dm-l

dm-l@uleth.ca

2 participants
2789 discussions

vojvodamm@gmail.com has indicated you're a friend. Accept?
by vojvodamm＠gmail.com 06 Dec '13

06 Dec '13

Hi, vojvodamm(a)gmail.com wants to follow you. ****** Is vojvodamm(a)gmail.com you friend? ****** If Yes please follow the link below: http://invites.infoaxe.net/signup_e.html?fullname=&email=dm-l@uleth.ca&invi… If No please follow the link below: http://invites.infoaxe.net/signup_e_no.html?fullname=&email=dm-l@uleth.ca&i… Follow the link below to remove yourself from all such emails http://invites.infoaxe.net/uns.jsp?email=dm-l@uleth.ca&iid=e3d2bb2e-615e-42…

1 0

Fwd: New volume on Digital Humanities
by Hugh Houghton 04 Dec '13

04 Dec '13

Posted on behalf of Claire Clivaz: Dear colleagues, Here is a newly-published collection of essays that may interest you. Kind greetings, Claire Clivaz, University of Lausanne (CH) Digital Humanities in Biblical, Early Jewish and Early Christian Studies, Leiden: Brill, 2013. Edited by Claire Clivaz, University of Lausanne, Andrew Gregory, University of Oxford and David Hamidovic, University of Lausanne, in collaboration with Sara Schulthess, University of Lausanne Ancient texts, once written by hand on parchment and papyrus, are now increasingly discoverable online in newly digitized editions, and their readers now work online as well as in traditional libraries. So what does this mean for how scholars may now engage with these texts, and for how the disciplines of biblical, Jewish and Christian studies might develop? These are the questions that contributors to this volume address. Subjects discussed include textual criticism, palaeography, philology, the nature of ancient monotheism, and how new tools and resources such as blogs, wikis, databases and digital publications may transform the ways in which contemporary scholars engage with historical sources. Contributors attest to the emergence of a conscious recognition of something new in the way that we may now study ancient writings, and the possibilities that this new awareness raises. http://www.brill.com/products/book/digital-humanities-biblical-early-jewish…

1 0

CeRch Seminar: Détournement of applications as a creative tool (lecture/performance)
by kcl - cerch 04 Dec '13

04 Dec '13

Dear all, Apologies for cross-posting. Please find below the details of next week's CeRch seminar, the last of 2013: Détournement of applications as a creative tool (lecture/performance) - Brian Reffin Smith, Collège de 'Pataphysique, Paris Date: Tuesday, 10th December, 2013 from 6:15 PM to 7:30 PM (GMT) Location: Anatomy Museum Space, 6th Floor, King's College London (Strand campus) http://www.kcl.ac.uk/campuslife/campuses/strand/Strand.aspx Attendance is free and open to all, but registration is requested: https://www.eventbrite.com/event/8348553749 The seminar will be followed by wine and festive nibbles. All the best, Valentina Asciutti Abstract: The French word "Détournement", loosely translatable as hijacking, leading astray or appropriation, describes the sideways or "alt" use of computer applications outside their original fields: for example the use of medical imaging software to make movies, of spelling checkers to scramble text, or of fluid behaviour modelling software to make drawings. It is a two-way process and win-win situation, because "unauthorised" or simply crazy uses of apps can feed back ideas into their mainstream application as well as leading to creative splurges in other disciplines. Examples, some interactive, will be shown of hijacking computer software and iPad apps into areas of art, sound, text, cognitive psychology and because of the venue, anatomy (it is recommended not to eat before this seminar). Bio: Brian Reffin Smith is a writer, artist, theoretician, zombie and musician. He has spent about 40 years teaching ideas of "détournement", using them for art and writing about them, and is a pioneer of computer based conceptual art. He won the very first Golden Nike (the 'Oscars' of computer art) at Ars Electronica, Linz, Austria and his art and text works are shown internationally. His fields of activity are computer-based art and general creativity, performance art, Zombie studies and 'Pataphysics, the science of imaginary solutions. He is a book reviewer for Leonardo. He was for 25 years a French civil servant, as Professeur, Art et Informatique, in the École Nationale Supérieure d'Art, Bourges, France. He holds the Chair of Catachemistry and Speculative Metallurgy in the Paris-based Collège de 'Pataphysique, and lives in Berlin, Germany.

1 0

Digital Philology 2.2
by Albert Lloret 03 Dec '13

03 Dec '13

Dear Colleagues, Apologies for cross-posting. I am pleased to announce the publication of Digital Philology 2.2. This is a special issue edited by Deborah McGrady and devoted to Rethinking the Boundaries of Patronage. It includes essays by Jeanette Patterson on the Bible historiale, Andrea Tarnowski on de Mézières Epistre lamentable, Amy N. Vines on Hoccleves Series, and Helen Swift on defenses of women. Additionally, the Fall 2013 issue of DPh features an article on Auerbachs counterphilology, by James I. Porter, and an essay reviewing the terminology used to describe manuscripts, by Tjamke Snijders. Five reviews of digital projects close the volume. Here is the link to the Table of Contents: http://muse.jhu.edu/journals/digital_philology/toc/dph.2.2.html . I hope you enjoy it! Best, Albert Lloret Albert Lloret, PhD Managing Editor, Digital Philology <http://www.press.jhu.edu/journals/digital_philology/> Assistant Professor of Spanish and Catalan University of Massachusetts Amherst http://umass.academia.edu/AlbertLloret

1 0

Call for talk proposals: Spring 2014, Centre for e-Research Seminar Series, King's College London
by Centre for e-Research 03 Dec '13

03 Dec '13

Hello all, apologies for cross-posting, We now invite proposals for presentations in the Spring Term 2014 Centre for e-Research (CeRch) seminar series at King's College London. The CeRch seminars provide a venue for discussion and engagment of a range of projects, applications, methods and theories spanning the Centre's academic interests in computing, library and archives research, digital culture, information science and digital scholarship. Talks can cover any topic within CeRch's areas of interest and expertise, including applied and theoretical papers and discussion of early results. More details about the CeRch Seminar Series are at the bottom of this email. The call is open to all, including people at any stage in their academic career and those working outside academia, with the possibility to facilitate remote speakers. Seminars will be streamed live and published as online video after the event, unless the speaker requests otherwise. Reasonable limited travel expenses can be met, along with one night's accommodation in London if necessary. Please submit an abstract of up to 400 words to Anna Jordanous, via email to cerch(a)kcl.ac.uk by *Thursday 12th December 2013*. Please also contact Anna if you have any questions. Seminars will take place on Tuesday 6.15pm-7.30pm, provisionally on 21st Jan, 4th Feb, 18th Feb, 4th March, 18th March 2014. Please indicate your availability for these dates or alternative Tuesdays (January-March 2014) in your submission email. We look forward to hearing from you, Regards, Anna Jordanous Centre for e-Research, Department of Digital Humanities, King's College London. * **--- Centre for e-Research Seminar Series* The Centre for e-Research (CeRch) at King's College London runs an interdisciplinary seminar programme on alternate Tuesday evenings during term time. With viewpoints from many disciplines including the sciences, social sciences and humanities, the series' primary focus is to stimulate discussion and provide new and innovative insight into design, development and use of digitally-based methods and technologies, and the theoretical issues that they raise (especially where they interact with a range of other fields). Previous topics have included visualisation, webometrics, digital research infrastructures, computational creativity, motion data, computational linguistics, cultural value and social network analysis, among many others. Details of recent seminars in this series can be seen at http://www.kcl.ac.uk/innovation/groups/cerch/research/seminars/ . The series invites contributions for talks engaging with innovative questions or applications, using technology-enhanced methods. The series provides excellent networking opportunities, and will be of interest to anyone interested in debates around theories and practice in computing and digital technologies. Seminars are held fortnightly on Tuesdays during term time at 6.15pm (unless otherwise stated) in the Anatomy Museum Space, at King's College London, Strand Campus (http://www.kcl.ac.uk/cultural/spaces/anatomy-museum.aspx). Seminars are followed by drinks and nibbles. Twitter: @KingsCeRch hashtag: #cerchseminars --- Centre for e-Research, Department of Digital Humanities, King's College London, 26-29 Drury Lane, London WC2B 5RL

2 1

DH Awards 2013: Nominations open
by James Cummings 02 Dec '13

02 Dec '13

(apologies for cross-posting; please forward to anyone you think interested) === The annual open DH Awards 2013 are now accepting nominations! Please nominate any Digital Humanities resource you feel deserves to win in any of this year's categories. The open DH Awards 2013 are openly nominated by the community and openly voted for by the public as a DH awareness activity. There are no financial prizes, just the honour of having won and an icon for your website. Nominations will be open until 31 December 2013 (midnight GMT), voting will take place in January 2014. Please note that the nominations must be for projects/resources/sites that were launched/finished/created in 2013. To nominate something for the DH Awards 2013 visit the nominations page at: http://dhawards.org/dhawards2013/nominations/ The categories we are accepting nominations for the open Digital Humanities Awards 2013 are: === **Best DH tool or suite of tools** Nominations for this category should be for a tool or suite of tools created by members of the DH community, used for enabling, encouraging, and/or accomplishing DH work. **Best DH contribution not in the English language** Nominations for this category should be for DH resources or publications that are not in the English language. **Best use of DH for fun** Nominations for this category should be for projects/resources/sites for DH which are designed to be fun or inherently playful. **Best DH blog post, article, or short publication** Nominations for this category should be for a specific short DH publication (peer-reviewed or not) whether article, blog post, or other publication. **Best DH visualization or infographic** Nominations for this category should be for a graphic, infographic, or visualization created for or by the DH community. **Best DH project for public audiences** Nominations for this category should be for a DH project designed to be used by audiences primarily outside of higher education, including educators, students, enthusiasts, genealogists, engaged citizens, etc. === Again, to nominate something for the DH Awards 2013 visit the nominations page at: http://dhawards.org/dhawards2013/nominations/ If you have any questions please see http://dhawards.org/dhawards2013/faqs2013/ or ask at james(a)dhawards.org or tweet @DHawards James Cummings DHawards.org

1 0

this week's blog
by Lisa Fagin Davis 02 Dec '13

02 Dec '13

This week's blog: medieval manuscripts in Nebraska... http://manuscriptroadtrip.wordpress.com - Lisa -- Lisa Fagin Davis Acting Executive Director Medieval Academy of America 17 Dunster St., Suite 202 Cambridge, Mass. 02138 Phone: 617 491-1622 Fax: 617 492-3303 Email: LFD(a)TheMedievalAcademy.org

1 0

DiXIT Fellowship deadline approaching: 10 December
by Pierazzo, Elena 01 Dec '13

01 Dec '13

Dear All, Apologies for cross-posting. I just would like to remind everybody that the DIXIT ITN deadline is rapidly approaching: your applications should be sent by the 10th of December to the respective host institution and to the central coordinator institution (University of Cologne). DIXIT ITN is offering 12 fellowships for Early Stage Researchers. Please notice the following criteria for eligibility which it seems they were somehow not so clearly expressed before: - Candidates should not have already a PhD: the fellowship is meant to support the successful candidate to obtain one. - Candidates should not have more than 4 years full time research experience - Candidates should NOT having spent more than 12 months in the host country during the past 3 years. Application for one Experienced Researcher is also out which has the following eligibility criteria: - Candidates should have already a PhD or an equivalent research achievement. - Candidates should not have more than 5 years full time research experience and not less than 4. - Candidate should NOT having spent more than 12 months in the host country during the past 3 years. Please find here the references to all open positions: http://dixit.uni-koeln.de/fellows.html Two of the Early Career Researchers will be based at King's College London (see http://www.kcl.ac.uk/depsta/pertra/vacancy/external/pers_detail.php?jobinde…): please get in touch with me if you are interested either in documentary editing or social editing. Many thanks to all that will give it the largest diffusion. Best Elena -- Dr Elena Pierazzo Lecturer in Digital Humanities Department in Digital Humanities King's College London 26-29 Drury Lane London WC2B 5RL Phone: 0207-848-1949 Fax: 0207-848-2980 elena.pierazzo(a)kcl.ac.uk<mailto:elena.pierazzo@kcl.ac.uk> www.kcl.ac.uk/ddh

1 0

Global Outlook::Digital Humanities Essay Prize Winners Announced (Please repost)
by Daniel O'Donnell 30 Nov '13

30 Nov '13

lt is with great pleasure that Global Outlook::Digital Humanities announces the winners of its first DH essay prize. http://t.co/7xhUcgfUXG The competition, which was supported by funds awarded by the University of Lethbridge and an anonymous donor, attracted 53 entries in 7 languages. The first prize winners (in alphabetical order) are * Dacos, Marin (Open Edition, France). La stratégie du Sauna finlandais: Les frontières de Digital Humanities. Essai de Géographie politiqued’une communauté scientifique. * Gawne, Lauren (University of Melbourne, Australia). Language documentation and division: Bridging the digital divide. * Pue, A. Sean, Tracy K. Teal, and C. Titus Brown (Michigan State University, USA). Bioinformatic approaches to the computational analysis of Urdu poetic meter. * Raval, Noopur (Jawaharlal Nehru Univesity (JNU), New Delhi, India). On Wikipedia and Failure: Notes from Queering the Encyclopedia. Second prize winners (also in alphabetical order) are * Arauco Dextre, Renzo (Memoragram, Lima, Peru). Memogram, un Cloud-Service Para la Memoria Colectiva. * Carlson, Thomas A. (Princeton University, USA). Digital Maps are still not territory: Challenges raised by Syriaca.org’s Middle Eastern places over two millenia. * Tomasini Maciel, Julia (University of Maryland, USA). Humanidades Digitales y traducción literaria: Latinoamérica entre el portugués y el español. * Portales Machado, Yasmín Silvia (Havana, Cuba). Perfil demográfico de la blogosfera hecha en Cuba en diciembre de 2012. * Tasovac, Toma and Natalia Ermolaev (Centre for Digital Humanities, Belgrade, Serbia). Interfacing diachrony: Rethinking lexical annotation in digital editions. Honorable Mentions (in alphabetical order): * Arbuckle, Alyssa (University of Victoria, Canada). The risk of digital repatriation for indigenous groups. * Baryshev, Ruslan, Igor Kim, Inna Kizhner, Maxim Rumyantsev (Siberian Federal University, Russia). Digitial Humanities at Siberian Federal University. * Calbay, Francis Raymond (HayPinas.org, Taipei, Taiwan). User-Generated vitriol: Ethnic stereotypes in online comments on media reports of a South China Sea shooting incident. * Farman, Jason (University of Maryland, USA). Mapping virtual communities: The production of crisis maps and cultural imaginaries of the Diaspora. * Finney, Tim (Vose Seminary, Australia). How to discover textual groups. * Ives, Maura and Amy Earhart (Texas A&M University, USA). Establishing a digital humanities center: Vision, reality, sustainability. * Kaltenbrunner, Wolfgang (Leiden University, The Netherlands). Transparency strategies in digital scholarship. * López Villaneuva, José Manuel (Mexico). Reflexiones sobre la RedHD en México: desarrollo y alcance de la RedHD en la comunidad académica universitaria. * Menon, Nirmala (Indian Institute of Technology Indore, India). Multilingual digital publishing: A postcolonial Digital Humanities imperative. * O’Sullivan, James (Ireland). The emergence of Digital Humanities in Ireland. * Ouellette, Jessica (University of Massachussetts, USA). Blogging borders: Transnational feminist rhetorics and global voices. * Perozo Olivares, Karla (Universidad Nacional de Rosario, Venazuala). Una aproximación al desconocimiento de las masas digitales. * Riedel, Dagmar (Columbia University, USA). The digitization of books in Arabic script and the digital divide in Muslim societies. * Sandstedt, Jørgen (University of Iceland, University of Oslo, Iceland/Norway). Text-dependent automated methods in scribal hand identification. * Schmidt, Desmond (University of Queensland, Australia). Towards a model for the digital scholarly edition. * Sobczak, Anna (Uniwersytetu Szczecińskiego, Poland). A CO Z HUMANISTAMI? – CYFROWA HUMANISTYKA JAKO LEKARSTWO NA OBECNY STAN POSTRZEGANIA HUMANISTYKI W MEDIACH ELEKTRONICZNYCH? The committee thanks all authors for their submissions and their patience with the (longer-than-anticipated) adjudication process. The competition was extremely tight and the remaining submissions included many excellent papers that the referees singled out for special comment. Although this exhausts the current funding, it is hoped that we will be able to repeat this competition in future years. The organisers also thank the adjudication panel for their hard work and willingness to help out. -- --- Daniel Paul O'Donnell Professor of English University of Lethbridge Lethbridge AB T1K 3M4 Canada +1 403 393-2539

1 0

Fwd: [PhillyDigitalHumanities] GLAM Hack Philly - Feb 1-2, 2014
by Dot Porter 22 Nov '13

22 Nov '13

Apologies for cross-posting. ---------- Forwarded message ---------- From: *Chad Nelson* Date: Friday, November 22, 2013 Subject: [PhillyDigitalHumanities] GLAM Hack Philly - Feb 1-2, 2014 To: phillydh <phillydigitalhumanities(a)googlegroups.com> GLAM Hack Philly is a free, weekend-long hackathon focused on building apps with open data from Galleries, Libraries, Archives, and Museums. It will take place the weekend of February 1-2, 2012 at the University of Pennsylvania’s Kislak Center for Special Collections. The event will bring together programmers, curators, librarians, designers, archivists, and anyone else with a passion for GLAM data, to build fun and interesting apps with the tremendous amount of GLAM data that is openly and freely available. On the morning of Saturday, February 1st, participants can pitch ideas for projects related to a specific data set or for broader GLAM-related applications. This could be anything from creating Omeka plug-ins to building a virtual city tour app using local digital collections. Small groups will form and participants will begin working on their projects through Sunday, with a goal to present a working prototype by Sunday afternoon. Challenges and Data We are seeking proposals of Data Challenges for teams to work on during the hackathon. Challenges can be as simple as a dataset and a vague idea of what could be done with that data, or could be an already identified problem with your data that you are seeking help to solve. The only requirements for proposing a challenge are: - Someone from your organization commits to participating in the event. They will help steward teams who take up that challenge by giving context to your data. - If you r challange includes a dataset, that data should be made available for use and reuse. Providing your data openly means that anyone can build applications with your data before, during, and after the hackathon. Submit a Challenge Now <http://bit.ly/1bp5xpV> If you’re not sure how your organization's data could be used or want some help brainstorming a challenge, just get in touch with glamhackphilly(a)gmail.com <javascript:_e({}, 'cvml', 'glamhackphilly(a)gmail.com');>, we're happy to help. You can also submit your dataset without proposing a challenge<http://bit.ly/1cg6bEr>. We'll highlight your dataset on our website for attendees consideration. But I'm not a programmer -- can I participate? The input of content specialists like museum curators, librarians, archivists, catalogers,GLA researchers and others who know the data produced by GLAM organizations, is crucial to creating successful projects. We don't just want your participation, we need it! You can find more information on http://glamhack.com Thanks, Philly GLAM Hack organizers -- You received this message because you are subscribed to the Google Groups "Greater Philadelphia Digital Humanities Group" group. To unsubscribe from this group and stop receiving emails from it, send an email to PhillyDigitalHumanities+unsubscribe(a)googlegroups.com<javascript:_e({}, 'cvml', 'PhillyDigitalHumanities%2Bunsubscribe(a)googlegroups.com');>. To post to this group, send email to PhillyDigitalHumanities(a)googlegroups.com <javascript:_e({}, 'cvml', 'PhillyDigitalHumanities(a)googlegroups.com');>. Visit this group at http://groups.google.com/group/PhillyDigitalHumanities. For more options, visit https://groups.google.com/groups/opt_out. -- *~*~*~*~*~*~*~*~*~*~* Dot Porter (MA, MSLS) Digital Medievalist, Digital Librarian Email: dot.porter(a)gmail.com Personal blog: dotporterdigital.org Medieval Electronic Scholarly Alliance: http://www.mesa-medieval.org MESA blog: http://mesamedieval.wordpress.com/ MESA on Facebook: https://www.facebook.com/MedievalElectronicScholarlyAlliance *~*~*~*~*~*~*~*~*~*~*

1 0

Jump to page:

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

dm-l