dm-l

dm-l@uleth.ca

2794 discussions

Workshop: 3D approaches to cultural heritage and landscape
by Gabriel Bodard 25 Aug '15

25 Aug '15

*Digital Classics Workshop* 3D approaches to cultural heritage and landscape Thursday September 24 Institute of Classical Studies Senate House, Malet Street, London WC1E 7HU The Institute of Classical Studies is offering a training workshop for postgraduate students and researchers on the use of 3D approaches in the study of cultural heritage artefacts and landscapes. The workshop will offer a basic introduction to the principles behind 3D imaging, modelling and representation of terrain and elevation, and how these can be used in research as well as visualisation. It will also give participants hands-on experience using simple and free software packages to produce complete 3D models and visualisations, with methods easily transferable to their own research. No previous digital experience is required, but participants should bring a laptop and a digital camera or smartphone and be prepared to install some free software in advance of the workshop. This workshop has been made possible by the generous support of the LAHP and AHRC. *Registration is free.* To book a place on the workshop, please contact Valerie James (valerie.james(a)sas.ac.uk) Please pass this invitation along to any students or colleagues who might be interested.

1 0

Fwd: [DHSI] DH Postdoc at Guelph
by Daniel O'Donnell 25 Aug '15

25 Aug '15

A great opportunity to work with some top people. ---------- Forwarded message --------- From: Susan Brown <sbrown(a)uoguelph.ca> Date: Mon, Aug 24, 2015, 11:54 PM Subject: [DHSI] DH Postdoc at Guelph To: DHSI List <Institute(a)lists.uvic.ca> Hi folks, Please spread the word of this postdoc in DH at Guelph. An update is that the PhD need not be in hand so long as a defence is imminent. Susan The Michael Ridley Postdoctoral Fellowship in Digital Humanities, 2016 - 2017 This is a two-year postdoctoral fellowship, named in honour of the former chief librarian and chief information officer of the University of Guelph, Michael Ridley, who did much to promote the digital humanities at the University of Guelph. As co-sponsors of this Fellowship, the College of Arts and the University Library seek a recent PhD with an established digital humanities research agenda. This fellowship will be awarded for the period January 2016 – December 2017. It is valued at $47,500, with a yearly research allowance of $5,000. Postdoctoral fellows will also receive office space, access to the services of the host institution, and administrative and research assistance as needed. The successful applicant is expected to pursue the research project submitted in their application, and to help promote the digital humanities at Guelph. Specifically, their duties will include 1) conducting original research; 2) creating and organizing a digital humanities speakers' series for teaching or research, and contributing to the University’s week-long summer workshops; 3) acting as a consultant for University faculty and graduate students interested in developing expertise in the digital humanities; 4) providing consultation and guidance on digital humanities technology, pedagogy, and space in the McLaughlin Library; 5) engaging with staff in relation to the application of digital technologies in Library initiatives and the planning of a digital scholarship centre; 6) teaching one course in the digital humanities per year, either at the senior undergraduate or graduate level. *Application Criteria* The successful applicant will have demonstrated experience and expertise in humanities computing (broadly understood), and will have completed a PhD in the humanities or information science within the last five years. The successful candidate will be cross-appointed between the College of Arts and the unit that best reflects his/her discipline. *Applicants must have a PhD in hand at the time of application. They must submit ALL of the following by the postmark deadline (September 30th, 2015):* - an application letter (1,500 words or less) outlining the candidate’s experience in digital humanities/information science and the research project they propose to undertake while at Guelph; - a current CV; - a graduate transcript; - two confidential letters of recommendation sent directly to us before the deadline. Electronic applications are welcome, provided that original hard copies of the transcripts and reference letters are submitted by mail by the postmark deadline (September 30th, 2015). Criteria for selection are the quality and originality of the proposed research and its relevance to the digital humanities/information science, the candidate’s fit with the mandate to promote the digital humanities at Guelph, and the candidate’s record of scholarly achievement. The selection committee will include representatives from the College of Arts and the University of Guelph Library. *Applications should be sent to:* Dr. Donald Bruce, Dean College of Arts MacKinnon 0005, University of Guelph Guelph, Ontario, Canada N1G 2W1 *Inquiries and e-applications should be directed to: don.bruce(a)uoguelph.ca <don.bruce(a)uoguelph.ca>* https://www.uoguelph.ca/arts/ridley-postdoc _______________________________________________ Institute mailing list Institute(a)lists.uvic.ca https://lists.uvic.ca/mailman/listinfo/institute

1 0

Digital humanities and cultural heritage: what relationship? Fourth AIUCD annual conference
by Roberto Rosselli Del Turco 25 Aug '15

25 Aug '15

[Apologies for cross-posting] [Link to announcement on the AIUCD web site: http://www.umanisticadigitale.it/digital-humanities-e-beni-culturali-quale-…] Digital humanities and cultural heritage: what relationship? Fourth AIUCD annual conference 17-19 December 2015 Campus Einaudi - Lungo Dora Siena 100 - 10153 Torino The AIUCD 2015 conference is dedicated to investigate the relationship between the Digital Humanities and the broad field of Cultural Heritage, a line of research that is open since the inception of the former. On the one hand, the Cultural Heritage domain has been using digital tools, processes and methodologies for quite a long time, but their use does not imply a recognition of their role as scientifically qualifying. On the other hand, galleries, libraries, archives and museums preserve and provide access to a wealth of content that is the object of much research carried out as part of the Digital Humanities. It is therefore interesting to see if Digital Humanities tools and methods have led and will lead to a redefinition of theoretical, methodological and technical processes, up to an actual re-conceptualization of knowledge in the Cultural Heritage field. At least two issues indicate the existence of a connection: the theoretical reflection on the management of information and data that texts hold, which has been carried out as part of the management of libraries, has important consequences for the whole wide area of the Digital Humanities; in the context of research funding, the increasing demand to describe what will be the public impact of planned research identifies in a “relationship with society” topic a significant element wide spread in the Cultural Heritage area. Furthermore, if on the one hand the world of Cultural Heritage has started their own reflection that also touches the Digital Humanities, on the other hand the Digital Humanities are urged to communicate beyond the inner, often self-referential, circle of Academia, and to do this they are inspired by the methods of communication and dissemination of knowledge that belong to the Cultural Heritage world. In conclusion, a meeting of Digital Humanities and Cultural Heritage is already under way, it is necessary to act and facilitate a cooperation that results in being as effective as possible for both fields. As a sign of openness and willingness to cooperate with the Cultural Heritage world, conference organization is entrusted to the Centro di Ricerca Interdipartimentale per la digitalizzazione e la realizzazione di Biblioteche Digitali Umanistiche - MEDIHUM Memoria Digitalis Humanistica (Università di Torino). We are therefore soliciting papers in particular on – but not limited to - the following topics: - Digital Humanities and Cultural Heritage: integration, separation, independence? - what relationship among Museums, Libraries, Archives and Digital Humanities? - how do Digital Humanities fit in Museums, Archives and Galleries? visualization, imaging, graphic representations, immersive environments in the Digital Humanities and Cultural Heritage areas; - which impact on society for research projects’ output in the Digital Humanities and Cultural Heritage areas? - Public History: Museums, Libraries and Archives today are privileged mediators between the public and its past, DH methodologies however require new figures, aware of the issues and opportunities offered by the digital world; - which forms may the collaboration between cultural institutions and digital humanists take in digitization projects, text encoding, critical edition, digital curation? - experiences of projects using principles and methods of the semantic web, and Linked Open Data research. The contributions, to be submitted as a 500 words maximum abstract in PDF format, must be loaded through the EasyChair platform at the URL: https://www.easychair.org/conferences/?conf=aiucd2015. The deadline for submission of abstracts to the Programme Committee is scheduled for midnight of August 31st, 2015. All abstracts will be subject to evaluation by the AIUCD conference Programme Committee. Information with regard to the acceptance of abstracts will be communicated to the authors by 30th September 2015. Further information on the conference, on the composition of the Programme Committee and on how to register will be made available on the conference web site at the URL: http://www.aiucd2015.unito.it/ (the web site may not be online yet at the moment of publishing this announcement). R -- Roberto Rosselli Del Turco roberto.rossellidelturco at unito.it Dipartimento di Studi rosselli at ling.unipi.it Umanistici Then spoke the thunder DA Universita' di Torino Datta: what have we given? (TSE) Hige sceal the heardra, heorte the cenre, mod sceal the mare, the ure maegen litlath. (Maldon 312-3)

1 1

Tenure Track Art History @ University of Lethbridge
by Daniel O'Donnell 21 Aug '15

21 Aug '15

Hi all, This is probably too late for most people on this list. But if you are in the more contemporary areas (or know somebody who is).... While this is an Art History job rather than a digital job pur sang, the senior art historian in the department is doing some really interesting digital work and it is in the faculty with New Media. http://www.uleth.ca/hr/jobs/art-historymuseum-studies Art History/Museum Studies Tenure Track Appointment The University of Lethbridge, Faculty of Fine Arts, Department of Art invites applications for a tenure-track appointment at the rank of Assistant Professor in the fields of Canadian Art History and Museum Studies, starting January 1, 2016, subject to budgetary and Board approval. Applicants must have a PhD in Art History, demonstrated excellence in research, and evidence of dynamic, successful teaching. The successful candidate will instruct Art History/Museum Studies courses to a diverse audience of general students, Art Studio majors, and Art History/ Museum Studies majors. Ability to teach Canadian Art History, First Nations Art History, and an introductory level survey of art since neoclassicism is required. Other desired teaching areas include: contemporary art and theory, survey of Western or World art, and museum studies. The successful candidate will be an active contributor to the collegial environment of Department of Art and Faculty of Fine Arts. The Department of Art offers BFA degrees with majors in Art Studio and Art History/Museum Studies and an MFA in Studio Art. It also offers combined degrees with the Faculty of Arts and Science in Native American Art Studio and AH/MS. The Faculty of Fine Arts, housed in the Centre for the Arts with state-of-the-art equipment and facilities, offers degree programs in Art, Drama, Music and New Media. Situated in traditional Blackfoot territory, Lethbridge is home to a dynamic art community with nationally recognized artists and galleries. The University possesses a significant art collection that fosters direct student access to historical and contemporary artwork, while a lively and extensive Visiting Speakers in the Arts Series enhances communication with the broader community. Lethbridge is within easy driving distance to several major national parks and recreational areas in Alberta, British Columbia, and Montana. For more information the City of Lethbridge, please visit: www.lethbridge.ca. Interested candidates are asked to submit a letter of interest describing their research and teaching expertise, a curriculum vitae, statement of teaching philosophy, two samples of recent scholarship, and two sample syllabi. Please arrange to have three confidential letters of reference from qualified referees sent directly to the Dean by the closing date. Closing date: Applications must be received by mail, fax or email by October 1, 2015. Send application to: Dr. Edward Jurkowski, Dean Faculty of Fine Arts, University of Lethbridge 4401 University Drive Lethbridge, AB T1K 3M4 Tel: (403) 329-2342 • Fax: (403) 382-7127 Email: angela.luck(a)uleth.ca The University is an equal opportunity employer. The position is open to all qualified applicants, although preference is given to Canadian citizens and permanent residents of Canada. The University is an inclusive and equitable campus encouraging applications from qualified women and men including persons with disabilities, members of visible minorities and Aboriginal persons. - See more at: http://www.uleth.ca/hr/jobs/art-historymuseum-studies#sthash.Cw0seEHb.29rmJ… Art History/Museum Studies Tenure Track Appointment The University of Lethbridge, Faculty of Fine Arts, Department of Art invites applications for a tenure-track appointment at the rank of Assistant Professor in the fields of Canadian Art History and Museum Studies, starting January 1, 2016, subject to budgetary and Board approval. Applicants must have a PhD in Art History, demonstrated excellence in research, and evidence of dynamic, successful teaching. The successful candidate will instruct Art History/Museum Studies courses to a diverse audience of general students, Art Studio majors, and Art History/ Museum Studies majors. Ability to teach Canadian Art History, First Nations Art History, and an introductory level survey of art since neoclassicism is required. Other desired teaching areas include: contemporary art and theory, survey of Western or World art, and museum studies. The successful candidate will be an active contributor to the collegial environment of Department of Art and Faculty of Fine Arts. The Department of Art offers BFA degrees with majors in Art Studio and Art History/Museum Studies and an MFA in Studio Art. It also offers combined degrees with the Faculty of Arts and Science in Native American Art Studio and AH/MS. The Faculty of Fine Arts, housed in the Centre for the Arts with state-of-the-art equipment and facilities, offers degree programs in Art, Drama, Music and New Media. Situated in traditional Blackfoot territory, Lethbridge is home to a dynamic art community with nationally recognized artists and galleries. The University possesses a significant art collection that fosters direct student access to historical and contemporary artwork, while a lively and extensive Visiting Speakers in the Arts Series enhances communication with the broader community. Lethbridge is within easy driving distance to several major national parks and recreational areas in Alberta, British Columbia, and Montana. For more information the City of Lethbridge, please visit: www.lethbridge.ca. Interested candidates are asked to submit a letter of interest describing their research and teaching expertise, a curriculum vitae, statement of teaching philosophy, two samples of recent scholarship, and two sample syllabi. Please arrange to have three confidential letters of reference from qualified referees sent directly to the Dean by the closing date. Closing date: Applications must be received by mail, fax or email by October 1, 2015. Send application to: Dr. Edward Jurkowski, Dean Faculty of Fine Arts, University of Lethbridge 4401 University Drive Lethbridge, AB T1K 3M4 Tel: (403) 329-2342 • Fax: (403) 382-7127 Email: angela.luck(a)uleth.ca The University is an equal opportunity employer. The position is open to all qualified applicants, although preference is given to Canadian citizens and permanent residents of Canada. The University is an inclusive and equitable campus encouraging applications from qualified women and men including persons with disabilities, members of visible minorities and Aboriginal persons. - See more at: http://www.uleth.ca/hr/jobs/art-historymuseum-studies#sthash.Cw0seEHb.29rmJ…

1 0

Job opening in Cologne: Research Fellow
by Franz Fischer 20 Aug '15

20 Aug '15

Dear medievalists, On behalf of my colleague Andreas Berger from the Thomas Institute at the Univeristy of Cologne I forward this exciting job announcement: CoffeeScript, Arabic, LAMP via CLI... Best wishes, Franz ----------------------------------------------------------------------------------- Jop opening: Research Fellow (75% TVL 13, 3 years) in Digital Humanities to enhance and develop a virtual research environment in cooperation with the Fraunhofer-Institute. The position is tied to a project and limited to a period of three years, during which the existing digital infrastructure of the Digital Averroes Research Environment (DARE) is to be enhanced with a prototype of an automated layout recognizance tool, which is to be developed in cooperation with the Fraunhofer IAIS. Furthermore, additional advanced solutions especially for the research environment`s user interface and search engine are to be created. Responsibilities/Tasks: The Research Fellow in Digital Humanities will be responsible for maintaining, developing and enhancing the DARE virtual research environment. Including: -Maintenance and new solutions for existing Front End and Back End -Managing the data server and the ever expanding TEI-xml based files -Development focus on User Interface and enhanced search algorithms Furthermore, the Research Fellow is to cooperate with the Fraunhofer IAIS in developing automated layout recognizance options for an existing, manual annotation tool, including: -Providing sophisticated test case scenarios from existing database of mediaeval manuscript material -Integrating and testing of prototypes in the DARE infrastructure Necessary Qualifications: -University degree in a humanities discipline and/or in the field of information technology, and experience in historical research; -Expertise in working methods in the digital humanities: -Metadata standards, especially the TEI -Content management systems (Drupal 7) -Programming languages (PHP, JavaScript,CoffeeScript) -Markup languages (XML, HTML) -Search engines / information retrieval (Apache Solr, Lucene) -Linux-Administration (Debian, LAMP via CLI, git/svn) -Compiling (Free Pascal) -Experience in data modelling and data management -At least basic knowledge of mediaeval material philology -Good contacts in the networks of the Digital Humanities and the ability to develop humanities research infrastructures and research projects with partners at other institutions and in other disciplines -A very good command of written and spoken English or German Desired Qualifications: -Language skills in Latin (and/or Hebrew and/or Arabic) -Experience in preparing grant applications -Experience in web design Administrative Details: The Thomas-Institute welcomes applications from scholars from all around the world, provided the applicants are willing to relocate to Cologne for the duration of the project. The Thomas-Institute is a family-friendly, equal opportunity employer and allows for flexible working hours and a measure of telework. The position is advertised for 30 hours per week (75% of standard working time) and salary according to TVL-13. The contract will cover a time frame of 36 months; a possible further employment will be depending on future successful grant applications. Contact/Deadline: Please submit your application (CV, list of publications and/or work samples, links to online projects, certification of degrees earned, references) as one PDF (5 MB maximum) along with a separate cover letter of one page that briefly outlines your experience and qualifications by email to: andreas.berger(a)uni-koeln.de by September 20th, 2015. Should you have questions about the position, please contact Andreas Berger via E-Mail or Telephone (0049 221 470 2391). Interviews can be conducted via Skype. Should you prefer this, please indicate so in your cover letter. We are looking forward to your application! -- Andreas Berger, M.A. Thomas-Institut Universität zu Köln / University of Cologne Universitätsstraße 22 50 923 Köln / Cologne, Germany Tel. +49 - (0)221 - 470 2391

1 0

Issue #10 of Digital Medievalist released
by Malte Rehbein 19 Aug '15

19 Aug '15

Dear Digital Medievalists, I am happy to announce the launch of issue #10 of the Digital Medievalist Journal. This issue is opened by Ludger Zeevaert's "Easy tools to get to grips with linguistic variation in the manuscripts of Njáls saga". As within the past, we are operating a policy of rolling release meaning that more contributions will be published during the course of the year. Enjoy reading: http://www.digitalmedievalist.org/journal/ Kind regards, Malte Rehbein Editor-In-Chief, Digital Medievalist Journal

1 0

Fwd: CFP: Technical Communication in the Middle Ages
by M. Wendy Hennequin 14 Aug '15

14 Aug '15

Please excuse cross-posting, and please feel free to forward to any relevant lists. CFP, ICMS ("Kalamazoo") 2016: Technical Communications in the Middle Ages Scholars have long recognized Chaucer’s “Treatise on the Astrolabe” as an early technical document, yet few similar medieval texts have been discussed as specimens of technical communication. This session seeks to consider the traditions and conventions of medieval technical communication, as well as the connections between medieval and contemporary technical writing. Possible texts for consideration might include (but are not limited to) penitential and conduct manuals, monastic rules, business correspondence, medical treatises, scientific and pseudo-scientific manuals (including alchemical and astrological ones), cookery books, law codes, and government and military documents. Papers should consider the texts as technical communication, but may focus either on any aspect, including writing, layout, design, etc. Please send abstracts and participant information forms via e-mail to Wendy Hennequin (mwhennequin(a)gmail.com) by September 15. Thanks, Wendy -- Dr. M. Wendy Hennequin Department of Languages, Literature, and Philosophy Tennessee State University 3500 John A Merritt Blvd. Nashville, TN 37209 MWHennequin(a)gmail.com -- Dr. M. Wendy Hennequin Department of Languages, Literature, and Philosophy Tennessee State University 3500 John A Merritt Blvd. Nashville, TN 37209 MWHennequin(a)gmail.com

1 0

CfP: DiXiT Convention "Digital Editions: Academia, Society, Cultural Heritage", Cologne, 16-18 March 2016
by Franz Fischer 14 Aug '15

14 Aug '15

*please circulate widely* *apologies for cross-posting* DiXiT Convention "Digital Editions: Academia, Society, Cultural Heritage", Cologne, 16-18 March 2016 Call for papers The Cologne Center for eHumanities is organizing the second DiXiT convention, taking place 16-18 March 2015 in Cologne, Germany. The conference will be preceded by a day dedicated to workshops on: * Publishing Models for Digital Scholarly Editions * Aggregation of Digital Cultural Content and Metadata Mapping * XML-Free Scholarly Editing The convention organizers invite contributions from everyone working in the field of scholarly editing and its neighbouring areas. Early career scholars are welcome. I. Topics While the convention is open to any research about digital scholarly editing, the focus will be on its relation to academia, society and cultural heritage. As such, topics for the sessions may especially include: * textual criticism and the future of the high standard critical edition * open/public knowledge: mutual benefit for academia & society * social editing, crowdsourcing, citizen science * issues of rights and ethics related to scholarly editions * scholarly curation and usage of cultural heritage data * museums, libraries & archives as data providers for the edition * dissemination, sustainability and addressability of digital heritage assets * publishing the edition and the role of publishers * editors and the job market: career prospects * and others We encourage exploratory papers and posters. II. Submissions We invite proposals for papers and posters. In the case of papers, speakers will be given 20 minutes for presentation and 10 minutes for discussion. We ask those interested in presenting a paper or poster to email their proposal to dixit-info(a)uni-koeln.de. The proposal should include: * name and email of the presenter * title of the paper * abstract (ca. 400 words) The deadline for submission is 16 October 2015. A decision about acceptance and the subsequent notifications will be made in early December 2015. Information about registration for the convention and workshops will follow. Every announcement can be found on the DiXiT website: http://dixit.uni-koeln.de/. -- On behalf of the Organization Committee -- Dr. Franz Fischer Cologne Center for eHumanities Universität zu Köln, Universitätsstr. 22, D-50923 Köln Telefon: +49 - (0)221 - 470 - 4056 Email: franz.fischer(a)uni-koeln.de -------------------------------------------------------------------------------- http://www.cceh.uni-koeln.de http://www.i-d-e.de http://www.thomasinstitut.uni-koeln.de http://dixit.uni-koeln.de http://guillelmus.uni-koeln.de http://confessio.ie

1 0

Registration Opens for DigiPal V: Wednesday 2nd September 2015
by Brookes, Stewart 13 Aug '15

13 Aug '15

Dear all, It is with great delight that the DigiPal team at the Department of Digital Humanities (King's College London) invite you to attend the fifth DigiPal Symposium at King's on Wednesday 2nd September 2015. As usual, the focus of the Symposium will be the computer-assisted study of medieval handwriting and manuscripts. Papers will cover on-line learning resources for palaeography, crowdsourcing Ælfric, image processing techniques for studying manuscripts, codicology, the Exon Domesday book and medieval Scottish charters. Speakers will include: * Ben Albritton (Stanford): "Digital Abundance, or: What Do We Do with All this Stuff?" * Francisco J. Álvarez López (Exeter/King's College London) "Scribal Collaboration and Interaction in Exon Domesday: A DigiPal Approach" * Stewart Brookes (King's College London) "Charters, Text and Cursivity: Extending DigiPal's Framework for Models of Authority" * Ainoa Castro Correa (King's College London) "VisigothicPal: The Quest Against Nonsense" * Orietta Da Rold (Cambridge) "'I pray you that I may have paupir, penne, and inke': Writing on Paper in the Late Medieval Period" * Christina Duffy (British Library) "Effortless Image Processing: How to Get the Most Out of your Digital Assets with ImageJ" * Kathryn Lowe (Glasgow) * Leonor Zozaya "Educational Innovation: New Digital Games to Complement the Learning of Palaeography" Plus a roundtable with Arianna Ciula (Roehampton), Peter Stokes (King's College London) and Dominique Stutzmann (Institut de recherche et d'histoire des textes). Registration is free and includes refreshments and sandwiches. It's easy: just sign-up with Eventbrite: https://digipal-v.eventbrite.com For further details, please visit http://www.digipal.eu/blog/digipal2015/ And, in case that wasn't enough palaeography for one early September, the following day there's also the "The Image of Cursive Handwriting: A One Day Workshop", with David Ganz, Teresa Webber, Irene Ceccherini, David Rundle and Marc Smith. To register, visit http://www.modelsofauthority.ac.uk/blog/cursivity-workshop/ Very much looking forward to seeing you in September, at one or both events, Stewart Brookes and Peter Stokes -- Dr Stewart J Brookes Department of Digital Humanities King's College London

1 0

Digital technologies and the Herculaneum Papyri (seminar)
by Gabriel Bodard 13 Aug '15

13 Aug '15

Digital Classicist London & Institute of Classical Studies Seminar 2015 Friday August 15 at 16:30 in room G21A, Senate House, Malet Street, London, WC1E 7HU Sarah Hendriks (Oxford) *Digital technologies and the Herculaneum Papyri* The technology available today could not even be dreamed of over 250 years ago when the Herculaneum Papyri were first discovered. Although technological developments have always been crucial for accessing the papyri, the dawn of the digital age and the subsequent innovations in technological resources have seen a dramatic increase in our ability to read these long-buried texts. Drawing on examples from PHerc. 78, the so-called Caecilius Statius, this paper will outline the history of technology and the Herculaneum papyri, and how changing resources have, and continue to enable, new discoveries among this unique collection. For those who cannot make it to London, the seminar will be live-streamed on the Digital Classicist YouTube channel: https://www.youtube.com/channel/UCIamtu1Z62wL5XRk2mE8HKw ALL WELCOME The seminar will be followed by wine and refreshments. For more information please contact Gabriel.Bodard(a)kcl.ac.uk, Hugh.Bowden(a)kcl.ac.uk, Stuart.Dunn(a)kcl.ac.uk, S.Mahony(a)ucl.ac.uk or Charlotte.Tupman(a)kcl.ac.uk, or see the seminar website at http://www.digitalclassicist.org/wip/wip2015.html -- Dr Gabriel BODARD Researcher in Digital Epigraphy Digital Humanities King's College London Boris Karloff Building 26-29 Drury Lane London WC2B 5RL Email: gabriel.bodard(a)kcl.ac.uk Tel: +44 (0)20 7848 1388 Fax: +44 (0)20 7848 2980 http://www.digitalclassicist.org/ http://www.currentepigraphy.org/

1 0

Jump to page:

2026

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

dm-l