Dear all,
It seems to me that all researchers using the Internet should care about
copyright legislation that affects what we can and cannot do online.
European researchers using the Internet should be specifically concern
about the Article 17 (ex Article 13).
Many of us believe the current proposals that are being discussed would
negatively impact researchers, creators and users’ fundamental freedoms.
There wouldn't be any academic in the digital humanities (based in Europe
or not) who would not be impacted in some way by this piece of legislation.
Some resources below:
For background: What is Article 13? (BBC)
https://www.bbc.co.uk/news/technology-47239600#
Read more about the possible impact of Article 17 (ex Article 13):
https://saveyourinternet.eu/?noredirect=true#impact
Final copyright vote: MEPs must choose to save the internet (Open Knowledge
Foundation blog)
https://blog.okfn.org/2019/03/26/final-copyright-vote-meps-must-choose-to-s…
I just signed the petition "European Parliament: Stop the
censorship-machinery! Save the Internet!" and wanted to see if you could
help by adding your name.
The goal is to reach 6,000,000 signatures and we need more support. You can
read more and sign the petition here:
https://www.change.org/p/european-parliament-stop-the-censorship-machinery-…
As I write this, 5.1 million signatures have been collected.
MEPs vote to approve or reject #Article17
<https://twitter.com/search?q=%23Article17> [ex Art. 13]* today *26 March
at 12h30.
Last minute action still welcome! saveyourinternet.eu
<https://t.co/j0Tkkx0o9m> #SaveTheInternet
<https://twitter.com/search?q=%23SaveTheInternet>
Thank you for considering this message!
All the best,
Ernesto
@ernestopriego
http://epriego.blog/ <https://epriego.wordpress.com/>
The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/
Parables of Care: https://blogs.city.ac.uk/parablesofcare/
Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025
Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj
The information contained in this email is confidential and may be legally
privileged. It is intended for the addressee(s) only. If you are not the
intended recipient, please delete this e-mail. The contents of this e-mail
must not be forwarded, disclosed or copied without the sender's consent.
The statements and opinions expressed in this message are those of the
author and do not necessarily reflect those of any related organisations,
projects, colleagues or employers.
Dear all,
I am pleased to announce that we have now launched MakeWrite, an iPad app
that was co-designed by and for people with aphasia (a language difficulty
following brain injury).
The app offers an accessible way for anyone to create and share texts in
English. However, you don't need to live with aphasia to try it out. Users
can use existing text to make their own new piece of creative writing in
four simple stages: choose, erase, arrange and share.
The project has launched it today as part of UNESCO's World Poetry Day.
This is its first release- it is a worldwide release for all iPad models,
but if you are not in the UK and you experience difficulties downloading
please do let us know- there should be no problems though.
Needless to say I'd personally love to see a multilingual MakeWrite, and of
course one with a wider variety of source texts and an Android version too.
In the meanwhile here's the first release, and as fellow DH folk I thought
you'd be interested.
Link to the release on iTunes:
https://itunes.apple.com/us/app/makewrite/id1456271313?mt=8
<https://itunes.apple.com/us/app/makewrite/id1456271313?mt=8>
All the best,
Enresto
@ernestopriego
http://epriego.blog/ <https://epriego.wordpress.com/>
The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/
Parables of Care: https://blogs.city.ac.uk/parablesofcare/
Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025
Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj
The information contained in this email is confidential and may be legally
privileged. It is intended for the addressee(s) only. If you are not the
intended recipient, please delete this e-mail. The contents of this e-mail
must not be forwarded, disclosed or copied without the sender's consent.
The statements and opinions expressed in this message are those of the
author and do not necessarily reflect those of any related organisations,
projects, colleagues or employers.
Global Digital Humanities Symposium
March 21-22, 2019
Michigan State University (USA)
East Lansing, Michigan
msuglobaldh.org
#msuglobaldh
Join in virtually! The event will be livestreamed at http://go.cal.msu.edu/globaldh
(all times are in the Eastern time zone)
Thursday, March 21, 2019
* 9:30-10:30 – Voices from Native Land and Challenges of Incorporating Land and Ecological Knowledge Into Digital Media – Victor Temprano and Samantha Martin-Ferris
* 10:50-12:00- Lightning Talks
* 10:50-11:15 – Mapping
* Mapping the Librotraficante Movement – Melanie Walsh
* All the World’s Onstage: Representing Culture through the Touring Dances of Denishawn – Harmony Bench
* Visualizing St. Petersburg: the Mapping Project about the Hidden Connections between its Famous Citizens – Antonina Puchkovskaia
* 11:30-11:50 – Community Archiving
* Diné Peoples in 3D: A Collaborative Portal Project to Decolonize Keystone View Company Stereographs – Laura Smith and Megan Kudzia
* Digital Diasporas, Digital Histories: Preserving Ghana’s Past in the Digital Age – Kirstie A. Kwarteng
* 1:00-2:20 – Re-Imagining Networks in Global and Local Contexts: Labor, Infrastructure, Access
* Digital Humanities and the Archival Turn in India – Puthiya Purayil Sneha
* “Digital Thick Description”: Feasts, Gifts, and Plenitude in Mughal Biographies and Paintings from 16th and 17th century India – Jyotsna Singh and Justin Wigard
* From “Natural Agitators” to “Sheepwomen:” Women’s Representation in Sheep & Wool Digital Archives – Helen Trejo
* The Death of “Publicness”: Japanese digital frameworks and access – David Humphrey
* 2:40-4:00 -Memory, Bodies, and the Digital: Data as a Humanizing Force
* Mapping the History of the Humanities and Media Labs – Urszula Pawlicka-Deger
* The Grupo De Apoyo Mutuo Digital Archive: Historical Memory and Guatemala’s Disappeared – Alex Galarza and Mariana Ramirez
* Digital Seas of Memory: The Confluence of Digitality and Orality in Reconceiving the Archive – Maria Karaan and Benedict Salazar Olgado
* Enslaved: Finding People – Dean Rehberger and Walter Hawthorne
* 4:20-5:40 – Digital and Other Uprisings: Margins, Centers, and Social Change
* Pedagogies of the Digitally Oppressed: Anti-Colonial Critiques and Transnational Collaborations within #OurDhIs Organizing – Kush Patel, Ashley Caranto Morford, and Arun Jacob
* A Living Archive: Centering the Content-Creator in Feminista Community Archiving – Marísa Hicks-Alcaraz
* Cyber Activism in India: Representation and Analysis of Big Data – Nanditha Narayanamoorthy
* Digital Graffiti: Website Defacement as Political Messaging and as Art – David Gustavsen
Friday, March 22, 2019
* 9:30-10:30 – Responding to the “Border Crisis”: Digital Interventions and Transnational Partnerships – Maira E. Álvarez and Sylvia Fernández
* 10:50-12:00- Lightning Talks
* 10:50-11:15 – Textual Analysis
* Letters on/from Captivity: An Analysis of the Captive in Portuguese and Spanish Epistolary Writings in the 16th-18th Centuries – Leila Vieira
* Authorship Attribution of Yasunari Kawabata’s Novel Snow Country – Hao Sun and Mingzhe Jin
* 11:30-11:50 – Networks of Knowledge
* Silent No More: Using Text Mining and Social Networks to Decolonize the History of Algerian Women – Ashley Sanders Garcia
* The Role of Digital Space in the 21st Century – Frolence Rutechura
* Humanities Scholars and Ethical Compliance in the Digital World: Role of Academic Librarians in Nigeria – Airen Adetimirin
* 1:40-3:10 – En-Compassing Latitudes: Methodologies, Pedagogies, and Trajectories of Global DH – Anne Cong-Huyen, Viola Lasmana, and Kush Patel
* 3:30-5:00 – Surveillance and Social Justice – Latoya Lee, Arun Jacob, Megan Wilson, Andy Boyles Petersen, and Christina Boyles
Kristen Mapes
Assistant Director of Digital Humanities, College of Arts & Letters
Michigan State University
479 West Circle Drive, Linton Hall 308
East Lansing MI 48824
517-884-1712
kmapes(a)msu.edu | @kmapesy
she/her/hers
Dear colleagues,
The students of Stanford University’s “Digital Humanities Across Borders” DLCL 204 course invite you to join them for a virtual poster session of their final projects. This quarter, the students have been applying a variety of digital humanities tools and methods to texts in a non-English language of their choice (including Spanish, Portuguese, German, Italian, Russian, Chinese, and Japanese).
Final posters are up at this URL: https://digitalhumanities.stanford.edu/dlcl204
Shorter write-ups and other materials may trickle in over the next couple days. Each project has its own hashtag along with the course hashtag. Students will be reading and responding to questions and comments on Thursday, March 14th from 1:30-2:50 PM Pacific Time.
If you have a moment, please take a look at the projects and send along any thoughts or questions. Materials for this course (including tutorials and code) will be finalized and posted over the next week or so at https://github.com/quinnanya/dlcl204.
Many thanks,
Quinn Dombrowski, on behalf of the “Digital Humanities Across Borders” class.
==== 2nd Call for Papers (WHiSe III) ====
3rd Workshop on Humanities in the Semantic Web - WHiSe III
*** DEADLINE EXTENSION: March 15, see details below ***
Date: May 20
Venue: Leipzig, Germany (co-located with LDK 2019)
Hashtag: #whise2019
Twitter: @whiseworkshop
Site: http://whise.kmi.open.ac.uk/
Workshop chairs:
- Alessandro Adamou - Data Science Institute, NUI Galway, Ireland
- Marieke van Erp - KNAW Humanities Cluster, The Netherlands
- Albert Meroño-Peñuela - Vrije Universiteit Amsterdam, The Netherlands
# DESCRIPTION
The emergence of tractable and affordable methods for the collection,
enhancement and analysis of data generated en masse has helped shape
several research fields, such as social sciences, into structured research
fields. Digital Humanities are enjoying such a transformation to the point
that their very boundaries and methodological foundations are being called
into question. The quality and relevance of findings obtained from the
thorough, human-driven analysis of a few sources, compared to unsupervised
large-scale analytics on masses of data, is a fervent ongoing debate; and
yet, the latter cannot prescind from a conscious effort in shaping the
world to which the analyses need to relate. This has largely taken the form
of knowledge modelling efforts, from which many ontologies, controlled
vocabularies and conceptual models like CIDOC-CRM, the Europeana Data Model
and FRBRoo have arisen. However, other fields traditionally less reliant on
machine-readable data have seen the emergence of ‘ecological’ communities
with an approach to the Web of Data. Recent examples include the 2014 ISAW
papers for the ancient world, Transforming Musicology for music and
musicology (http://www.transforming-musicology.org/) and Linked Pasts for
history and archaeology (http://commons.pelagios.org/groups/linked-pasts/).
As these emerging research networks deal with the reality of the Semantic
Web and the ever-growing Linked Data Cloud, the WHiSe workshop series was
conceived from a reflection on the extent to which the Semantic Web
community is serving the needs of historians, philologists, cultural
critics, musicologists and other humanists that generally: (1) cannot rely
on structured data generated en masse through social networks or online
media platforms; (2) deal with vague, fragmentary, uncertain, contradictory
and yet still valuable evidence that poses a challenge even to Artificial
Intelligence research per se; (3) have good reason to value the systematic
investigation of a few sources over the (semi-)automated analytical
findings on masses of content. WHiSe addresses this need by promoting
dialogue between humanists who employ or are contemplating Semantic Web
technologies, and Semantic Web scholars providing accounts of applied
research in the Humanities. It will also be a forum for raising
opportunities to explore novel research problems that can be relevant to
both communities.
WHiSe III welcomes original research contributions crossing Humanities and
the Semantic Web. Scholars who have conducted research or developed
impactful applications are invited to submit full papers (12 pages,
Springer LNCS typeset) with appropriately evaluated contributions. WHiSe
III also welcomes short vision or position papers (6 pages, Springer LNCS
typeset) on novel challenges or approaches to existing problems.
Topics include, but are not limited to:
- Knowledge base generation from classical texts
- Linking data within and across gazetteers
- Semantic enrichment of data from historical records and biographies
- Ecosystems and process descriptions for linking data in the Humanities
- Linked Digital Libraries and semantic archives
- Ontology adoption in specific domains in the Humanities
- Computational methods for the prosopography of historical figures
- Capturing, modelling and reasoning on musical data
- The role of ontologies and controlled vocabularies in data preservation
- Criticism of Semantic Web standards from the point of view of Humanities
scholarship
- Ethical issues in using Semantic Web and Linked Data and their impact on
the openness of traditional research data
- Knowledge bottlenecks and practical difficulties in using Semantic Web
technologies by Humanities scholars
- Utopian / dystopian visions of the Semantic Web of the future
Submissions in all the categories mentioned above (both full and short
papers) will be peer-reviewed by acknowledged researchers familiar with
both scientific communities. Accepted papers will be published as online
proceedings courtesy of CEUR-WS.org.
# IMPORTANT DATES
Submission deadline: Friday, March 15, 2019 (EXTENDED)
Notification to authors: Friday, April 12, 2019 (UPDATED)
Camera-ready due on: Wednesday, April 24, 2019 (UPDATED)
Workshop day: May 20, 2019
All deadlines are 23:59 Hawaii time
# SUBMISSION INSTRUCTIONS
Papers will be evaluated according to their significance, originality,
technical content, style, clarity, and relevance to the workshop. We
welcome the following types of contributions:
- Full papers (up to 12 pages)
- Short papers (up to 6 pages)
All submissions must be PDF documents written in English and formatted
according to LNCS instructions for authors
http://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0). Page limits
are inclusive of references and appendices, if any. Papers are to be
submitted through the Easychair Conference Management System (
https://easychair.org/conferences/?conf=whise3). Please note that paper
submissions to WHiSe III are not anonymous.
At least one author of each accepted paper must register for the workshop,
in order to present the paper there, and to the conference. For further
instructions please refer to the LDK 2019 page (http://2019.ldk-conf.org/).
## PRIOR PUBLICATION AND MULTIPLE SUBMISSIONS
Every submitted paper must represent original and unpublished work: it must
not be under review or accepted elsewhere and there must be a significantly
clear element of novelty distinguishing a submitted paper from any other
prior publication or current submission.
# PROGRAM COMMITTEE
- Elton Barker, The Open University
- Francesca Benatti, The Open University
- Victor de Boer, Vrije Universiteit Amsterdam
- Gabriel Bodard, University of London
- Enrico Daga, The Open University
- Rossana Damiano, University of Turin
- Marilena Daquino, Alma Mater Studiorum Università di Bologna
- David De Roure, University of Oxford
- Timothy Duguid, University of Glasgow
- Nicholas Gibbins, University of Southampton
- Jorge Gracia, Universidad de Zaragoza
- Paula Granados-Garcia, The Open University
- Eero Hyvönen, Aalto University and University of Helsinki (HELDIG)
- Antoine Isaac, Europeana & Vrije Universiteit Amsterdam
- Ioanna Kyvernitou, National University of Ireland Galway
- Sarah Middle, The Open University
- Paul Mulholland, The Open University
- Kevin Page, University of Oxford
- Michele Pasin, Digital Science
- Silvio Peroni, Alma Mater Studiorum Università di Bologna
- Davide Picca, University of Lausanne
- Gimena del Río Riande, Universidad Nacional de Educación a Distancia
- Ryan Shaw, University of North Carolina at Chapel Hill
- Rainer Simon, Austrian Institute of Technology
- Konstantin Todorov, University of Montpellier
- Francesca Tomasi, Alma Mater Studiorum Università di Bologna
- François Vignale, Université du Maine