globaloutlookdh-l April 2016

globaloutlookdh-l@uleth.ca

20 participants
15 discussions

Survey Arte Público Press/The Recovering the U.S. Hispanic Literary Heritage Digital Humanities Project
by Élika Ortega 28 Apr '16

28 Apr '16

English to follow: Queridos GO::DH, Les circulo la siguiente encuesta de parte de los colegas de Arte Público Press/Recovering the U.S. Hispanic Literary Heritage Project en la Universidad de Houston. Por lo que me indican, actualmente se encuentran trabajando para establecer un centro de investigación en las humanidades digitales y les interesa saber qué tipo de trabajo hay interés en realizar a partir de sus maravillosas colecciones. La encuesta, muy breve, se encuentra en el siguiente link http://uhlibrary.qualtrics.com/SE/?SID=SV_ahl0ElmhKnp4vXf Dear all, I'm circulating this survey on behalf of the Arte Público Press/Recovering the U.S. Hispanic Literary Heritage Project colleagues at the University of Houston >From what I understand, they're currently working towards establishing a DH research center and they're interesting in learning what kind of work everyone would be interested in doing from their wonderful collections. The, brief, bilingual survey is available on the following link: http://uhlibrary.qualtrics.com/SE/?SID=SV_ahl0ElmhKnp4vXf Saludos, Élika

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test
by Daniel O'Donnell 27 Apr '16

27 Apr '16

There were some list troubles this week. This is a test to see if it is working.

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Interview for ScienceOpen
by Ernesto Priego 21 Apr '16

21 Apr '16

Hello all, I hope you don't mind a bit of shameless self-promotion (I don't like the term myself but unfortunately the feeling remains). I was interviewed about my work on the OpenScience network: http://blog.scienceopen.com/2016/04/open-science-stars-ernesto-priego/ I feel that in these days of hyper-connectivity and constant social networking we sometimes don't really know what other colleagues are doing... we stay in touch but don't really know much about each other and about what motivates our work etc. I talk a lot in the interview but Jon who interviewed me was kind enouch to highlight some blurbs that may spare you having to read the whole thing. I thought I'd share as I think I express there some of the reasons why I find the work of Global Outlook so important, even if I don't refer to this group directly. If you click on the link, thank you. Thanks for allowing me to share this with you here. All the best, Ernesto Dr Ernesto Priego @ernestopriego https://epriego.wordpress.com/ http://www.comicsgrid.com/ Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.

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Caribbean Digital III - NYC December 2016
by Alex Gil 20 Apr '16

20 Apr '16

Dear friends, amigxs, amixs, vrienden, Please see and help us share the call for papers/projects below to your colleagues and students working at the intersection of digital humanities, Caribbean studies and adjacent fields. The CFP is also available at The Caribbean Digital III website <http://caribbeandigitalnyc.net/2016/>. Apologies if you've already received this call via other networks. Thanks, Kaiama, Alex and Kelly Call for Papers a Small Axe Project event 2 December 2016 Barnard College / Columbia University New York, NY *Deadline for proposals:* 15 July 2016 The transformation of the academy by the digital revolution presents challenges to customary ways of learning, teaching, conducting research, interpreting documents and presenting findings. It also offers great opportunities in each of these areas. New media enable oration, graphics, objects, and even embodied performance to supplement existing forms of scholarly production as well as to constitute entirely original platforms. Opportunities for interdisciplinary collaboration have expanded enormously; information has been made more accessible and research made more efficient on multiple levels. Scholars are called upon, with some urgency, to adapt their research and pedagogical methods to an academic climate deluged by a superabundance of information and analysis. This has created opportunities for open-ended and multiform engagements, interactive and continually updating archives and other databases, cartographic applications that enrich places with historical information, and online dialogues with peers and the public. The need for such engagements is especially immediate among the people of the Caribbean and its diasporas. Information technology has become an increasingly significant part of the way that people frame pressing social problems and political aspirations. Aesthetic media like photography and painting—because they are relatively inexpensive and do not rely on literacy or formal training—have become popular among economically dispossessed and politically marginalized constituencies. Moreover, the Internet is analogous in important ways to the Caribbean itself as dynamic and fluid cultural space: it is generated from disparate places and by disparate peoples; it challenges fundamentally the geographical and physical barriers that disrupt or disallow connection; and it places others and elsewheres in relentless relation. Yet while we celebrate these opportunities for connectedness, we also must make certain that the digital realm undermine and confront rather than re-inscribe forms of silencing and exclusion in the Caribbean. Following on conversations that animated our events in 2014 <http://caribbeandigitalnyc.net/2015/sxcd2014/> and 2015 <http://caribbeandigitalnyc.net/2015/>, we look forward in this third public forum to engaging critically with the digital as practice and as historicized societal phenomenon, reflecting on the challenges and opportunities presented by the media technologies that evermore intensely reconfigure the social and geographic contours of the Caribbean. We invite presentations that explicitly evoke: - the transatlantic, collaborative, and/or interdisciplinary possibilities and limitations of digital technologies in the Caribbean - metaphorical linkages between the digital and such Caribbean philosophical, ethical, and aesthetic concepts as “submarine unity,” the rhizome, Relation, the spiral, repeating islands, creolization, etc. - gendered dimensions of the digital in the Caribbean - the connection between digital technologies and practices of the so-called Caribbean folk - specific engagements with digital spaces and/or theories by individual Caribbean artists and intellectuals - the ways in which digital technologies have impacted or shaped understandings of specific Caribbean political phenomena (e.g. sovereignty, reparations, transnationalism, migration, etc.) - structural means of facilitating broad engagement, communication, and accessibility in the Caribbean digital context (cultivation of multilingual spaces, attentiveness to the material/hardware limitations of various populations) - in what ways has the digital brought welcome bibliographic, philological and curatorial attention to endangered or neglected archives in the region Both traditional conference papers and integrally multimedia presentations are welcome. We also welcome virtual synchronous participation by presenters who cannot travel to New York City to attend the event. Selected participants from this forum will be encouraged to submit their work to *sx archipelagos* – an interactive, born-digital, print-possible, peer-reviewed Small Axe Project publication. Abstracts of 300 words and a short bio should be sent to Kaiama L. Glover, Kelly Baker Josephs, and Alex Gil (tcd(a)smallaxe.net) by *15 July 2016*. Successful applicants will be notified by 15 August 2016. For more information on previous Caribbean Digital events, visit Caribbean Digital 2015 <http://caribbeandigitalnyc.net/2015/> and our archived page for Caribbean Digital 2014 <https://wayback.archive-it.org/1914/20151224034027/http://caribbeandigital.…> .

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DHQ Special Issue: French-language Digital Humanities
by Claire Clivaz 18 Apr '16

18 Apr '16

Dear colleagues, Chers collègues, We are proud to announce to you a call for papers for a French-language DHQ Special issue: deadline to submit articles in French, 30th of September 2016, to dhqfrench(a)gmail.com http://www.digitalhumanities.org/dhq/submissions/cfps.html Nous avons le plaisir de vous annoncer un appel à contribution pour un numéro spécial de DHQ consacré aux humanités digitales francophones. Délai de soumission des articles: 30 septembre 2016 à dhqfrench(a)gmail.com http://www.digitalhumanities.org/dhq/submissions/cfps.html Le comité éditorial; the editorial committee: Aurélien Berra, Claire Clivaz, Sophie Marcotte, Emmanuelle Morlock et Louis-Pascal Rousseau, members of Humanistica steering committee; membres du comité d'Humanistica, www.humanisti.ca -- Claire Clivaz Head of Digital Enhanced Learning SIB | Swiss Institute of Bioinformatics Genopode 2016 - University of Lausanne – 1015 Lausanne t +41 21 692 40 33 claire.clivaz(a)sib.swiss The information in this e-mail, and those ensuing, is confidential and may be legally privileged. It is intended solely for the addressee. If you are not the intended recipient, please destroy this message and notify the sender immediately.

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Election results
by Daniel O'Donnell 18 Apr '16

18 Apr '16

It is with great pleasure that I announce the winners of the 2016 GO::DH executive elections (in alphabetical order: - Elena Gonzalez-Blanco - Élika Ortega - Thomas G. Padilla - Roopika Risam Each was elected to a two year term. We owe a debt of gratitude to all who stood in the election and to our outgoing Executive members: Øyvind Eide and Maria Clara Paixão de Sousa. The executive will meet soon to choose its officers.

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Digital Native American and Indigenous Studies | dNAIS
by Daniel O'Donnell 17 Apr '16

17 Apr '16

http://digitalnais.org/

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Launching the Translation Toolkit!
by Élika Ortega 16 Apr '16

16 Apr '16

Dear all, It is my pleasure to share the news that we're launching today the Translation Toolkit on alpha version that we've done as GO::DH working group including Alex Gil, Gimena del Río and Dan O'Donnell primarily, but really the result of talking and listening to all of you for the past two years. The project seeks to promote multilingual practices on different realms of DH work like conferences, publications, developments and websites. In this release, the emphasis is put on ad hoc, conference, translation. We hope some of the strategies outlined in the Toolkit can be implemented over the upcoming Summer conference season. Currently, the Toolkit is available in English-Spanish bilingual version. You can visit the site here http://go-dh.github.io/translation-toolkit/ Many thanks to everyone who has pitched in ideas, we hope to count on your feedback for further iterations. All best, Élika (on behalf of the whole team)

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Presentation of burckhardtsource.org at Basel State Archive
by Costanza Giannaccini 15 Apr '16

15 Apr '16

Dear colleagues, it is with great pleasure that we share with you the presentation of burckhardtsource.org at Basel State Archive (Swizerland), the institution preserving Jacob Burckhardt’s estate. The event will take place next Monday 18 April 2016, please find attached the official invitation. Best regards Costanza Giannaccini -- Costanza Giannaccini, PhD ERC Project "The European Correspondence to Jacob Burckhardt" Scuola Normale Superiore Pisa, Italy

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Reminder - EADH calls for project submissions
by Antonio Rojas Castro 15 Apr '16

15 Apr '16

*** Apologies for cross-posting *** Dear all, I hope the following call will be of interest to some of you. The EADH brings together, and represents, the Digital Humanities in Europe. It includes the entire spectrum of disciplines that research, develop, and apply digital methods and technologies to the study of art, history, language, literature, music, archeology, etc. With the goal of gathering representative works and promoting access, we have created a slider on our website that will feature initiatives for a period of time: http://eadh.org/ We are looking for projects undertaken during the last five years that contribute meaningfully to Digital Humanities in Europe. If you want to add your Digital Humanities project to our website, please fill in our web submission form with a description and your contact details: http://eadh.org/projects/submit-your-project At the moment submissions are accepted in English. All submissions will be reviewed by the EADH executive committee. Please do not hesitate to contact me for further details at rojas.castro.antonio(a)gmail.com All the best, -- Antonio Rojas Castro <http://goog_1138293057> Communication Coordinator <http://www.facebook.com/antoni.rojas>

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globaloutlookdh-l April 2016