actually, you can't. As is usual with these viewers, the image is delivered in tiles. To get the whole image at full resolution on one screen you would need a monitor approximately 60 inches by 40 (or 1.8 metres by 1). I know of people who spend their time happily writing bits of software to put together the whole image out of the tiles, but this is of doubtful legality even if it gets to work. Besides -- I'm aware that some (all?) tiling software has algorithms built into it which involve either scaling the image up or down, to match the magnification steps, so what comes out is likely to be different from what went in.
Do we get a vote here? or a voice? or anything at all?
p
On 2 Feb 2013, at 16:34, Ralph Mathisen wrote:
> One can always take a high-res screen shot :)
> Cheers,
> Ralph
> Ralph Mathisen
>
> From: P.M.Robinson(a)bham.ac.uk
> Subject: Re: [dm-l] Jan 2013: 256 BAV MSs accessible on-line
> Date: Sat, 2 Feb 2013 15:55:52 -0600
> To: dm-l(a)uleth.ca
>
> Am I the only person who is bothered by this very common arrangement -- we can link to the images on the BAV site but we *cannot* incorporate the images (unless we get all the permissions to do this, and that is no easy task) into our own sites? That is: we have to use their viewer; so we cannot do anything else with the images we might want (e.g., enhance them in various ways; or link them dynamically to transcripts a la T-Pen so we can see text overlaid on the image, etc.
> I think there are really strong arguments in favour of libraries etc NOT trying to maintain this hold over the images. It will make scholarship based on the images increasingly difficult.
> Peter
>
> Peter Robinson
>
> Honorary Research Fellow, ITSEE, University of Birmingham, UK
>
> Bateman Professor of English
> 9 Campus Drive, University of Saskatchewan
> Saskatoon SK S7N 5A5, Canada
>
>
>
>
>
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> Digital Medievalist -- http://www.digitalmedievalist.org/ Journal: http://www.digitalmedievalist.org/journal/ Journal Editors: editors _AT_ digitalmedievalist.orgNews:http://www.digitalmedievalist.org/news/ Wiki: http://www.digitalmedievalist.org/wiki/ Twitter: http://twitter.com/digitalmedievalFacebook:http://www.facebook.com/group.php?gid=49320313760 Discussion list: dm-l(a)uleth.ca Change list options: http://listserv.uleth.ca/mailman/listinfo/dm-l
Peter Robinson
Honorary Research Fellow, ITSEE, University of Birmingham, UK
Bateman Professor of English
9 Campus Drive, University of Saskatchewan
Saskatoon SK S7N 5A5, Canada
CFP Modern Language Association, 2014 Chicago
Investigating the geospatial in digital literary studies: GIS, gazetteers, spatial narratives, literary cartographies, spatio-temporal visualization of literary datasets. 250- word abstract (plus visuals) and bio by 15 March 2013 to dw04(a)aub.edu.lb
I would be particularly interested in any medieval literary projects.
http://www.mla.org/cfp_detail_5587
David Joseph Wrisley
Associate Professor CVSP/English
Chairperson, Department of English
American University of Beirut
Twitter: @DJWrisley
http://www.aub.edu.lb/fas/english/<http://www.aub.edu.lb/fas/english/Pages/wrisley.aspx>
http://aub.academia.edu/DavidJosephWrisley
Call for papers, ISCH COST Action IS1005 Medieval Europe - Medieval
Cultures and Technological Resources, Working Group 2, Manuscripts and
textual tradition, to be hosted at Huygens ING, Den Haag, Netherlands, on
18-19 April 2013.
"Easy Tools for Difficult Texts?"
Medieval manuscripts and codices are notoriously difficult to convince to
become well behaved inhabitants of the digital scholarly ecosystem.
Meanwhile over the last decades many digital local computerized services,
web based tools, and stand alone applications have been developed to
create, publish, and analyze digital representations of manuscript and
printed text. Although such tools have been trying to accommodate for
medieval manuscripts –and sometimes were even solely developed for that
purpose– a true convenient and intuitive means of re-representing medieval
text in the digital medium seems elusive. The nature of medieval texts
–ambiguous, uncertain, instable, often of unknown origin and descent, of
puzzling function and context, damaged, fragmented, still unconventional in
their multiplicity of form, format, language, orthography, typography, and
script– poses an ultimate challenge to creators and users of digital tools
wishing to produce useful and reliable digital counterparts to these
medieval sources of knowledge and testimonies of intellectual creativity.
The Huygens Institute for the History of the Netherlands and the COST
Action IS1005 "Medieval Europe" are organizing a two-day workshop that
seeks to gather a number of experts in methodologies and tool creation
around the complex issue of transferring medieval manuscripts to a digital
medium. The workshop, to be held at the Huygens Institute in The Hague on
18 and 19 April 2013, will create an overview of the state of the art of
tool development, and of the difficulties and extreme requirements medieval
manuscript poses to digital methods and techniques. The first day will
consist of introductions and demonstrations, as well as thorough
methodological reflection on a number of tools highly visible in the field
of digital textual scholarship. The second day will consist of theoretical
and methodological focused papers and the creation of an inventory of
common difficulties and unsupported features essential to digital philology
of medieval manuscripts.
We invite all interested experts to submit an abstract for a proposed paper
of no more than 500 words. We urge authors of proposals to include relevant
literature references (not counted as word count), to assist the audience
in its orientation in this more technical part of the field. Send your
abstract to congres(a)huygens.knaw.nl <javascript:_e({}, 'cvml',
'congres(a)huygens.knaw.nl');>, before 15 February 2013. Please mention “COST
Workshop” in the subject field.
Presenters will be reimbursed (according to the rules of the COST
organisation) for their travel and accommodation expenses. Since the budget
is restricted, however, we can only accommodate a limited number of people.
If you are under the happy circumstance that you would not have to rely on
funding by COST, please let us know, so that we can fit in more presenters.
The proceedings of the workshop will be published. For further information,
you can write to congres(a)huygens.knaw.nl <javascript:_e({}, 'cvml',
'congres(a)huygens.knaw.nl');>. Again, please mention “COST Workshop” in the
subject field.
Workshop Organizers:
Mariken Teeuwen (Huygens ING)
Joris van Zundert (Huygens ING)
Caroline Macé (Catholic University Leuven)
--
Drs. Joris J. van Zundert
*Researcher & Developer Digital and Computational Humanities
*
Huygens Institute for the History of the Netherlands
*Royal Netherlands Academy of Arts and Sciences
*
www.huygens.knaw.nl/en/vanzundert/
-------
*Jack Sparrow: I thought you were supposed to keep to the code.
Mr. Gibbs: We figured they were more actual guidelines.
*
Dear colleagues,
at www.e-sequence.eu has been published a very exciting multimedia
edition with facsimile, transcription, translation (into German) of up
to 9 mss of Notker chants and additional audio files of the chants sung
by Ordo virtutum.
"Audiovisuelle digitale Repräsentation von Sequenzen Notkers des
Stammlers († 912) aufgrund ausgewählter Handschriften"
From these mss:
Cod. Sang. 381
Cod. Sang. 484
Cod. Sang. 382
Cod. Sang. 376
Cod. Sang. 378
Cod. Sang. 380
Cod. Sang. 546
Cod. Einsiedeln, StiftsB 121
Best, Torsten
--
Torsten Schassan
Digitale Editionen
Abteilung Handschriften und Sondersammlungen
Herzog August Bibliothek, Postfach 1364, D-38299 Wolfenbuettel
Tel.: +49-5331-808-130 (Fax -165), schassan {at} hab.de
Handschriftendatenbank: http://diglib.hab.de/?db=mss
Dear Colleagues,
The first themed issue of Digital Philology (vol. 1, n. 2, Fall 2012) came
out earlier this month. Guest-edited by Tracy Adams, this exciting new
number is devoted to explore the links between "Devotion and Emotions in the
Middle Ages," or rather, in the editor's own words "the work to which our
medieval forebears put what we today think of as emotions: how they used
emotions for making sense of human nature, keeping the peace, educating
communities, marking social distinctions." The current issue of Digital
Philology also includes a manuscript study and three reviews of digital
resources.
You may access DPh 1.2 on-line through Project Muse at:
<http://muse.jhu.edu/journals/digital_philology/toc/dph.1.2.html>
We are accepting submissions for the 2014 and 2015 open issues. You may find
our call for papers, as well as some authorial guidelines, at:
<http://www.press.jhu.edu/journals/digital_philology/guidelines.html>
Sincerely,
Albert Lloret
Albert Lloret, PhD
Assistant Professor
Dept. of Languages, Literatures, and Cultures
Spanish and Portuguese
University of Massachusetts
433 Herter Hall
161 Presidents Drive
Amherst, MA 01003
Managing Editor
Digital Philology: A Journal of Medieval Cultures
<http://www.press.jhu.edu/journals/digital_philology/index.html>
[Apologies for cross-posting]
Research Developer post at King's College London (Gascon Rolls project): 6 months fixed term contract
The Department of Digital Humanities at King's College London is looking for a highly motivated and technically sophisticated individual to join the research and development team. The position will involve data modelling and analysis, plus the design and development of both editorial and administrative tools and public facing web applications, for the second phase of the Gascon Rolls (1317-1468) project, currently being carried out in collaboration with the University of Bordeaux in France. The focus of the work will be on the exploration of historical/technical issues in adapting historical data to wider digital frameworks, the application of geospatial and data mining approaches, new modes of visualisation and multi-device publishing, and the development of a French interface for the project.
Closing date for applications is 12 February 2013.
See below for full details:
http://www.kcl.ac.uk/depsta/pertra/vacancy/external/pers_detail.php?jobinde…
The project website is at http://www.gasconrolls.org/index.html
----------------------------------------
Paul Spence
Senior Lecturer
Department of Digital Humanities
King's College London
26-29 Drury Lane
London
WC2B 5RL
paul.spence(a)kcl.ac.uk
http://www.kcl.ac.uk/artshums/depts/ddh/research/index.aspx
Twitter: @dhpaulspence (English)/@hdpaulspence (castellano)