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4th Cycle of Medieval Studies, CALL FOR PAPERS
by Roberto . 17 Nov '17

17 Nov '17

With apologies for cross-posting 1. NUME, Research Group on the Latin Middle Ages, organizes the IV Cycle of Medieval Studies, June 2018. 2. The goal is to offer a broad overview of the current situation of Italian and international medievalist studies. Issues which are related to many different aspects of the medieval period (V-XV century) can be addressed: history, philosophy, politics, literature, art, archeology, material culture, new technologies applied to medieval studies and so on; 2.1 Contributions with two or more speakers are accepted; 2.2 Contributions will be structured in specific panels. 3. The conference will be held from 3rd to 7th June 2018 at the Auditorium Ente Cassa di Risparmio di Firenze, via Folco Portinari, 5 (Florence, Italy). 4. Participation proposals must have abstract format, in Italian or English, not exceeding 300 words. They will have to be sent, along with a CV, by January 15, 2018 at the following e-mail address: info(a)nuovomedioevo.it 5. Proposals will be evaluated by the Review Board on the basis of quality, interest and originality. The judgment of the Commission will be unquestionable. 6. The Commission will notify the convocation for the speakers considered suitable by February 1, 2018. 7. The selected speakers will be asked to prepare an oral intervention, accompanied by any images or videos, not exceeding 15 minutes (+5’ discussion time). Contextually, they will be asked to send a paper of their contribution for the Conference Proceedings by April 1, 2018. 8. Speakers will be required a participation fee of 100€, which, in addition to supporting the activities of the NUME Research Group, will entitle to 2 free copies of the Conference Proceedings. 9. The Conference program will be published by April 30, 2018. 10. The deadlines set out in this notice must be strictly observed, otherwise the contribution will be excluded from the call. Further information at: www.nuovomedioevo.it

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Global Digital Humanities Symposium 2018, Call for Proposals (Deadline 12/15)
by Kristen Mapes 08 Nov '17

08 Nov '17

Global Digital Humanities Symposium at Michigan State University March 22-23, 2018 We are committed to bringing a wide-ranging and diverse group of participants and presenters for our conference. To further this end, there will be funds available to assist or offset the costs of travel. Further details will be forthcoming soon, but please email us [dh(a)msu.edu] with any questions or clarification. *Call for Proposals* Deadline to submit a proposal: Friday, December 15, 11:59pm EST msuglobaldh.org Digital Humanities at Michigan State University is proud to extend its symposium series on Global DH into its third year. Digital humanities scholarship continues to be driven by work at the intersections of a range of distinct disciplines and an ethical commitment to preserve and broaden access to cultural materials. The most engaged global DH scholarship, that which MSU champions <http://cplong.org/2016/10/critical-diversity-in-a-digital-age/>, values digital tools that enhance the capacity of scholarly critique to reflect a broad range of literary, historical, new media, and cultural positions, and diverse ways of valuing cultural production and knowledge work. Particularly valuable are strategies in which the digital form manifests a critical perspective on the digital content and the position of the researcher to their material. With the growth of the digital humanities, particularly in under-resourced and underrepresented areas, a number of complex issues surface, including, among others, questions of ownership, cultural theft, virtual exploitation, digital rights, endangered data <http://endangereddataweek.org/>, and the digital divide. We view the 2018 symposium as an opportunity to broaden the conversation about these issues. Scholarship that works across borders with foci on transnational partnerships and globally accessible data is especially welcome. Michigan State University has been intentionally global <http://www.isp.msu.edu/about/about-isp/> for more than 60 years, with over 1,400 faculty involved in international research, teaching, and service. For the past 20 years, MSU has developed a strong research area in culturally engaged, global digital humanities. Matrix <http://www2.matrix.msu.edu/>, a digital humanities and social science center at MSU, has done dozens of digital projects in West and Southern Africa <http://www2.matrix.msu.edu/portfolio_categories/africa-related-projects/> that have focused on ethical and reciprocal relationships and capacity building. WIDE <http://wide.msu.edu> has set best practices for doing community engaged, international, archival work with the Samaritan Collections, Archive 2.0 <http://www2.matrix.msu.edu/portfolio-item/samaritan-archive-2-0/>. Today many scholars in the humanities at MSU are engaged in digital projects relating to global, indigenous, and/or underrepresented groups and topics. This symposium, which will include a mixture of presentation types, welcomes 300-word proposals related to any of these issues, and particularly on the following themes and topics by *Friday, December 15, 11:59pm EST:* - Critical cultural studies and analytics - Cultural heritage in a range of contexts - DH as socially engaged humanities and/or as a social movement - Open data, open access, and data preservation as resistance, especially in a postcolonial context - DH responses to crisis - How identity categories, and their intersections, shape digital humanities work - Global research dialogues and collaborations - Indigeneity – anywhere in the world – and the digital - Digital humanities, postcolonialism, and neocolonialism - Global digital pedagogies - Borders, migration, and/or diaspora and their connection to the digital - Digital and global languages and literatures - The state of global digital humanities community - Digital humanities, the environment, and climate change - Innovative and emergent technologies across institutions, languages, and economies - Scholarly communication and knowledge production in a global context *Presentation Formats:* - 3-5-minute lightning talk - 15-minute presentation - 90-minute workshop - 90-minute panel *Proposal form*: http://www.msuglobaldh.org/submit-a-proposal/ Kristen Mapes Digital Humanities Coordinator College of Arts and Letters Michigan State University kristenmapes.com kmapes(a)msu.edu kmapes86(a)gmail.com

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Manuscript Studies: A Journal of the Schoenberg Institute_ Announcements and CFP
by Ransom, Lynn 08 Nov '17

08 Nov '17

The editors of Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania are pleased to make the following announcements: * The Fall 2017 issue is out! A list of contents and article abstracts are available here: https://mss.pennpress.org/current-issue-abstracts * The Spring 2018 special issue will be devoted to the Galen Palimpsest Project. Don't know what this project is? Subscribe to find out! * We are seeking submissions for the Fall 2018 issue and beyond. Peer-reviewed articles for Fall 2018 are due soon (next week at the latest), but non-peer reviewed Annotations can be submitted up to February 1, 2018. * Thanks to a generous agreement with the University of Pennsylvania Press, all Articles and Annotations in Manuscript Studies are made available on an open access basis after one year from the date of publication. Articles and Annotations from the 2016 Spring and Fall issues are now available for downloading and sharing on Penn's Scholarly Commons repository. To access the pdfs, go to: http://repository.upenn.edu/mss_sims/ Manuscript Studies brings together scholarship from around the world and across disciplines related to the study of pre-modern manuscript books and documents. This peer-reviewed journal is open to contributions that rely on both traditional methodologies of manuscript study and those that explore the potential of new ones. We publish articles that engage in a larger conversation on manuscript culture and its continued relevance in today's world and highlight the value of manuscript evidence in understanding our shared cultural and intellectual heritage. Studies that incorporate digital methodologies to further understanding of the physical and conceptual structures of the manuscript book are encouraged. A separate section, entitled Annotations, features research in progress and digital project reports. For more information and to subscribe, go to http://mss.pennpress.org. For direct inquiries, please don't hesitate to contact the editors at sims-mss(a)pobox.upenn.edu<mailto:sims-mss@pobox.upenn.edu> .

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Viking and Medieval Norse Studies
by Haraldur Bernharðsson 06 Nov '17

06 Nov '17

The University of Iceland offers two international graduate programs in medieval studies: (1) Medieval Icelandic Studies, a three-semester (90 ECTS) graduate program, with two semesters' (60 ECTS) worth of course work and one semester's worth (30 ECTS) master's thesis. The summer semester is the thesis semester, which means that the program can be completed in 13 months. See http://english.hi.is/school_of_humanities/faculty_of_icelandic_and_comparat… <http://english.hi.is/school_of_humanities/faculty_of_icelandic_and_comparat…> (2) Viking and Medieval Norse Studies, a four-semester (120 ECTS) graduate program run in cooperation with the University of Oslo in Norway, Aarhus University and Copenhagen University in Denmark. The first year--60 ECTS' worth of course work--take place in Iceland, but the third semester is spent either in Oslo, Aarhus, or Copenhagen, completing 30 ECTS of courses. The fourth semester is devoted to writing the master's thesis, and can be spent in Iceland or Oslo. See http://oldnorse.is/ <http://oldnorse.is/> Both programs are designed specifically for international students. The language of instruction is English. Application deadline: February 1st, 2018 --------------------- Haraldur Bernharðsson, Ph.D. Associate Professor of Medieval Studies University of Iceland -- The Árni Magnússon Institute for Icelandic Studies Árnagarði við Suðurgötu IS-101 Reykjavík I C E L A N D + 354 525-4023 / +354 891-7511 - haraldr(a)hi.is <mailto:haraldr@hi.is> - https://uni.hi.is/haraldr/en/ <https://uni.hi.is/haraldr/en/> - Skype: haraldur_bernhardsson ---------------------

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New version of EVT 2 released
by Roberto Rosselli Del Turco 01 Nov '17

01 Nov '17

EVT 2 beta 1, aka "The Halloween release", is available for download with many new features: improved support for critical editions (critical apparatus also available in a dedicated text frame, apparatus fontium, support for multiple recensions), initial support for named entities, initial support for a working area, and more. As for previous versions the starting point is a TEI P5 document holding your critical or diplomatic edition, support for the latter is still incomplete since the EVT 1 features porting is currently under way. Full announcement available here: https://visualizationtechnology.wordpress.com/2017/10/31/evt-2-beta-1-avail… As usual, the latest archive can be downloaded from SourceForge: https://sourceforge.net/projects/evt-project/files/ Let us know what you think of this release! please send all comments, suggestions, bug reports, etc. to evt.developers(a)gmail.com. R -- Roberto Rosselli Del Turco roberto.rossellidelturco at unito.it Dip. di Studi Umanistici roberto.rossellidelturco at fileli.unipi.it Universita' di Torino VBD: http://vbd.humnet.unipi.it/beta2/ EVT: http://bit.ly/24D9kdE VC: http://www.visionarycross.org/ Hige sceal the heardra, heorte the cenre, mod sceal the mare, the ure maegen litlath. (Maldon 312-3) <shamelessPlug>Holidays in Tuscany http://www.imoricci.it/</shamelessPlug>

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FW: CALL FOR PAPERS: Script, print and letterforms in global contexts: the visual and the material
by Georg Vogeler 25 Oct '17

25 Oct '17

Sent on behalf of Caroline Archer-Parré ; replies to: thevisualandthematerial(a)gmail.com APOLOGIES FOR CROSS-POSTING Centre for Printing History & Culture CALL FOR PAPERS Script, print and letterforms in global contexts: the visual and the material 28-29 June 2018 Birmingham City University Deadline for proposals: 15 November 2017 In this conference, we seek to explore the plurality of engagements with, and interpretations of the printed and written word in various writing systems and artefacts; whether handwritten, lithographed, typographically printed, or digitally conjured. We invite both scholars and practitioners, broadly in the areas of design, printing, publishing, typography, print culture and book history, to bring critical perspectives and present fresh approaches to the study and discussion of the visual and material aspects of print in the diverse linguistic contexts of the world. The global history of text-based communication constitutes a particularly exciting facet of material culture, given the myriad ways in which its production, transmission, and consumption has been (and continues to be) accomplished across cultural and political boundaries. However, a critical engagement with script and print outside the western world has remained relatively limited despite a burgeoning interest in the interrelated areas of printing, publishing, design, and type history. Studies of the ‘global’ and ‘regional’ cultures of print have tended to accommodate summary accounts and generalisations in relation to the material production of text in different languages and scripts, most commonly grouped under the term ‘non-Latin’. The time is long overdue for these narratives to expand, and address the rich variation and particularity of global practices. THEMES Possible themes for the conference include, but are not limited to: ● Print, manuscript, and material culture from around the world; ● Global and transnational histories of printing, publishing, technology, typography and type design; ● Cultural and political dynamics in the visual/material representation of scripts and languages; ● Social, political, and economic aspects shaping printing and publishing practices; ● Networks and exchanges between or within print and manuscript communities: Including but not limited to business, cultural, educational, and literary aspects; ● Connections and interactions between various actors and entities: Including but not limited to, artists, designers, linguists, manufacturers, readers, scholars, technologists, users, assembly/production-line workers; ● Perspectives on technological change in the history of design, printing, technology, and typography: Including but not limited to innovation, adaptation, resistance, and use; ● Forms, formats, and usage of documents and publications composed in global scripts: Including substrates besides paper; letters on stones, wood, fabric, ceramics, or digital media. PAPERS of twenty-minutes in duration are invited for this international conference from independent researchers, established scholars and postgraduate students, as well as artists, designers and practitioners working in the fields of history, book history, printing history, type design, typographic history and design, and print, manuscript, and material culture. TO APPLY please send a suggested title, synopsis (300-word abstracts) and biographical details (up to 150 words) via a PDF or Word attachment to thevisualandthematerial(a)gmail.com by12-noon GMT, 15 November, 2017. VENUEFaculty of Arts, Design & Media, Birmingham City University, UK. DATES Thursday 28 – Friday 29 June 2018. MORE INFORMATIONand a downloadable call for papers ( http://www.cphc.org.uk/events/2017/9/15/script-print-and-letterforms-in-glo…) . PUBLICATIONAll papers will be considered for publication in Printing History and Culture a new CPHC book series published by Peter Lang Ltd. --------------------------------------------------------------------------------------------------------------- Professor Caroline Archer-Parré Centre for Printing History & Culture School of Visual Communication, Faculty of Art, Design & Media Birmingham City University, Parkside Building, 5 Cardigan Street, Birmingham B4 7BD Telephone: 0121 331 5871 www.cphc.org.uk @typetweet @PrintHistory Co-director, Centre for Printing History & Culture Chairman, Baskerville Society Honorary Senior Research Fellow, University of Birmingham ---------------------------------------------------------------------------------------------------------------

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Re-sent (this time with functional URL): The Digital Middle Ages
by David Birnbaum 17 Oct '17

17 Oct '17

Dear Colleagues, My university's IT department unhelpfully garbles URLS "for your protection", with the result that my original announcement of "The Digital Middle Ages" contained a broken link. Below I resend the announcement from my Gmail address to avoid the garbling. Sincerely, David __ Dear Colleagues, I am pleased to be able to announce the open-access publication of "The Digital Middle Ages", a supplement to "Speculum: A journal of medieval studies", published by the University of Chicago Press for the Medieval Academy of America. The issue, under the guest editorship of David J. Birnbaum, Sheila Bonde, and Mike Kestemont, is freely accessible at http://www.journals.uchicago.edu/toc/spc/2017/92/S1. Sincerely, David

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CfA: Themenheft: Digitale Mediävistik
by Roman Bleier 17 Oct '17

17 Oct '17

This might be of interest to some list members. The call is in German and unfortunately only papers in German are accepted. Call for Articles: Themenheft: Digitale Mediävistik Das Mittelalter. Perspektiven mediävistischer Forschung Der Mediävistenverband e.V. veröffentlicht seit 1996 die halbjährlich erscheinende Zeitschrift „Das Mittelalter. Perspektiven mediävistischer Forschung“. Für 2019 ist ein Themenheft mit dem Titel „Digitale Mediävistik“ vorgesehen, das gemeinsam von Roman Bleier (Zentrum für Informationsmodellierung, Universität Graz), Franz Fischer (Cologne Center for eHumanities der Universität zu Köln), Torsten Hiltmann (Universität Münster), Gabriel Viehhauser (Universität Stuttgart) und Georg Vogeler (Zentrum für Informationsmodellierung, Universität Graz) herausgegeben wird. Bewerbungsfrist: 30. November 2017 Autorenkonferenz in Stuttgart: 13./14. September 2018 Abstract Elektronische Informationstechnolgien sind dabei, die Arbeitsweisen der mediävistischen Forschung grundlegend und nachhaltig zu verändern. Gerade mediävistische Forschungsprojekte gehören zu den Motoren einer digitalen Durchdringung der geisteswissenschaftlichen Forschung, und dies bereits seit den Tagen des Jesuitenpaters Roberto Busa (1913-2011), dessen Index zu den Werken des Thomas von Aquin als das erste Digital-Humanities-Projekt überhaupt gilt. Seither sind die Auswirkungen der Digitalisierung auf die Mediävistik einerseits anhand der rasant steigenden digitalen Verfügbarkeit von Quellen und Forschungsergebnissen spürbar. In stetig wachsendem Umfang kann in Form hochaufgelöster Digitalisate, digitaler Archive und Editionen auf Primärquellen zugegriffen werden, und die Palette von digitalen Methoden, die in der mediävistischen Forschung zum Einsatz kommen, reicht von Algorithmus-basierten Analyseverfahren historischer Textcorpora über automatische Bilderkennung, Netzwerkanalyse und geographische Informationssysteme, bis hin zur formalen Erschließung von Daten und Informationen mit Technologien des Semantic Web. Andererseits verändert die Anwendung digitaler Hilfsmittel und Methoden sowohl die Forschungsprozesse als auch die Fragestellungen selbst. Daher gilt es, deren Nutzen und Auswirkungen auf unser Verständnis vom Mittelalter zu beleuchten. Das ist umso dringlicher, als eine inter- und transdisziplinär ausgerichtete digitale Forschungspraxis in allen Bereichen der Mediävistik Einzug hält. Das Themenheft soll anhand aktueller Forschungsprojekte einen Überblick über die in der mediävistischen Forschung genutzten Methoden der Digital Humanities geben und deren Einsatz in der Praxis diskutieren und bewerten. Es soll damit eine Orientierung auf dem Gebiet der digitalen Mediävistik bieten und zugleich vereinzelte Aktivitäten im deutschsprachigen Raum zusammenführen. Vor allem aber soll es zur Reflexion anregen, welche neuen Erkenntnisse über die Welt des Mittelalters mit Hilfe digitaler Methoden, Werkzeuge und Ressourcen gewonnen werden können. Die Beiträge können beispielsweise folgende Themenbereiche behandeln: ● Mediävistik und Computer Vision (Bilderkennung) ● Mediävistik und Netzwerkanalyse ● Mediävistik und geographische Informationssysteme ● Mediävistik und Semantic Web ● Digitale Erschließung und Präsentation von mediävistischen Daten und Informationen ● Text-mining und automatische Sprachverarbeitung in der Mediävistik Zeitplan: 30. November 2017 Frist für die Einsendung der Vorschläge 15. Januar 2018 Zusage an die Autoren 1. Juli 2018 Einsenden der ausformulierten und formatierten Beiträge zum Peer Review 13./14. September Autorenkonferenz in Stuttgart 30. November 2018 Frist für die Abgabe der überarbeiteten Beiträge Juni 2019 Erscheinen des Themenhefts Bitte schicken Sie ihren Vorschlag für einen Beitrag als max. zweiseitigen Abstract bis zum 30. November 2017 an Roman Bleier (roman.bleier(at) uni-graz.at). With best wishes, Roman -- Roman Bleier Centre for Information Modelling - ACDH University of Graz Kompetenznetzwerk Digitale Edition <http://www.digitale-edition.at/> Institut für Dokumentologie und Editorik e.V. <http://www.i-d-e.de> Digital Medievalist <http://digitalmedievalist.org>

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New publication: The Digital Middle Ages
by Birnbaum, David J 17 Oct '17

17 Oct '17

Dear Colleagues, I am pleased to be able to announce the open-access publication of "The Digital Middle Ages", a supplement to "Speculum: A journal of medieval studies", published by the University of Chicago Press for the Medieval Academy of America. The issue, under the guest editorship of David J. Birnbaum, Sheila Bonde, and Mike Kestemont, is freely accessible at http://www.journals.uchicago.edu/toc/spc/2017/92/S1. Sincerely, David

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Fwd: Umanistica Digitale: the first issue of the new journal of AIUCD is on-line & CfP
by Roberto Rosselli Del Turco 16 Oct '17

16 Oct '17

Apologies for cross-posting. R -------- Messaggio Inoltrato -------- Oggetto: Umanistica Digitale: the first issue of the new journal of AIUCD is on-line & CfP Data: Mon, 16 Oct 2017 18:37:37 +0200 Mittente: Fabio Ciotti <fabio.ciotti(a)UNIROMA2.IT> Dear Colleagues, AIUCD (Italian DH Association) is pleased to announce the publication of the first issue of its new journal *Umanistica Digitale* (ISSN 2532-8816), available on-line at https://umanisticadigitale.unibo.it/ <https://umanisticadigitale.unibo.it/> This number features selected articles from AIUCD2015 Conference (guest editor R. Rosselli del Turco) and an editorial introducing the journal. Number two (selected papers from AIUCD2016 Conference) is under preparation and will be published next Spring. Is it now open the Call for Papers for number 3, to be published in Autumn 2018: we accept original scientific articles(5-10.000 words), reviews and event reports (1-3.500 words) in Italian and English on any subject and sub-field of Digital Humanities. The works must be submitted to the journal OJS website by April 30th 2018. Details on format, style guides and editorial policy at https://umanisticadigitale.unibo.it/about/submissions <https://umanisticadigitale.unibo.it/about/submissions> ---------------- Umanistica Digitale is the journal of the Italian Association of Digital Humanities (AIUCD - Associazione per l’Informatica Umanistica e la Cultura Digitale). In keeping with the objectives of the Association, Umanistica Digitale serves as a discussion venue for topics pertaining to the Digital Humanities, ranging from the theoretical and methodological foundations of computational models in social science to the development and application of computational systems and digital tools in the humanities; from the study of new phenomena in internet cultures, to the analysis of changes happening in scientific communication and in research infrastructures. Umanistica Digitale is a scientific journal targeted at a specific community; nevertheless, it aspires to become an open space, one that is accessible to as wide and varied an audience as possible in order to enrich its primary audience. The journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. It releases its articles under the terms of Creative Commons Attribution 4.0 International License. Acceptance of articles for publication in Umanistica Digitale is subject to single blind peer-review. Reviewers can be associate members of the AIUCD association or invited external. Editorial Staff Editor in chief Fabio Ciotti, Università di Roma Tor Vergata, Italia Legal Representative Editor Nicoletta Salvatori, Università di Pisa, Italia Editorial Board Marilena Daquino, Università di Bologna, Italia Giorgio Maria Di Nunzio, Università di Padova, Italia Greta Franzini, UCL Centre for Digital Humanities, Regno Unito Tiziana Mancinelli, Cologne Centre for eHumanities (CCeH), Germania Cristina Marras, ILIESI-CNR, Italia Enrica Salvatori, Università di Pisa, Italia Francesca Tomasi, Università di Bologna, Italia Managing Editor Marilena Daquino, Università di Bologna, Italia International advisory board Maristella Agosti, Università di Padova, Italia Elisabeth Burr, Universität Leipzig, Germania Dino Buzzetti, Fondazione per le Scienze Religiose Giovanni XXIII, Italia Claire Clivaz, Swiss Institute of Bioinformatics, Svizzera Maria Guercio, Università degli Studi di Roma "La Sapienza", Italia Claus Huitfeldt, Universiy of Bergen, Norway Christoph Jan Meister, Universität Hamburg, Germania Monica Monachini, CNR, Istituto di Linguistica Computazionale, Italia Raul Mordenti, Università degli studi di Roma 'Tor Vergata', Italia Tito Orlandi, Università degli Studi di Roma La Sapienza, Italia Elena Pierazzo, Université Grenoble Alpes – GERCI, Francia Riccardo Pozzo, Università di Verona, Italia Manuel Ramirez Sanchez, University of Las Palmas de Gran Canaria, IATEXT, Spagna Geoffrey Rockwell, University of Alberta, Canada Desmond Schmidt, Queensland University of Technology, Australia Susan Schreibman, Maynooth University, Irlanda Manfred Thaller, ret., Universität zu Köln, Germania Karina Van Dalen, University of Amsterdam, Paesi Bassi Gian Maria Varanini, Università di Verona, Italia Arsalane Zarghili, Faculté des Sciences et Techniques Fès, Marocco -- Fabio Ciotti Dep. Studi letterari, Filosofici e di Storia dell’arte University of Roma "Tor Vergata" President "Associazione Informatica Umanistica e Cultura Digitale" (AIUCD)

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