesday, 8 July 2020
11:00-12:30 - Carolina Fernández-Castrillo (Universidad Carlos III
Madrid / Ca’ FOscari): “Emergent Cultural Practices at the Age of User
Generated Contents” [seminar, open]
15:30-17:00 - “Recent Tools and Developments in Digital and Public Art
History” with special guests: Rossella Catanese (NYU, Florence); Erma
Hermens (Rijksmuseum, Amsterdam); Trilce Navarrete (Erasmus University
Rotterdam) [round table, restricted]
Thursday, 9 July 2020
11:00-12:30 - Erma Hermens (Rijksmuseum Amsterdam): Material histories
of museum objects: digital imaging for conservation and dissemination at
the Rijksmuseum Amsterdam [seminar, open]
15:30-17:00 - Valeria Finocchi (Museo di Palazzo Grimani): Reinventing
the museum narrative in a time of crisis [laboratory, restricted]
Friday, 10 July 2020
11:00-12:30 - Digital Culture at the time of Covid-19 (with presentation
of selected posters) [student forum, restricted]
15:00-15:45 - Closing keynote by Fabio Vitali (Univ. Bologna) [plenary,
open]
***
Strand #4: Digital Archaeology and its Public
This strand focuses on theories and practices that archaeologists apply
in surveys, remote sensing, spatial analysis, data collection and data
management. Participants will engage in digital strategies to analyze
the heritage and visualize, share and communicate it to the public.
Moreover, taking advantage of the recent Covid-19 lockdown experience,
and using archaeological tools and methods, Strand #4 aims to explore
how the materiality of representative objects that shaped/are shaping
our daily life may be narrated, interpreted, visualized and digitized.
Monday, 6 July 2020
11:00-11:45 - Welcome, Keynote by Elena Pierazzo (Univ. Tours) [plenary,
open]
12:00-12.30 - Diego Calaon, Carlo Beltrame, Elisa Corro’ (Ca’ Foscari):
Introduction to the Strand [restricted]
12.30 -13.15 - Diego Calaon (Ca’ Foscari): Archaeologies of Materiality:
Public, Politics and Ethics [open]
15:00-16:00 - Elisa Corrò (Ca’ Foscari): Maker Culture: when Archaeology
meets Digital Creativity. Practices and Community Engagement with
Intangible Heritage [open]
16.30-17.30 - Diego Calaon, Elisa Corrò, Eleonora Delpozzo and Sofia
Antonello (Ca’ Foscari): Virtual Data Camp “The Materiality of a Global
Lockdown”, Step 1- Introduction (Narratives and Object Biographies;
Virtualizing materiality, GIS and 3Ds; Visual Storytelling) [restricted]
Tuesday, 7 July 2020
11:00-12:00 - Elisa Costa, Carlo Beltrame (Ca’ Foscari): Documentation
and virtual dive in maritime archaeology [open]
15:00-16:00 - Cristina Barbiani, Carlo Beltrame, Paola Perozzo (Ca’
Foscari): Digital exhibition of the archaeological investigation of the
brig Mercurio (1812) [open]
16:30-17:30 - Diego Calaon, Elisa Corrò, Eleonora Delpozzo, Sofia
Antonello (Ca’ Foscari): Virtual Data Camp “The Materiality of a Global
Lockdown”, Step 2, Data Gathering - Choice and description of the
materials [restricted]
Wednesday, 8 July 2020
11:00-12:00 - Dominik Lukas (Univ. of Chicago) Database and mining [open]
16:30-17:30 - Diego Calaon, Elisa Corrò, Eleonora Delpozzo, Sofia
Antonello (Ca’ Foscari): Virtual Data Camp “The Materiality of a Global
Lockdown”, Step 3, Interpretation, Economic and Social Relationships
[restricted]
Thursday, 9 July 2020
11:00-12:00 - Angus Mol (Univ. Leiden): Archaeology and videogames [open]
16:30-17:30 - Diego Calaon, Elisa Corrò, Eleonora Delpozzo, Sofia
Antonello (Ca’ Foscari): Virtual Data Camp “The Materiality of a Global
Lockdown” - Step 4, Dismantling traditional narratives, Remodeling the
Past [restricted]
Friday, 10 July 2020
11:00-12:00 - Diego Calaon, Elisa Corrò, Eleonora Delpozzo, Sofia
Antonello (Ca’ Foscari): Virtual Data Camp “The Materiality of a Global
Lockdown” - Step 5, Presentation of the Individual projects [restricted]
15:00-15:45 - Closing keynote by Fabio Vitali (Univ. Bologna) [plenary,
open]
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Digital Classicist London Seminar 2020
Marton Ribary (Surrey) and Barbara McGillivray (Alan Turing Institute & Cambridge): “The thing is mine”: Extracting the terminology of the Roman law of “ownership” from Justinian’s Digest
Friday, Jun 19, 2020, 16:30 UK time
Institute of Classical Studies, University of London
Online seminar, streamed live and archived at: https://youtu.be/cG8sRps1s6Q
Our paper investigates the evolution of the concept of “ownership” in Roman law using computational semantic methods. The work is based on a relational database of Justinian’s Digest (533 CE) arranging more than twenty thousand text units excerpted from hundreds of otherwise lost legal works in a Python environment and shared on GitHub (mribary/pyDigest). We present a thematic tree-map of Roman law based on hierarchical clustering of sections. We use computational methods for terminology extraction and distributional semantic word representations to show how the semantic landscape associated with “ownership” changed over time.
ALL WELCOME
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*** With apologies for crossposting ***
Dear list members,
Today I would kindly like to draw your attention to the CfP below for the 3rd Twin Talks Workshop, which will take place as part of the virtual DH2020.
It offers the opportunity to submit so-called "Twin Talks" and "Teach Talks" with the focus on "Collaborations in DH".
For detailed questions about the workshop format and formalities please contact Steven Krauwer (CLARIN ERIC / Utrecht University; steven(a)clarin.eu) and Darja Fiser (CLARIN ERIC / SSHOC / University of Ljubljana; darja.fiser(a)ff.uni-lj.si).
We are looking forward to inspiring submissions!
On behalf of the program committee,
Ulrike Wuttke
PS: You are welcome to forward CfP to colleagues for whom this format could be of interest, or to your relevant networks.
----------
Dr Ulrike Wuttke
E-Mail: wuttke(a)fh-potsdam.de
Twitter: UWuttke
Skype: ulrike.wuttke
ORCiD: https://orcid.org/0000-0002-8217-4025
FH Potsdam / University of Applied Sciences Potsdam / RDMO
Kiepenheuerallee 5
14469 Potsdam
[ http://www.fh-potsdam.de/ | http://www.fh-potsdam.de/ ]
[ https://rdmorganiser.github.io/ | https://rdmorganiser.github.io ]
Virtual Workshop Twin Talks 3: Understanding and Facilitating Collaboration in DH
CALL FOR WORKSHOP PAPERS
========================
Workshop: "Twin Talks 3: Understanding and Facilitating Collaboration in DH", at the Digital Humanities Conference DH 2020, Ottawa (20-25 July 2020)
- Conference website: https://dh2020.adho.org
- Workshop website: https://www.clarin.eu/event/2020/twintalksdh2020
- Submission deadline: 06 July 2020
- Submission URL: https://easychair.org/conferences/?conf=twintalksdh2020
- Workshop date: Some time during the conference week, to be announced in the week of June 15
- More information: clarin(a)clarin.eu
About the Twin Talks workshops
==============================
This workshop is the third in a series where the main objective is to get a better understanding of the dynamics on the Digital Humanities work floor where humanities scholars and digital experts meet and work in tandem to solve humanities research questions. The best way to do this seems to be to give both parties the opportunity to present their achievements and to share their collaboration experiences with the audience. The insights gained should help those involved in the education of humanities scholars, professionals and technical experts alike to develop better training programmes.
As the problem of cross-discipline collaboration is not new we also invite those who have relevant experience or interesting ideas about how to address this in university or other curricula to share their ideas with the audience.
In earlier workshops talks were submitted and presented by a humanities researcher and a digital expert (the Twin Talks). They were asked to report on on-going or recently completed research
carried out together, both from their individual perspective (either humanities research or technical), as well as on their collaboration experience. Recently we added the talks by people
with experience or interesting ideas about how cross-discipline collaboration is or can be addressed in curricula or other training activities (the Teach Talks).
The workshops were typically scheduled as full-day workshops, starting with an invited talk, followed by a number of 20-30 minutes presentations, and concluded with a round table discussion with all participants.
About the Twin Talks workshop at DH2020
=======================================
Due to the coronavirus the DH2020 conference will go virtual, and so will the Twin Talks 3 workshop. This has consequences for the format.
The duration of the virtual workshop will be 2 hours, and it will have an interactive, panel-like format, with short pitches (duration dependent on number of accepted talks). The Twin Talk pitches should briefly describe (i) the research problem addressed, (ii) its solution, including the technical aspects, (iii) a report on the collaboration experience itself, including obstacles encountered and (iv) recommendations how better training and education could help to make collaboration more efficient and effective.
The Teach Talks should briefly describe (i) the collaboration settings on which they are based, (ii) the approach adopted, and (iii) recommendations.
After the talks there will be a discussion with all participants to formulate the lessons learned from the presentations, and to identify further steps that could be taken.
Research and teaching topics
============================
All humanities research topics in a very broad sense are welcome, where we explicitly include social sciences and cultural heritage studies. Research or teaching activities may be completed or
ongoing, as long as the presentation explicitly addresses the way the humanities researcher and the digital expert have collaborated or still collaborate.
Why should you submit and/or attend?
====================================
Humanities research can only benefit maximally from new developments in technology if content and digital experts team up, very similar to the hard sciences where research is done in teams working on a specific problem, where everybody brings in his/her specific content and technical expertise and skills.
Co-design, co-development and co-creation are the rule rather than the exception, but very little is known about how this collaboration works in practice and how better training and education of both humanities scholars and digital experts could facilitate the way they collaborate.
This is what this workshop wants to address, based on real life collaboration examples. We especially invite researchers, professionals, educators, and RI operators with a special interest in creating the conditions where humanities scholars and technical experts can fruitfully collaborate in answering humanities research questions.
Submission instructions
=======================
- Format: PDF. For format instructions, see: https://www.springer.com/gp/computer-science/lncs/conference-proceedings-gu…
- Size: Abstracts, size ca 250-500 words, covering research questions and answers, technical aspects and collaboration experience for Twin Talks, or relevant education experience for Teach Talks
- Publication: A book of accepted abstracts will be published on the workshop website 1 week before the workshop.
- Authors of accepted papers will be invited to submit an extended version of their abstract (2000-4000 words) to be published in the joint proceedings of the TwinTalks 2 and TwinTalks 3 workshops, to be published on ceur-ws.org in
October 2020, submission deadline September 8.
- Submission URL: https://easychair.org/conferences/?conf=twintalksdh2020
Important dates
===============
- 06 July 2020: Submission deadline
- 10 July: Notification of acceptance/rejection
- Workshop date: in the week of 20-25 July
- 08 September: Submission deadline for extended abstracts
Programme committee and organisers
==================================
This workshop is a joint initiative of CLARIN ERIC (www.clarin.eu) and DARIAH ERIC (www.dariah.eu), and is supported by the SSHOC project (https://sshopencloud.eu/)
Chairs and main organisers:
- Steven Krauwer (CLARIN ERIC / Utrecht University; steven(a)clarin.eu)
- Darja Fiser (CLARIN ERIC / SSHOC / University of Ljubljana; darja.fiser(a)ff.uni-lj.si)
Members:
- Bente Maegaard (CLARIN ERIC / University of Copenhagen, Denmark)
- Eleni Gouli (Academy of Athens, Greece)
- Franciska de Jong (CLARIN ERIC / SSHOC / Utrecht University, Netherlands)
- Frank Fischer (DARIAH ERIC / SSHOC / Higher School of Economics, Moscow)
- Frank Uiterwaal (EHRI / NIOD - KNAW, Netherlands)
- Jennifer Edmond (DARIAH ERIC / SSHOC / Trinity College Dublin, Ireland)
- Koenraad De Smedt (University of Bergen, Norway / CLARINO)
- Krister Lindén (University of Helsinki, Finland / FIN-CLARIN)
- Maciej Maryl (Polish Academy of Sciences, Poland)
- Maria Gavrilidou (SSHOC / ILSP - Athena RC, Athens, Greece)
- Radim Hladik (Academy of Sciences, Czech Republic)
- Ulrike Wuttke (University of Applied Sciences Potsdam, Germany / RDMO)
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**With apologies for cross-posting**
It’s with great pride that we announce that the treebank annotation of the Summa contra Gentiles of Thomas Aquinas is now complete! The result of almost ten years’ worth of manual work, the Summa contra Gentiles brings the total number of annotated nodes in the Index Thomisticus Treebank to 460,000, corresponding to over 26,000 sentences.
The ConLL and PML files are available for download from the Index Thomisticus Treebank website here: https://itreebank.marginalia.it/view/download.php
For the full announcement, see: https://lila-erc.eu/summa-contra-gentiles-treebank-now-complete/
——
Dr Greta H. Franzini
BA (Hons), MA, CELTA, Ph.D
Postdoctoral Researcher
LiLa: Linking Latin [ERC n. 769994]: https://lila-erc.eu
+39 02 72342954 | greta.franzini(a)unicatt.it<mailto:greta.franzini@unicatt.it> | http://gretafranzini.com/
Institutional page: http://docenti.unicatt.it/eng/greta_franzini/
CIRCSE Research Centre
Facoltà di Scienze Linguistiche e Letterature Straniere
Franciscanum Building, 2nd Floor, room 209
Università Cattolica del Sacro Cuore
Largo Gemelli 1,
20123 Milan, Italy
[cid:00A059BF-1A04-4F46-8497-EDB211235DA7@home-life.hub]
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Digital Classicist London Seminar 2020
Institute of Classical Studies
William Garrood (KCL), Late antique prosopography and Socrates Scholasticus’ Ecclesiastical history
Fri, Jun 12, 2020
Streamed live (and archived indefinitely) at https://youtu.be/d277nrTW668
Prosopography is a subject well suited to digital scholarship, and over the last few decades it has undergone profound changes in how we collate, present and locate information. New style ‘factoid’ prosopographies like the Prosopography of the Byzantine World offer the potential for new analyses and access to data. This paper examines that evolution drawing on my own digital prosopography of Socrates Scholasticus’ Ecclesiastical History. It explores decisions taken in modern prosopographies and their alternatives. In particular it looks at options around implication and aggregation, for deeper analysis of relationship information, and specific issues in Socrates’ text itself.
ALL WELCOME
==
Dr Gabriel BODARD
Reader in Digital Classics
Institute of Classical Studies
University of London
Senate House
Malet Street
London WC1E 7HU
E: Gabriel.bodard(a)sas.ac.uk
T: +44 (0)20 78628752
Especially at the moment, I may email at odd hours of the day and night/days of the week. I do not ever expect a reply outside of your working hours.
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My latest, on a previously-unknown Otto Ege "Fifty Original Leaves" set in private hands:
https://manuscriptroadtrip.wordpress.com/2020/06/07/manuscript-road-trip-ot…
I hope you are all well -
Lisa
--
Lisa Fagin Davis
Executive Director
Medieval Academy of America
6 Beacon St., Suite 500
Boston, Massachusetts 02108
Phone: 617 491-1622
Fax: 617 492-3303
Email: LFD(a)TheMedievalAcademy.org<mailto:LFD@TheMedievalAcademy.org>
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Dear digital medievalists,
I am very pleased to announce a new master's degree in Digital and Public Humanities at Ca' Foscari University of Venice. This two-year Masters programme combines the theories and practices established in the humanities with learning new digital tools, platforms and applications used to research, archive, present and publish in the creative and cultural sectors. This programme explores public engagement with digital humanities and offers graduates the opportunities to learn the skills and knowledge required to pursue careers in a wide range of areas, including the cultural and creative sectors, education, libraries and archives, information technology and service related organisations. All classes are taught in English.
Ca’ Foscari has now established the Venice Centre for Digital and Public Humanities (VeDPH)<https://www.unive.it/vedph> - inaugurated one year ago today - which has many research activities relating to public engagement with the humanities and digital technologies. This research informs the teaching on this Masters programme with VeDPH academics teaching and working closely with students. Many projects have affiliations to cultural organisations in Venice and throughout Italy.
The intersection of art and science and engagement with the public around digital humanities is central to the theme of this masters programme. Working with local Venetian cultural organisations, researchers and academics in the Venice Digital and Public Humanities Centre (VeDPH), and Science Gallery Venice, a specialised programme of courses has been designed to explore all aspects of digital and public humanities.
This Master’s programme offers a comprehensive exploration of the different tools and methods used to engage public audiences around culture, history, critical thinking, visual arts, literature, archaeology, languages, technology, and the creative economy.
Courses include: public and digital history, digital scholarly editing and analysis of ancient, medieval and modern texts, digital manuscript and archival studies, digital and technical art history, public art and digitisation practices, heritage, ethics and political archaeology, database technologies, information visualisation, data management and legal issues, design thinking, web and user experience design, and creative entrepreneurship.
Master’s home page: unive.it/degree/fm11<http://unive.it/degree/fm11>
Useful information for the interested students.
Pre-enrolment for the admissions test will open 11th June until 12pm until 31th July 2020.
The admissions test will take place remotely on Friday 7th August 2020.
The successful candidates have to accept the place through the specific online procedure by 19th August 2020
Documents and requirements for enrolling: https://www.unive.it/pag/38909/
Please circulate widely.
Thank you, best wishes,
Franz
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/