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2794 discussions

Digitizing Medieval Manuscripts
by Endres, William 26 Aug '19

26 Aug '19

Dear all, ARC Humanities Press and Amsterdam University Press did such nice work putting this announcement together that I don’t feel so back about self-promoting. My book is currently available in Europe and will be available in North America by August 31. All best, Bill PUBLICATION ANNOUNCEMENT [cid:image001.jpg@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=https-3A__arc-2Dhumanities.org_&…> Digitizing Medieval Manuscripts<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.aup.nl_en_book_978…> The St Chad Gospels, Materiality, Recoveries, and Representation in 2D & 3D Bill Endres <https://urldefense.proofpoint.com/v2/url?u=https-3A__www.aup.nl_en_book_978…>[cid:image002.jpg@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.aup.nl_en_book_978…><https://urldefense.proofpoint.com/v2/url?u=https-3A__www.aup.nl_en_book_978…> ToC and Introduction<https://urldefense.proofpoint.com/v2/url?u=https-3A__assets.ctfassets.net_4…> ARC - Medieval Media Cultures<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.aup.nl_en_series_a…> August 2019 128 pages, 12 b/w, 8 line-art illustrations Hardback ISBN 978 19 4240 179 7 e-ISBN 978 19 4240 180 3 €69.00 / £59.00 / $79.00 €68.99 / £58.99 / $78.99 [cid:image003.jpg@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=http-3A__en.aup.nl_&d=DwMGaQ&c=q…> What does it mean to digitize a medieval manuscript? This book examines this question by exploring a range of advanced imaging technologies, from multispectral to 3D to reflectance transformation imaging. To understand imaging technologies requires an understanding of the complex materiality of what is being digitized and, to this end, the book focuses on the relationship between digital technologies and the complex materiality of manuscripts and the human bodies that engages them. From this perspective, the chapters explore imaging technologies, interfaces to present digital surrogates, and limitations to and enhancements through the digital. But lest past photographic information be lost, the book also examines historical photographs, exploring their rich visual information, and how digitizing and comparing them transforms what can be known. Examples and innovations from the author’s work digitizing the eighth-century St. Chad Gospels at Lichfield Cathedral are provided. This book is essential reading for all those involved in large and small scale manuscript digitization projects in both scholarly and cultural heritage contexts. Bill Endres is an Assistant Professor in the Department of English, University of Oklahoma, USA. He is a digital humanist who employs advanced imaging technologies on manuscripts such as the eighth-century St. Chad Gospels. Order this book here<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.aup.nl_en_book_978…>! Also available outside North America through NBN International Ltd<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.nbninternational.co…>, and in US, Canada, and Mexico through IS Distribution<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.isdistribution.com_…>. For any press enquiries and for information on receiving a review copy, please contact marketing(a)aup.nl<applewebdata://A8F8CDB7-C0B3-4106-8EB4-15858F533234/marketing@aup.nl>. Recommend this book to your library using our library recommendation form<https://urldefense.proofpoint.com/v2/url?u=https-3A__assets.ctfassets.net_w…>. If you would like to keep up to date with Arc Humanities Press and AUP publications, please subscribe to our newsletter<https://urldefense.proofpoint.com/v2/url?u=https-3A__arc-2Dhumanities.org_s…>! With kind regards, AUP Marketing [cid:image004.png@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=http-3A__en.aup.nl_&d=DwMGaQ&c=q…>[cid:image005.png@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=https-3A__www.facebook.com_Amste…>[cid:image006.png@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=http-3A__en.aup.nl_en_about-2Dau…>[cid:image007.png@01D55BFA.926DD200]<https://urldefense.proofpoint.com/v2/url?u=https-3A__twitter.com_AmsterdamU…> -- My book Digitizing Medieval Manuscripts<https://www.aup.nl/en/book/9781942401797/digitizing-medieval-manuscripts> coming in August from Arc/Amsterdam University Press. Manuscripts of Lichfield Cathedral https://lichfield.ou.edu Bill Endres University of Oklahoma English Department Norman, OK 73019 405-325-0831

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Digital Philology 8.1
by Albert Lloret 21 Aug '19

21 Aug '19

Dear all, This is to let you know that the spring of 2019 issue of Digital Philology (vol. 8, n. 1) was published a couple of weeks ago. Its a special issue on Modernities and Global Medievalisms, guest-edited by Candace Barrington and Louise dArcens. It includes contributions by Shirin Khanmohamadi, Wendy Laura Belcher, Louise D'Arcens, Clare Monagle, Clare Veal, Lynn Ramey, David Neville, Sahar Amer, Jonathan deHaan, Maxime Durand, Brandon Essary, Rob Howland, Mubbasir Kapadia, Felix Kronenberg, Brett E. Shelton, Barbara Vance, Sara V. Torres, Christine Chism, and Michael Kleiner, as well as reviews by Neil Cartlidge and Jesús R. Velasco. Check it out: <http://muse.jhu.edu/issue/40685> http://muse.jhu.edu/issue/40685. With best wishes for the new academic year, Albert -- Albert Lloret, Associate Professor Director of Spanish and Catalan Studies University of Massachusetts Amherst

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Fwd: H-Digital-History: CFP The Digital Middle Ages in Ireland and Beyond (A Roundtable), ICMS Kalamazoo 2020
by Georg Vogeler 18 Aug '19

18 Aug '19

-------- Weitergeleitete Nachricht -------- Betreff: H-Digital-History: CFP The Digital Middle Ages in Ireland and Beyond (A Roundtable), ICMS Kalamazoo 2020 Datum: Thu, 15 Aug 2019 09:01:51 -0400 Von: H-Net Notifications <drupaladmin(a)mail.h-net.org> An: georg.vogeler(a)GMX.DE <georg.vogeler(a)GMX.DE> ----------H-NET---------- Greetings Georg Vogeler, A new item has been posted in H-Digital-History. CFP The Digital Middle Ages in Ireland and Beyond (A Roundtable), ICMS Kalamazoo 2020 by Vicky McAlister CFP The Digital Middle Ages in Ireland and Beyond (A Roundtable), ICMS Kalamazoo 2020, May 2020, Western Michigan University Sponsored by the American Society for Irish Medieval Studies (ASIMS) This session will discuss how scholars and students can use digital technologies to achieve a more nuanced understanding of medieval culture. At ICMS “Kalamazoo” in 2019 ASIMS sponsored the very successful Digital Castles roundtable. Particularly enlightening discussion during this session centered on the ways we can use the digital humanities to engage students in our work as scholars. Consequently, we would like to broaden the scope and appeal of a digital humanities session proposed for Kalamazoo 2020. While the geographic focus is on Ireland, we particularly welcome proposals that discuss medieval Ireland’s connections with the wider world. This panel considers innovative approaches towards better understanding, through digital means, the material culture of medieval Ireland. As so many of 2019’s attendees (as well as the majority of ASIMS members) are based at teaching focused institutions, we plan to particularly emphasize how digital projects can be accomplished on a budget and at a distance from the geographic area of study. Presentations will be of less than ten minutes’ duration, with ample time for audience participation and discussion. Another benefit of the session’s approach is its multidisciplinarity, reflecting approaches from history, manuscript studies, archaeology, art history and literature. This session will therefore provide a venue for an exciting interdisciplinary dialogue, framed within the digital humanities. Please send your abstract to Vicky McAlister, Southeast Missouri State University, vmcalister(a)semo.edu [1], by *Friday, September 6th, 2019.* More information available at https://asims.org/kalamazoo/ [2] [1] mailto:vmcalister@semo.edu [2] https://asims.org/kalamazoo/ Read more or reply: https://networks.h-net.org/user/login%3Fdestination%3Dnode/4344414 ---------------------------------------------------------- Please help us keep H-Net free and accessible. $25 from each of our subscribers would fund H-Net for two years. Visit <https://networks.h-net.org/support-h-net> to make a tax-deductible donation online. Contact the Help Desk: help(a)mail.h-net.org Manage notification settings by visiting: My Profile > Notifications H-Net on Twitter: <https://twitter.com/HNet_Humanities> H-Net on Facebook: <https://www.facebook.com/humanities.socialsciences.online>

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Fwd: Roundtable "Digital Tools for Historical Research" at IMC in Leeds, 6-9 July 2020
by Georg Vogeler 18 Aug '19

18 Aug '19

-------- Weitergeleitete Nachricht -------- Betreff: Roundtable "Digital Tools for Historical Research" at IMC in Leeds, 6-9 July 2020 Datum: Sat, 17 Aug 2019 22:54:24 +0200 Von: David Zbíral <david.zbiral(a)mail.muni.cz> An: Digital Medievalist <DMedievalist(a)googlegroups.com> Dear colleagues and friends, The Centre for the Digital Research of Religion at Masaryk University and the “Dissident Networks Project” (DISSINET, https://dissinet.cz/) hosted at this research centre are pleased to invite proposals for short presentations (5 min.) of various digital tools for historical research (e.g.: software, environments for the annotation of texts and digitized manuscripts, the adaptation of general-purpose digital tools to historical research, etc.) to be presented at a roundtable session on "Digital Tools for Historical Research" at the International Medieval Congress 2020 in Leeds, UK (6-9 July 2020). Each speaker should briefly present a tool and be prepared to answer questions from the audience on its use and application. The speakers may be connected with the developers of the tool, but this is in no way a requirement. They need only know it well enough to be able to present it to the audience and answer questions. Overall, the roundtable and subsequent discussions are intended to create a space for networking between users and potential users of such tools (and in some cases their developers). The participants in any session of the congress, including this roundtable, are expected to register for the congress and pay the registration fee and their travel costs. Please send brief informal proposals to David Zbíral at david.zbiral(a)mail.muni.cz by September 15th at the latest. Any proposal should contain the name of the tool or environment to be discussed, a short description of the tool, information about its availability (licence), and the address of a website where more information about the tool is available (if applicable). A formal abstract is not required. We look forward to your proposals! All the best, David. Dr. David Zbíral Associate Professor [image: logo Masarykova univerzita – Filozofická fakulta] *Masaryk University | Faculty of Arts* Department for the Study of Religions | Centre for the Digital Research of Religion A: Arna Nováka 1 | 624 00 Brno | Czech Republic T: +420 549 495 372 <+420549495372> E: david.zbiral(a)mail.muni.cz | W: https://religionistika.phil.muni.cz/en <http://goog_510332402> https://dissinet.cz http://muni.academia.edu/DavidZb%C3%ADral https://www.researchgate.net/profile/David_Zbiral http://www.david-zbiral.cz -- You received this message because you are subscribed to the Google Groups "Digital Medievalist" group. To unsubscribe from this group and stop receiving emails from it, send an email to DMedievalist+unsubscribe(a)googlegroups.com. To view this discussion on the web, visit https://groups.google.com/d/msgid/DMedievalist/CAHa9PxqDiPPFf5PPJe35AivXnaM….

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EADH Conference 2020 - Call for hosts extended deadline: 20 Sept 2019
by Fabio Ciotti 16 Aug '19

16 Aug '19

Apologies for cross posting ******** The EADH Executive Committee has extended the deadline to send proposals to host the 2020 EADH Conference: the new deadline is 20th September 2019. As with the first EADH conference held in 2018, the second conference will strengthen the scientific, institutional and cultural relations between the members of the DH communities in Europe and in the Mediterranean area. The EADH Conference is organised in each year that the annual ADHO Digital Humanities conference takes place outside of Europe. We are particularly interested in proposals from institutions and regions that: • have recently developed or are developing digital humanities communities and organizations; • have not previously hosted an ADHO or the EADH Digital Humanities conference. Please note that the lead applicant must be a direct member of the EADH or of one of its Associate Organisations (currently AIUCD, DHD, DHN, CzADH and DH Russia). Organisation EADH Conferences are co-organised by two committees: The scientific organisation is conducted by a Programme Committee (PC) with 10 members and one Chair, appointed by the EADH Executive Committee. The local organiser may appoint up to two members of the PC. The PC decides the main theme of the conference, identifies and invites keynote speakers, produces and issues the Call for Papers, manages the review process, and decides the academic conference programme. Logistical organization will be the responsibility of a Local Organisation Committee, whose members and chair are appointed by the Local Organisers. The EADH recommends the adoption of the conference management system ConfTool for registering participants and including them in special events such as the banquet, but payments may be processed outside ConfTool by the local organiser if desired. Time Period and Venue Conference dates are decided by the Local Organiser, in consultation with EADH. It is recommended that the conference takes place in the autumn of 2020. Other large DH-related conferences in Europe should be taken into account when fixing the precise dates. The venue must be an academic or cultural institution in the European area in its broadest sense (including Russia and countries bordering the Mediterranean). The hosting institution should be able to accommodate a minimum of 300 delegates (including plenaries), at least three parallel sessions, and a communicative poster session. Bids Bids should contain a preliminary budget and up to two pages describing the motivations and logistical opportunities offered by the proposed venue. Bidders must take into account the EADH diversity and inclusivity statement. The venue for the 2020 conference will be decided by the EADH Executive Committee on the basis of: • academic and social impact of the conference for the LO; • logistical adequacy of the venue; • overall quality of the proposal. Bids should be submitted to secretary(a)eadh.org no later than July, 1, 2019. Structure of the Conference The Conference should be a 2/3-day event, avoiding weekends. Workshops and training events can precede the official conference days, depending on the availability of the LO. Presentations will be organized in 90-minute slots. The conference should have two keynote plenary talks. Typical presentations are: • full papers for theoretical or highly relevant methodological or technical issues; • short papers to present research ideas, approaches and projects; • panel or roundtable for one relevant topic discussed under different perspectives by 5/6 presenters; • posters. One session of the conference is reserved for short poster presentations. Bidders in coordination with the Programme Committee are encouraged to propose alternative formats and innovative organization of the conference in addition to this general framework. Budget The conference must be financially self-sustaining, but a backstop funding from the EADH of up to €5,000 can be discussed. The EADH will also provide bursaries for young scholars. The local organizers are expected to set six levels of registration fees: • faculty and staff with permanent contract, members of the EADH, associate organizations, and other constituent organizations of ADHO; • faculty and staff with permanent contract, non-members; • faculty and staff with fixed-term contract, members of the EADH, associate organizations, and other constituent organizations of ADHO; • faculty and staff with fixed-term contract, non-members; • students, members of the EADH, associate organizations, and other constituent organizations of ADHO; • students, non-members. Local Organisers are expected to set member/non-member rates so that the difference between member/non-member rates are higher than the EADH membership costs. Registration fees are recommended not to exceed €300 for the highest level of non-member fees to make the conference more accessible to the community. Social Programme Local Organisers are expected to arrange a diverse social programme, including a social dinner, that can contribute to the EADH community building. Synergies and Possible Sponsorship Suggested collaborative activities range from hosting of workshops and tutorials to co-organisation of the conference or financial support. Private in-kind and financial sponsorship is welcome, provided that any activity from sponsoring organizations is clearly distinct from, and does not influence, the academic program. -- Fabio Ciotti Department of "Studi letterari, Filosofici e di Storia dell’arte" - University of Roma "Tor Vergata" DH2019 PC Co-Chair Chief Editor "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti <https://twitter.com/fabio_ciotti> f.ciotti(a)pec.it <https://twitter.com/fabio_ciotti>

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From today's Washington Post online
by Lisa Fagin Davis 14 Aug '19

14 Aug '19

Greetings, all, You may be interested in my piece in today's online Washington Post: https://www.washingtonpost.com/outlook/2019/08/14/why-do-people-keep-convin… - Lisa -- Lisa Fagin Davis Executive Director Medieval Academy of America 6 Beacon St., Suite 500 Boston, Massachusetts 02108 Phone: 617 491-1622 Fax: 617 492-3303 Email: LFD(a)TheMedievalAcademy.org

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Conference in Montreal - 21-22 October 2019
by Kouky Fianu 13 Aug '19

13 Aug '19

Please find attached the program of the two days conference « Ménestrel à Montréal: Le numérique et les études médiévales: enjeux pédagogiques et formation par la recherche ». Professor Kouky Fianu University of Ottawa

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Fellowships in Venice (postdoc)
by Franz Fischer 12 Aug '19

12 Aug '19

Dear digital medievalists, I am pleased to announce the opening of four postdoctoral research fellowships at the Centre for Digital and Public Humanities of the Dipartimento di Studi Umanistici at Ca' Foscari Università di Venezia. Please circulate widely! The application must include the proposal of a research project in the respective field: 1) digital textual scholarship, e.g.: the creation, extension and enrichment of a digital textual resource (edition, collection, corpus) or the development and enhancement of a software tool for the analysis and publication of historical documents and literary texts; 2) digital art history, e.g.: the creation/extension of digital resources for the study of artistic corpora (collections, archives) or the software development/management of digital corpora (museums, foundations, archives, estates) or the development of tools and databases for image analysis and iconographic comparison; 3) digital and public history, e.g.: historical research carried out in public, with the public and regarding the public, involving museums, archives or heritage centers, applying methods of oral history, media history or community history, related to public memory or public sources; 4) digital cultural heritage, e.g.: the development of a modular environment of advanced technologies for the digitization of cultural heritage materials, the analysis and visualization of data and metadata and the creation of digital archives and virtual exhibitions. Italian language skills are favourable but not required. Candidates without Italian language skills are expected to acquire basic knowledge during the fellowship. Application deadline: 10 September 2019, at 12.00 pm (high noon Italian time) Interviews: 23-25 September 2019 Start: 1st November 2019 Duration: 12 months The fellowships amount to Euro 19.367,00 per year gross to each recipient. An extra amount aimed at covering actual research costs of max. Euro 1.000,00 will be granted to the each fellow. Full announcements in original Italian: https://apps.unive.it/common2/file/download/assegni_ricerca/5d4959d431ace Application guidelines, forms and details in Italian: https://www.unive.it/data/12137/ Full announcements in English translation: https://apps.unive.it/common2/file/download/assegni_ricerca/5d4959d432267 Application guidelines, forms and details in English translation: https://www.unive.it/data/28825/ Best wishes, Franz -- Prof. Dr. Franz Fischer Direttore del Centro Digital & Public Humanities Dipartimento di Studi Umanistici Università Ca' Foscari Palazzo Malcanton Marcorà Dorsoduro 3484/D - 30123 Venezia Tel.: +39 041 234 6266 (ufficio), +39 041 234 9863 (segreteria del centro) Institut für Dokumentologie und Editorik (member) Digital Medievalist (editor-in-chief) https://www.unive.it/data/persone/21292086 -- Nota automatica aggiunta dal sistema di posta.

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Kalamazoo Panels
by Helen Davies 05 Aug '19

05 Aug '19

Dear all, Please consider applying for the following panels at the International Congress on Medieval Studies at Kalamazoo sponsored by The Lazarus Project and The Rossell Hope Robbins Library at the University of Rochester. Please send all papers to hrdavies5(a)gmail.com. The deadline for paper abstracts is September 15. ColLABoration Scholars have increasingly found themselves wrestling with the institutional and structural problems inherent in practicing the digital humanities within the modern university. Many have found that the traditional “lone scholar” approach so long embedded within humanities scholarship does not often translate well to large-scale DH projects, which may require skills in everything from (for example) multiple coding languages to paleography to imaging technology. At the Lazarus Project, we have adopted a laboratory model — in an English department — to approach the multifarious aspects of DH work that cannot and should not be the responsibility of any one person. We are looking for papers that deal with the advantages and disadvantages, problems and solutions, faced by scholars who have tried to integrate a collaborative or laboratory approach to the digital humanities within traditional humanities departments. These may be abstract (theory based), concrete (accounts of specific projects that faced these issues), or anything in between. Of particular interest might be the challenges of pitching and publishing interdisciplinary work and the tendency within traditional humanities fields — and traditional university bureaucracies — to value single-author publications and solo scholarly endeavors more highly than those involving co-authors and collaborators. We furthermore welcome papers that address interpersonal issues such as mentoring undergraduates in the digital humanities, integrating first-generation college students, awarding credit to collaboratively-produced results, and integrating the collaborative lab-based model into external departmental and interdisciplinary conversations. Mind the Gap: Bridging Departments and Disciplines in the Digital Humanities (Roundtable) At many universities and institutions, digital humanities projects exist in pockets around campus, tending as they do to spring up where individual professors are driving initiatives or leading projects. This roundtable seeks contributors who have participated in digital humanities projects that faced the issue of disciplinary divides. Accounts of interdisciplinary projects are welcome, as are theoretical examinations of the means of bridging the gap between different conceptual frameworks and practical treatments of organizing DH endeavors across departmental divides. How have you helped to foster an inclusive working environment that makes space for students and scholars of diverse disciplinary backgrounds and interests? What ideological blindspots hinder collaboration between departments? How can we change institutional expectations to facilitate collaborations across departments and disciplines? What unexpected benefits have you seen as a result of these collaborative initiatives? Medievalists are particularly equipped to deal with these challenges as we frequently must frequently work across departments and disciplines. We want to bring this insight and experience to discussion on the digital humanities. -- Helen Davies Andrew W. Mellon Fellow in Digital Humanities Lazarus Project Graduate Student Coordinator PhD Candidate English Department University of Rochester

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Kzoo 2020 CFPs
by Anna Siebach-Larsen 01 Aug '19

01 Aug '19

Dear all, The Rossell Hope Robbins Library at the University of Rochester is sponsoring two DH-focused sessions at next year's ICMS at Kalamazoo. Please see the descriptions below, and contact me with any questions that you might have. Best wishes, Anna *DH on a Budget: how to develop digital projects with limited resources (a roundtable)* Sponsored by the Rossell Hope Robbins Library (University of Rochester) Organizer: Anna Siebach-Larsen Digital scholarship has been part of medieval studies for decades, and is only becoming more so, given the increased digitization of manuscript collections and the creation of new digital tools, alongside the heightened emphasis of digital skills in graduate training. Yet the development of digital scholarship requires resources – money, time, labor – that have always been limited and are becoming more so. This workshop panel will discuss on a practical level the kinds of digital scholarship and tools that can be developed with constrained resources, focusing on projects that can be built and supported across a range of institutions to meet a variety of research and pedagogical needs and interests. We encourage the demonstration of digital tools and scholarship alongside a discussion of their costs (money, labor, time) and requirements, with an eye toward encouraging replication, innovation, and collaboration. Possible tools include 3D modeling, RTI scanning, digital editions, imaging, mapping projects, and more. Presentations might include hands-on demonstrations and participation, advice for grant applications, and discussions on the importance of collaboration in all its possible guises. We encourage acknowledgement and discussion of the constraints of funding models, precarity, academic and professional hierarchies, student training, institutional support, replication, and sustainability. Please send proposals to Anna Siebach-Larsen ( annasiebachlarsen(a)rochester.edu) by *September 15, 2019.* *The Present and Future of Digital Editing (a roundtable)* Sponsored by the Rossell Hope Robbins Library (University of Rochester) Organized by: Ashley Conklin and Anna Siebach-Larsen In 2015, Elena Pierazzo argued that “cultural heritage texts are complex objects which have reached us inscribed on stratified, diversified and conflicting documents that require the cultural and dialectical intermediation of expert readers: the editors. This requirement has not changed with the advent of the Web: on the contrary, the easier it becomes to publish on the Web and the larger the quantity of textual materials available, the more important becomes the guidance of the editor.”[1] <#_ftn1> Her observations ring particularly true for digital editions of medieval texts, which often grapple with the material substrate of the texts themselves alongside the accretions of centuries of editorial traditions and practices. Yet, as has often been observed, we continue to grapple with the question of *what* a digital edition should be and *how* that vision might best be achieved. These questions remain at the forefront of digital editing on both a conceptual and pragmatic level: should a digital edition be a digital version of a print edition? what do we want our digital editions to do? how do different types of digital editions function in terms of research and the classroom, and how can and should they speak to each other? what benefits do new platforms such as Manifold offer for medieval texts and manuscripts? how can we fund the creation and support of digital editions? how might we best collaborate across projects and continue to build a community of practice? This roundtable will explore present practices in digital editing and look to its future. We encourage participation from speakers who are engaged in editing or publishing digital editions, and/or who have used digital editions in their own scholarship and teaching. In other words, we hope to facilitate a discussion about the benefits and challenges associated with digital editing from the producers and users of digital editions. Some of the discussion topics may include but are not limited to: the drawbacks and benefits of various platforms, moving from print to digital (or vice versa), open-access, crowd-sourcing, pedagogy, encoding methods, the accessibility and use of metadata, sustainability, invisible labor, the politics of digital vs print editions, the usefulness of standard guidelines, interdisciplinary collaboration, and successes and failures. Please send abstracts to Ashley Conklin (aconkli2(a)ur.rochester.edu) and Anna Siebach-Larsen (annasiebachlarsen(a)rochester.edu) by *September 15, 2019*. ------------------------------ [1] <#_ftnref1> Elena Pierazzo, *Digital Scholarly Editing: Theories, Models and Methods* (Farnham: Ashgate, 2015), 2. --- Anna Siebach-Larsen Director, Rossell Hope Robbins Library & Koller-Collins Center for English Studies annasiebachlarsen(a)rochester.edu

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