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2794 discussions

Parvum lexicon stemmatologicum
by Klaus Graf 11 Jan '16

11 Jan '16

I do not appreciate this resource. Making such a reference work means: LEARNING FROM WIKIPEDA LEARNING FROM WIKIPEDA LEARNING FROM WIKIPEDA See more in German: http://archivalia.hypotheses.org/53406 Klaus Graf

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call for papers International workshop on digital humanities linked to Aliento project: March 16th 2016 - Reminder
by Marie-Sol Ortola 10 Jan '16

10 Jan '16

Join us in Nancy, France for the 6th International conference: *“/Out of Spain: Posterity and Dissemination of the /Aliento /corpus in Europe and the Mediterranean/” * Within the three-day conference one day is devoted to Digital Humanities: http://aliento.msh-lorraine.fr/en/news/news/article/appel-a-communications-… **

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Job opportunities in Cologne (Medieval Philosophy, Digital Philology)
by Franz Fischer 08 Jan '16

08 Jan '16

***Apologies for cross-posting*** The Thomas-Institute at the Faculty of Arts and Humanities at the University of Cologne invites applications for four full-time positions as Research Associates, one of which in Digital Humanities, three in Arabic, Hebrew, and Latin Philosophy, starting May 1, 2016. The Thomas-Institute conducts a long-term project of critical editions of the writings on Natural Philosophy by the Arabic philosopher Averroes (Ibn Rušd, 1126–1198) and his immediate predecessor Avempace (Ibn Bāǧǧa, c. 1070–1139): "Averroes (Ibn Rushd) and the Arabic, Hebrew, and Latin Reception of Aristotle’s Philosophy of Nature". The project will produce a total of 18 critical editions of the preserved Arabic original texts and their medieval Hebrew and Latin translations, which will be published both in print and as digital editions. Starting in 2016, the project is scheduled to run for 25 years, and has received funding for the entire period of its duration from the North Rhine-Westphalian Academy of Sciences, Humanities and the Arts. Directors: Prof. Dr. Andreas Speer, Jun.-Prof. Dr. David Wirmer. The Digital Humanities position assigned to this project has the task * to evaluate existing editing tools and to adapt them to the needs of the present project; * to assist the editors in the encoding in XML/TEI of complex editorial findings; * to implement ― on the basis of an existing framework (http://dare.uni-koeln.de/) ― solutions for the display of the critical apparatus; * to contribute to the development of an TEI schema for edition meta-data; * to further develop the technical framework with a view to standardized technologies and sustainability. Appointment requirements are: either a university degree (Master) in computer science and a good knowledge of questions and methods used in the humanities, especially in edition philology or a university degree (Master) in a field related to the subject-matter of the edition project and in-depth knowledge in informatics. Eligible candidates should demonstrate an excellent knowledge of XML/TEI, XML-databases, XML editors and their customization, other XML-related standards and web technologies. In addition, some experience in the creation of print masters is desirable. For further information see: http://ukoeln.de/F1JI1 Applicants for the positions in Arabic, Hebrew, and Latin Philosophy should be competent in more than one area. Appointment requirements are: a university degree and PhD in a field related to the subject-matter of the edition project (e.g. History of Philosophy, Classical Philology, Oriental Studies, Jewish Studies, etc.). Eligible candidates should demonstrate an excellent knowledge of either Arabic, Hebrew, or Latin, working knowledge of at least one of the other languages, and close familiarity with Medieval philosophy. The appointed editors are expected to work independently but in close collaboration with their colleagues. For further information see: http://ukoeln.de/KYP7X The University of Cologne is an equal opportunities employer. Applications of women are thus especially encouraged; applications of disabled persons will be given preferential treatment to those of other candidates with equal qualifications. Candidates should submit a cover letter that describes their research, two letters of recommendation, and a current curriculum vitae. To ensure full consideration, applications must be received by February 15, 2016. Please send your documents to: Averroes Edition Thomas-Institut Universitätsstraße 22 50923 Köln For additional information please contact david.wirmer(a)uni-koeln.de. -- Dr. Franz Fischer Cologne Center for eHumanities Universität zu Köln, Universitätsstr. 22, D-50923 Köln Telefon: +49 - (0)221 - 470 - 4056 Email: franz.fischer(a)uni-koeln.de -------------------------------------------------------------------------------- http://www.cceh.uni-koeln.de http://www.i-d-e.de http://www.thomasinstitut.uni-koeln.de http://dixit.uni-koeln.de http://guillelmus.uni-koeln.de http://confessio.ie

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an opening in DH
by EAE 07 Jan '16

07 Jan '16

Dear colleagues, A new project at Hamburg University aimed at developing a comprehensive research environment for Ethiopic text and manuscript studies is urgently looking for a Research Fellow in Digital Humanities / IT Developer to help us jump-start our research efforts by creating and managing the relational database suitable to the project needs. The position is full-time at German E13 tariff level, limited for the moment to three years. Experience in similar data management project and acquiaintance with TEI XML as well as with semantic web technologies is expected. The application deadline is 20 January 2016, and the job can start as soon as possible, preferably on or before 1 March 2016. Please see http://www1.uni-hamburg.de/ethiostudies/adw.html for more details. Please feel free to forward this message to those who you feel may be interested. Thank you and best regards Eugenia Sokolinski (Coordinator COMSt) Hiob Ludolf Centre for Ethiopian Studies Hamburg University Alsterterrasse 1 DE - 20354 Hamburg Germany tel. +49-40-42838-7777 fax +49-40-42838-3330 http://www1.uni-hamburg.de/ethiostudies http://www1.uni-hamburg.de/COMST eae(a)uni-hamburg.de

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Parvum lexicon stemmatologicum
by Caroline Macé 03 Jan '16

03 Jan '16

This on-line ressource may be of interest to some of you: https://wiki.hiit.fi/display/stemmatology/Parvum+lexicon+stemmatologicum The Parvum lexicon stemmatologicum (PLS) is a scholarly digital resource providing explanations for technical terms related to stemmatology, a discipline of classical and mediaeval philology aiming at understanding the historical evolution of textual traditions. Remarks, corrections and suggestions can be sent to: stemmatolgy(a)gmail.com. Caroline Macé & Philippe Roelli

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REMINDER: CFP for Symposium on Medieval and Renaissance Studies
by Meg Smith 31 Dec '15

31 Dec '15

(Apologies for cross-posting) Paper and session proposals for the Fourth Annual Symposium on Medieval and Renaissance Studies (Saint Louis University, June 20-22, 2016) are due today, December 31. Proposals are welcome from any area of medieval and Renaissance studies, including digital humanities. -- Meg Smith, M.A. PhD student, Medieval History Graduate assistant, Center for Medieval and Renaissance Studies Saint Louis University

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CALL FOR PROPOSALS: CAPAL 2016 Conference -- Deadline extended to January 15, 2016
by Harriet Sonne de Torrens 22 Dec '15

22 Dec '15

*** With apologies for duplication --- Good Wishes for the Season! *** PLEASE NOTE: Deadline for Proposals extended to January 15th, 2016<x-apple-data-detectors://2>. The Canadian Association of Professional Academic Librarianship (CAPAL) is hosting its 2016 Conference in Calgary, Alberta, Canada: May 29-May 31, 2016 (preceded on May 28 with a pre-conference workshop on research). Please consider submitting a proposal for this conference. The formal Call for Proposals is attached in both English and French. ******************************************************************************* Harriet Sonne de Torrens, MISt., Ph.D., L.M.S.| Academic Librarian | HMALC Library and Department of Visual Studies, UTM | 905-569-4610 | https://utoronto.academia.edu/HarrietSonnedeTorrens https://utlibrarians.wordpress.com/ [Standardized Email Signature_96dpi]

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Beyond Words: Illuminated Manuscripts from Boston Collections
by Lisa Fagin Davis 18 Dec '15

18 Dec '15

Upcoming exhibit: *BEYOND WORDS: ILLUMINATED MANUSCRIPTS FROM BOSTON COLLECTIONS* *CHURCH & CLOISTER (Houghton Library: Sept. 12 – Dec. 10, 2016)* *PLEASURE & PIETY (McMullen Museum of Art, Boston College: Sept. 12 – Dec. 11, 2016)* *ITALIAN RENAISSANCE BOOKS (Isabella Stewart Gardner Museum: Sept. 22, 2016 – Jan. 16, 2017)* An *international conference* linked to the exhibition with one day at each of the three venues will take place on Nov. 3–5, 2016. The collections in the Boston area constitute one of the most important ensembles of illuminated manuscript material anywhere in North America, yet they remain, in large measure, virtually unknown to scholars and the wider public alike. Conceived by Jeffrey F. Hamburger, Kuno Francke Professor of German Art & Culture at Harvard, in 2000, his first year at the university, the exhibition could not have been prepared and organized without the collaboration of a team of local manuscript experts with whom he searched the stacks and stores of libraries and museums on both sides of the Charles River for buried treasures of illumination. ** *Beyond Words* will be the first exhibition to showcase highlights of medieval and Renaissance illumination in the Boston area. It follows in the footsteps of other exhibitions which have vaunted the holdings of public collections in American and British cities, such as *Leaves of Gold: Treasures of Manuscript Illumination from Philadelphia Collections *(2001-2002)**and* Cambridge Illuminations *(2005). *Beyond Words*, however, is a far more ambitious collaborative metropolitan project, in terms of the size of its curatorial team, number of exhibits and lending institutions, and multi-venue display: The exhibition will be curated by a team of five manuscripts scholars with complementary expertise in the holdings and history of collections of manuscripts and early printed books in the Boston area: in addition to Jeffrey F. Hamburger, his Harvard colleague Dr. William P. Stoneman, Curator of Early Books and Manuscripts of the University’s Houghton Library, as well as Nancy Netzer, Professor of Art History and Director of the McMullen Museum of Art, Boston College; Dr. Lisa Fagin Davis, Executive Director of the Medieval Academy of America and co-author of the Directory of Collections in the United States and Canada with Pre- 1600 Manuscript Holdings, Papers of the Bibliographical Society of America, (2015), an update to Seymour De Ricci’s Census; and Dr. Anne- Marie Eze, formerly Associate Curator of the Isabella Stewart Gardner Museum and the first scholar to comprehensively study the museum’s rare books collection since the 1930s. 260 outstanding manuscripts and printed books dating from the ninth to seventeenth centuries have been carefully selected from Boston-area repositories. These include numerous masterpieces by well-known artists, such as Lippo Vanni, Benedetto Bordon, Jean Poyer, Jean Bourdichon, Simon Bening, and the Boucicaut and Rohan masters, as well as many others no less notable for being anonymous. Identifiable patrons include such renowned figures as Charles V of France, Jean, duc de Berry, Pope Sixtus IV, Borso d’Este, and Isabella d’Este among many others. These precious volumes will be loaned by eighteen local institutions are: The Armenian Museum and Library of America; The Boston Athenaeum; Burns Library, Boston College; School of Theology Library, Boston College; Boston University; The Museum of Fine Arts, Boston; The Boston Public Library, Brandeis University, Harvard University Law School; the Countway Library, Harvard Medical School; the Houghton Rare Book and Manuscript Library, Harvard University; the Harvard Divinity School—Andover- Harvard Theological Library of the Harvard University Divinity School; the Baker Library, Harvard Business School; the Isabella Stewart Gardner Museum, the Massachusetts Institute of Technology; Northeastern University; Tufts University, and Wellesley College. As well as lending manuscripts, these institutions are also contributing the time and expertise of their in-house conservators and photographers, whose are working hard to prepare for display and digitize the manuscripts, many of which have never been exhibited to the public or previously reproduced. *Beyond Words* will be exhibited at three venues on both sides of the Charles River: Harvard University’s Houghton Library in Cambridge, Massachusetts, and Boston College’s McMullen Museum of Art, where it will be the inaugural exhibition in the museum’s new building, a renovation of the neo-Renaissance palazzo built as a residence for Boston's archbishop by the architectural firm Maginnis and Walsh in 1927, and the Isabella Stewart Gardner Museum in Boston. Each venue will highlight one of the three principal contexts for the production of books in the Middle Ages and the Renaissance, and related developments in design, script and decoration. The volumes will be presented to the public as the idealized libraries of three readers—the monk at the Houghton, lay person at Boston College and humanist prince at the Gardner Museum—to vividly bring to life books produced for the communal use of religious institutions; collections that served the educational, professional, and spiritual needs of individuals; and the magnificent libraries that proclaimed the power and cultivation of Renaissance rulers. The exhibition will be accompanied by a single scholarly catalogue with essays and entries written by an international cohort of around eighty- five American and European scholars, including François Avril, Susan L’Engle, James Marrow, Scot Mckendrick, Lillian Armstrong, Federica Toniolo and Maria Thiesen. It will be edited by *Beyond Words’s* curatorial team and published by Boston College. The exhibition is supported by a generous grant from the National Endowment for the Humanities as well as by private donors.

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Two Digital Medievalist/Digital Humanities talks in Bolzano Dec 21
by Sara L. Uckelman 17 Dec '15

17 Dec '15

The KRDB (Knowledge Rapresentation meets Databases) group at the University of Bolzen/Bolzano will have back-to-back talks in their Digital Humanities seminar on Monday, December 21, both of which deal with medieval content: Pt. 1 (Dr. Sara L. Uckelman, Durham University) Digital Humanities, Lexicography, and Big Data: The Case of the Dictionary of Medieval Names from European Sources Pt. 2 (Dr. Joel Uckelman, Stroz Friedberg, London) Building the Infrastructure for the Dictionary of Medieval Names from European Sources from Common Household Open-Source Tools For more info, see http://www.unibz.it/en/public/university/eventsOverview.html?NewsID=114779 Cheers, -Sara -- Dr. Sara L. Uckelman Department of Philosophy Durham University https://www.dur.ac.uk/philosophy/staff/?id=12928 The Dictionary of Medieval Names from European Sources http://dmnes.org/

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5 positions offered at LINHD for a DH project
by Elena González-Blanco 16 Dec '15

16 Dec '15

**Apologies for cross-posting** Dear colleagues, We are pleased to offer 5 Digital Humanities positions in Madrid, associated to the European Project ERC-Stg-2015 POSTDATA: “Poetry Standardization and Linked Open Data”, led by Elena González-Blanco, which will last from 2016-2020. This project proposes a semantic linked open data model to deal with interoperability issues between the different poetic languages and traditions. It proposes a double level of standardization, which starts at the philological roots of the terminology used by the different literatures, to transform it into flexible structures filled with controlled vocabularies to build a digital platform to edit, analyze and share poetry.Candidates will work in an interdisciplinary environment at LINHD, the Digital Humanities Innovation Lab at UNED in Madrid www.linhd.uned.es· 2 Post-Doctoral positions, with Humanities (preferably literary or linguistic) background, and DH expertise and training to deal with poetry issues (especially focused on Spanish, Italian and French poetry). Relevant doctoral university degree (or research experience of at least four years), preferably in the Humanities, with Digital Humanities skills and experience. Appointment will last for 4 years, with possibilities of further consolidation. PhD students with extraordinary cv and training might be considered to cover these positions too.· 1 PhD position in computer science or digital humanities. The candidate must have a computer science background and will take care of some of the programming tasks, but especially in ontology development. Programming knowledges are required, but especially knowledge of semantic web technologies, linked open data, ontology design, standards, and metadata. Appointment will last for 5 years.· 1 Programmer position. The candidate must show strong programming abilities in several languages: especially desired are Java, PHP, Phython, Javascript and SQL. Web design, XML based languages and CMS management (especially Wordpress and Drupal), and knowledge of Linux is also required.· A Half-time project manager position. Expertise with H2020 or FP7 European projects is required. Skills in documentation management, accounting knowledges and high English level is required for this position.General requirements for candidates are: - Motivation to work in an interdisciplinary team in an academic environment, focused on academic curricula, continuous team training (through attending to conferences and workshops), with a special focus on publications and academic outputs. - A good understanding of the role that digital technology can play in transforming our literary and cultural world approaching poetry to society thanks to technology. - A flexible, supportive and collaborative working style, with effective leadership and communication skills. - Excellent IT and digital skills, including web development, content and database management, and an understanding of poetry idiosyncratic world. - Good knowledge of current trends, standards and practices in the use of digital technology within the literary and linguistic projects. - Enthusiasm in taking part of and developing an academic specialized and leading group in digital poetry, semantic web technologies and digital humanities. Salaries will be paid according to the academic level proposed according to the Spanish established salaries for the university positions. For best consideration, applications should be submitted no later than January 8th, 2015, but as soon as possible. Review will continue until positions are filled. Personal interviews will take place during the second half of January. Contracts will start in February or March. Candidates must send a cv and a motivation letter to egonzalezblanco(a)linhd.uned.es For any questions about the project or the positions or the project, do not hesitate in contacting me. Best regards, Elena González-BlancoDpto. de Literatura Española y Teoría de la Literatura, Despacho 722Facultad de Filología, UNEDPaseo Senda del Rey 7 28040 MADRID tel. 91 3986873www.uned.es/remetca http://filindig.hypotheses.org/ http://linhd.uned.eswww.uned.es/personal/elenagonzalezblanco@elenagbg Queridos amigos: Tengo el placer de comunicarles que desde el Laboratorio de Innovación en Humanidades Digitales de la UNED estamos ofreciendo 5 puestos de trabajo en Humanidades Digitales en Madrid, asociados al Proyecto europeo ERC-Stg-2015 POSTDATA: “Poetry Standardization and Linked Open Data”, dirigido por Elena González-Blanco, cuya duración se extenderá entre los años 2016-2020. El proyecto tiene como objetivo la creación de un modelo semántico de datos enlazados abiertos que facilite la interoperabilidad entre las diferentes tradiciones poéticas y sus correspondientes proyectos digitales. Propone un doble sistema de estandarización que parte de las raíces filológicas de las diferentes tradiciones poéticas, con el fin de abstraer los conceptos transformándolos en un sistema flexible estructurado, una ontología, poblada de vocabularios controlados que, integrada en una plataforma digital, permita editar, indizar, analizar y compartir colecciones de poesía a los usuarios en diferentes lenguas.Se ofrecen 5 contratos, cuyo trabajo se desarrollará en el marco del Laboratorio de Innovación de Humanidades Digitales de la UNED www.linhd.uned.es con las siguientes características· 2 contratos postdoctorales de 4 años de duración cada uno, para candidatos con una formación humanística (preferentemente doctorados en filología y con perfil de literatura, lingüística o métrica), en español, francés o italiano. Se requiere experiencia de trabajo en proyectos de Humanidades Digitales o estudios realizados en este campo. Excepcionalmente se aceptarán candidatos no doctores para estos puestos si su cv demuestra que cuentan con la calidad requerida.· 1 contrato predoctoral de 5 años para un estudiante de doctorado con formación en informática. El candidato se ocupará de tareas de programación, pero desarrollará su investigación y tareas en el campo del desarrollo de ontologías y de web semántica. Se requieren conocimientos de lenguajes de programación, pero especialmente familiaridad con las tecnologías de la web semántica, el diseño de ontologías, y los estándares de metadatos.· 1 contrato de programador experto. El candidato debe contar con experiencia en programación en diferentes lenguajes, y en especial, Java, PHP, Phython, Javascript y SQL. Se requieren también conocimientos de diseño y tecnologías web (lenguajes basados en XML) y manejo de CMS (en especial Wordpress y Drupal), además de conocimientos de Linux.· 1 contrato de media jornada para un Project Manager. Imprescindible contar con experiencia en gestión de proyectos europeos H2020 o FP7. Se requieren conocimientos de manejo de documentos legales, contabilidad y alto nivel de inglés. Los candidatos a todos estos puestos deberán además tener: - Motivación para trabajar en un equipo interdisciplinar en un entorno académico centrado en el currículum universitario, en el que la formación continuada juega un papel fundamental (mediante la asistencia a congresos, cursos y seminarios), y la producción en forma de publicaciones es esencial. - Un buen entendimiento del papel esencial que la tecnología juega en la transformación del mundo literario y cultural, materializado en la aproximación de la poesía a la sociedad mediante la tecnología. - Una forma de trabajar flexible, colaborativa con un liderazgo efectivo y capacidad de comunicación. - Excelentes competencias tecnológicas, que incluyan el desarrollo web, el manejo de datos y contenidos en bases de datos y una sensibilidad y comprensión hacia el idiosincrático mundo de la poesía. - Un buen conocimiento de las tendencias actuales, estándares y prácticas en el uso de la tecnología digital aplicada a proyectos literarios y lingüísticos. - Entusiasmo y ganas de formar parte de un grupo académico líder que abra una línea de investigación fuerte especializada en tratamiento digital de la poesía, web semántica, datos enlazados y humanidades digitales. · Los sueldos se pagarán de acuerdo con las cantidades establecidas para los niveles propuestos en la universidad española. Las solicitudes deben enviarse antes del 8 de enero de 2015 (preferentemente lo antes possible), y se aceptarán hasta que los puestos se hayan cubierto. Se realizarán entrevistas en persona durante la segunda quincena de enero y los contratos comenzarán en febrero o marzo. Los candidatos deben enviar un cv y una carta de motivación a egonzalezblanco(a)linhd.uned.es Pueden escribir a esta misma dirección si desean conocer más detalles acerca del proyecto o los puestos ofrecidos. Saludos cordiales, Elena González-BlancoDpto. de Literatura Española y Teoría de la Literatura, Despacho 722Facultad de Filología, UNEDPaseo Senda del Rey 7 28040 MADRID tel. 91 3986873www.uned.es/remetca http://filindig.hypotheses.org/ http://linhd.uned.eswww.uned.es/personal/elenagonzalezblanco@elenagbg

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