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[Fwd: Job opening: Research assistant at the University of Paderborn, Germany]
by Daniel Paul O'Donnell 08 Dec '08

08 Dec '08

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Digitizing Medieval and Early Modern Material Culture
by Simon Mahony 29 Nov '08

29 Nov '08

Forwarded from the Digital Classicist mailing list with usual apologies if you're on that list too (but this way you dont miss anything important)! Simon ------------------------------------------------------------ Call for Papers: Digitizing Medieval and Early Modern Material Culture Editors Brent Nelson (University of Saskatchewan) and Melissa Terras (University College London) invite submissions for a collection of essays on “Digitizing Medieval and Early Modern Material Culture” to be published in the New Technologies in Medieval and Renaissance Studies Series edited by Ray Siemens and William Bowen. This collection of essays will build on the accomplishments of recent scholarship on materiality by bringing together innovative research on the theory and praxis of digitizing material cultures from roughly 500 A.D. to 1700 A.D. Scholars of the medieval and early modern periods have begun to pay more attention to the material world not only as a means of cultural experience, but also as a shaping influence upon culture and society, looking at the world of material objects as both an area of study and a rich source of evidence for interpreting the past. Digital media enable new ways of evoking, representing, recovering, and simulating these materials in non-traditional, non-textual (or para-textual) ways and present new possibilities for recuperating and accumulating material from across vast distances and time, enabling both preservation and comparative analysis that is otherwise impossible or impractical. Digital mediation also poses practical and theoretical challenges, both logistical (such as gaining access to materials) and intellectual (for example, the relationship between text and object). This volume of essays will promote the deployment of digital technologies to the study of material culture by bringing together expertise garnered from complete and current digital projects, while looking forward to new possibilities for digital applications; it will both take stock of the current state of theory and practice and advance new developments in digitization of material culture. The editors welcome submissions from all disciplines on any research that addresses the use of digital means for representing and investigating material culture as expressed in such diverse areas as: • travelers’ accounts, navigational charts and cartography • collections and inventories • numismatics, antiquarianism and early archaeology • theatre and staging (props, costumes, stages, theatres) • the visual arts of drawing, painting, sculpture, print making, and architecture • model making • paper making and book printing, production, and binding • manuscripts, emblems, and illustrations • palimpsests and three-dimensional writing • instruments (magic, alchemical, and scientific) • arts and crafts • the anatomical and cultural body We welcome approaches that are practical and/or theoretical, general in application or particular and project-based. Submissions should present fresh advances in methodologies and applications of digital technologies, including but not limited to: • XML and databases and computational interpretation • three-dimensional computer modeling, Second Life and virtual worlds • virtual research environments • mapping technology • image capture, processing, and interpretation • 3-D laser scanning, synchrotron, or X-ray imaging and analysis • artificial intelligence, process modeling, and knowledge representation Papers might address such topics and issues as: • the value of inter-disciplinarity (as between technical and humanist experts) • relationships between image and object; object and text; text and image • the metadata of material culture • curatorial and archival practice • mediating the material object and its textual representations • imaging and data gathering (databases and textbases) • the relationship between the abstract and the material text • haptic, visual, and auditory simulation • tools and techniques for paleographic analysis Enquiries and proposals should be sent to brent.nelson[at]usask.ca by 10 January 2009. Complete essays of 5,000-6,000 words in length will be due on 1 May 2009. ----------------------------------------------------- -- Simon Mahony Research Associate Digital Classicist Centre for Computing in the Humanities King's College London 26 - 29 Drury Lane, London WC2B 5RL http://maps.google.co.uk/maps?q=WC2B_5RL Tel: +44 (0)20 7848 2813 Fax: +44 (0)20 7848 2980 simon.mahony(a)kcl.ac.uk http://www.digitalclassicist.org/ http://wiki.digitalclassicist.org/

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Les historiens et l’informatique : un métier à réinventer - final ATHIS symposium in Rome, Italy, 4-6 December
by Marjorie Burghart 21 Nov '08

21 Nov '08

Hi! Here's the program of a symposium soon to be held in Rome, at the Ecole française de Rome. It is organized jointly by French and Italian medievalists (from the Ecole française de Rome, LAMOP, and Reti Medievali), yet it is not restricted to the Middle Ages. Papers will be given in French and Italian. If you want to attend, please contact Marilyn Nicoud or Grazia Parrino, secrma(a)efrome.it Best wishes, Marjorie *Les historiens et l’informatique : un métier à réinventer * *Jeudi 4 décembre – 14 h 30 *Marilyn Nicoud (École française de Rome) /Accueil des participants /Jean-Philippe Genet (Université de Paris I) /Peut-on prévoir l’impact des transformations de l’informatique sur le travail scientifique de l’historien ? / *L’historien et ses sources : archives et bibliothèques - 15 h 00 *Anna Maria Tammaro (Università di Parma) /La biblioteca digitale verso la realizzazione dell'infrastruttura globale per gli studi umanistici /Roberto Delle Donne (Università di Napoli Federico II) /Storia e Open Archive /Christophe Dessaux (Ministère de la Culture et de la Communication) /De la numérisation des collections à Europeana : des contenus culturels pour la recherche /Gino Roncaglia (Università della Tuscia) /Libri elettronici : un panorama in evoluzione /Stefano Vitali (Archivio di Stato di Firenze) /I mutamenti nel mondo degli archivi / 17 h 45-18 h 45 : Discussion *Vendredi 5 décembre – 9 h 00 **Éditer *Michele Ansani (Università di Pavia) et Antonella Ghignoli (Università di Firenze) /Testi digitali : nuovi media e documenti medievali /Pierre Bauduin (Université de Caen) et Catherine Jacquemard (Université de Caen) /La pratique de l’édition en ligne : expériences et questionnements /Paul Bertrand (IRHT, CNRS) /Autour de l’édition électronique et des digital humanities : nouvelle érudition, nouvelle critique ? / 10 h 30-11 h 00 : Discussion *Enseigner *Rolando Minuti (Università di Firenze) /Insegnare storia al tempo del web 2.0 : considerazioni su esperienze e problemi aperti /Giulio Romero (Atelhis) /Métier d’historiens, métiers d’historien : les impératifs d’une formation ouverte / 12 h 45-13 h 15 : Discussion *Communiquer* - 15 h 00 Pietro Corrao (Università di Palermo) /L’esperienza di Reti Medievali /Christine Ducourtieux (Université de Paris I) et Marc Smith (École nationale des Chartes), /L’expérience de Ménestrel / 16 h 00 - 16 h. 30 Discussion *Les nouveaux horizons du métier d’historien *Aude Mairey (CESCM, CNRS-Université de Poitiers) /Quelles perspectives pour la textométrie ? /Julien Alerini (Université de Paris I) et Stéphane Lamassé (Université de Paris I) /Données et statistiques : l’avenir du travail en ligne pour l’historien / 17 h 45-18 h 15 : Discussion *Samedi 6 décembre – 9 h 00 *François Giligny (Université de Paris I) /L’informatique en archéologie : une révolution tranquille ? /Jean-Luc Arnaud (Telemme, CNRS-Université de Provence) /Nouvelles méthodes, nouveaux usages de la cartographie et de l’analyse spatiale en histoire /Margherita Azzari (Università di Firenze) /Geographic Information Systems and Science. Stato dell’arte, sfide future / 10 h-30-11 h 00 : Discussion *L’historien et l’outil informatique *Serge Noiret (European University Institute) /Fare storia a più mani con il web 2.0 : cosa cambia nelle pratiche degli storici ? /Philippe Rygiel (Université de Paris I) /De quoi le web est-il l’archive ? Lectures historiennes de l’activité réseau /Jean-Michel Dalle (Université Pierre et Marie Curie, Paris VI) /Peut-on penser le futur d’une communauté scientifique sans tenir compte de l’économie de l’innovation et de la créativité ? / 12 h 45-13 h 30 : Discussion *Conclusions d’Andrea Zorzi (Università di Firenze)*

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Manuscript Descriptions
by James Cummings 19 Nov '08

19 Nov '08

Hi all, As some of you know I'm doing some work for the ENRICH project[1] which has created a subset of the TEI for medieval manuscript description[2]. At an upcoming meeting, one of the things we'd like to demonstrate is that potentially many more formats than we're planning to convert to this format could adequately be expressed in it should need arise. That is, that we've got a vocabulary for a manuscript description which most manuscripts could be described in, if desired. Or at least, we'd like to see where what we have *doesn't* allow for other types of (e.g. modern) manuscripts so at least we are aware of the limitations. If you happen to have any manuscript descriptions, in any format[3], of any time period[4] would you be willing to let me have a representative sample of them? I promise to abide by any restrictions of use you impose, will openly share my results with anyone who wants, and such. I'm not promising to write automatic conversions of them, but might want to choose a couple and do manual conversions to demonstrate that there is no loss of intellectual content. Thanks, -James [1] http://enrich.manuscriptorium.com/ [2] http://tei.oucs.ox.ac.uk/ENRICH/ [3] We have some MASTER and TEI P5 ones, and while more of those are always welcome, other bizarre formats are even more appreciated. [4] While the project is medieval in nature for this purpose we aren't limited to medieval manuscripts.

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CFP: Digitizing Medieval and Early Modern Material Culture
by Brent Nelson 18 Nov '08

18 Nov '08

Call for Papers: Digitizing Medieval and Early Modern Material Culture Editors Brent Nelson (University of Saskatchewan) and Melissa Terras (University College London) invite submissions for a collection of essays on “Digitizing Medieval and Early Modern Material Culture” to be published in the New Technologies in Medieval and Renaissance Studies Series edited by Ray Siemens and William Bowen. This collection of essays will build on the accomplishments of recent scholarship on materiality by bringing together innovative research on the theory and praxis of digitizing material cultures from roughly 500 A.D. to 1700 A.D. Scholars of the medieval and early modern periods have begun to pay more attention to the material world not only as a means of cultural experience, but also as a shaping influence upon culture and society, looking at the world of material objects as both an area of study and a rich source of evidence for interpreting the past. Digital media enable new ways of evoking, representing, recovering, and simulating these materials in non-traditional, non-textual (or para-textual) ways and present new possibilities for recuperating and accumulating material from across vast distances and time, enabling both preservation and comparative analysis that is otherwise impossible or impractical. Digital mediation also poses practical and theoretical challenges, both logistical (such as gaining access to materials) and intellectual (for example, the relationship between text and object). This volume of essays will promote the deployment of digital technologies to the study of material culture by bringing together expertise garnered from complete and current digital projects, while looking forward to new possibilities for digital applications; it will both take stock of the current state of theory and practice and advance new developments in digitization of material culture. The editors welcome submissions from all disciplines on any research that addresses the use of digital means for representing and investigating material culture as expressed in such diverse areas as: • travelers’ accounts, navigational charts and cartography • collections and inventories • numismatics, antiquarianism and early archaeology • theatre and staging (props, costumes, stages, theatres) • the visual arts of drawing, painting, sculpture, print making, and architecture • model making • paper making and book printing, production, and binding • manuscripts, emblems, and illustrations • palimpsests and three-dimensional writing • instruments (magic, alchemical, and scientific) • arts and crafts • the anatomical and cultural body We welcome approaches that are practical and/or theoretical, general in application or particular and project-based. Submissions should present fresh advances in methodologies and applications of digital technologies, including but not limited to: • XML and databases and computational interpretation • three-dimensional computer modeling, Second Life and virtual worlds • virtual research environments • mapping technology • image capture, processing, and interpretation • 3-D laser scanning, synchrotron, or X-ray imaging and analysis • artificial intelligence, process modeling, and knowledge representation Papers might address such topics and issues as: • the value of inter-disciplinarity (as between technical and humanist experts) • relationships between image and object; object and text; text and image • the metadata of material culture • curatorial and archival practice • mediating the material object and its textual representations • imaging and data gathering (databases and textbases) • the relationship between the abstract and the material text • haptic, visual, and auditory simulation • tools and techniques for paleographic analysis Enquiries and proposals should be sent to brent.nelson[at]usask.ca by 10 January 2009. Complete essays of 5,000-6,000 words in length will be due on 1 May 2009.

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FW: The Digital Archimedes Palimpsest Released
by Lynn Ransom 29 Oct '08

29 Oct '08

Dear colleagues, I post the below announcement on behalf of Will Noel. Best, Lynn Ransom ************************ Ten years ago today, a private American collector purchased the Archimedes Palimpsest. Since that time he has guided and funded the project to conserve, image, and study the manuscript. After ten years of work, involving the expertise and goodwill of an extraordinary number of people working around the world, the Archimedes Palimpsest Project has released its data. It is a historic dataset, revealing new texts from the ancient world. It is an integrated product, weaving registered images in many wavebands of light with XML transcriptions of the Archimedes and Hyperides texts that are spatially mapped to those images. It has pushed boundaries for the imaging of documents, and relied almost exclusively on current international standards. We hope that this dataset will be a persistent digital resource for the decades to come. We also hope it will be helpful as an example for others who are conducting similar work. It published under a Creative Commons 3.0 attribution license, to ensure ease of access and the potential for widespread use. A complete facsimile of the revealed palimpsested texts is available on Googlebooks as ³The Archimedes Palimpsest². It is hoped that this is the first of many uses to which the data will be put. For information on the Archimedes Palimpsest Project, please visit: www.archimedespalimpsest.org <http://www.archimedespalimpsest.org> For the dataset, please visit: www.archimedespalimpsest.net <http://www.archimedespalimpsest.net> We have set up a discussion forum on the Archimedes Palimpsest Project. Any member can invite anybody else to join. If you want to become a member, please email: wnoel(a)thewalters.org I would be grateful if you would circulate this to your friends and colleagues. Thank you very much Will Noel The Walters Art Museum October 29th, 2008.

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Call for Papers: Codicology and Palaeography in the Digital Age
by Rehbein, Malte 23 Oct '08

23 Oct '08

Call for Papers: Codicology and Palaeography in the Digital Age The reproduction of the European cultural heritage into digital resources is on its way. Among the various activities undertaken in this field, online catalogues of manuscrips have become an important research tool: Manuscripta Medievalia, for example, is a well established central catalogue in Germany. Important European libraries like the Bibliothèque Nationale de France, the British Library or the Biblioteca Apostolica Vaticana have published their catalogues online. Directories with regional focus like the manuscript catalogue of Tuscany (CODEX) are seen alongside the European integrative project ENRICH. At the same time, the digitisation of the manuscripts themselves has gained momentum. What impact has this new situation on palaeographic and codicologic research? Successful projects have shown that data that emerges from such cataloguing and digitising activities can be processed and enriched by digital technologies: there are algorithms to compare character patterns and enable palaeographic analyses. Comprehensive codicological data is available via electronic catalogues to allow statistical research on the archaeology of manuscripts. Digital editions embed images of their underlying manuscripts. Online resources enable web-based teaching of palaeography in a way far beyond the traditional facsimile collections. The Institute of Documentology and Scholarly Editing (IDE) calls for contributions to an anthology on "Codicology and Palaeography in the Digital Age" to be published in Summer 2009. The purpose of this volume is threefold. Firstly, it aims at recording forward-looking digital work with manuscripts. This involves state-of-the-art technology as well as realistic ideas for future implementations. Secondly, it examines the field from the users perspective: how can codicological and palaeographic work benefit from digital resources and technologies? Are there new results that had not been possible before? Or is there at least a significant increase in efficiency compared to traditional methodology? We are therefore particularly encouraging contributions that describe research based on such digital resources. Finally, an outlook on the future development of the digital research on manuscripts will be given. Possible topics for contributions can include but are not restricted to: * reports on research based on digital resources * Integration of and statistical research on data from manuscript catalogues * palaeographic databases (scripts, scribes, characters) * codicological databases (e.g. watermarks, book covers) * (semi-) automatic recognition of scripts and scribes * digital tools for transcriptions * visions and prototypes of other digital tools * teaching palaeography The editors are open to proposals beyond these suggestions that fit into the outlined purpose of the volume. Contributions can be made either in German, Italian, English or French. The launch of the volume will be accompanied by an international symposium to which the IDE wants to invite the authors of the four best contributions to present their work. Proposals of not more than 500 words shall be send by 30 November 2008 to: Institute of Documentology and Scholarly Editing c/o Malte Rehbein Moore Insitute National University of Ireland, Galway malte.rehbein(a)nuigalway.ie --- The Institute of Documentology and Scholarly Editing (IDE) is a network of researchers working on the application of digital methods on historical documents. Its members participate in important international research activities. The IDE, established in 2006, sees itself as a nucleus for IT technologies in the field of scholarly editing and documentology, understanding a historical document as a carrier for text as well as a physical object. To achieve this, IDE members take an active part in ongoing discussions, contribute reviews and research articles, organise conferences and workshops, counsel trend-setting projects and teach academic junior scientists. Website: http://www.i-d-e.de

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What are the new digital genres
by Daniel O'Donnell 14 Oct '08

14 Oct '08

Hi all, I have a question. I'm just finishing off an article and I am about to refer to the extent to which humanists now need to know something about the "new digital genres". By that I mean the things that if you have been traditionally trained and were bookish rather than videogamish or technologically oriented as a teenager, you might not know much about: blogs wikis MOOs and MUDs and other text-based games (an older genre, I know) SIMs and other immersive game-like environments (ranging from second life through doom) Others? Corrections? I'm trying to think how to get something with GPS in there. -dan -- Daniel Paul O'Donnell, PhD Associate Professor of English Director, Digital Medievalist Project http://www.digitalmedievalist.org/ Chair, Text Encoding Initiative http://www.tei-c.org/ Department of English University of Lethbridge Lethbridge AB T1K 3M4 Vox +1 403 329-2377 Fax +1 403 382-7191 Email: daniel.odonnell(a)uleth.ca WWW: http://people.uleth.ca/~daniel.odonnell/

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Medieval Manuscript Studies in the Digital Age
by Peter Stokes 07 Oct '08

07 Oct '08

Apologies for cross-posting, but please see below for details of a new training programme for graduate students in the UK. All the best, Peter Stokes Dr Peter Stokes Leverhulme Early Career Fellow Dept. of Anglo-Saxon, Norse and Celtic The University of Cambridge 9 West Rd, Cambridge, CB3 9DP Tel: +44 1223 767314 Fax: +44 1223 335092 -- Medieval Manuscript Studies in the Digital Age: 16–21 February 2009 The Institute of English Studies (London) is pleased to announce a new AHRC-funded course in collaboration with the University of Cambridge, the Warburg Institute, and King's College London. The course involves six days of intensive training on the analysis, description and editing of medieval manuscripts in the digital age to be held jointly in Cambridge and London. Participants will receive a solid theoretical foundation and hands-on experience in cataloguing and editing manuscripts for both print and digital formats. The first three days involve morning classes and then visits to libraries in Cambridge and London in the afternoons. Participants will view original manuscripts and gain practical experience in applying the morning's themes to concrete examples. The final three days focus on cataloguing and describing manuscripts in a digital format with particular emphasis on the Text Encoding Initiative (TEI). These three days will also combine theoretical principles and practical experience and include supervised work on computers. The course is free of charge and open to all arts and humanities doctoral students registered at UK institutions. It is principally aimed at those writing dissertations which relate to medieval manuscripts, especially those on literature, art and history. Priority will be given to PhD students funded by the AHRC. Class sizes are limited to twenty and places are 'first-come-first-served' so early registration is strongly recommended. For further details see http://ies.sas.ac.uk/study/mmsda/ or contact the course organisers at mmsda(a)sas.ac.uk.

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Geiriadur Prifysgol Cymru: One-day Conference
by Andrew Hawke 26 Sep '08

26 Sep '08

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