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Job postings -- Comité Du Cange (IRHT-CNRS, Paris)
by Section de Lexicographie 22 Oct '19

22 Oct '19

Le Comité Du Cange (IRHT-CNRS, Paris 6e) propose deux contrats d’ingénieur.e d’études à partir de février (poste 1) et mars 2020 (poste 2). *Poste 1* (12 mois) : la personne recrutée participera à l’élaboration d’un corpus représentatif du latin médiéval dans le cadre du projet ANR Velum (hhtps://glossaria.eu/velum). _Informations et candidature (date limite : 8 novembre 2019) :_ http://bit.ly/2qtWQM5 *Poste 2* (2 mois) : la personne recrutée travaillera sur un glossaire de latin médiéval partiellement édité par un érudit du XX^e siècle (le /Vocabularium Bruxellense/). _Informations et candidature___(date limite : 8 novembre 2019)_ :_ http://bit.ly/32uGn8o N’hésitez pas à diffuser largement cette annonce autour de vous ! Cordialement, Pour le Comité Du Cange, Renaud Alexandre

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CfP: Graph Technologies in the Digital Humanities
by Tara L Andrews 21 Oct '19

21 Oct '19

Dear colleagues, We are pleased to announce the next edition of the conference series "Graph Technologies in the Digital Humanities", to be held 21 and 22 February 2020 at the University of Vienna. The theme of this year's installment is "Modelling the Scholarly Process". As well as submissions relevant to the conference theme "Modelling the Scholarly Process”, we warmly welcome abstracts on the application of graph technologies to problems of provenance, source criticism, validation, and visualisation of scholarly resources. Contributions in English or German (300-500 words, excluding bibliography) should be submitted by 21 October 2019 (23:59 CET) via email to graphentechnologien(a)adwmainz.de <mailto:graphentechnologien@adwmainz.de>. More information on the topics and conditions can be found in the full Call for Papers, which has been published on the following web page: https://graphentechnologien.hypotheses.org/657 <https://graphentechnologien.hypotheses.org/657> Best wishes, on behalf of the program committee, Tara Andrews

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Oct. 17-18 #CenteringDH Registration & Livestream
by Hannah Jacobs 14 Oct '19

14 Oct '19

**Please share. Apologies for cross-posting!** On October 17-18, please join the Wired! Lab for Digital Art History & Visual Culture at Duke University to reflect on contributions of art historians and visual culture scholars to the spatial digital humanities at Centering Art History & Visual Culture in the Digital Humanities: A Symposium Celebrating 10 Years of the Wired! Lab at Duke<https://sites.duke.edu/centeringdh/>. Find out more: sites.duke.edu/centeringdh<https://sites.duke.edu/centeringdh/> | #centeringdh<https://twitter.com/hashtag/centeringdh> Register: https://sites.duke.edu/centeringdh/registration/ Watch the livestream: Thursday – http://bit.ly/CenteringDH-Thurs Friday Morning – http://bit.ly/CenteringDH-FridayMorning Friday Afternoon – http://bit.ly/CenteringDH-FridayAfternoon Over the past decade, the use of digital methods has exploded in the study of art history and visual culture. As with other areas of the digital humanities, art historians and visual culture scholars have used a very wide range of approaches. Still, increasingly, one of the core areas that art history and visual culture have particular focused on is the analysis of spatial problems through computational methods and digital visualization. This conference brings to the fore core contributions of art historians and visual culture scholars to the spatial digital humanities. Looking at objects and environments at a wide variety of scales, panelists will ask: What spatial and temporal cultural problems can be addressed with digital methods? Conversely, speakers will address how the art and visual culture extend and complicate developments within the digital humanities. This conference is held in conjunction with the 10th anniversary of the founding of the Wired! Lab for Digital Art History & Visual Culture here at Duke University. The Wired! Lab is itself a center of major research involving the study of objects, buildings, and urban environments at a variety of different scales and with diverse computational methods. We are pleased to host this dialogue on how spatial problems in art history and visual culture contribute to important developments within the digital humanities. --- Hannah L. Jacobs Digital Humanities Specialist, Wired! Lab | she/her/hers Art, Art History, & Visual Studies, Duke University hannah.jacobs(a)duke.edu<mailto:hannah.jacobs@duke.edu> | 919-660-6563 dukewired.org | @dukewired | fb.com/wiredduke MS Student, Information Science, UNC President, Triangle Digital Humanities Network<http://triangledh.org/>

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Call for Papers: Eighth Annual Symposium on Medieval and Renaissance Studies
by smrs＠slu.edu 04 Oct '19

04 Oct '19

CALL FOR PAPERS Eighth Annual Symposium on Medieval and Renaissance Studies June 15-17, 2020 Saint Louis University Saint Louis, Missouri The Eighth Annual Symposium on Medieval and Renaissance Studies<https://www.smrs-slu.org/> (June 15-17, 2020) is a convenient summer venue in North America for scholars to present papers, organize sessions, participate in roundtables, and engage in interdisciplinary discussion. The goal of the Symposium is to promote serious scholarly investigation into all topics and in all disciplines of medieval and early modern studies. The plenary speakers for this year will be David Abulafia, of Cambridge University, and Barbara Rosenwein, of Loyola University, Chicago. The Symposium is held annually on the beautiful midtown campus of Saint Louis University. On campus housing options include affordable, air-conditioned apartments as well as a luxurious boutique hotel. Inexpensive meal plans are also available, although there is a wealth of restaurants, bars, and cultural venues within easy walking distance of campus. While attending the Symposium, participants are free to use the Vatican Film Library, the Rare Book and Manuscripts Collection, and the general collection at Saint Louis University's Pius XII Memorial Library. The Eighth Annual Symposium on Medieval and Renaissance Studies<https://www.smrs-slu.org/> invites proposals for papers, complete sessions, and roundtables. Any topics regarding the scholarly investigation of the medieval and early modern world are welcome. Papers are normally twenty minutes each and sessions are scheduled for ninety minutes. Scholarly organizations are especially encouraged to sponsor proposals for complete sessions. The deadline for all submissions is December 31, 2019. Decisions will be made in January and the final program will be published in February. For more information or to submit your proposal online go to: https://www.smrs-slu.org/ Thomas P. Morin Center for Medieval and Renaissance Studies Saint Louis University thomas.morin(a)slu.edu<mailto:thomas.morin@slu.edu>

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Keynotes Announced & CFP Open for Global Digital Humanities Symposium - Deadline Nov 1
by Kristen Mapes 03 Oct '19

03 Oct '19

Dear colleagues, We are thrilled to announce the conference keynote presentations for the 2020 Global DH Symposium! We look forward to welcoming *Carrie Heitman* <https://www.unl.edu/anthropology/carrie-heitman>, whose work includes the Chaco Research Archive <http://www.chacoarchive.org/cra/> and work on digital indigeneity; and *Miguel Escobar Varela* <http://miguelescobar.com/>, whose work includes digital theatre projects as well as biometric study of Javanese dance <https://villaorlado.github.io/dance/html/index.html>. Please consider applying to present at this symposium, which includes work from across disciplines and timeframes. Best, Kristen *Global Digital Humanities Symposium* March 26-27, 2020 Michigan State University msuglobaldh.org *Call for Proposals* Deadline: November 1 Proposal form <http://www.msuglobaldh.org/submit-a-proposal/> Digital Humanities at Michigan State University is proud to extend its symposium series on Global DH (msuglobaldh.org <http://www.msuglobaldh.org/>) into its fifth year, on *March 26-27, 2020*. Digital humanities scholarship continues to be driven by work at the intersections of a range of distinct disciplines and an ethical commitment to preserve and broaden access to cultural materials. In celebration of the 10th anniversary of MSU's Cultural Heritage Informatics Program <http://chi.anthropology.msu.edu/>, we particularly encourage proposals along that theme, but as always we strive to showcase DH work in all its forms. Alongside the expansion of digital humanities in under-resourced and underrepresented areas, a number of complex issues surface, including, among others, questions of ownership, cultural theft, virtual exploitation, digital rights, endangered data <http://endangereddataweek.org/>, and the digital divide. DH communities have raised and responded to these issues, pushing the field forward. This symposium is an opportunity to broaden the conversation about these issues. Scholarship that works across borders with foci on transnational partnerships and globally accessible data is especially welcome. Additionally, we define the term “humanities” rather broadly to incorporate the discussion of issues that encourage interdisciplinary understanding of the humanities. Focused on these issues of social justice, we invite work at the intersections of critical DH; race and ethnicity; feminism, intersectionality, and gender; and anti-colonial and postcolonial frameworks to participate. This symposium, which will include a mixture of presentation types, welcomes 300-word proposals related to any of these issues, and particularly on the following themes and topics by *Friday, November 1, midnight in your timezone:* - Critical cultural studies and analytics - Cultural heritage in a range of contexts, particularly non-Western - DH as socially engaged humanities and/or as a social movement - Open data, open access, and data preservation as resistance, especially in a postcolonial context - How identity categories, and their intersections, shape digital humanities work - Global research dialogues and collaborations within the digital humanities community - Indigeneity – anywhere in the world – and the digital - Digital humanities, postcolonialism, and neocolonialism - Global digital pedagogies - Borders, migration, and/or diaspora and their connection to the digital - Digital and global languages and literatures - Digital humanities, the environment, and climate change - Innovative and emergent technologies across institutions, languages, and economies - Scholarly communication and knowledge production in a global context - Surveillance and/or data privacy issues in a global context - Productive failure *Presentation Formats:* - 5-minute lightning talk - 15-minute presentation - 90-minute workshop - 90-minute panel - Poster presentation - There will be a limited number of slots available for 15-minute virtual presentations Please note that we conduct a double-blind review process, so please refrain from identifying your institution or identity in your proposal. *Submit a proposal here <http://www.msuglobaldh.org/submit-a-proposal/>* *Notifications of acceptance will be given by December 9, 2019* Kristen Mapes Assistant Director of Digital Humanities College of Arts and Letters Michigan State University kristenmapes.com kmapes(a)msu.edu kmapes86(a)gmail.com

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Viking and Medieval Norse Studies
by Haraldur Bernharðsson 27 Sep '19

27 Sep '19

**Please share with anyone interested** [cid:DD50DF50-1CA1-48F9-894C-55898D43D148] The University of Iceland offers two international graduate programs in medieval studies, taught in English: (1) Medieval Icelandic Studies, a three-semester (90 ECTS) graduate program, with two semesters' (60 ECTS) worth of course work and one semester's worth (30 ECTS) master's thesis. The summer semester is the thesis semester, which means that the program can be completed in 13 months. See https://english.hi.is/medieval_icelandic_studies (2) Viking and Medieval Norse Studies, a four-semester (120 ECTS) graduate program run in cooperation with the University of Oslo in Norway, Aarhus University and Copenhagen University in Denmark. The first year--60 ECTS' worth of course work--take place in Iceland, but the third semester is spent either in Oslo, Aarhus, or Copenhagen, completing 30 ECTS of courses. The fourth semester is devoted to writing the master's thesis, and can be spent in Iceland or Oslo. See http://oldnorse.is/ Deadline for applications: February 1, 2020. Questions? Email oldnorse(a)hi.is<mailto:oldnorse@hi.is> **Please share with anyone interested** --------------------- Haraldur Bernharðsson, Ph.D. Associate Professor of Medieval Studies University of Iceland -- The Árni Magnússon Institute for Icelandic Studies Árnagarði við Suðurgötu IS-101 Reykjavík I C E L A N D + 354 525-4023 / +354 891-7511 - haraldr(a)hi.is<mailto:haraldr@hi.is> - https://uni.hi.is/haraldr/en/ - Skype: haraldur_bernhardsson --------------------- Viking and Medieval Norse Studies Program: http://oldnorse.is/

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Seminar: copyright and the digitized historical collections in Europe (October 31, Amsterdam))
by Evina Steinova 24 Sep '19

24 Sep '19

Dear colleagues, If you are in the Netherlands around October 31, you may wish to attend this interesting seminar with a copyright specialist, who is going to talk about the copyright issues emerging from the digitization of historical collections in European libraries. If you know of those who may be interested to attend, let them know. Sincerely, Evina Steinova Huygens ING https://evinasteinova.academia.edu/ ---------------------------------------------------------------------------------------------------------- *Copyright or Copyfraud?* *Is it possible to claim copyright over digitized versions of documents recording public domain content?* *Speaker*: Dr. Sunimal Mendis, Center for International Intellectual Property Studies (CEIPI), University of Strasbourg, France. *31 October 2019, 15.15-17.00* Huygens ING Spinhuis, Room 2.18 Oudezijds Achterburgwal 185, Amsterdam At present, a wealth of historical documents recording public domain content is stored in the ‘dark-archives’ of memory institutions to which members of the public are granted limited access. The advent of digitization has the potential to make the content recorded upon these documents easily and speedily accessible to users across the globe in the form of digital images. Thus, digitization has been hailed as a ‘digital renaissance’ in which the ‘forgotten-knowledge’ recorded upon these documents can be unfettered from their tangible carriers and widely circulated to be freely used in the enrichment of social, cultural and scientific discourse. Digitization has particular significance for scholars who are now able access and re-use these images in scientific research. However, in many instances such re-use is restricted through copyright claims made by the memory institutions and private sector entities who invest in the digitization process. But can a digital image of a public domain work produced through a mass-digitization process qualify for copyright protection? This presentation analyzes the legitimacy of copyright claims that are made in respect of digital images of documents recording public domain content and explores the space available to researchers and scholars to re-use these images for non-commercial purposes. It also attempts to identify means by which the researcher community may contribute to policy-making in this area with the objective of achieving greater freedom in using digital images of public domain documents for research purposes. *For further information and to register, contact Evina Steinova (evina.steinova(a)huygens.knaw.nl <evina.steinova(a)huygens.knaw.nl>)*

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CfP: Growing Corpora. Byzantine Book Epigrams and Online Text Collections (deadline 15 November)
by Ilse De Vos 23 Sep '19

23 Sep '19

Dear colleagues, Please consider applying to present at our Growing Corpora conference (24-25 June 2020). As explained in the call for papers below, we want to hear your experiences in growing an online corpus (regardless of language). Thank you for forwarding this message to interested participants. On behalf of the entire Database of Byzantine Book Epigrams team, Ilse De Vos Call for Papers GROWING CORPORA Byzantine Book Epigrams and Online Text Collections ________________________________ Ghent, 24-25 June 2020 Since 2010, the Database of Byzantine Book Epigrams team (that is: we) have been growing an online corpus of metrical paratexts, several of which were previously unpublished or unknown altogether, and made them freely available to the scholarly community (that is: you). A new version of our database (https://www.dbbe.ugent.be<https://www.dbbe.ugent.be/>) was launched in June 2019. Exactly one year later, we are organising a two-day conference. Together with anyone interested in this particular genre of Byzantine poetry, we want to celebrate and reflect on what we have achieved so far and look ahead at what is – hopefully! – yet to come. Moreover, we want to stimulate communication and collaboration with other projects that are growing online corpora of texts. You can partake in two different types of sessions. In our demo sessions you can present your project and discuss your experiences in growing your online corpus (10-15 minutes). We are confident this will lead to a lively discussion on challenges we all face, such as data presentation, interoperability, and sustainability. In our thematic sessions you can present your research on Byzantine book epigrams (20 minutes). Possible topics include: * editing book epigrams; * theoretical reflections on the concept of book epigrams and other metrical paratexts; * book epigrams as a way to study the history of manuscripts; * visual aspects of book epigrams; * literary texts that function (or may have functioned) as book epigrams; * metre and language of book epigrams; * book epigrams in languages other than Greek. We especially welcome contributions inspired by the Database of Byzantine Book Epigrams. Confirmed speakers<https://www.dbbe2020.ugent.be/programme/> include Georgi Parpulov (University of Birmingham) and Andreas Rhoby (Austrian Academy of Sciences). Interested? Send us an abstract (up to 300 words, PDF) by 15 November 2019 (dbbe(a)ugent.be<mailto:dbbe@ugent.be>, subject “Growing Corpora – abstract”) and we will get back to you early December. Note that we want our conference to reflect who we are as a team<https://www.dbbe.ugent.be/pages/team>: welcoming and inclusive. Costs will be kept to a minimum and we are working hard to secure funding to support anyone for whom traveling might not be evident, including early career or independent scholars and carers of young children. For any further information, please visit our conference website (https://www.dbbe2020.ugent.be<https://www.dbbe2020.ugent.be/>).

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6th Cycle of Medieval Studies, 2020
by Roberto Del Monte 20 Sep '19

20 Sep '19

Dear all, ten days left to submit proposals for our 6th Cycle of Medieval Studies (June 8-9, 2020) in Florence. Please find the CfP at: https://www.nuovomedioevo.it/2019/06/24/vi-ciclo-di-studi-medievali-call-fo… Please get in touch if you have any questions at: info(a)nuovomedioevo.it Best regards

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CfA, DM Session at IMC
by Bleier, Roman (roman.bleier＠uni-graz.at) 13 Sep '19

13 Sep '19

Dear Digital Medievalists, I just wanted to remind you about the open CfA (see the call below). The deadline is on the 15th! Digital methods are by definition at the border of Medieval Studies. This bold statement is primarily justified by the observation that the application of digital methods is triggered by a research community outside Medieval Studies, i.e. Computer Science and New Media Studies. Therefore, in its interdisciplinary nature digital medieval studies is a border-crossing discipline and breaks up traditionally developed scholarly silos and institutional borders. Within this field, experimentations with and applications of new methods and technologies challenge traditional perceptions and research approaches. Another kind of digital borders are "metadata borders". For example, digital cataloging standards create unintended, and sometimes intended, borders and boundaries that prevent data-sharing and linking. In light of this proposition, the Digital Medievalist will take the opportunity of next years' general IMC theme ("Borders") to discuss cutting edge and "border-crossing" digital methods and technologies and/or borders and boundaries caused by digital methods. Topics may include current research in machine learning, computer vision, 3D modeling, IIIF, multispectral imaging, Handwritten Text Recognition, Linked Data and distant reading, etc. Machine learning, for instance, poses specific problems for Medieval Studies, as its success depends on the availability, findability, reusability, and accessibility of large amounts of data. Similar issues exist with the application of other digital methods to medieval materials, and the session(s) "Digital Borders of Medieval Studies" will be the place to present and discuss them. The Digital Medievalist community invites the submission of proposals for 20-minutes papers covering a topic relating to the session title and focusing on the application of digital methods and technologies for current and future research in the field of Medieval Studies. Please send your proposal (300 Words incl. a short CV) to dm.imc2020(a)gmail.com by Sept. 15th.

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