globaloutlookdh-l November 2016

globaloutlookdh-l@uleth.ca

6 participants
6 discussions

Last days to register in our DH online programs at LINHD-UNED
by Elena González-Blanco 29 Nov '16

29 Nov '16

Apologies for cross-posting, Dear colleagues, >From the Digital Innovation Lab at UNED we send you a gentle reminder to tell you that registration for our Digital Humanities long courses closes on next Monday December 5th. All programs are completely online and can be followed from different parts of the world with flexible schedules. Courses are guided adapting to the students different profiles, and they include various materials (texts, images, videos), offered through a web platform, where they interact with other students and professors.This year we offer the following programs:· Experto Profesional en Humanidades Digitales (3rd edition) 30 units, January-September 2017 http://linhd.uned.es/p/titulo-propio-experto-profesional-en-humanidades-dig… Experto Profesional en Edición Digital Académica (2nd edition) 30 units, January-September 2017 http://linhd.uned.es/p/titulo-propio-experto-en-edicion-digital-academica/.· Análisis de Textos y Estilometría con R (¡new!) 6 units, http://linhd.uned.es/p/titulo-propio-analisis-del-texto-y-estilometria/ January-May, 2017 Admissions are limited, so, we advise you to register as soon as possible. The courses will start in January 2017. Each of them consists of 30 units, and will be taught completely online and in Spanish (even if they are opened to non-Spanish speakers)We hope that this initiative will let users a deeper knowledge of digital humanities, digital scholarly editing, computational stylistics and stylometry. Please, feel free to circulate this message among all people that could be interested in following any of these programs.Best regards, Elena González-Blanco García and Gimena del RioDirector of the Digital Humanities Innovation Lab @UNED (LINHD)http://linhd.uned.es --- Estimados compañeros: Desde el Laboratorio de Innovación en Humanidades Digitales de la UNED anunciamos que el plazo de matrícula para nuestros Títulos Propios a distancia de Humanidades Digitales termina el próximo día 5 de diciembre. Se pueden cursar completamente online y desde cualquier lugar del mundo con flexibilidad horaria. Se trata de cursos guiados de manera personalizada en los que los alumnos trabajan con diferentes modalidades (material textual, gráfico, videos) y en los que, a través de la plataforma del curso pueden ir trabajando con los profesores y dialogando con ellos y sus pares Este año ofrecemos los siguientes programas:· Experto Profesional en Humanidades Digitales (3ª edición) 30 créditos, enero-septiembre de 2017 http://linhd.uned.es/p/titulo-propio-experto-profesional-en-humanidades-dig… Experto Profesional en Edición Digital Académica (2ª edición) 30 créditos, enero-septiembre de 2017 http://linhd.uned.es/p/titulo-propio-experto-en-edicion-digital-academica/.· Análisis de Textos y Estilometría con R (¡nuevo!) 6 créditos, http://linhd.uned.es/p/titulo-propio-analisis-del-texto-y-estilometria/ enero-mayo de 2017Quedan pocos días y pocas plazas, por lo que les animamos a registrarse a la mayor brevedad posible. Los cursos comenzarán en enero de 2017. Todos ellos se cursarán íntegramente a distancia, online y en español (aunque están abiertos a estudiantes no hispanohablantes). Esperamos que esta iniciativa, que permitirá un acercamiento a las humanidades digitales y a la edición digital y el tratamiento automatizado de textos con las últimas tecnologías, resulte de su agrado. Por favor, les rogamos que lo difundan entre todas aquellas personas que puedan estar interesadas.Saludos cordiales, Elena González-Blanco García y Gimena del RioDirectora del Laboratorio de Innovación en Humanidades Digitales de la UNEDhttp://linhd.uned.es

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The Caribbean Digital III
by Alex Gil 25 Nov '16

25 Nov '16

Dear Friends, We are excited to announce the upcoming Small Axe event *The Caribbean Digital III* <http://caribbeandigitalnyc.net/> on *2 December 2016 in New York City*. Here below please find detailed information about the event. We hope you'll also consider attending our In the Same Boats <http://caribbeandigitalnyc.net/2016/in-the-same-boats-workshop/> digital cartography workshop on Thursday, 1 December. Please circulate widely through your networks - and make plans to join us in December! All best, Kaiama, Kelly, and Alex -- Kaiama L. Glover Kelly Baker Josephs Alex Gil #SXCD <http://caribbeandigitalnyc.net/> *THE CARIBBEAN DIGITAL III* *FRIDAY, 2 DECEMBE* *R 2016* Maison Française | Columbia University *9AM Welcome* Kelly Baker Josephs (Williams College) *9:10AM Opening Remarks* David Scott (Columbia University) *9:30-11:00AM * *Digital Diasporic Religion* <http://caribbeandigitalnyc.net/2016/session-1/> Amalia S. Levi (Nidhe Israel Synagogue and Museum) — “Dispersion and the Digital: A Report on Ongoing Archival Work at the Nidhe Israel Synagogue and Museum in Barbados” Stephanie Jackson (Graduate Center, City University of New York) — “Digital Diaspora and the ‘Divine Mother’: The Emancipatory Politics of Social Media for Indo-Caribbean Ecstatic Religion” Samina Gul Ali (University of Miami) — “Transgressive Islamic ‘Brownness’: Disruptive Racial and Cultural Formations Within Feminist Muslim Latina and South Asian Communities” Alessandra Benedicty-Kokken (City College, CUNY) — Discussant *11:00-11:15AM **Break* *11:15AM-12:30PM **Mapping Caribbean Concepts* <http://caribbeandigitalnyc.net/2016/session-2/> Angel ‘Monxo’ López Santiago (Hunter College) — “Working the Digital Spatial Humanities Among Crumbling Archives” Marta Gierczyk (University of Miami) — “Creole City, Creole Citizenship: Mapping Kingston in Kerry Young’s Pao” Kaiama L. Glover (Barnard College), Alex Gil (Columbia University Libraries), Alyssa Vann (Stanford University) — “*In The Same Boats: Toward an Afro-Atlantic Intellectual Cartography* :: Beta Scope” Roopika Risam (Salem State University) — Discussant *12:30-1:30PM **Lunch* *1:45-3:00PM **Tales from the Archive* <http://caribbeandigitalnyc.net/2016/session-3/> Marlene L. Daut (University of Virginia) — “Haiti at the Digital Crossroads: Archiving Black Sovereignty Together” Schuyler Esprit (Dominica State College) — “Innovating research and heritage on small islands: Dominica’s model for Preservation and Education” Keja Valens (Salem State University) — “Abundance And Scarcity: Cuban Food Writing In Digital Archives, 1857-2016” Jessica Marie Johnson (John Hopkins University) — Discussant *3:00-3:15PM **Break* *3:15-4:30PM **Multimedia Melting Pots* <http://caribbeandigitalnyc.net/2016/session-4/> Lamia Zaibi (University of Manouba, Tunisia) – “Transcending boundaries: Kwame Dawes’s Digital Collaborations” Terri Francis (Indiana University) — “Double Exposures: Eyeballing, Framing the Archives, & Thomas Edison’s Caribbean Films” Grace Aneiza Ali (New York University) — “Un|Fixed Homeland” Tzarina T. Prater (Bentley University) — Discussant <http://caribbeandigitalnyc.net/2016/6-closing-reception-framing-digital-art/> *4:30-4:45PM **Break* *4:45-6:00PM **Caribbean Digital Praxis* <http://caribbeandigitalnyc.net/2016/session-5/> Laurie N. Taylor (Digital Library of the Caribbean) — “Let’s Look to the Stars Together: Collaboratively Developing Constellations of Communities of Practice for Caribbean Studies Digital Scholarship” Abby R. Broughton (Vanderbilt University), Kelsey Corlett-Rivera (University of Maryland), Nathan H. Dize (Vanderbilt University) — “(De)constructing Boundaries through the Digital Humanities: Collaborative Pedagogy and A Colony in Crisis” Laura Wagner (Duke University) — “*Nou toujou la!*: The Digital (After)Life of the Radio Haiti Archive” Laurent Dubois (Duke University) — Discussant *6:00-7:30PM * *Closing Reception: Framing Caribbean Digital Art* <http://caribbeandigitalnyc.net/2016/6-closing-reception-framing-digital-art/> Tamika Galanis (Visual Artist) — “The Human-Coral Hybrids: Embodying Past, Present, and Future” Kearra Amaya Gopee (Visual Artist) — “Coup” Yasmine Espert (Columbia University) — Presenter -- Kaiama L. Glover Kelly Baker Josephs Alex Gil #SXCD <http://caribbeandigitalnyc.net/>

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The Caribbean Digital III event on Dec. 2 and workshop on Dec 1, Columbia University
by Taylor,Laurie Nancy Francesca 12 Nov '16

12 Nov '16

Dear all, Please see the fantastic news about the upcoming Small Axe event The Caribbean Digital III<http://caribbeandigitalnyc.net/> on 2 December 2016 in New York, with the In the Same Boats<http://caribbeandigitalnyc.net/2016/in-the-same-boats-workshop/> digital cartography workshop on Thursday, 1 December. Details below. Huge thanks and congratulations to organizers Kaiama L. Glover, Kelly Baker Josephs, Alex Gil on #SXCD<http://caribbeandigitalnyc.net/>! I’m excited to get to attend, and I hope to see other folks there! Best wishes, Laurie THE CARIBBEAN DIGITAL II I FRIDAY, 2 DECEMBER 2016 Maison Française | Columbia University 9AM Welcome Kelly Baker Josephs (Williams College) 9:10AM Opening Remarks David Scott (Columbia University) 9:30-11:00AM Digital Diasporic Religion<http://caribbeandigitalnyc.net/2016/session-1/> Amalia S. Levi (Nidhe Israel Synagogue and Museum) — “Dispersion and the Digital: A Report on Ongoing Archival Work at the Nidhe Israel Synagogue and Museum in Barbados” Stephanie Jackson (Graduate Center, City University of New York) — “Digital Diaspora and the ‘Divine Mother’: The Emancipatory Politics of Social Media for Indo-Caribbean Ecstatic Religion” Samina Gul Ali (University of Miami) — “Transgressive Islamic ‘Brownness’: Disruptive Racial and Cultural Formations Within Feminist Muslim Latina and South Asian Communities” Alessandra Benedicty-Kokken (City College, CUNY) — Discussant 11:00-11:15AM Break 11:15AM-12:30PM Mapping Caribbean Concepts<http://caribbeandigitalnyc.net/2016/session-2/> Angel ‘Monxo’ López Santiago (Hunter College) — “Working the Digital Spatial Humanities Among Crumbling Archives” Marta Gierczyk (University of Miami) — “Creole City, Creole Citizenship: Mapping Kingston in Kerry Young’s Pao” Kaiama L. Glover (Barnard College), Alex Gil (Columbia University Libraries), Alyssa Vann (Stanford University) — “In The Same Boats: Toward an Afro-Atlantic Intellectual Cartography :: Beta Scope” Roopika Risam (Salem State University) — Discussant 12:30-1:30PM Lunch 1:45-3:00PM Tales from the Archive<http://caribbeandigitalnyc.net/2016/session-3/> Marlene L. Daut (University of Virginia) — “Haiti at the Digital Crossroads: Archiving Black Sovereignty Together” Schuyler Esprit (Dominica State College) — “Innovating research and heritage on small islands: Dominica’s model for Preservation and Education” Keja Valens (Salem State University) — “Abundance And Scarcity: Cuban Food Writing In Digital Archives, 1857-2016” Jessica Marie Johnson (John Hopkins University) — Discussant 3:00-3:15PM Break 3:15-4:30PM Multimedia Melting Pots<http://caribbeandigitalnyc.net/2016/session-4/> Lamia Zaibi (University of Manouba, Tunisia) – “Transcending boundaries: Kwame Dawes’s Digital Collaborations” Terri Francis (Indiana University) — “Double Exposures: Eyeballing, Framing the Archives, & Thomas Edison’s Caribbean Films” Grace Aneiza Ali (New York University) — “Un|Fixed Homeland” Tzarina T. Prater (Bentley University) — Discussant<http://caribbeandigitalnyc.net/2016/6-closing-reception-framing-digital-art/> 4:30-4:45PM Break 4:45-6:00PM Caribbean Digital Praxis<http://caribbeandigitalnyc.net/2016/session-5/> Laurie N. Taylor (Digital Library of the Caribbean) — “Let’s Look to the Stars Together: Collaboratively Developing Constellations of Communities of Practice for Caribbean Studies Digital Scholarship” Abby R. Broughton (Vanderbilt University), Kelsey Corlett-Rivera (University of Maryland), Nathan H. Dize (Vanderbilt University) — “(De)constructing Boundaries through the Digital Humanities: Collaborative Pedagogy and A Colony in Crisis” Laura Wagner (Duke University) — “Nou toujou la!: The Digital (After)Life of the Radio Haiti Archive” Laurent Dubois (Duke University) — Discussant 6:00-7:30PM Closing Reception: Framing Caribbean Digital Art<http://caribbeandigitalnyc.net/2016/6-closing-reception-framing-digital-art/> Tamika Galanis (Visual Artist) — “The Human-Coral Hybrids: Embodying Past, Present, and Future” Kearra Amaya Gopee (Visual Artist) — “Coup” Yasmine Espert (Columbia University) — Presenter

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IV International Meeting for Digital Art History Researchers
by Nuria Rodríguez Ortega 12 Nov '16

12 Nov '16

Dear friends, members of this list may be interested in this event. IV International Meeting for Digital Art History Researchers Málaga (Spain), December 15 - 16, 2016 Deadline: November 20, 2016 [This event is sponsored by HDH (Humanidades Digitales Hispánicas. Sociedad Internacional), CEHA (Comité Español de Historia del Arte) and BBVA Foundation ] iArtHis_Lab -research group at the University of Málaga-, in collaboration with ReArte.Dix (Red Internacional de Estudios Digitales sobre la Cultura Artística - Artistic Culture Digital Studies International Network), organizes the IV International Meeting for Digital Art History Researchers on December 15th and 16th 2016 in Málaga, Spain. This meeting pursues two objectives: gather in a common scenario those research initiatives developed at the intersection between art historical studies, computational technologies and digital media, as well as to develop a sustainable forum to exchange ideas and experiences in the field of digital art history and allied areas. The meeting, that will host two outstanding researchers from the field -Maximilian Schich (University of Texas) and Alexandra Saum-Pascual (Berkeley University)-, will be articulated in working sessions opened to all those who are interested in presenting their investigations and projects. Moreover, as part of this meeting a presentation of the results of the Exhibitium Project will be held. Funded by the BBVA Foundation, the Exhibitium Project has been developed during the last two years by the research group iArtHis_Lab and other international partners. The objective of the Exhibitium Project is to to develop new interpretative models about art exhibitions through the application of data-driven analysis strategies. The main results and conclusions reached during the last two years will be presented and discussed. Call for papers Academics, independent researchers, curators, professionals in the culture field, theorists and artists (either well-established or in early stages) wishing to participate are invited to submit proposals by November 20 to digitalarthistory(a)uma.es Proposals may be presented in any of the official languages of the European Union, although the working languages during the meeting will be the Spanish and English. Proposals should consist of an abstract of no more than 300 words and a short CV by 100 words. Please, include name, professional affiliation (if applicable) and email address. Proposals may include, but are not limited to, the following topics: - Archives, repositories, sustainability and preservation - Copyright, licensing and open access - New strategies for analysis: data mining, simulation, modeling, visualization. - Digital Art History – Institutional Support - Digital Art History – Curricula and Pedagogy - Digitalization and resources creation - Geospatial analysis applied to art historical studies - Images Processing - Mobile Apps and mobile design in art history and cultural studies - Semantic Web Strategies - Digital edition and publication - Digital narratives and new media - Digital artistic practices - Critical problems related to digital culture and culture digitalization - Transdisciplinary and collaborative environments in the field of artistic culture Invited Speakers Miximilian Schich (Professor for Arts and Technology at the University of Texas at Dallas and founding member of the Edith O’Donnell Institute of Art History). Alexandra Saum-Pascual (Assistant Professor of Spanish at the University of California, Berkeley, and member of the Executive Committee of the Berkeley Center for New Media). Scientific Committee Juan Luis Suárez (Western Ontario University, Canada), Harald Klinke (Ludwig Maximilians Universität, Munich), Béatrice Joyeux-Prunel (École Normale Supérieure, Paris), Mª Luisa Bellido Gant (Granada University), José M.ª Alonso Calero (Málaga University), Fátima Díez Plata (Santiago de Compostela University), Martine Denoyelle (Institut National d’Histoire de l’Art, Paris), Pau Alsina (Universitá Oberta de Catalunya), Greg Niemeyer (Berkeley University) Director of the Meeting Nuria Rodríguez Ortega (Málaga University) Technical Secretariat Carmen Tenor Polo (Málaga University) Bárbara Romero Ferrón (Málaga University) For detailed information of the meeting, please, visit the official website at: http://historiadelartemalaga.uma.es/ehad/?lang=en -- Nuria Rodríguez Ortega Directora Dpto. Historia del Arte Universidad de Málaga Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 Telf.: 952 132223 / 952131690 Fax: 952 133441 --------------- Professor and Chair of the Art History Department University of Málaga (Spain) Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 (Spain) Phone: 00 34 952132223 / 952131690 Fax: 00 34 952133441

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Global Digital Humanities Symposium (3/16-17), Call for Proposals (Deadline 12/9)
by Kristen Mapes 10 Nov '16

10 Nov '16

Global Digital Humanities Symposium at Michigan State University March 16-17, 2017 Call for Proposals Deadline to submit a proposal: Friday, December 9, 11:59pm EST msuglobaldh.org Digital Humanities at Michigan State University is proud to continue its symposium series on Global DH into its second year. Digital humanities scholarship continues to be driven by work at the intersections of of a range of distinct disciplines and an ethical commitment to preserve and broaden access to cultural materials. The most engaged global DH scholarship, that which MSU champions <http://cplong.org/2016/10/critical-diversity-in-a-digital-age/>, values digital tools that enhance the capacity of scholarly critique to reflect a broad range of literary, historical, new media, and cultural positions, and diverse ways of valuing cultural production and knowledge work. Particularly valuable are strategies in which the digital form expresses a critique of the digital content and the position of the researcher to their material. With the growth of the digital humanities, particularly in under-resourced and underrepresented areas, a number of complex issues surface, including, among others, questions of ownership, cultural theft, virtual exploitation, digital rights, and the digital divide. We view the 2017 symposium as an opportunity to broaden the conversation about these issues. Scholarship that works across borders with foci on transnational partnerships and globally accessible data is especially welcome. Michigan State University has been intentionally global <http://www.isp.msu.edu/about/about-isp/> for more than 60 years, with over 1,400 faculty involved in international research, teaching, and service. For the past 20 years, MSU has developed a strong research area in culturally engaged, global digital humanities. Matrix <http://www2.matrix.msu.edu/>, a digital humanities and social science center at MSU, has done dozens of digital projects in West and Southern Africa <http://www2.matrix.msu.edu/portfolio_categories/africa-related-projects/> that have focused on ethical and reciprocal relationships, and capacity building. WIDE <http://wide.msu.edu> has set best practices for doing community engaged, international, archival work with the Samaritan Collections, Archive 2.0 <http://www2.matrix.msu.edu/portfolio-item/samaritan-archive-2-0/>. Today many scholars in the humanities at MSU are engaged in digital projects relating to global, indigenous, and/or underrepresented groups and topics. This symposium, which will include a mixture of presentation types, welcomes 300-word proposals related to any of these issues, and particularly on the following themes and topics by Friday, December 9, 11:59pm EST: - Critical cultural studies and analytics - Cultural heritage in a range of contexts - How identity categories, and their intersections, shape digital humanities work - Global research dialogues and collaborations - Indigeneity - anywhere in the world - and the digital - Digital humanities, postcolonialism, and neocolonialism - Global digital pedagogies - Digital and global languages and literatures - The state of global digital humanities community - Digital humanities, the environment, and climate change - The practice of digital humanities across textual, historical, and media divides - Innovative and emergent technologies across institutions, languages, and economies - Open data and open access policies in a global, postcolonial context - Scholarly communication and knowledge production in a global context Presentation Formats: - 3-5-minute lightning talks - 15-minute papers - 90-minute workshop proposals Proposal form: https://goo.gl/forms/ClMqfXNSi9bAHURl1 Kristen Mapes Digital Humanities Coordinator, College of Arts & Letters Michigan State University 479 West Circle Drive, Linton Hall 308A East Lansing MI 48824 517.884.1712 kmapes(a)msu.edu

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Fwd: MA in Digital Art History/Computational Media
by Hannah L Jacobs 07 Nov '16

07 Nov '16

Dear all, Please consider sharing the following call for applications with your users. Thank you, Hannah L. Jacobs -- Multimedia Analyst, Wired! Lab, Duke University Chair, Alliance of Digital Humanities Organizations Communications Committee @dukewired | @ADHOrg CALL FOR APPLICATIONS: MA in Digital Art History/Computational Media APPLICATION DEADLINE: March 31, 2017 TO APPLY: https://gradschool.duke.edu/admissions/application-instructions The Department of Art, Art History & Visual Studies at Duke University offers a Master's Degree in Digital Art History/ Computational Media. The eighteen-month program builds on courses and well-developed strengths at Duke University. The program requires 10 courses over three semesters in addition to summer research. Limited funding may become available in the form of grants and assistantships to students contingent upon positive progress in the program. The Digital Art History track integrates historical disciplines and the study of cultural artifacts with digital visualization techniques for the analysis and presentation of research. This track prepares students for future work in such fields as art, architectural and urban history, public history, city planning and architectural design, cultural heritage, museum exhibition design, and visualization-based journalism, and provides a springboard for more advanced study in art history, archaeology, architectural history, and visual studies. More information: aahvs.duke.edu/graduate/digital-art-history. The Computational Media track is designed for graduate students focused on the study, creation, and use of digital media and computation in the arts and humanities. This track explores research and presentation strategies enabled by the information sciences, new approaches to computational processes, and new forms of interpreting quantitative and qualitative data. More information: aahvs.duke.edu/ graduate/ma-computational-media.

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globaloutlookdh-l November 2016