Digital Classicist London 2016 Seminar
Institute of Classical Studies
Senate House, Malet Street, London WC1E 7HU
Friday June 24th at 16:30 in room 234
*Dr Stuart Dunn (KCL)*
*Reading text with GIS:*
Different digital lenses for Ancient World Geography
Texts and geography have always gone together, with recent focus on
semantic annotation and extraction of place names from texts. This
presentation will reflect on how conventional GIS techniques can sit
alongside close reading. Using an example from the Heritage Gazetteer of
Cyprus, we will reflect on how GIS methods can be used to interrogate a
modern text which describes ancient places. A section of the itinerary
in George Jeffery’s Description of the Historic Monuments of Cyprus
(1918) will be “remediated” using landscape analysis functions available
in QuantumGIS. We will conclude with some general reflections on the use
of GIS methods with textual and other qualitative material.
http://digitalclassicist.org/wip/wip2016.html
ALL WELCOME
The seminar will also be screencast on the Digital Classicist YouTube
channel at https://www.youtube.com/channel/UCIamtu1Z62wL5XRk2mE8HKw
--
Dr Gabriel BODARD
Reader in Digital Classics
Institute of Classical Studies
University of London
Senate House
Malet Street
London WC1E 7HU
E: Gabriel.bodard(a)sas.ac.uk
T: +44 (0)20 78628752
http://digitalclassicist.org/
**Apologies for cross-posting** Dear friends and colleagues, It is a pleasure for us to announce that there are only a few vacancies to enroll at our DH@Madrid Summer School 2016! This year the topic is “Digital technologies applied to the study of poetry”, and it is organized in Madrid by LINHD and UNED, and sponsored by the ERC European project POSTDATA. The Summer School offers an application of digital humanities to the study of poetry through practical learning of the latest technologies in this field and will take place between 27th of June and 1st of July 2016 at School of Economic Sciences, UNED, at "Sáenz Torrecilla" Conference Room. The course will be mainly practical and delivered in a workshop form, although some theoretical sessions are included too. The whole course can be followed in person or completely online. It will be taught in Spanish, although some supporting materials in English will be provided. Now, it is time to take action! Secure your spot on our Summer School and you will be the first to test our new Virtual Research Environment – EVI platform! Here is the link for enrollment: http://extension.uned.es/actividad/idactividad/11781 Special discounts will be provided for members of DH Associations (and especially HDH, RedHD and AAHD). A special thanks for their endorsement, difussion and support for Dariah, Clarin and Dixit. More information about the Summer school in our website: http://linhd.uned.es/p/dhsummer2016/ (Spanish) and http://linhd.uned.es/en/p/dh-summer-2016/ (English). If you need more information please do not hesitate to contact us: Elena González Blanco García egonzalezblanco(a)flog.uned.es or Mara Manailescu mmanailescu(a)linhd.uned.es . Best regards, LINHD Team & Summer School organizers Elena González-Blanco Gimena del Rio Clara Martínez
http://linhd.uned.es
----**Disculpas por la duplicidad de correos** Queridos amigos y colegas: Nos complace anunciaros que estamos cerca de agotar las últimas plazas para matricularse en nuestra escuela de verano de Humanidades Digitales DH@Madrid Summer School 2016, organizada por LINHD en la UNED. El tema del curso de este año es "Tecnologías digitales aplicadas al estudio de la poesía", y está enmarcado y cofinanciado por el proyecto europeo ERC POSTDATA. El curso ofrece una aplicación de las diferentes tecnologías que se aplican al estudio de la poesía mediante un aprendizaje práctico basado en workshops. Tendrá lugar entre los días 27 de junio y 1 de julio en la Facultad de Económicas de la UNED, Sala Saenz Torrecilla. Se podrá cursar en persona o completamente online, en directo o en diferido. La lengua de enseñanza será el español principalmente, aunque habrá alguna charla en inglés y materiales de apoyo en dicha lengua. ¡Animaos! Reservad ahora vuestra plaza en la escuela de verano y tendréis además ocasión de ser los primeros en probar nuestro nuevo Entorno Virtual de Investigación EVI-LINHD! Pinchad aquí para realizar la matrícula: http://extension.uned.es/actividad/idactividad/11781 Se aplicarán descuentos especiales a los miembros de asociaciones de Humanidades Digitales (Especialmente HDH, RedHD y AAHD). Queremos además agradecer su apoyo y esponsorización a Dariah, Clarin y Dixit. Para más información sobre el programa y detalles podéis consultar nuestra web: http://linhd.uned.es/p/dhsummer2016/ (Spanish) y http://linhd.uned.es/en/p/dh-summer-2016/ (English). Si tenéis alguna consulta, no dudéis en contactarnos: Elena González Blanco García egonzalezblanco(a)flog.uned.es o Mara Manailescu mmanailescu(a)linhd.uned.es . Un saludo muy cordial y hasta dentro de unos días El equipo de LINHD organizador de DH@Madrid Summer School Elena González-Blanco Gimena del Rio Clara Martínez
LINHD | Laboratorio de Investigación de Humanidades Digitales
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*CALL FOR ATTENDANCE *
*2016 Conference and School on Authority, Provenance, Authenticity,
Evidence*
*October 25-28, 2016 University of Zadar, Croatia*
University of Zadar, Croatia, Department of Information Sciences will be
hosting its fourth conference and summer school on 25 – 28 October 2016, in
Zadar.
The University of Zadar hosted the Summer School in the Study of Old Books
in 2009; the Summer School in the Study of Historical Manuscripts in 2011;
and the Conference and School on Records, Archives and Memory Studies in
2013. The 2016 Conference and School will focus on historical and
contemporary understandings and manifestations of the concepts of
authority, provenance, authenticity and evidence in diverse cultural,
community, disciplinary, professional and technological contexts, as well
as on the nature, valence and relevance of these concepts looking toward
the future. Attendance is welcomed to scholars, including students, and
professionals in any field.
The Conference and School will be co-organised by the University of
California Los Angeles (UCLA) Department of Information Studies, VESTIGIA,
the Manuscript Research Centre of Graz University, Scientific Centre of
Excellence for Croatian Glagolitism and Croatian National Archives.
Full programme, registration information and accommodation information are
available at http://apae.unizd.hr/
*Previous summer schools and conferences:*
Summer School in the Study of Old Book (Summer School in the Study of Old
Books <http://ozk.unizd.hr/ssob/>, 2009),
Summer School in the Study of Historical Manuscripts (Summer School in the
Study of Historical Manuscripts <http://ozk.unizd.hr/summerschool2011/>,
2011.) i
Conference and School on Records, Archives and Memory Studies (Conference
and School on Records, Archives and Memory Studies
<http://ozk.unizd.hr/rams/>, 2013).
Selected papers will be published in refereed proceedings by the University
of Zadar.
Proceedings from previous Summer schools:
1. Summer School in the Study of Old Books,
http://www.unizd.hr/Portals/41/elektronicka_izdanja/Summer_school_in_the_st…
;
2. Summer School in the Study of Historical Manuscripts,
http://www.unizd.hr/Portals/41/elektronicka_izdanja/summer2904_tisak.pdf
1. Records, Archives and Memory : Proceedings. Zadar: Sveučilište, 2015.
(printed version only, orders on e-mail: knjizara(a)unizd.hr)
--
*doc. dr. sc. Marijana Tomić*
*Sveučiliste u Zadru*
*Odjel za informacijske znanosti*
*Ulica dr. Franje Tuđmana 24i*
*23000 Zadar*
*+38523/345-054*
*Marijana Tomić, PhD,Assistant Professor University of ZadarDepartement of
Information SciencesDr. Franje Tuđmana 24i23000 Zadar+38523/345-054*
Digital Classicist London Seminar
Institute of Classical Studies
Senate House, Malet Street, London WC1E 7HU
Friday June 17th at 16:30 in room 234
*Professor Eleanor Robson (UCL)*
*From the Ground to the Cloud*
Digital edition of freshly excavated cuneiform tablets on Oracc
Why edit texts using digital tools? And why produce online editions in
an open access environment? This seminar explores the many benefits,
from ensuring editorial consistency to maximising accessibility for
readers and researchers. I will explore the principles and practice with
examples from my current work, which happens to deal with newly
excavated cuneiform tablets from southern Iraq, from a previously
little-documented period of Babylonian history. But the same basic
theories and methods are relevant to all periods, places, and genres of
text, and are useful to think about for both creators and users of text
editions.
http://www.digitalclassicist.org/wip/wip2016.html
ALL WELCOME
--
Dr Gabriel BODARD
Reader in Digital Classics
Institute of Classical Studies
University of London
Senate House
Malet Street
London WC1E 7HU
E: Gabriel.bodard(a)sas.ac.uk
T: +44 (0)20 78628752
http://digitalclassicist.org/
Dear all,
registration to the annual AIUCD conference (AIUCD 2016, 7-9 September
2016, Venice, Italy) is now open.
This year the conference is devoted to the representation and study of
the text under different points of view (resources, analysis,
infrastructures), in order to bring together philologists, historians,
digital humanists, computational linguists, logicians, computer
scientists and software engineers and discuss about the text.
The web form for the payment of registration fees is available here:
http://www.umanisticadigitale.it/iscrizione-al-convegno-aiucd-2016/.
Further information is available on the AIUCD 2016 site:
http://www.aiucd2016.unive.it.
On behalf of the organizing committee and of the AIUCD executive board.
R
--
Roberto Rosselli Del Turco roberto.rossellidelturco at unito.it
Dipartimento di Studi rosselli at ling.unipi.it
Umanistici Then spoke the thunder DA
Universita' di Torino Datta: what have we given? (TSE)
Hige sceal the heardra, heorte the cenre,
mod sceal the mare, the ure maegen litlath. (Maldon 312-3)
Dear digital medievalists,
I am very happy to announce that we just published issue 4 of RIDE, a
review journal for digital editions and resources.
As in the previous three issues, we have 5 reviews (3 in English, 2 in
German) that critically assess publicly available scholarly digital
editions - two of which editing medieval texts.
For your convenience, this is the table of contents:
• Cervantes and the Golden Age Theatre: First Attempts Towards a Digital
Scholarly Editorial Model, by Susanna Allés Torrent
• Digital Thoreau, by Aodhán Kelly
• Hugo von Montfort: Das poetische Werk, by Torsten Schaßan
• Paul Klee – Bildnerische Form- und Gestaltungslehre, by Martina Scholger
• Welscher Gast digital, by Helmut W. Klug
All reviews can be accessed for free via our webpage: http://ride.i-d-e.de
Enjoy the RIDE!
Franz Fischer, Ulrike Henny, Philipp Steinkrüger
editors of RIDE
Dear Digital Medievailst subscribers,
Digital Medievalist will be holding elections at the end of June 2016 for four positions to its Executive Board. Board positions are for two year
terms, and incumbents may be re-elected (for a maximum of three terms in a row). Members of the Board are responsible for the overall direction of the
organisation and leading the Digital Medievalist’s many projects and programmes. This is a working board, and so it would be expected that you are
willing and able to commit time to helping Digital Medievalist undertake some of its activities, like editing the journal, organising conference
sessions, administering website, facebook group and news feeds, or maintaining a technical infrastructure - and there is room for any initiative you
would like to take to foster the communication on digital methods in medieval studies.
For further information about the Executive and Digital Medievalist more generally please see the DM website, particularly:
- https://digitalmedievalist.wordpress.com/about/
- https://digitalmedievalist.wordpress.com/about/board-roles/
- https://digitalmedievalist.wordpress.com/about/election-procedures/
- https://digitalmedievalist.wordpress.com/about/bylaws/
We are now seeking nominations (including self-nominations) for the annual elections. In order to be eligible for election, candidates must be members
of Digital Medievalist (membership is conferred simply by subscription to the organisation’s mailing list, dm-l) and have made some demonstrable
contribution either to the DM project (e.g. to the mailing list, or the wiki, etc.), or generally to the field of digital medieval studies.
If you are interested in running for these positions or are able to recommend a suitable candidate, please contact the returning officers, Alexei
Lavrentiev (alexei.lavrentev [at] ens-lyon.fr) and Emiliano Degl'Innocenti (emiliano.degli.innocenti [at] gmail.com), who will treat your nomination
or enquiries in confidence. The nomination period will close at 23:59 UTC on Wednesday, 15 June. Elections will be held by electronic ballot from
Wednesday, 22 June 2016, closing at 23:59 UTC on Thursday, 7 July 2016.
Best wishes,
Alexei Lavrentiev and Emiliano Degl'Innocenti
MATLIT, 2017, vol. 5
*VOX MEDIA: O Som na Literatura | Sound in Literature | El Sonido en la
Literatura*
Editores: Osvaldo Manuel Silvestre (Universidade de Coimbra)
Felipe Cussen (Universidade de Santiago do Chile)
MATLIT’s volume 5 is intent on exploring what we call literature as VOX
MEDIA: voice as a means for literature and the disturbances suffered by the
medium from the combined effect of performance and the technologies for
mediation, representation and reproduction. And also other instances, like
the tensions between the body and technology, audibility v. inaudibility of
text, sound and meaning, physical presence and/or absence of the authors,
and so forth. The goal is not only that of generating a catalogue or a
compendium of the contemporary effects of VOX MEDIA on the notion of
literature, but that of generating an archaeology for VOX MEDIA and for all
related phenomena repressed by their historical invisibility.
Submissions must be uploaded before *October 31, 2016*. Prior to
submission, authors have to register in the journal system:
http://iduc.uc.pt/index.php/matlit/login Please see author guidelines:
http://iduc.uc.pt/index.php/matlit/about/submissions
MATLIT, 2017, vol. 5
*VOX MEDIA: O Som na Literatura | Sound in Literature | El Sonido en la
Literatura*
Editores: Nuno Miguel Neves e Tiago Schwäbl
(Programa de Doutoramento FCT em Materialidades da Literatura)
Call for Sounds (MATLIT vol.5)
<https://matlit.files.wordpress.com/2016/06/matlit_call-for-papers_vox-media…>
Given the relevance of a study of the different forms of material
inscription to a more complete version, simultaneously modern and archaic,
of literature that is not limited to the idea of text as merely “letters
printed on paper”, volume 5 of MATLIT, to be printed in 2017 under the
general theme of Vox Media, opens a call for compositions that fit either
aesthetic or conceptually within sound poetry, text-sound composition,
sound art, or similar practices. The sound-works submitted should not have
been published before and they should have a maximum duration of 10
minutes. They should be sent to voxmedia.uc(a)gmail.com in one of the
following formats: .mp3, .m4a, or .wav.
The email should also include the following information:
1. Personal Info: Name and bio (between 100 and 150 words).
2. Details of the work: Title, length, concept description (up to a maximum
of 200 words).
3. Installation: How should the work be listened to (ex: headset or
speakers).
Deadline
Audio files must be submitted by *December 31, 2016*. The authors of the
works selected for publication in volume 5 of MATLIT will be notified by
February 28, 2017. The publication of volume 5 is scheduled for June 2017.
https://matlit.wordpress.com/2016/06/06/matlit-v-5-2017-call-for-papers/
<https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…>
Sem
vírus. www.avast.com
<https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…>
<#DDB4FAA8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
[On behalf of Elli Bleeker]
Dear digital medievalists,
**with apologies for the inevitable cross-posting**
We are pleased to announce a three-day workshop "Code and Collation:
Training Textual Scholars" that takes place in Amsterdam (The
Netherlands) from 2 - 4 November 2016. The event is part of the DiXiT
network <http://dixit.uni-koeln.de/> and is hosted by the Huygens
Institute for the History of the Netherlands
<https://www.huygens.knaw.nl/?lang=en>. It brings together a group of
international experts from the fields of textual scholarship and
computer science.
The workshop engages with the theory and practice of semi-automated
collation and provides an intense training in the open source collation
program CollateX. Participants will learn how to prepare source
materials, how to perform semi-automated collation using CollateX, and
how to inspect and modify the results; they will acquire or improve
computational skills relevant to textual criticism and in particular to
the production of scholarly editions.
Registration is now open and free of charge. Early registration is
recommended since there are limited places available. Detailed
information can be found at the website:
https://sites.google.com/site/dixitcodingcollation/. For all questions,
do not hesitate to get in touch at dixitcollation[at]gmail[dot]com.
We are looking forward to welcoming you in Amsterdam!
On behalve of the organising committee,
--Elli Bleeker
University of Antwerp
Centre for Manuscript Genetics