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The Schoenberg Institute for Manuscript Studies is pleased to announce the first two installments of the 2021 - 2022 SIMS Online Lecture Series:
* Between Central and East Asia: Chinese Manuscripts from Tenth-Century Dunhuang
Imre Galambos, University of Cambridge
Friday, September 17, 2021, 12:00 -1:30pm EDT (via Zoom)
Geographically, the oasis city of Dunhuang occupied a strategic position on the northwestern edge of the Chinese cultural sphere, connecting the Chinese states with Central Asia, known at the time as the Western Regions. During the tenth century, Dunhuang was inhabited by a multilingual population that produced a vast quantity of manuscripts written in Chinese, Tibetan and over a dozen of other languages. At the turn of the twentieth century, tens of thousands of these manuscripts were discovered in a sealed-off Buddhist cave, leading to the development of entirely new fields of scholarly research and the decipherment of several long-forgotten languages. The manuscripts provide an unprecedented amount of information on the linguistic, economic, social and religious dimensions of contemporary life. Even though they were found together in the same cave, and had been produced by the same group of people, they are typically studied by specialists of respective languages and disciplines. In an attempt to bridge the linguistic barrier, this talk proposes to look at Chinese manuscripts in a wider context, connecting them with non-Chinese scribal cultures of Central Asia. One of my aims is to draw attention to the degree of interaction and mutual influence between these traditions, attesting to the mixed nature of local population. Click here for more information and the link to registration<https://www.library.upenn.edu/about/exhibits-events/between-central-and-eas…>.
* Growing a Research Network: Approaches to Global Book History
Suzanne Conklin Akbari, Institute for Advanced Study, and Alexandra Gillespie, University of Toronto
Friday, October 15, 2021, 12:00 - 1:30 pm EDT (via Zoom)
The Book and the Silk Roads approaches the "book" in a capacious way: it is a writing surface, taken from the natural world, hand-crafted to bear textual records. Books can be rolls, leaves, screenfolds, codices, tablets, and even standing stones. To reveal their meanings, to read their diverse texts and scripts alongside their materials, physical structures, and layers of accretions, we need to marshal innovative, interdisciplinary approaches and a collaborative methodology, embedded within a global perspective. Over the past year and a half, we have worked to transform our understanding of the human past and its nonhuman contexts by establishing a wide range of research partnerships, laying the groundwork for a global history of the book. In this talk, we will offer an overview of The Book and the Silk Roads that 1) summarizes the lessons learned during the pandemic, as our project has pivoted in a nimble way to accommodate increased use of online environments and limitations on research travel; 2) outlines some of our research findings, from birchbark Kashmiri manuscripts to palimpsests from Sinai; and 3) describes our increasingly substantial public humanities focus, including our upcoming exhibition at the Aga Khan Museum, Hidden Stories: Books Along the Silk Roads. Click here for more information and the link to registration<https://www.library.upenn.edu/about/exhibits-events/growing-research-networ…>.
Also, we are starting up a regular monthly(ish) newsletter to share announcements about SIMS programs, events, and news. If you would like to receive this newsletter (and help us cut down significantly on sending multiple cross-postings to your inbox), please enter your email here: Opt-in for Schoenberg Institute for Manuscript Studies Newsletter (google.com)<https://docs.google.com/forms/d/e/1FAIpQLScMH1CcR5ZOsT0ekvu3GVUui9PpxwivOmG…>. SIMS will never share your information with any outside parties. The newsletter will begin delivery in September.
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Call for Participation
UK/IE Digital Humanities Network event
22 October 2021
Who has Access to the Digital Humanities? Diversity and Inclusivity in DH in Ireland and the UK
The convenors of an AHRC/IRC funded project to undertake research and consultation towards the implementation of a permanent Digital Humanities association for the UK and Ireland (see list of team members here<https://dhnetwork.org/team/>) invite submissions from individuals to co-create an event relating to DH and inclusion.
One of the dreams of information and communication technologies is that of equitable and open access to information, to services, and to opportunities. We know, of course, that this is only true on the surface, and that technological systems tend to recreate the inequities of the cultures and societies that build them.As such, the dream of the digital humanities as a ‘big tent’ (that is, capacious, broad and inclusive) is also one that we need to constantly query and challenge if the field is to have a claim to being inclusive and diverse.
This is a particularly pressing issue as we explore the potential for a regional DH network to support the use and promotion of DH methods in the UK and Ireland. We would therefore like to ask our growing community to co-create an event on the state of inclusivity in DH in our countries, and how we might actively strive to improve from this baseline. This virtual event will take place on 22nd October, 2021, from 10AM-4PM.
Themes welcomed: Access barriers come in many forms, and the only way to address them is to surface and discuss them. For this reason, the programme committee welcomes submissions addressing the broadest possible interpretation of disinclusion, based on ageism, racism, classism, sexism or ableism; geography, culture, or ethnicity; hidden behind the availability or accessibility of data, funding, software, infrastructures, or the languages we use; manifesting as closed opportunities, labour or reward inequities, or well-meaning inclusivity measures that trivialise or tokenise certain kinds of experience. In particular, we welcome submissions that point not only toward the problems, but profile good practice examples and measures we might take as a network..
Perspectives welcomed: This call is for students, early career researchers, activists, community workers, or any who do or would engage in DH/online practices, methodologies and spaces etc., and who have an interest in shared practice, open exchange, or to showcase their work. Submissions may therefore be from individuals, teams or pairs of collaborators having experienced successful or failed attempts to be a part of the DH community, representative groups from different sectors, or other configuration. We would particularly like to encourage non-academic contributions, and indeed those representing the voices of people who would like to access DH but who cannot for different reasons. As we are a UK/Irish network, however, we will highlight experiences either tied to the specificities of this geographical space, or offering reflections relevant to our future development.
Format: The programme committee encourages potential participants to propose a form to follow their function. From a 5-minute provocation to a full 45-minute panel session; prerecorded or live; based on personal experiences or research. In your submission, please let us know as well if there are any measures you would like us to take to ensure you feel you will be able to present in a safe and welcoming environment of listening, learning and discussion.
Submissions: Please submit via this form<https://forms.office.com/r/MzYriiJ2DK> a description of up to 250 words of how you would like to contribute along with a bio note of up to 50 words by 5PM on 13 September, 2021.The programme committee will meet to consider the proposals, and convene a meeting for all participants to discuss issues of format and ground rules in the first week of October.
--
Dr Charlotte Tupman
Research Fellow in Digital Humanities
Director of Global, Department of Classics and Ancient History
College of Humanities
University of Exeter
EX4 4QH
Tel. +44 (0)1392 72 4243 Please note that I will be unable to answer calls to this number at present, although I should be able to retrieve voicemail.
<https://humanities.exeter.ac.uk/staff/tupman/>
<https://humanities.exeter.ac.uk/staff/tupman/>https://humanities.exeter.ac.uk/staff/tupman/
Co-Investigator of the UK-Ireland Digital Humanities Network<https://dhnetwork.org/>
I will usually be able to respond to emails Tue-Fri. Please note that although my working pattern means that I might send you an email outside of normal office hours, I do not expect a response outside the hours of your own working pattern.
If your email relates to an application for funding, please send initial enquiries to digitalhumanities(a)exeter.ac.uk and a member of the team will normally respond within three working days.
This email and any attachment may contain information that is confidential, privileged, or subject to copyright, and which may be exempt from disclosure under applicable legislation. It is intended for the addressee only. If you received this message in error, please let me know and delete the email and any attachments immediately. The University will not accept responsibility for the accuracy/completeness of this email and its attachments.
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Dear list members,
I would like to call your attention to the following job opening in the ERC Consolidator Grant-funded Dissident Networks Project (DISSINET, https://dissinet.cz), where we use various computational methods to shed new light on medieval religious dissidence and inquisition. We are now searching to extend the team by hiring a computational linguist, programming Latinist, or NLP specialist to join the adventure. The role will be to lead the constitution of a corpus of OCR-ed editions of inquisition records and, in collaboration with the larger team, study features related to the language of those records such as their vocabulary, the style of recording, the construction of deposition narratives, the use of language for social control, etc.
In contrast to a call I circulated earlier, we are not only open to postdocs but also to those who have not yet completed their PhD studies, and even those who would like to do their PhD in the Study of Religions with us at Masaryk University on the topic of this research strand within DISSINET.
The deadline for the submission of applications is 15 September 2021.
For more information, please see below.
I would be very grateful if you could forward this message to candidates potentially interested in this position.
All the best,
David Zbíral
Number of open positions: 1
Expected start: 1 November 2021 (negotiable)
Duration: 31 October 2022 (first contract), 31 August 2026 (very probable extension based on performance review)
Deadline for applications: 15 September 2021 23:59 CEST (UTC+2)
Full call and submission: https://www.muni.cz/en/about-us/careers/vacancies/64897
The Dissident Networks Project (DISSINET, https://dissinet.cz/) - an ERC Consolidator Grant-funded research initiative based at Masaryk University (Brno, Czech Republic) - offers a full-time research fellowship in computational text analysis. The research of the successful applicant will focus on the discursive patterns in medieval inquisitorial records, with the aim of shining a new light on the production of these texts, their discourses, and the religious cultures they describe.
We are searching for a research fellow with one of the following types of profile:
(a) programming Latinist, or digital humanist, with competence in one or more historical languages and some experience in programming; or
(b) computational linguist, NLP specialist or text mining specialist, with interest in history or historical languages;
(c) another kind of mixed/interdisciplinary profile, with some of the previously mentioned competencies and strong interest in working on a historical research project.
The successful candidate will develop their own research direction in consultation with the Principal Investigator (Dr. David Zbíral), focusing on the computational text processing and analysis of medieval inquisition records.
DISSINET also works extensively on the manual coding of medieval inquisitorial material, offering a significant close-reading layer of data. We focus on various computational approaches to Christian dissent and inquisition, also including social network analysis, socio-semantic network analysis, and geographic information science: the successful candidate will have the opportunity to produce mixed-methodology work in this collaborative context. The ERC-funded position thus represents a unique opportunity for building a truly cutting-edge research profile.
The position is residential (although with reasonable flexibility for pandemic-related travel restrictions). Brno is a very pleasant university city in the Czech Republic, European Union, ca. 2 hours by direct train connection from Vienna and Prague, and offers all the opportunities of a modern metropolis.
Please see https://www.muni.cz/en/about-us/careers/vacancies/64897 for more information.
Dr David Zbíral
Principal Investigator of the ERC-funded Dissident Networks Project (https://dissinet.cz)
Associate Professor
Masaryk University, Faculty of Arts
Department for the Study of Religions, Centre for the Digital Research of Religion
david.zbiral(a)mail.muni.cz<mailto:david.zbiral@mail.muni.cz>
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Dear digital medievalists,
We are pleased to invite applications for four postdoctoral fellowships in the fields of Archaeology, Art History, History and Philology at the Venice Centre for Digital and Public Humanities (VeDPH, Ca' Foscari University of Venice.
Successful candidates will be expected to:
- design and carry out a research project at their own proposal;
- present the project at a VeDPH seminar;
- contribute to teaching activities and the creation of contents and materials for higher education;
- contribute to grant proposal writing;
- take part in VeDPH meetings and other activities;
- contribute to VeDPH organization activities.
Application deadline: 31st August 2021
Duration: 12 months
The expected starting date is 1st October 2021 (or one month later).
The research fellowship amounts to Euro 19,367.00 gross to the recipient, net of the expenses to be sustained by the Provider. The amount may be subject to adjustment in the event of variations in the law.
An extra amount aimed at covering actual research costs amounting to 5% of ‘gross to the recipient’ amount (max. Euro 1.000,00), will be granted to the research fellow.
Call for Applications
https://apps.unive.it/common2/file/download/assegni_ricerca/60fa986007f42 (ITA)
https://apps.unive.it/common2/file/download/assegni_ricerca/60fa986008485 (ENG)
Application module:
https://apps.unive.it/domandeconcorso/accesso_cf/dsu-8-2021 (ITA)
https://apps.unive.it/domandeconcorso-en/accesso_cf/dsu-8-2021 (ENG)
Please circulate!
More info about the Venice Centre for Digital and Public Humanities:
Website: https://www.unive.it/vedph
Twitter: @venicedph
Instagram: @ve_dph
Youtube: VeDPH - unive
Github: github.com/vedph/<http://github.com/vedph/>
For any questions please contact vedph(a)unive.it<mailto:vedph@unive.it>
Best wishes,
Franz Fischer
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/
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Dear Colleague,
Please, share this opportunity widely.
Best wishes,
Orietta
University Lectureship in Digital Humanities
Cambridge Digital Humanities (CDH) is a thriving research centre reaching across the School of Arts and Humanities and School of Humanities and Social Sciences. We have strong associations with Cambridge's many museums and collections, work closely with the University Library, and have links to many other faculties and research centres.
The successful applicant will convene the new CDH-led MPhil programme in Digital Humanities to be launched in September 2022 and will work with the CDH Director and Learning Director to further develop the programme as it expands into new areas. They will offer postgraduate teaching and supervision, and they will also take on doctoral students in CDH and the Faculty of English. The role is likely to involve UG teaching in future years as CDH develops. Primary responsibilities of the role will be to CDH.
We are seeking candidates with a wide range of expertise in Digital Humanities, which we conceive as an expansive and intrinsically inter-disciplinary field, that brings together research focussed around collections, platforms, digital methods, public cultures, digital aesthetics, cultural analytics, digital media studies, medium theory, and cultural critique.
The post will be based in the Faculty of English, and we welcome applications from candidates whose DH work directly engages with English literature or other media. However, we also welcome other DH specialisms including: cultural analysis, archival cultures, film and visual cultures, digital media studies, digital methods, AI and humanities research, activism and critical media, race, decolonization and epistemic change. The successful applicant will have a commitment to Digital Humanities as their interdisciplinary home, and through their research and teaching, they will make a substantial contribution to the range, scope and depth of the work at CDH.
https://www.jobs.cam.ac.uk/job/29965/?fbclid=IwAR3-PEnAn2qCoL5MyBhAXGUDLG2w…
***********************************
Dr Orietta Da Rold
Faculty of English
9 West Road, Cambridge, CB3 9DP
01223 335089
Fellow of St John's College
Cambridge, CB2 1TP
01223 768181
od245(a)cam.ac.uk<mailto:od245@cam.ac.uk>
webpage: http://www.english.cam.ac.uk/people/Orietta.Da_Rold/
*****************************************************************************
NEW BOOKS:
• Paper in Medieval England: From Pulp to Fictions (Cambridge University Press, 2020), ISBN: 978-1-108-84057-6
https://www.cambridge.org/core/books/paper-in-medieval-england/1170CB3703A4…
• Companion to British Manuscript Studies, ed. with Elaine Treharne (Cambridge University Press, 2020), ISBN: 9781316182659
https://www.cambridge.org/gb/academic/subjects/literature/anglo-saxon-and-m…
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Dear Digital Medievalist community members,
We have the pleasure of announcing the results from the 2021 DM Executive Board elections for the term beginning in August 2021 and ending in July 2023. 140 DM members cast votes this year for four open seats. The four highest vote counts went to the following candidates who have now been elected to the board:
(in alphabetical order)
* Lisa Fagin Davis
* Rose Faunce
* Gustavo Fernández Riva
* Kivilcim Yavuz
We would like to thank the other candidates -- Tsehay Ademe Belay, Bill Endres, Sean M. Winslow, and Ephrem Aboud Ishac -- for standing for election and providing us with an outstandingly rich choice. Thank you for your participation!
Best wishes to the new DM board, and the DM community as a whole,
Lynn Ransom and Claudia Sojer
2021-23 DM Executive Board Elections Committee
https://digitalmedievalist.wordpress.com/
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Dear all,
the VeDPH is glad to announce that the new Lyon16ci website is online.
It includes a database of 10000 automatically searchable images of book
illustrations documenting the printing industry in Lyon during the
Renaissance.
It uses the VGG Image Search Engine (VISE) software, and it is the
result of the cooperation between the project by Dr. Barbara Tramelli
"The Illustrated Book in Lyon 1480-1600" (Equipex Biblissima/The Venice
Centre for Digital and Public Humanities) and the Visual Geometry Group
in Oxford.
For more: https://www.unive.it/data/33113/2/51526
All best,
Paolo Monella
--
Researcher (RTDA), Latin and Digital Humanities
Dipartimento di Scienze dell'Antichità
Sapienza University of Rome
Affiliated Scholar
Venice Centre for Digital and Public Humanities (VeDPH)
Ca' Foscari University, Venice
--
________________________________________________________
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permanently from your computer system.
--
Fai crescere i nostri giovani ricercatori
dona il 5 per mille alla
Sapienza
*codice fiscale 80209930587*
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Dear digital medievalists,
Two announcements about magazén, International Journal for Digital and Public Humanities (new issue on 'consolidation' and CfP on 'reconstructions'):
1) magazén - new issues out on 'consolidation'
The Venice Centre for Digital and Public Humanities (VeDPH) gladly announces the publication of the first issue of the second volume of magazén, International Journal for Digital and Public Humanities, available freely online at: http://doi.org/10.30687/mag/2724-3923/2021/03.
The articles are devoted to the topic of “consolidation” in the field of digital and public humanities. For your convenience here is the table of contents:
* Franz Fischer, Diego Mantoan, Barbara Tramelli
"Of Consolidation and Canons in a Unitary Field Called Digital and Public Humanities"
* Thomas Cauvin
"New Field, Old Practices: Promises and Challenges of Public History"
* James H. Brusuelas
"Scholarly Editing and AI: Machine Predicted Text and Herculaneum Papyri"
* Pavol Hnila, Julia Elicker
"Quality Assessment of Digital Elevation Models in a Treeless High-Mountainous Landscape. A Case Study from Mount Aragats, Armenia"
* Christian Wachter
"Publishing Complexity in the Digital Humanities"
* Samanta Mariotti
"The Use of Serious Games as an Educational and Dissemination Tool for Archaeological Heritage Potential and Challenges for the Future"
* Milena Corbellini, Paola Italia, Valentina Pasqual, Roberta Priore
"VaSto: un’edizione digitale interdisciplinare"
Exciting contents and colours.
Enjoy reading!
2) magazén - call for abstracts on '[re]constructions'
magazén, the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) at Ca’ Foscari University of Venice, launched an international Call for Papers for its next volume entitled “[re]constructions”. The 2022 volume shall devote two semestral issues of the journal to to the theories and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value.
Abstract submission: September 15, 2021
Abstract acceptance: October 15, 2021
Articles submission: February 15, 2022 (issue 1) or July 15, 2022 (issue 2)
Prospective publication: June 2022 (issue 1) and December 2022 (issue 2)
See the full CfP below and soon at: https://edizionicafoscari.unive.it/it/edizioni4/riviste/magazen/info
For questions please get in contact with the editors: magazen(a)unive.it<mailto:magazen@unive.it>
On behalf of the editorial board
Franz Fischer
--
Call for Papers – Volume 2022 – “[re]constructions”
magazén | International Journal for Digital and Public Humanities
Venice Centre for Digital and Public Humanities (unive.it/vedph<http://unive.it/vedph>)
Department of Humanities, Ca’ Foscari University of Venice, Italy
magazén | International Journal for Digital and Public Humanities
magazén is the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) based at the Department of Humanities at Ca’ Foscari University of Venice undergoing double blind peer review and published twice per year in digital copy and html version in open access by Edizioni Ca’ Foscari<https://edizionicafoscari.unive.it/en/edizioni4/>. The VeDPH is founded upon an initiative of excellence that aims at stimulating an interdisciplinary methodological discourse to serve as the basis for the collaborative development of durable, reusable, shared resources for research and learning in the field of digital and public humanities. Its disciplinary domains include Digital Textual Scholarship, Digital and Public Art History, Digital and Public History, Digital Cultural Heritage and Digital and Public Archaeology.
Call for Papers | Volume 2022: [re]constructions
magazén is accepting proposals to its 2022 volume entitled “[re]constructions”, which shall devote two semestral issues of the journal (June and December) to the theory and practice of [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings and [re]covering disappeared traces of historical and cultural value. Indeed, over the last decade the principle of [re]construction by means of scholarly expertise set the pace of many recent research projects in the prosperous field of digital and public humanities. Particularly digital tools and interdisciplinary collaborations provided the opportunity to [re]compose varied sources and [re]visualise research data, such as to offer unprecedented insights in historical, societal, cultural, artistic, archaeological, and political events. Evolving research technologies and consolidated methodological approaches in the digital and public humanities allowed scholars to test their analytical abilities against a set of novel possibilities to make their results public, immersive, and virtually appreciated. In this regard, digital and public humanities lay at the crossroads of the kind of speculation, intuition, and invention that comes with every act of scholarly [re]construction, seen as a creative task steered by scientific rigour.
A true symbol of this attitude are the square brackets, which stand as a visual sign and signifier of the “gap-filling” and “meaning-making” tasks humanists always aim to accomplish in their research work. In a sense, digital and public humanists have the privilege of [re]framing their disciplines in various ways, such as: filling the gap of missing text fragments and traditions, retracing the dynamics of historical processes and events, retrieving dispersed artworks and collections, reconstructing lost archaeological sites and artefacts. Eventually, magazén’s volume 2022 will draw particular attention to the public aspects of such endeavours, given that successful [re]constructions hold firm to the principle of research dissemination and audience involvement from their very inception, rather than having public access just as a late side-effect of scholarly work.
Hence, for its 2022 volume magazén is set to examine in two semestral issues the concept of “[re]constructions” as a procedural and constitutional peculiarity of digital and public humanities. Scholars are particularly invited to submit contributions that span from theoretical debates to methodological reflections, also comprising the examination of particular case studies from the heterogeneous domains of Digital Textual Scholarship, Digital and Public History, Digital and Public Archaeology, Digital and Public Art History, GLAM studies.
Submissions | Abstracts and guidelines
For scholars interested in submitting a proposal, please send the provisional title, the abstract of no more than 200 words together with a short biographical note. All materials should be sent by September 15, 2022 via email (subject: “magazen 2022 – Call for Papers”) to the editorial board at the following address: magazen(a)unive.it<mailto:magazen@unive.it>. Notice of selection will be given to authors within four weeks from the submission deadline.
Finalised contributions are expected to be 6.000–9.000 words long (notes and bibliography included) and will undergo double blind peer review. Accepted languages are Italian and English, though all texts must have an English abstract and stick to the editorial guidelines of Edizioni Ca’ Foscari<https://edizionicafoscari.unive.it/media/pdf/pubblicare-con-noi/ecf_norme_e…>. Texts that should not comply with editorial guidelines or that the editors should deem linguistically inappropriate won’t be accepted. Please note that the journal does not offer language proof-reading services to the authors, who must also secure all copyright permissions (reproduction costs included) for images and other media.
The deadline for all accepted articles is February 15, 2022, for issue 1 and July 15, 2022, for issue 2. Final publication of the first issue is planned by June 2022, while the second issue will be due in December 2022. For further details please contact the editorial board via email at magazen(a)unive.it<mailto:magazen@unive.it>.
--
Franz Fischer
Direttore, Venice Centre for Digital & Public Humanities (VeDPH)
Dipartimento di Studi Umanistici
Università Ca' Foscari
Palazzo Malcanton Marcorà
Dorsoduro 3484/D - 30123 Venezia
Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro)
https://www.unive.it/vedphhttps://www.i-d-e.de/https://journal.digitalmedievalist.org/