Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
Dear all,
the VeDPH is glad to announce that the new Lyon16ci website is online.
It includes a database of 10000 automatically searchable images of book
illustrations documenting the printing industry in Lyon during the
Renaissance.
It uses the VGG Image Search Engine (VISE) software, and it is the
result of the cooperation between the project by Dr. Barbara Tramelli
"The Illustrated Book in Lyon 1480-1600" (Equipex Biblissima/The Venice
Centre for Digital and Public Humanities) and the Visual Geometry Group
in Oxford.
For more: https://www.unive.it/data/33113/2/51526
All best,
Paolo Monella
--
Researcher (RTDA), Latin and Digital Humanities
Dipartimento di Scienze dell'Antichità
Sapienza University of Rome
Affiliated Scholar
Venice Centre for Digital and Public Humanities (VeDPH)
Ca' Foscari University, Venice
--
________________________________________________________
Le informazioni
contenute in questo messaggio di posta elettronica sono strettamente
riservate e indirizzate esclusivamente al destinatario. Si prega di non
leggere, fare copia, inoltrare a terzi o conservare tale messaggio se non
si è il legittimo destinatario dello stesso. Qualora tale messaggio sia
stato ricevuto per errore, si prega di restituirlo al mittente e di
cancellarlo permanentemente dal proprio computer.
The information contained
in this e mail message is strictly confidential and intended for the use of
the addressee only. If you are not the intended recipient, please do not
read, copy, forward or store it on your computer. If you have received the
message in error, please forward it back to the sender and delete it
permanently from your computer system.
--
Fai crescere i nostri giovani ricercatori
dona il 5 per mille alla
Sapienza
*codice fiscale 80209930587*
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
Dear digital medievalists,
Two announcements about magazén, International Journal for Digital and Public Humanities (new issue on 'consolidation' and CfP on 'reconstructions'):
1) magazén - new issues out on 'consolidation'
The Venice Centre for Digital and Public Humanities (VeDPH) gladly announces the publication of the first issue of the second volume of magazén, International Journal for Digital and Public Humanities, available freely online at: http://doi.org/10.30687/mag/2724-3923/2021/03.
The articles are devoted to the topic of “consolidation” in the field of digital and public humanities. For your convenience here is the table of contents:
* Franz Fischer, Diego Mantoan, Barbara Tramelli
"Of Consolidation and Canons in a Unitary Field Called Digital and Public Humanities"
* Thomas Cauvin
"New Field, Old Practices: Promises and Challenges of Public History"
* James H. Brusuelas
"Scholarly Editing and AI: Machine Predicted Text and Herculaneum Papyri"
* Pavol Hnila, Julia Elicker
"Quality Assessment of Digital Elevation Models in a Treeless High-Mountainous Landscape. A Case Study from Mount Aragats, Armenia"
* Christian Wachter
"Publishing Complexity in the Digital Humanities"
* Samanta Mariotti
"The Use of Serious Games as an Educational and Dissemination Tool for Archaeological Heritage Potential and Challenges for the Future"
* Milena Corbellini, Paola Italia, Valentina Pasqual, Roberta Priore
"VaSto: un’edizione digitale interdisciplinare"
Exciting contents and colours.
Enjoy reading!
2) magazén - call for abstracts on '[re]constructions'
magazén, the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) at Ca’ Foscari University of Venice, launched an international Call for Papers for its next volume entitled “[re]constructions”. The 2022 volume shall devote two semestral issues of the journal to to the theories and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value.
Abstract submission: September 15, 2021
Abstract acceptance: October 15, 2021
Articles submission: February 15, 2022 (issue 1) or July 15, 2022 (issue 2)
Prospective publication: June 2022 (issue 1) and December 2022 (issue 2)
See the full CfP below and soon at: https://edizionicafoscari.unive.it/it/edizioni4/riviste/magazen/info
For questions please get in contact with the editors: magazen(a)unive.it<mailto:magazen@unive.it>
On behalf of the editorial board
Franz Fischer
--
Call for Papers – Volume 2022 – “[re]constructions”
magazén | International Journal for Digital and Public Humanities
Venice Centre for Digital and Public Humanities (unive.it/vedph<http://unive.it/vedph>)
Department of Humanities, Ca’ Foscari University of Venice, Italy
magazén | International Journal for Digital and Public Humanities
magazén is the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) based at the Department of Humanities at Ca’ Foscari University of Venice undergoing double blind peer review and published twice per year in digital copy and html version in open access by Edizioni Ca’ Foscari<https://edizionicafoscari.unive.it/en/edizioni4/>. The VeDPH is founded upon an initiative of excellence that aims at stimulating an interdisciplinary methodological discourse to serve as the basis for the collaborative development of durable, reusable, shared resources for research and learning in the field of digital and public humanities. Its disciplinary domains include Digital Textual Scholarship, Digital and Public Art History, Digital and Public History, Digital Cultural Heritage and Digital and Public Archaeology.
Call for Papers | Volume 2022: [re]constructions
magazén is accepting proposals to its 2022 volume entitled “[re]constructions”, which shall devote two semestral issues of the journal (June and December) to the theory and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value. Indeed, over the last decade the principle of [re]construction by means of scholarly expertise set the pace of many recent research projects in the prosperous field of digital and public humanities. Particularly digital tools and interdisciplinary collaborations provided the opportunity to [re]compose varied sources and [re]visualise research data, such as to offer unprecedented insights in historical, societal, cultural, artistic, archaeological, and political events. Evolving research technologies and consolidated methodological approaches in the digital and public humanities allowed scholars to test their analytical abilities against a set of novel possibilities to make their results public, immersive, and virtually appreciated. In this regard, digital and public humanities lay at the crossroads of the kind of speculation, intuition, and invention that comes with every act of scholarly [re]construction, seen as a creative task steered by scientific rigour.
A true symbol of this attitude are the square brackets, which stand as a visual sign and signifier of the “gap-filling” and “meaning-making” tasks humanists always aim to accomplish in their research work. In a sense, digital and public humanists have the privilege of [re]framing their disciplines in various ways, such as: filling the gap of missing text fragments and traditions, retracing the dynamics of historical processes and events, retrieving dispersed artworks and collections, reconstructing lost archaeological sites and artefacts. Eventually, magazén’s volume 2022 will draw particular attention to the public aspects of such endeavours, given that successful [re]constructions hold firm to the principle of research dissemination and audience involvement from their very inception, rather than having public access just as a late side-effect of scholarly work.
Hence, for its 2022 volume magazén is set to examine in two semestral issues the concept of “[re]constructions” as a procedural and constitutional peculiarity of digital and public humanities. Scholars are particularly invited to submit contributions that span from theoretical debates to methodological reflections, also comprising the examination of particular case studies from the heterogeneous domains of Digital Textual Scholarship, Digital and Public History, Digital and Public Archaeology, Digital and Public Art History, GLAM studies.
Submissions | Abstracts and guidelines
For scholars interested in submitting a proposal, please send the provisional title, the abstract of no more than 200 words together with a short biographical note. All materials should be sent by September 15, 2022 via email (subject: “magazen 2022 – Call for Papers”) to the editorial board at the following address: magazen(a)unive.it<mailto:magazen@unive.it>. Notice of selection will be given to authors within four weeks from the submission deadline.
Finalised contributions are expected to be 6.000–9.000 words long (notes and bibliography included) and will undergo double blind peer review. Accepted languages are Italian and English, though all texts must have an English abstract and stick to the editorial guidelines of Edizioni Ca’ Foscari<https://edizionicafoscari.unive.it/media/pdf/pubblicare-con-noi/ecf_norme_e…>. Texts that should not comply with editorial guidelines or that the editors should deem linguistically inappropriate won’t be accepted. Please note that the journal does not offer language proof-reading services to the authors, who must also secure all copyright permissions (reproduction costs included) for images and other media.
The deadline for all accepted articles is February 15, 2022, for issue 1 and July 15, 2022, for issue 2. Final publication of the first issue is planned by June 2022, while the second issue will be due in December 2022. For further details please contact the editorial board via email at magazen(a)unive.it<mailto:magazen@unive.it>.
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
On behalf of Theodora Danek and Tara Andrews, I forward the following job announcement:
-----
The ERC-funded RELEVEN project, led by Tara Andrews and hosted at the Institute for History of the University of Vienna, is seeking to fill two pre-doctoral academic posts. The aim of RELEVEN ("Re-Evaluating the Eleventh Century through Linked Events and Entities") is to cast a clearer light on the events of the "short eleventh century" (c.
1030-1095) and specifically to get a better understanding of the ways in which the Christian world was perceived by its inhabitants at the time, particularly in the eastern half of Christendom but also to the north, where the faith had rapidly been expanding.
The ideal candidate will have completed an MA or equivalent in medieval history with a focus on, and knowledge of the languages of, one of the following areas: Byzantium; the Caucasus; Syria and/or Egypt; Italy and/or Sicily; Central Europe and/or Russia.
The available positions are for 30h per week (0.75 FTE); pay is in accordance with the FWF salary scales.
(https://m.fwf.ac.at/en/research-funding/personnel-costs). Deadline for
application: 20 July 2021.
For more information and to apply, go to http://releven.univie.ac.at/jobs/
Thank you and best wishes,
Theodora Danek
--
Theodora Danek
Project administrator RELEVEN
Institut für Geschichte
Universität Wien
http://releven.univie.ac.at
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
Dear all,
the VeDPH is glad to announce an online upcoming event happening tomorrow:
Presentation of the "Catalogo BIFLOW" (https://catalogobiflow.vedph.it/).
June 29, 2021, at 4:30 pm CET
Details: https://www.unive.it/data/33113/2/37235
All best,
Paolo Monella
--
Researcher (RTDA), Latin and Digital Humanities
Dipartimento di Scienze dell'Antichità
Sapienza University of Rome
Affiliated Scholar
Venice Centre for Digital and Public Humanities (VeDPH)
Ca' Foscari University, Venice
--
________________________________________________________
Le informazioni
contenute in questo messaggio di posta elettronica sono strettamente
riservate e indirizzate esclusivamente al destinatario. Si prega di non
leggere, fare copia, inoltrare a terzi o conservare tale messaggio se non
si è il legittimo destinatario dello stesso. Qualora tale messaggio sia
stato ricevuto per errore, si prega di restituirlo al mittente e di
cancellarlo permanentemente dal proprio computer.
The information contained
in this e mail message is strictly confidential and intended for the use of
the addressee only. If you are not the intended recipient, please do not
read, copy, forward or store it on your computer. If you have received the
message in error, please forward it back to the sender and delete it
permanently from your computer system.
--
Fai crescere i nostri giovani ricercatori
dona il 5 per mille alla
Sapienza
*codice fiscale 80209930587*
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
Next generation careers in and from Digital Humanities
15 July 2021
Free to register at https://www.eventbrite.co.uk/e/next-generation-careers-in-and-from-digital-…<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.event…>
The UK-Ireland Digital Humanities Network is an AHRC/IRC-funded project to undertake research and consultation towards the implementation of a permanent Digital Humanities association for the UK and Ireland. A key focus for the network is the question of career development in Digital Humanities, and the options that are available to postgraduate students, early career researchers, and aspiring research software engineers (RSEs) in particular. An opening panel session will present the experiences of digital humanists who have gone on to a wide variety of careers, from academia to the creative industries, cultural heritage and the technology sector. This will be followed by an open discussion exploring the kinds of support and guidance that would make a difference to the career paths of Digital Humanities ECRs and RSEs, including industry placements, training, mentoring and advocacy. This conversation will feed into a discussion paper on next-generation careers in and from Digital Humanities.
Programme
14.00-14.05 Welcome
14.05-15.35 Panel One (Chair: Justin Tonra, NUI Galway)
* Karolina Badzmierowska (Noho Ltd.)
* Emma Clarke (ADAPT, Science Foundation Ireland Research Centre)
* Christina Kamposiori (Research Libraries UK)
* Ernesto Priego (City, University of London)
* Francesca Sobande (Cardiff University)
* Elizabeth Stewart (Harrison Group Environmental Ltd.
15.35-15.50 Break
15.50-16.50 Panel Two (Chair: Charlotte Tupman, University of Exeter)
* Shawn Day (University College Cork)
* Jennifer Edmond (Trinity College London)
* James Smithies (King's Digital Lab)
16.50-17.00 Closing remarks
Best wishes,
Charlotte
--
Dr Charlotte Tupman
Research Fellow in Digital Humanities
Director of Global, Department of Classics and Ancient History
College of Humanities
University of Exeter
EX4 4QH
Tel. +44 (0)1392 72 4243 Please note that I will be unable to answer calls to this number at present, although I should be able to retrieve voicemail.
<https://humanities.exeter.ac.uk/staff/tupman/>
<https://humanities.exeter.ac.uk/staff/tupman/>https://humanities.exeter.ac.uk/staff/tupman/
Co-Investigator of the UK-Ireland Digital Humanities Network<https://dhnetwork.org/>
I will usually be able to respond to emails Tue-Fri. Please note that although my working pattern means that I might send you an email outside of normal office hours, I do not expect a response outside the hours of your own working pattern.
If your email relates to an application for funding, please send initial enquiries to digitalhumanities(a)exeter.ac.uk and a member of the team will normally respond within three working days.
This email and any attachment may contain information that is confidential, privileged, or subject to copyright, and which may be exempt from disclosure under applicable legislation. It is intended for the addressee only. If you received this message in error, please let me know and delete the email and any attachments immediately. The University will not accept responsibility for the accuracy/completeness of this email and its attachments.
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
On behalf of Joris van Zundert, I forward the following CFP:
Dear colleagues,
We would like to draw your attention to the call for papers for the conference “Graphs and Networks in the Humanities 2022”:
The 6th International Conference on “Graphs and Networks in the Humanities” will take place on 4 and 5 February 2022 in Amsterdam, courtesy of the Huygens Institute of the Royal Netherlands Academy of Arts and Sciences. Read all about themes, topics, important dates, and guidelines for the conference at https://graphentechnologien.hypotheses.org/tagungen/graphentechnologien-2022.
We are looking forward to all your graphs related ideas!
Kind regards
--Joris van Zundert
--
Drs. Joris J. van Zundert
Researcher & Developer in Humanities Computing
Dept. of Literary Studies
Huygens Institute for the History of the Netherlands
Royal Netherlands Academy of Arts and Sciences
joris.van.zundert(a)huygens.knaw.nl<mailto:joris.van.zundert@huygens.knaw.nl>
@jorisvanzundert
+31624461051
https://jorisvanzundert.net/https://www.huygens.knaw.nl/vanzundert/?lang=en
visiting address
Oudezijds Achterburgwal 185
1012 DK Amsterdam
The Netherlands
postal address
P.O. Box 10855
1001 EW Amsterdam
The Netherlands
--
Jack Sparrow: I thought you were supposed to keep to the code.
Mr. Gibbs: We figured they were more actual guidelines.
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
Digital Classicist London SeminarFriday June 25, 2021, 17:00 (UK time/UTC+1)
Chiara Palladino (Furman) & Tariq Yousef (Leipzig)We want to learn all languages! Applications of translation alignment in digital environments
Live at https://youtu.be/R2Ms6yAMZss
In this seminar, we will introduce the topic of translation technologies, with particular regard to text and translation alignment, one of the most important and complex tasks of NLP. Then, we will present Ugarit (http://ugarit.ialigner.com/<https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLU…>), a web-based tool for manual and automatic alignment of parallel corpora. Conceived as a Citizen Science project to collect training data for the implementation of statistical machine translation of Ancient Greek, Persian, and English, Ugarit has now become one of the most used digital environments for the manual alignment of texts in underrepresented and historical languages. Currently, Ugarit hosts corpora in 43 languages, and has been widely used in scholarly projects for the study of Armenian, Persian, Arabic, Ancient Greek, Latin, Portuguese, and Egyptian. It has also been successfully applied in language teaching to facilitate a direct approach to original texts through the scaffolding provided by the systematic comparison with translations.
While most translation technologies are limited to the coverage of modern, widely indexed languages like English, Ugarit introduces a new way of working with languages that is based on manual alignment between parallel texts: with the systematic support of translations in a known language, users can create datasets of aligned pairs to support language learning for themselves, study the reception of a particular text, or to provide alignments for other readers. Moreover, users contribute training data for the implementation of statistical machine translation for underrepresented languages, which has been tested for Persian and Ancient Greek. The database of Ugarit can also be visualized and queried to investigate relationships across languages that have not been directly aligned: by using the underlying graph database, we can visualize connections between words in two different languages by using a third language as a bridge, with which both languages have been aligned, and investigate broader phenomena such as word frequency across languages and common tendencies in translations.
ALL WELCOME
==
Dr Gabriel BODARD (he/him)
Reader in Digital Classics
Institute of Classical Studies / Digital Humanities Research Hub
University of London
Senate House
Malet Street
London WC1E 7HU
E: Gabriel.bodard(a)sas.ac.uk
T: +44 (0)20 78628752
Especially at the moment, I may email at odd hours of the day and night/days of the week. I do not ever expect a reply outside of your working hours.
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
[Apologies if you receive multiple copies of this CfP]
Call for Papers - SUMAC 2021
The 3rd workshop on Structuring and Understanding of Multimedia heritAge Contents
In conjunction with ACM Multimedia 2021, 20 - 24 October 2020, Chengdu, China
Workshop: https://sumac-workshops.github.io/2021/
Conference: https://2021.acmmm.org
Aims and scope
The digitization of large quantities of analogue data and the massive production of born-digital
documents for many years now provide us with large volumes of varied multimedia data
(images, maps, text, video, multi-sensor data, etc.), an important feature of which is that they
are cross-domain. "Cross-domain" reflects the fact that these data may have been acquired
in very different conditions: different acquisition systems, times and points of view. These
data represent an extremely rich heritage that can be exploited in a wide variety of fields, from
Social Sciences and Humanities to land use and territorial policies, including smart city, urban
planning, smart tourism and culture, creative media and entertainment. In terms of research
in computer science, they address challenging problems related to the diversity and volume
of the media across time, the variety of content descriptors (potentially including the time
dimension), the veracity of the data, and the different user needs with respect to engaging with
this rich material and the extraction of value out of the data. These challenges are reflected
in various research topics such as multimodal and mixed media search, automatic content
analysis, multimedia linking and recommendation, and big data analysis and visualization,
where scientific bottlenecks may be exacerbated by the time dimension, which also provides
topics of interest such as multimodal time series analysis.
The objective of the third edition of this workshop is to present and discuss the latest and
most significant trends in the analysis, structuring and understanding of multimedia contents
dedicated to the valorization of heritage, with the emphasis on enabling access to the big
data of the past. We welcome research contributions for the following (but not limited to) topics:
* Multimedia and cross-domain data interlinking and recommendation
* Dating and spatialization of historical data
* Mixed media data access and indexing
* Deep learning in adverse conditions (transfer learning, learning with side information,etc.)
* Multi-modal time series analysis, evolution modeling
* Multi-modal & multi-temporal data rendering
* Heritage - Building Information Modeling, Art
* HCI / Interfaces for large-scale datasets
* Smart digitization of massive quantities of data
* Bench-marking, Open Data Movement
* Generative modeling of cultural heritage
Important dates
* Paper submission: 30 July 2021 (11:59 p.m. AoE)
* Author acceptance notification: 26 August 2021
* Camera-Ready: 2 September 2021
* Workshop date: 20 or 24 October 2021
Keynote speakers
Jon Hardeberg (Professor at the Computer Science Department of the Norwegian University of Science and Technology, Norway): talk on Analyzing CHANGE in cultural heritage objects through images.
Mathieu Aubry (Senior researcher, Imagine team, LIGM lab, Ecole des Ponts ParisTech, France): talk on Deep Learning for Historical Data Analysis.
Submission guidelines
Submission format. All submissions must be original work not under review at any other
workshop, conference, or journal. The workshop will accept papers describing completed work
as well as work in progress. One submission format is accepted: full paper, which must follow
the formatting guidelines of the main conference ACM MM 2021. Full papers should be from 6 to
8 pages (plus 2 additional pages for the references), encoded as PDF and using the ACM Article
Template. For paper guidelines, please visit: https://2021.acmmm.org/regular-papers .
Peer Review and publication in ACM Digital Library. Paper submissions must conform
with the “double-blind” review policy. All papers will be peer-reviewed by experts in the field,
they will receive at least two reviews. Acceptance will be based on relevance to the workshop,
scientific novelty, and technical quality. Depending on the number, maturity and topics of the
accepted submissions, the work will be presented via oral or poster sessions. The workshop
papers will be published in the ACM Digital Library.
Organizers
Valerie Gouet-Brunet (LaSTIG Lab / IGN - Gustave Eiffel University, France)
Margarita Khokhlova (Fujitsu France)
Ronak Kosti (Pattern Recognition Lab / DHSS, FAU Erlangen-Nurnberg, Germany)
Li Weng (Hangzhou Dianzi University, China)
Looking forward to seeing you in Chengdu (virtually or not)!
The workshop organizers
--
-------------------------
Regards,
Ronak Kosti, PhD
Post Doc Researcher
Pattern Recognition Lab,
Friedrich-Alexander-Universität, Erlangen-Nürnberg
Email: ronak.kosti(a)fau.de<mailto:ronak.kosti@fau.de>
Web: https://lme.tf.fau.de/person/kosti
Twitter: @r_rkosti
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
FYI. Voicing the Voynich.
Research has now revealed that the Digitized Manuscript MS408 is written in Graeco-Iberian language and uses a pronuncial writing system. All is explained in this paper: https://www.academia.edu/49263562/Voicing_the_Voynich_The_Pronuncial_Writin…
Caution: This email was sent from someone outside of the University of Lethbridge. Do not click on links or open attachments unless you know they are safe. Suspicious emails should be forwarded to phishing(a)uleth.ca.
[With apologies for cross-posting]
Dear digital medievalists,
the VeDPH is glad to announce two online upcoming events:
1) Holly Rushmeier (Yale University): "Tools for Making Sense of
Cultural Heritage Data".
Tuesday June 8, 2021, 4:00 pm CET
Part of the VeDPH seminar series "Technical Art History Series in
Advanced Imaging Technologies for Cultural Heritage"
Details and subscription: https://www.unive.it/data/33113/2/50184
Language: English.
2) Presentation of the book by Paolo Monella: "Metodi digitali per
l'insegnamento classico e umanistico" (Milano: EDUCatt 2020).
Thursday June 10, 2021, 10:00 am CET
Details and subsciption: https://www.unive.it/data/33113/2/50040
Language: Italian.
All best,
Paolo Monella
--
Researcher (RTDA), Latin and Digital Humanities
Dipartimento di Scienze dell'Antichità
Sapienza University of Rome
Affiliated Scholar
Venice Centre for Digital and Public Humanities (VeDPH)
Ca' Foscari University, Venice
--
________________________________________________________
Le informazioni
contenute in questo messaggio di posta elettronica sono strettamente
riservate e indirizzate esclusivamente al destinatario. Si prega di non
leggere, fare copia, inoltrare a terzi o conservare tale messaggio se non
si è il legittimo destinatario dello stesso. Qualora tale messaggio sia
stato ricevuto per errore, si prega di restituirlo al mittente e di
cancellarlo permanentemente dal proprio computer.
The information contained
in this e mail message is strictly confidential and intended for the use of
the addressee only. If you are not the intended recipient, please do not
read, copy, forward or store it on your computer. If you have received the
message in error, please forward it back to the sender and delete it
permanently from your computer system.
--
Fai crescere i nostri giovani ricercatori
dona il 5 per mille alla
Sapienza
*codice fiscale 80209930587*