I'm passing on a question I read about on Scribus-L, a list server
devoted to a linux desktop publishing program:
> Are there any Linux font editors?
>
> I may need something to make a font. A serious font for linguistics
> work (IPA characters, plus regular characters, plus typesetting
> features such as ligatures, various dashes, etc., so the font can be
> used for publishing books).
>
> Fontlab seems to be the reigning monarch in the Win/Mac world.
> What …
[View More]is the best font editor currently available in the Linux world?
-dan
--
Daniel Paul O'Donnell
Director, Digital Medievalist Project
(http://www.digitalmedievalist.org/)
Associate Professor of English
University of Lethbridge
Lethbridge AB T1K 3M4
Canada
Vox: +1 403 329-2377
Fax: +1 403 382-7191
Homepage: http://people.uleth.ca/~daniel.odonnell/
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This in today's NYTimes, about the Google plan to digitize whole libraries:
Writers Sue Google, Accusing It of Copyright Violation
By EDWARD WYATT
Published: September 21, 2005
Three authors filed suit against Google yesterday contending that the
company's program to create searchable digital copies of the contents of
several university libraries constituted "massive copyright infringement."
The University of Michigan has agreed to let Google create a searchable
database of its library …
[View More]collection.
Related Class Action Complaint (The Authors Guild v. Google)
Readers
Forum: Technology and the Internet
The lawsuit, filed in United States District Court in Manhattan, is the
first to arise from the Google Print Library program, the fledgling
effort aimed at a searchable library of all the world's printed books.
Google intends to make money from the project by selling advertising on
its search pages, much as it does on its popular online search-engine site.
The plaintiffs, who are seeking class-action status, also include the
Authors Guild, a trade group that says it represents more than 8,000
published authors. Listed as plaintiffs in the suit are Daniel Hoffman,
a former consultant in residence at the Library of Congress and the
author of many volumes of poetry, translation and literary criticism;
Betty Miles, an author of children's and young adult fiction; and
Herbert Mitgang, the author of a biography of Abraham Lincoln as well as
novels and plays. Mr. Mitgang is a former cultural correspondent and
editorial writer for The New York Times.
Each of the plaintiffs claim copyright to at least one literary work
that is in the library of the University of Michigan, according to the
suit. Michigan is one of three universities, along with Harvard and
Stanford, that agreed last year to let Google create searchable
databases of their entire collections. The New York Public Library and
Oxford University also entered into agreements with Google, but only for
the works in their collections that are no longer covered by copyright.
Paul Aiken, executive director of the Authors Guild, said the
organization did not know whether Google had yet copied any of the works
by the plaintiffs. But he noted that they were seeking an injunction
against copying and a declaration that the program violates copyright
law, as well as damages from any violations so far.
The suit contends that Google knew or should have known that the
Copyright Act "required it to obtain authorization from the holders of
the copyrights in these literary works before creating and reproducing
digital copies of the works for its commercial use and for the use of
others."
Google has said from the beginning that its program is covered by the
"fair use" provision of the copyright law, which allows limited use of
protected works. In a statement issued in response to the suit, Google
also said its program respected copyrights.
"We regret that this group has chosen litigation to try to stop a
program that will make books and the information within them more
discoverable to the world," the statement said. "Google Print directly
benefits authors and publishers by increasing awareness of and sales of
the books in the program. And, if they choose, authors and publishers
can exclude books from the program if they don't want their material
included. Copyrighted books are indexed to create an electronic card
catalog and only small portions of the books are shown unless the
content owner gives permission to show more."
Google temporarily suspended its library project last month to give
authors and other copyright holders until November to opt out by telling
it that they did not want certain works to be copied.
But Mr. Aiken said that offer turned longstanding precedents in
copyright law upside down, requiring owners to pre-emptively protect
rights rather than requiring a user to gain approval for use of a
copyrighted work.
Some aspects of the Google Print program have encountered relatively
little opposition, particularly one that invites publishers to submit
their books to Google for scanning and inclusion in the Google search
engine. Most of the large commercial publishing houses have submitted
books to Google for scanning, in the hope that the program will lead
users to find and buy their books more easily.
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(English below)
Dieser Aufruf zur Beteiligung kann man auch bei der Url
http://digitalclassicist.org/cfp/de-index.html auf deutsch lesen | Cet appel
à participation se trouve aussi en français à l'url
http://digitalclassicist.org/cfp/fr-index.html | Questa richiesta di
partecipazione e' disponibile anche in Italiano all'indirizzo
http://digitalclassicist.org/cfp/it-index.html | versión español
próximamente
We should like to announce the creation of a new project and community, hosted
by …
[View More]the Centre for Computing in the Humanities (KCL), applying humanities
computing to the study of the ancient world. The Digital Classicist has a pilot
web site at http://www.digitalclassicist.org, which, as well as serving as a
placeholder for further content, sets out our aims and objectives in a
preliminary manner. As you will see, key sections of the website and summaries
of articles will, where possible, be translated into the major languages of
European scholarship: e.g. English, French, German, Italian, Spanish etc. The
project also comprises a discussion list, a Wiki, and a Blog.
The project, which is committed to being ongoing and available in the long
term,
fills a gap in the current academic environment: there are countless important
digital research projects in the classics, including many that offer advice and
share tools; there are sites that discuss, host, or list such resources (the
Stoa, the Center for Hellenic Studies in Washington, Centre for the Study of
Ancient Documents in Oxford, EAGLE in Rome, to name but a few); but there is no
single platform for scholars and interested experts in the international and
polyglot community to discuss problems, share experiences, post news and
advice, and go to for help on all matters digital and classical. We shall of
course work closely with other organisations and projects that are active in
these areas (in particular the Stoa, and other subject communities such as the
Digital Medievalist, including specialists in archaeological, historical, and
geographical technologies), to avoid excessive overlap and maximise
co-operation and collaboration.
At this point we especially need members of the international scholarly
community to contribute to the project. If you feel you could get involved in
an editorial capacity, or you could recommend somebody else to do so, please do
get in touch. There is no obligation that editors give up many hours of their
time, of course--editorial roles are discussed in a posting at
http://tinyurl.com/cpdsu . In addition we should be very grateful if you could
suggest other people--especially those in non-Anglophone Europe--who might be
interested in participating in this project in any way.
And in any case, please spread the word, join the mailing list and get involved
in the discussions as we establish this new project and community.
Best regards,
The Editors
digitalclassicist.org
--
=======================================
Gabriel BODARD
Inscriptions of Aphrodisias
Centre for Computing in the Humanities
King's College London
Kay House
7, Arundel Street
London WC2R 3DX
Email: gabriel.bodard(a)kcl.ac.uk
Tel: +44 (0)20 78 48 13 88
Fax: +44 (0)20 78 48 29 80
=======================================
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Dear Colleagues,
The Consortium of European Research Libraries (CERL, www.cerl.org) has
set up a project for developing a federated search facility for
manuscripts. One of the options now being worked on is using the
technique of harvesting through the OAI protocol.
In order to make a recommendation on how to proceed after the project
phase I would like to know a bit more about how many manuscripts
databases (both with and without images) support harvesting through OAI.
I am hoping you could …
[View More]help me with this.
Those of you involved with manuscript databases I would like to ask the
following three questions:
- do you support searching by Z39.50 or SRU, or harvesting through
OAI?
- what kind of material does your database contain (period, spatial
coverage, number of records)?
- might you, in principal, be interested in taking part in an
international federated search facility?
I thank you in advance for your input in this small investigation,
best wishes,
Liesbeth Oskamp
_______________________________________
Liesbeth Oskamp
Consortium of European Research Libraries
Prins Willem-Alexanderhof 5, 2595 BE Den Haag
Postbus 90407, 2509 LK Den Haag
The Netherlands
Tel. +31 (0)70 314 0377
Fax +31 (0)70 314 0633
E-mail: Liesbeth.Oskamp(a)cerl.org
Website: www.cerl.org
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**EXTRA! THE LATEST NEWS FROM THE ACLS**=20
=20
=20
ACLS OPENS COMPETITION FOR DIGITAL INNOVATION FELLOWSHIP PROGRAM
=20
The American Council of Learned Societies (ACLS) is pleased to announce
its new Digital Innovation Fellowship program, in support of digitally
based research projects in the humanities and humanistic social
sciences. These fellowships, created with the generous help of The
Andrew W. Mellon Foundation, are intended to support an academic year
dedicated to work on a major …
[View More]scholarly project of a digital character
that advances humanistic studies and best exemplifies the integration of
such research with use of computing, networking, and other information
technology-based tools. The online application for the fellowship
program is located at http://ofa.acls.org <http://ofa.acls.org/> ;
applications must be completed by November 10, 2005 (decisions to be
announced in late March 2006).
=20
This is the first national fellowship program to recognize and reward
humanistic scholarship in the digital sphere, and to help establish
standards for judging the quality, innovation, and utility of such
research. Many scholars have been working in the humanities for years
with such tools as digital research archives, new media representations
of extant data, and innovative databases-and now the ACLS sees an
important opportunity to start identifying and providing incentive for
distinctive work, on a national basis. "Information technology can be
the means for scholars to answer new and old questions that have so far
resisted our curiosity and our effort. This program will support a
rising generation of scholars in making exactly that kind of progress,"
says James O'Donnell, provost of Georgetown University, Chair of the
ACLS Executive Committee of Delegates, and author of Avatars of the
Word: From Papyrus to Cyberspace (1998).
=20
Up to five Digital Innovation Fellowships will be awarded in this
competition year, for tenure beginning in 2006-2007. As this program
aims to provide the means for pursuing digitally-based scholarly
projects, the fellowship includes a stipend of up to $55,000 to allow an
academic year's leave from teaching, as well as project funds of up to
$25,000 for purposes such as access to tools and personnel for digital
production, collaborative work with other scholars and with humanities
or computing research centers, and the dissemination and preservation of
projects.
=20
The ACLS criteria for judging applications include the project's
intellectual ambitions and technological underpinnings, likely
contribution as a digital scholarly work to humanistic study,
satisfaction of technical requirements for a successful research
project, degree and significance of preliminary work; potential for
promoting teamwork and collaboration (where appropriate), and
articulation with local infrastructure at the applicant's home
institution.
=20
Applicants must be citizens or permanent residents of the United States
as of the application deadline date and must hold a Ph.D. degree
conferred prior to the application deadline. However, established
scholars who can demonstrate the equivalent of the Ph.D. in publications
and professional experience may also qualify.
=20
=20
Applications for the 2005-06 ACLS Digital Innovation Fellowship Program
Deadline: November 10, 2005
Contact: American Council of Learned Societies, 633 Third Avenue, New
York, NY 10017
Phone: (212) 697-1505
E-mail: sfisher(a)acls.org
Web: www.acls.org/difguide.htm
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(I don't know how many folks on the list live in the area affected by Katrina,
but please pass this message along to anyone who may qualify)
We at the Collaboratory for Research in Computing for Humanities (RCH)
at the University of Kentucky are so impressed by the recent
announcement that The Maryland Institute for Technology in the
Humanities (MITH) at the University of Maryland, College Park
(http://www.mith.umd.edu/) is offering a fellowship for scholars
affected by Hurricane Katrina …
[View More]that we have petitioned the College of
Arts and Sciences at UK to support a similar position at RCH. Please
distribute this announcement to other lists and post as you see fit. A
web version of the announcement is posted at
http://www.rch.uky.edu/fellowship.html.
Thank you,
Dot Porter, Program Coordinator, RCH
NOTE: The RCH website may be unavailable Friday, September 9, until the
late afternoon.
*****
*Announcement: Residential fellowship available for scholar displaced by
Hurricane Katrina*
With the support of the College of Arts & Sciences and the University of
Kentucky Libraries, the newly reorganized Collaboratory for Research in
Computing for Humanities (RCH) at the University of Kentucky,
Lexington, is pleased to be able to offer an immediate residential
fellowship available to any one faculty member or ABD doctoral candidate
at an institution closed by Hurricane Katrina.
As described in our new mission statement, RCH brings together faculty
and students from Engineering and the Humanities for research projects
with benefits for all involved. We provide infrastructure, technical
assistance, and grant writing assistance to individuals and groups who
propose projects under its auspices. We also encourage and support
interdisciplinary projects among individuals and groups from UK and
around the world.
We invite proposals from individual scholars who are currently working
on a humanities computing project and require facilities to continue
work OR who are in the process of starting a new project and require
facilities and other assistance in getting the project off the ground.
Projects through RCH have traditionally focused on image-based editing
of medieval and, more recently, classical materials, however we are
currently in the exciting process of branching out and investigating new
topics. Any project focused on the electronic editing of or access to
humanistic materials (manuscripts, rare books, artworks) would be
acceptable.
For more details on RCH, please visit our website at
http://www.rch.uky.edu/.
The fellowship includes:
* Private workspace, including both PC and Macintosh workstations.
* Access to our own hardware and software, and that of the
Preservation and Digital Programs Division
<http://www.uky.edu/Libraries/Special/> of the University of
Kentucky Libraries (a list of hardware available at
http://www.rch.uky.edu/index-prop.html#Fac)
* An opportunity to speak through the "Wednesday Seminar" series at
the Center for Computational Sciences <http://www.ccs.uky.edu/>.
* Access to the RCH and Stoa.org <http://www.stoa.org> development
and production servers. This includes online publication space, as
well as archival storage space.
* Consulting on issues of digital scholarship.
Although we will probably not be able to offer a stipend, we are able to
provide some funding for relocation and assistance with a search for
housing.
To apply, please send a letter of inquiry describing your project, a CV,
and contact information for three references. Please send application
materials by email to Dot Porter, the RCH Program Coordinator, at
dporter(a)uky.edu <mailto:dporter@uky.edu>, or by regular mail to:
Dot Porter
Collaboratory for Research in Computing for Humanities
351 William T. Young Library
University of Kentucky
Lexington, KY 40506-0456
Consideration of applications will begin immediately. Applications from
women and minorities and graduate students and faculty at Historically
Black Colleges and Universities is encouraged.
Ross Scaife and Jurek Jaromczyk, Directors
http://www.rch.uky.edu/
--
***************************************
Dorothy Carr Porter, Program Coordinator
Collaboratory for Research in Computing for Humanities
University of Kentucky
351 William T. Young Library
Lexington, KY 40506
dporter(a)uky.edu 859-257-9549
***************************************
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Oops, sorry I sent that private email to the group. Mea culpa
(-:
---- Original message ----
>Date: Sat, 03 Sep 2005 21:37:01 -0600
>From: Jesse Hurlbut <jesse_hurlbut(a)byu.edu>
>Subject: [dm-l] CFP: User Interfaces at Kalamazoo
>To: dm-l(a)uleth.ca
>
>CFP: Kalamazoo, May 2006
>Finding a Friendlier Front End: User Interface Design for
Electronic
>Critical Editions
>
>Abstract submission deadline: Sept. 15, 2005
>
>This session hopes to feature …
[View More]both real practices and
imagined ideals
>for crafting a better presentation of data in electronic
critical
>editions. While some presentations may deal in part with
tools or
>initiatives for developers, the focus is really on the user.
Are
>there factors of layout and design that make it easier for
the user
>to access complex data? What tools can we provide that
facilitate the
>user's experience with an ancient text? In what ways can we
yet
>exploit the new media to enhance the interaction of the
reader with a
>textual tradition? What are some best practices in designing
an
>interface that adequately reflects the 'mouvance' of a text?
What is
>the potential functionality of an electronic critical
apparatus?
>Topics need not be limited to existing technologies.
>
>Send abstracts (include websites if appropriate) to Jesse D.
Hurlbut at:
>
>jesse_hurlbut(a)byu.edu
>
>
>
>
>
>_______________________________________________
>Digital Medievalist Project
>Homepage: http://www.digitalmedievalist.org
>Journal (Spring 2005-):
http://www.digitalmedievalist.org/journal.cfm
>RSS (announcements) server:
http://www.digitalmedievalist.org/rss/rss2.cfm
>Wiki: http://sql.uleth.ca/dmorgwiki/index.php
>Change membership options:
http://listserv.uleth.ca/mailman/listinfo/dm-l
>Submit RSS announcement:
http://www.digitalmedievalist.org/newitem.cfm
>Contact editorial Board: digitalmedievalist(a)uleth.ca
>dm-l mailing list
>dm-l(a)uleth.ca
>http://listserv.uleth.ca/mailman/listinfo/dm-l
[View Less]
Way to go, Jesse, if you want you can put CER as a sponsor of
this. Patti
---- Original message ----
>Date: Sat, 03 Sep 2005 21:37:01 -0600
>From: Jesse Hurlbut <jesse_hurlbut(a)byu.edu>
>Subject: [dm-l] CFP: User Interfaces at Kalamazoo
>To: dm-l(a)uleth.ca
>
>CFP: Kalamazoo, May 2006
>Finding a Friendlier Front End: User Interface Design for
Electronic
>Critical Editions
>
>Abstract submission deadline: Sept. 15, 2005
>
>This session hopes to …
[View More]feature both real practices and
imagined ideals
>for crafting a better presentation of data in electronic
critical
>editions. While some presentations may deal in part with
tools or
>initiatives for developers, the focus is really on the user.
Are
>there factors of layout and design that make it easier for
the user
>to access complex data? What tools can we provide that
facilitate the
>user's experience with an ancient text? In what ways can we
yet
>exploit the new media to enhance the interaction of the
reader with a
>textual tradition? What are some best practices in designing
an
>interface that adequately reflects the 'mouvance' of a text?
What is
>the potential functionality of an electronic critical
apparatus?
>Topics need not be limited to existing technologies.
>
>Send abstracts (include websites if appropriate) to Jesse D.
Hurlbut at:
>
>jesse_hurlbut(a)byu.edu
>
>
>
>
>
>_______________________________________________
>Digital Medievalist Project
>Homepage: http://www.digitalmedievalist.org
>Journal (Spring 2005-):
http://www.digitalmedievalist.org/journal.cfm
>RSS (announcements) server:
http://www.digitalmedievalist.org/rss/rss2.cfm
>Wiki: http://sql.uleth.ca/dmorgwiki/index.php
>Change membership options:
http://listserv.uleth.ca/mailman/listinfo/dm-l
>Submit RSS announcement:
http://www.digitalmedievalist.org/newitem.cfm
>Contact editorial Board: digitalmedievalist(a)uleth.ca
>dm-l mailing list
>dm-l(a)uleth.ca
>http://listserv.uleth.ca/mailman/listinfo/dm-l
[View Less]