dm-l

dm-l@uleth.ca

2794 discussions

Call for participants: Immersive Global Middle Ages NEH Institute for Advanced Topics in the Digital Humanities
by Roger L Martinez 17 Sep '21

17 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. [IGMA-Cover-1024x370.png] Dear Dm-L Colleagues: My colleague, Dr. Lynn Ramey (Vanderbilt)<https://my.vanderbilt.edu/lynnramey/> and I<https://history.uccs.edu/roger-martinez>, are announcing a call for participants for our Immersive Global Middle Ages NEH Institute for Advanced Topics in the Digital Humanities. Virtual reality, augmented reality, and 3D digital environments are witnessing explosive growth in research and teaching, but faculty and staff who could benefit from these techniques do not have equal access to the tools they need. Hardware and software used in the creation of 3D environments is expensive; institutional policies and commitment are highly variable; and some who would benefit lack confidence with the technology. The Immersive Global Middle Ages Institute provides a diverse cohort of medievalists with both theoretical and practical training in the creation and implementation of 3D objects and environments for research and teaching. The Institute will meet online three times each semester and will have two in-person four-day summer workshops over a two-year period (January 2022-November 2023). By the end of the Institute, participants will have considered the research around using 3D environments, developed 3D object assets and worlds, and authored teaching resources to pass on their new skills to students and colleagues. Given that many participants will lack the necessary robust computing hardware and software needed to participate in the workshops, the Institute will award technology stipends to participants for the purchase of an Alienware computer customized for immersive technology, monitor, keyboard/mouse, and a 3-year onsite support/warranty; an Oculus Rift headset; and a two-year license for Trimble SketchUp Pro modeling software. Initial details about the Institute can be found here: https://grants.uccs.edu/igma/ All are welcome to apply. Recognizing the need to address digital divides in higher education, this Institute will prioritize the professional development of participants who are members of underrepresented ethnic, cultural, and religious communities; women; diverse gender identities; and those who work at institutions serving those communities. Expenses to attend the in-person workshops are also covered by the institute. We will begin accepting formal applications for the institute in late September 2021. To receive updates on the application process, please send your name, position, institution, and email address to: igma(a)uccs.edu<mailto:igma@ucca.edu>. Best, Roger --- Roger Louis Martinez-Davila, Ph.D. Associate Professor and Chair, Dept. of History University of Colorado-Colorado Springs www.rogerlouismartinez.com<http://www.rogerlouismartinez.com/> https://grants.uccs.edu/igma/ https://grants.uccs.edu/deciphering-secrets/ https://history.uccs.edu/

1 0

Help with our high-quality historical OCR app
by Nick White 17 Sep '21

17 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. Dear all, We are a small 2-person not-for-profit company called Rescribe working on OCR for historical printed works, such as you would find on Internet Archive and Google Books. So far we have primarily worked with academic research projects and libraries to provide transcriptions of collections of interest to them, but have always been invested in broadening our work to help individuals get high quality OCR results, too. In recent months we have devoted more time to community-oriented open source software, developing a free desktop tool to perform high-quality OCR on modern and historic printed text. At the moment, this tool can only be run from the command line, but we’ve been encouraged by anecdotal feedback and a very positive independent review of our tool <https://classicalstudies.org/scs-blog/hmcelroy/blog-review-latinocr-and-res…> to make this tool more accessible. We would like to achieve this by creating a simple Graphic User Interface (GUI) for Windows, Mac and Linux, potentially with additional functionality built in. As the focus of this work is on providing useful tools to individuals, rather than catering to a large project, we are interested in trying a crowdfunding campaign in order to finance the development of this GUI and get interested parties directly involved in the actual development process. Before starting the crowdfunding campaign itself, however, we would like to take a chance and gauge interest from potential participants. We’ve composed a 30-second, 3-question survey where potential participants can register interest and have their say on future features of the tool, see here: https://forms.gle/AZcKpsbzQQajSE4j6 Please fill it out if you have a moment, and forward it on to anyone you think might be interested. In the meantime, any questions, comments and suggestions are all very welcome, either as a reply here, or to info(a)rescribe.xyz! All the very best, Nick + Antonia from Rescribe https://rescribe.xyz

1 0

VeDPH Seminars in Digital and Public Humanities, Autumn term 2021
by Paolo Monella 14 Sep '21

14 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. [With apologies for cross-posting] Dear all, the VeDPH is glad to inform you that the new series of seminars in 'Digital and Public Humanities' will start soon. The series is organized by the Venice Centre for Digital and Public Humanities (VeDPH), the Department of Humanities and in collaboration with Centro Studi Archeologia Venezia (CeSAV) of the Ca' Foscari University, Venice. Here is the full programme: 22 September 2021 - "Open Social Scholarship and Engaged Publics in Digital Humanities", Ray Siemens, Alyssa Arbuckle (University of Victoria) 6 October 2021 - "Producing Knowledge in the Virtual Space: Approaching Archaeological Data from a Reflexive Digital Perspective", Nicolò Dell’Unto (Lunds Universitet) 20 October 2021 - "Resources, Tools and New Chances of Digital Humanities for Cultural Heritage: Academia and Calcografica Databases", Rita Bernini, José María Luzón, Maria Cristina Misiti (Istituto Centrale per la Grafica - Museo de la Real Academia de Bellas Artes de San Fernando - Independent Scholar) 17 November 2021 - "Semantic Web and Authoritative Humanities Data", Marilena Daquino (Università di Bologna) 15 December 2021 - "Historical Cartography and Public History", Arturo Gallia (Università Roma Tre) All the seminars will be held online, starting at 5.00 p.m. Info: https://www.unive.it/data/33113/2/51835 More details upcoming soon on: vedph.github.io/seminarseries Registration: https://bit.ly/3qy9Wm9 All best, Paolo Monella -- Researcher (RTDA), Latin and Digital Humanities Dipartimento di Scienze dell'Antichità Sapienza University of Rome Affiliated Scholar Venice Centre for Digital and Public Humanities (VeDPH) Ca' Foscari University, Venice -- ________________________________________________________ Le informazioni contenute in questo messaggio di posta elettronica sono strettamente riservate e indirizzate esclusivamente al destinatario. Si prega di non leggere, fare copia, inoltrare a terzi o conservare tale messaggio se non si è il legittimo destinatario dello stesso. Qualora tale messaggio sia stato ricevuto per errore, si prega di restituirlo al mittente e di cancellarlo permanentemente dal proprio computer. The information contained in this e mail message is strictly confidential and intended for the use of the addressee only. If you are not the intended recipient, please do not read, copy, forward or store it on your computer. If you have received the message in error, please forward it back to the sender and delete it permanently from your computer system. -- Fai crescere i nostri giovani ricercatori dona il 5 per mille alla Sapienza *codice fiscale 80209930587*

1 0

Publication: Umanistica Digitale #10
by Fabio Ciotti 09 Sep '21

09 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. **Apologies for cross posting** Dear colleagues it is with great pleasure that we announce that issue #10 of *Umanistica Digitale* (ISSN 2532-8816) has been published and is available now at: https://umanisticadigitale.unibo.it/ This issue hosts the Dossier "Medieval archival sources in the digital world. The challenge of treating and visualizing semi-structured data", edited by Enrica Salvatori and Roberto Rosselli. UD is the journal of AIUCD, since February 2020 in the list of ANVUR scientific publications for CUN Areas 10 and 11. The journal publishes original scientific articles (5-10,000 words), reviews and reports (1-3,500 words) in Italian and English on any topic and field of Digital Humanities. We would like to remind you that UD is now accepting proposals for issue 11 (expected publication December 2021), reserved to papers presented at the AIUCD2021 conference in Pisa, and for issue 12 open to all (expected publication summer 2022). Submissions should be sent to the journal's OJS portal. Details and information on guidelines and editorial standards are available at https://umanisticadigitale.unibo.it/about/submissions. Fabio Ciotti Editor in Chief, Umanistica Digitale. ------------- UD 10 Table of contents Articles True interoperability for digital scholarly editions<https://umanisticadigitale.unibo.it/article/view/12604> - Desmond Schmidt The critical edition between digital and print: methodological considerations<https://umanisticadigitale.unibo.it/article/view/12626> - Francesca Michelone Variants Mining.Computational investigations on authorial variants: a comparison betweenLeopardi and Manzoni<https://umanisticadigitale.unibo.it/article/view/12627> - Anna Sofia Lippolis, Gabriella Totaro A conceptual model to encourage the development and reuse of apps for digital editions<https://umanisticadigitale.unibo.it/article/view/12620> - Chiara Martignano Tracing a digital critical edition. The experience of the PhiBor project<https://umanisticadigitale.unibo.it/article/view/12623> - Daniele Marotta Text analysis and digital publishing: integration proposals with critical evaluations. About the correspondence between Ignazio Silone and Arnoldo Mondadori Editore<https://umanisticadigitale.unibo.it/article/view/12762> - Alberto Baldi A Study on Automatic Machine Translation Tools: A Comparative Error Analysis Between DeepL and Yandex for Russian-Italian Medical Translation<https://umanisticadigitale.unibo.it/article/view/12631> - Giulia Cambedda, Giorgio Maria Di Nunzio, Viviana Nosilia The use of online resources for the synchronic and diacronic study of political language. The case of "representative democracy"<https://umanisticadigitale.unibo.it/article/view/12410> - Federico Zanettin, Fausto Proietti Automatic extraction of opera character characteristics through lexical-syntactic patterns<https://umanisticadigitale.unibo.it/article/view/12426> - Paolo Bonora, Angelo Pompilio Knowing is participating: digital public history, wiki and citizen humanities<https://umanisticadigitale.unibo.it/article/view/12555> - Deborah Paci Preliminary Considerations on a Systematic Approach to Semic Analysis: The Case Study of Medical Terminology<https://umanisticadigitale.unibo.it/article/view/12621> - Vanessa Bonato, Giorgio Maria Di Nunzio, Federica Vezzani Colour palettes in US film trailers: a comparative analysis of movie barcode<https://umanisticadigitale.unibo.it/article/view/12468> - Nick Redfern For a Digital History of pandemics. Interconnection and multidisciplinary perspectives<https://umanisticadigitale.unibo.it/article/view/12272> - Salvatore Spina – Dossier Introduction: “Medieval archival sources in the digital world. The challenge of treating and visualizing semi-structured data”<https://umanisticadigitale.unibo.it/article/view/12582> - Enrica Salvatori Appetite comes with eating. The never ending digital edition of the Codex Pelavicino<https://umanisticadigitale.unibo.it/article/view/12577> - Enrica Salvatori Engineering Historical Memory and the Interactive Exploration of Archival Documents: The Online Application for Pope Gregory X’s Privilege for the Monastic Community of Mount Sinai (1274) as a Prototype<https://umanisticadigitale.unibo.it/article/view/12567> - Dr Andrea Nanetti, Davide Benvenuti The digital edition of medieval documents. The case study of S. Maria della Grotta<https://umanisticadigitale.unibo.it/article/view/12601> - Vera Isabell Schwarz-Ricci, Antonella Ambrosio Problems and Issues in the Study of Late Medieval Tax Records: the Sienese "Lira" in the XV Century<https://umanisticadigitale.unibo.it/article/view/12602> - Marco Giacchetto Semi-structured data processing: implementation hypotheses and use cases taken from Old English texts<https://umanisticadigitale.unibo.it/article/view/12598> - Roberto Rosselli Del Turco Reviews and reports Review: Zaccarello, Michelangelo, ed. 2019. Textual Cultures: Texts, Contexts, Interpretation, 12.2<https://umanisticadigitale.unibo.it/article/view/12609> - Giulia D'Agostino Review: A. Campagnolo. 2020. Book conservation and digitization: the challenges of dialogue and collaboration. Leeds: ARC Humanities Press<https://umanisticadigitale.unibo.it/article/view/13438> - Simona Turbanti The IIIF-based Digital Library of the Veneranda Biblioteca Ambrosiana<https://umanisticadigitale.unibo.it/article/view/12449> - Fabio Cusimano Small museums and new technologies, the case study of Germanicus Caesar ... one step away from the Empire in Amelia<https://umanisticadigitale.unibo.it/article/view/12629> - Angelica Federici Digital tools for the study of historical performing arts: the PerformArt database and thesaurus<https://umanisticadigitale.unibo.it/article/view/12624> - Manuela Grillo, Michela Berti The Digital WHOmanities Project: Best Practices for Digital Pedagogy in the Pandemic Era<https://umanisticadigitale.unibo.it/article/view/11829> - Anna Sofia Lippolis, Davide Maria Apolloni, Milena Corbellini, Lucia Giagnolini, Francesca Mangialardo, Carlo Teo Pedretti, Eleonora Peruch, Giulia Renda, Mattia Spadoni Reconsidering the Roman workshop: using computer vision to analyse the making of ancient inscriptions<https://umanisticadigitale.unibo.it/article/view/12471> - Charlotte Tupman, Dmitry Kangin, Jacqueline Christmas --------------- -- Fabio Ciotti Department of "Studi letterari, Filosofici e di Storia dell’arte" - University of Roma "Tor Vergata" Chair, European Association for Digital Humanities Chief Editor, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti<https://twitter.com/fabio_ciotti> f.ciotti(a)pec.it<https://twitter.com/fabio_ciotti> <https://twitter.com/fabio_ciotti> <https://twitter.com/fabio_ciotti>

1 0

Canterbury Tales Project. MA and PhD funding opportunity
by Bordalejo, Barbara 06 Sep '21

06 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. Dear all, Please distribute widely among your students. Best, BB The Canterbury Tales Project (https://www.canterburytalesproject.org/) is seeking curious and enthusiastic graduate students for funded research positions at the MA and Ph.D. levels. If you are interested in Chaucer, Middle English literature, manuscript culture, early print, textual scholarship, Humanities Data or the Digital Humanities, we are interested in hearing from you. We can also consider other proposals related to our work. The Canterbury Tales Project is a long-standing digital editorial project with almost 30 years of history leading in the development of editions and innovative methods for research and delivery. In February 2020, the project published the CantApp: General Prologue, which has been downloaded more than 70.000 times since its release. The CTP also defines the cutting edge of textual research: we use an integrated digital editing platform (Textual Communities) and bioinformatics software to study and analyze the textual tradition of the Tales. Although the project’s main aim is to reach a better understanding of the textual tradition of the Canterbury Tales, we also seek to discover and implement better ways of delivering complex information. The project was recently awarded a five-year $330,000 Insight Grant by the Social Sciences and Humanities Research Council of Canada and is associate with several other recently funded projects in Digital Humanities at the University of Lethbridge, the University of Calgary and the University of Saskatchewan. This allows us to offer funding for Ph.D. and MA candidates to work with us at the University of Lethbridge and the possibility of co-supervision arrangements through the University of Calgary and/or the University of Saskatchewan). What we want: We seek students interested in researching combined aspects of the Canterbury Tales, manuscript studies, digital research methods, digital humanities and Open Science. You are a curious and enthusiastic research student who will take an active role in the project while carrying out your individual line of research. You want to work as part of a team and contribute to the lab’s research environment. You believe in open science and open data published under FAIR principles. Your interests might be: Chaucer Middle English Literature Manuscript Culture Early Printed Books Textual Scholarship Open Data Digital Humanities… ...but we are open to considering other proposals. We will be particularly interested in discussing ideas beyond traditional textual criticism and attuned to areas of research expanding the canon and conventional views of the text of Chaucer. If you have an innovative critical approach, we want to hear from you. What we offer: We are offering funding for a Ph.D. or M.A. within a lively and diverse working environment. You will learn from peers and project leaders in the framework of our lab, where you can learn about all aspects of the project and its management while sharing in the lab’s collaborative and interdisciplinary research environment. Our project works closely with several other well-funded Digital Humanities and Open Science projects at the University including work on Indigenous languages, Scholarly Communication, and Open Data. The University has a number of innovative cross-disciplinary programmes, including Cultural, Social, and Political Thought (which takes an interdisciplinary approach to problems in the Humanities and Social Sciences) and a new Data Sciences programme, which is developing an approach that will span the Sciences, Social Sciences, and Humanities.

1 0

Leveraging non-named entities in Coptic antiquity (Seminar)
by Gabriel Bodard 06 Sep '21

06 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. (Late antique/early Mediaeval material discussed in the following seminar…) Digital Classicist London Seminar Friday September 10, 2021, 17:00 (UK time/UTC+1) Amir Zeldes (Georgetown), Caroline Schroeder (Oklahoma), Lance Martin (CUA) Leveraging non-named entities in Coptic antiquity Streamed live at https://youtu.be/Web8vaAbx-M In this paper we present the latest work on large scale, semi-automatic and quantitative analysis of the body of entities mentioned in texts from Coptic Antiquity. Unlike Greek and Roman materials, which have been studied extensively, digital treatment of Coptic data from the first millennium has lagged behind until recently, in part due to the smaller research community and the morphological complexity of the language, which is fusional and features agglutination, compounding and incorporation of nouns into complex verbs. We show how annotating named and non-named entities enriches Coptic corpora, including the identification of nested entities and entity linking. We will focus especially on non-named Coptic entities, which are of great interest to scholars working on monasticism and asceticism, since many central texts revolve around unnamed protagonists (e.g. ‘an ascetic’) in unidentified locations (‘a monastery’). In many cases, the proportion of named entities is well below 5%. The relevance of entity annotation is further demonstrated through visualizations of Coptic entities, which enable researchers to access a variety of information in Coptic corpora through distant reading, allowing them to explore easily types of places in different works, to get lists of nouns referring to organizations, events or animals, examine feminine vs. masculine nouns denoting people and more. From a comparative quantitative perspective, the prevalence of non-named entities of different types can also reveal dissimilarities between texts. ALL WELCOME Digital Classicist London full programme: https://www.digitalclassicist.org/wip/wip2021.html == Dr Gabriel BODARD (he/him) Reader in Digital Classics Institute of Classical Studies / Digital Humanities Research Hub University of London Senate House Malet Street London WC1E 7HU E: Gabriel.bodard(a)sas.ac.uk T: +44 (0)20 78628752 Especially at the moment, I may email at odd hours of the day and night/days of the week. I do not ever expect a reply outside of your working hours.

1 0

Graphs and Networks in the Humanities 2022: extension of CFP deadline to 13 September
by Joris van Zundert 03 Sep '21

03 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. Dear colleagues, By popular demand we are extending the deadline for the "Graphs and Networks in the Humanities Conference 2022" by one week until Monday 13 September, 23.59 CEST. So you have still a week to get those ballpoints rolling and keyboards rattling to ensure you can showcase all your graphs, network building, analysis, theory and practice in Amsterdam (or online) on 4 and 5 February 2022. You will find all the details you need on https://graphentechnologien.hypotheses.org/ Best regards, also on behalf of the Programme Committee and organizers --Joris van Zundert (Feel free to spread this message widely!) -- Drs. Joris J. van Zundert Researcher & Developer in Humanities Computing Dept. of Literary Studies Huygens Institute for the History of the Netherlands Royal Netherlands Academy of Arts and Sciences joris.van.zundert(a)huygens.knaw.nl<mailto:joris.van.zundert@huygens.knaw.nl> @jorisvanzundert +31624461051 https://jorisvanzundert.net/ https://www.huygens.knaw.nl/vanzundert/?lang=en visiting address Oudezijds Achterburgwal 185 1012 DK Amsterdam The Netherlands postal address P.O. Box 10855 1001 EW Amsterdam The Netherlands -- Jack Sparrow: I thought you were supposed to keep to the code. Mr. Gibbs: We figured they were more actual guidelines.

1 0

Call for Papers reminder, magazén 2022 (deadline September 15)
by Paolo Monella 02 Sep '21

02 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. Dear all, please find below a reminder of the call for papers (deadline 15th September) of the 2022 number volume of Journal "magazén" (with apologies for cross-posting). All best, Paolo --- https://edizionicafoscari.unive.it/en/edizioni4/riviste/magazen/info <https://edizionicafoscari.unive.it/en/edizioni4/riviste/magazen/info> Deadlines Abstract Submission – September 15, 2021 Abstract acceptance – October 15, 2021 Articles Submission – Febrauary 15, 2022 (issue 1) or July 15, 2022 (issue 2) Prospective publication – June 2022 (issue 1) and December 2022 (issue 2) Call for Papers | 2022 Topic: [re]constructions /magazén/ is accepting proposals to its 2022 volume entitled [re]constructions, which shall devote two semestral issues of the journal (June and December) to the theory and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value. Indeed, over the last decade the principle of [re]construction by means of scholarly expertise set the pace of many recent research projects in the prosperous field of digital and public humanities. Particularly digital tools and interdisciplinary collaborations provided the opportunity to [re]compose varied sources and [re]visualise research data, such as to offer unprecedented insights in historical, societal, cultural, artistic, archaeological, and political events. Evolving research technologies and consolidated methodological approaches in the digital and public humanities allowed scholars to test their analytical abilities against a set of novel possibilities to make their results public, immersive, and virtually appreciated. In this regard, digital and public humanities lay at the crossroads of the kind of speculation, intuition, and invention that comes with every act of scholarly [re]construction, seen as a creative task steered by scientific rigour. A true symbol of this attitude are the square brackets, which stand as a visual sign and signifier of the ‘gap-filling’ and ‘meaning-making’ tasks humanists always aim to accomplish in their research work. In a sense, digital and public humanists have the privilege of [re]framing their disciplines in various ways, such as: filling the gap of missing text fragments and traditions, retracing the dynamics of historical processes and events, retrieving dispersed artworks and collections, reconstructing lost archaeological sites and artefacts. Eventually, /magazén/’s volume 2022 will draw particular attention to the public aspects of such endeavours, given that successful [re]constructions hold firm to the principle of research dissemination and audience involvement from their very inception, rather than having public access just as a late side-effect of scholarly work. Hence, for its 2022 volume /magazén/ is set to examine in two semestral issues the concept of ‘[re]constructions’ as a procedural and constitutional peculiarity of digital and public humanities. Scholars are particularly invited to submit contributions that span from theoretical debates to methodological reflections, also comprising the examination of particular case studies from the heterogeneous domains of Digital Textual Scholarship, Digital and Public History, Digital and Public Archaeology, Digital and Public Art History, GLAM studies. For scholars interested in submitting a proposal, please write an abstract of no more than 200 words together with a short biographical note and the provisional title of the paper. All materials should be sent by September 15, 2021 via email (subject: “magazén 2022 – Call for Papers”) to the editorial board at the following address: magazen(a)unive.it <mailto:magazen@unive.it>. Notice of selection will be given to authors within four weeks from submission deadline. Finalised contributions are expected to be 6,000-9,000 words long (notes and bibliography included) and will undergo double blind peer review. Accepted languages are Italian and English, though all texts must have an English abstract and stick to the ‘Editorial Guidelines’ <https://edizionicafoscari.unive.it/media/pdf/pubblicare-con-noi/ecf_norme_e…> of Edizioni Ca’ Foscari. Texts that should not comply with editorial guidelines will not be accepted. Please note that the author must secure all copyright permissions (reproduction costs included) for images and other media. The deadline for all accepted articles is February 15, 2022, for issue 1 and July 15, 2022, for issue 2. Final publication of the first issue is planned by June 2022, while the second issue will be due in December 2022. For further details please contact the editorial board (magazen(a)unive.it <mailto:magazen@unive.it>). -- ________________________________________________________ Le informazioni contenute in questo messaggio di posta elettronica sono strettamente riservate e indirizzate esclusivamente al destinatario. Si prega di non leggere, fare copia, inoltrare a terzi o conservare tale messaggio se non si è il legittimo destinatario dello stesso. Qualora tale messaggio sia stato ricevuto per errore, si prega di restituirlo al mittente e di cancellarlo permanentemente dal proprio computer. The information contained in this e mail message is strictly confidential and intended for the use of the addressee only. If you are not the intended recipient, please do not read, copy, forward or store it on your computer. If you have received the message in error, please forward it back to the sender and delete it permanently from your computer system. -- Fai crescere i nostri giovani ricercatori dona il 5 per mille alla Sapienza *codice fiscale 80209930587*

1 0

New digital edition: Glosses to the first book of the Etymologiae of Isidore of Seville
by Evina Steinova 02 Sep '21

02 Sep '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. Dear DM community, I am very glad to let you know that we at the Innovating Knowledge<http://innovatingknowledge.nl/> project (Huygens Institute, Amsterdam) just released a digital edition of the glosses to the first book of the Etymologiae of Isidore of Seville. This digital edition makes use of network visualizations to display the relationships between the manuscript witnesses, to map these relationships against the geographical background, and to showcase how the glosses are distributed across the text. All in all, the edition contains approximately 4,280 glosses as found in more than 50 early medieval manuscripts, including vernacular, Tironian and dry-point glosses. You can find the edition at: https://db.innovatingknowledge.nl/edition Together with the edition, we are also publishing the raw data<https://innovatingknowledge.nl/?page_id=104> behind the edition in a hope that they can be further reused by other projects. The TEI-XML file, the XML schema, and the software code of the edition are also published<https://github.com/HuygensING/isidore-glosses> today in a dedicated GitHub repository. I am also very glad that the data from the edition was also published on our partner project, the GlossEngine<http://www.glossing.org/glossengine/collections.php>. I hope that many of you will find this edition useful and inspiring. Best wishes, Evina Evina Steinova https://homomodernus.net/ https://evinasteinova.academia.edu/ Postdoctoral Researcher NWO VENI project Innovating Knowledge<http://innovatingknowledge.nl> Huygens ING, Dutch Royal Academy of Arts and Sciences, Amsterdam

1 0

Fragments & Frameworks (Virtual Conference)
by M. Westerby 26 Aug '21

26 Aug '21

Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca. The Center for Advanced Study in the Visual Arts Fragments and Frameworks Illuminated Manuscripts and Illustrated Books in Digital Humanities Friday, October 1 The study of art history has long dealt with fragments and processes of fragmentation. Illuminated manuscripts and illustrated books in particular may have their fragments and folia fugitiva—pieces of material—separated from a whole collection or corpus. Many thousands of drawings and miniatures are dispersed around the world, including those donated to the National Gallery of Art by Lessing J. Rosenwald. The adoption of open-access online collections has enabled new avenues for study. Open digital frameworks promise to bring new data and new attention to these objects and to ask critical questions about their provenance and conservation. This conference will discuss fragments and frameworks, actual and conceptual, in art history and related disciplines, and address emerging questions in digital humanities. What kinds of afterlives are incurred by processes of fragmentation and cutting? How does the concept of the frame or framework inform the study of illuminated manuscripts and illustrated books? How does the concept of (digital) remediation inform our approach to these works? Program and registration links for morning and afternoon sessions<https://mailchi.mp/nga.gov/center-fragements-frameworks-conference?e=62b827…> -- -------------------------------- Matt Westerby @qwesterby (Instagram<https://www.instagram.com/qwesterby/?hl=en> | Twitter<https://twitter.com/qwesterby>) m.westerby(a)gmail.com<mailto:m.westerby@gmail.com> m-westerby(a)nga.gov<mailto:m-westerby@nga.gov>

1 0

Jump to page:

2026

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

dm-l