Dear all,
I'm very grateful to RedHD for translating in Spanish my article on the
monopolies of knowledge. I really hope it would be of interest for members
of this list:
http://humanidadesdigitales.net/blog/2016/07/25/el-desafio-de-asia-ante-los…
It would be if someone could translate it or summarize it in other
languages on his/her blog or website. Yes, these are all things we already
know, but I think it is important that our community circulate these news
and reiterate our objection to the present system of academic publishing.
It is not enough for commercial publishers to bring our libraries to their
knees. Now they want to eliminate cultural and linguistic diversity:
multilingualism it's too expensive.
The RedHD article is part of an ongoing research that Ernesto Priego and I
will be presenting (hopefully) next October in Toronto:
https://thewinnower.com/papers/4965-knowledge-monopolies-and-global-academi…
And speaking of knowledge diversity, please don't miss this great article
just twitted by Ernesto:
https://theconversation.com/global-academic-collaboration-a-new-form-of-col…
All the best
Domenico
Dear all,
I hope you are well. Please accept my apologies for potential cross-posting.
As the end of July approaches we'd like to remind members of this list that
the deadline for Find David Bowie: Alternative Approaches to Bowie and
Comics is fast approaching on 1 September 2016.
*The Comics Grid: Journal of Comics Scholarship* <http://comicsgrid.com/>
invites authors and artists to submit contributions for a special
collection of papers offering alternative scholarly approaches to David
Bowie *and* comics.
This call for papers explicitly invites submissions from early-career,
marginalised, or underrepresented scholars, including those who are people
of colour, queer, or woman-identifying.
This will be an open access scholarly collection edited by Dr Brenna Clarke
Gray (Douglas College, New Westminster, Canada) and the *Comics Grid*
editorial team.
This call for papers seeks to encourage more diverse, open access comics
scholarship around ‘David Bowie’ as a cultural phenomenon. The editors do
not wish to establish thematic or methodological boundaries to this call,
and invite colleagues to submit research work inspired by its title.
Submissions, however, must fulfil *The Comics Grid*’s editorial guidelines,
which are available here <http://comicsgrid.com/about/submissions>.
*The Comics Grid: Journal of Comics Scholarship* is an open access journal;
authors retain copyright of their own work and the published content is
made available on HTML and PDF under a Creative Commons-Attribution
<https://creativecommons.org/licenses/by/4.0/> License.
*The Comics Grid: Journal of Comics Scholarship* is published by the Open
Library of Humanities. Unlike many open-access publishers, the Open Library
of Humanities does not charge any author fees. This does not mean that we
do not have costs. Instead, our costs are paid by an international library
consortium
<https://about.openlibhums.org/libraries/supporting-institutions/>. The
consortium keeps growing every day.
The journal’s publisher, Open Library of Humanities, focuses on making
content discoverable and accessible through indexing services. Content is
also archived around the world to ensure long-term availability. OLH
journals are indexed by the following services:
CrossRef, JISC KB+, SHERPA RoMEO, Directory of Open Access Journals (DOAJ),
EBSCOHost, and Google Scholar. In addition, all journals are available for
harvesting via OAI-PMH.
To ensure permanency of all publications, this journal also utilises
CLOCKSS, and LOCKSS archiving systems to create permanent archives for the
purposes of preservation and restoration.
Full CFP details:
https://call-for-papers.sas.upenn.edu/cfp/2016/06/06/call-for-papers-specia…http://www.comicsgrid.com/announcement/
*Submission deadline (full papers): 1 September 2016*
With many thanks for your kind attention,
Dr Ernesto Priego
@ernestopriego
https://epriego.wordpress.com/http://www.comicsgrid.com/
Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj
The information contained in this email is confidential and may be legally
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The contents of this e-mail must not be forwarded, disclosed or copied
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related organisations, projects, colleagues or employers.
Of interest (from Sandeep Mertia):
*Call for Abstracts -** ‘Lives of Data’ Workshop, 06-07 January 2017, The
Sarai Programme, Centre for the Study of Developing Societies (CSDS),
Delhi. *
‘Data’ has been recently termed as the new oil, new soil, new world
currency and the raw material for the new industrial revolution. It has
been hypothesised that the era of Big Data will finally see the ‘end of
theory <http://www.wired.com/2008/06/pb-theory/>’. This hyperbole has it
that the new technologies being developed today can produce truth based on
computations of large amounts of machine readable digital data. Beyond such
deterministic claims, the ‘Data Revolution’ indeed poses compelling
theoretical and methodological challenges in all fields with stakes in
knowledge. The present conjuncture, we would argue, is loaded with
possibilities for rethinking ‘data-driven knowledge’ through longer
histories of classification, enumeration, quantification, techno-scientific
practices, and forms of media storage, retrieval, computational analysis
and use.
Scholarship in the emerging field of data studies has established close
connections with science & technology studies (STS), and media and software
studies. There is now a growing body of work <http://bds.sagepub.com/>
which questions the Big Data hubris and the excesses of the post Web 2.0
digital deluge. ‘Raw Data’, as Geoffrey Bowker and Lisa Gitelman among
others have suggested, is an ‘oxymoron’. In the Indian context, concerns
about statistics, governance and knowledge, evident in the histories of
colonial census, the work of P C Mahalanobis at the Indian Statistical
Institute and the Planning Commission, the emergence of scientific
computing in the 1950s-60s, government regulation of media, electronics and
telecom, provide a vivid background to think about the new technics,
materiality and aesthetics of our digital cultures.
In times when Information and Communication Technologies (ICTs) have passed
their initial developmental hype-cycles and mobile phones have somewhat
flattened the so-called ‘digital divides’ (while creating many new ones),
the fields of information research in India are grappling with
socio-technical reconfigurations of a widening scope and scale. The
projections and contestations around our much promoted march towards a
#DigitalIndia <http://www.digitalindia.gov.in/> with the world’s largest
biometric database (#Aadhaar <https://uidai.gov.in/>); a nation-wide
digging campaign for broadband connectivity in villages and the building of
one hundred #SmartCities <http://smartcities.gov.in/>; and the intense
pursuit of the ‘Next Billion’ users by a floating array of large technology
companies and startups (#FreeBasics <https://0.freebasics.com/desktop>,
#StartupIndia <http://startupindia.gov.in/>); have inundated the space for
reflection and critique. The many known and unknown lives and after-lives
of data in this ecosystem of flux demand description, interpretation,
concepts, and – if the data permits – theory.
In the past Sarai has organised workshops on ‘Social & Cultural Lives of
Information
<http://sarai.net/social-and-cultural-life-of-information-workshop-discussio…>’
and the ‘Lives of Information’ <http://sarai.net/lives-of-information/>, to
reflect upon the cultures of information practices and the connections
between colonial and post-colonial information infrastructures in South
Asia. Continuing our focus on contemporary realities, ICTs and
infrastructures, the ‘Lives of Data’ workshop aims to encourage research on
pertinent questions concerning ‘data’ – its imaginaries, infrastructures,
knowledge politics, and techno-science and media cultures in India and
South Asia.
The ‘Lives of Data’ workshop hopes to bring together interdisciplinary
researchers and practitioners to examine the historical and emergent
conditions of data-driven knowledge production and circulation in Indian
and South Asian contexts. We are interested in a conversation which
dynamically moves back and forth in science, technology and media history
and anthropology to reflect upon the many layered abstractions and
materialisations of data, information and knowledge.
The key questions which the workshop will explore are:
– What is data? How is it imagined, collected, archived, developed,
scraped, parsed, mined, cleaned, used, interpreted, re-produced, circulated
and deleted?
– How do we map the relationships between data, infrastructure and
knowledge production?
– How do we reimagine data and information through longer histories of
statistics, bureaucracy, governmentality and development?
– What are the stakes involved in analysing the ever increasing volume,
velocity, variety and value of data? How do practitioners understand the
changing nature of their work with data?
– How do we conceptualise the new data publics?
Workshop themes include:
– Histories of State and Statistics, Classification, Enumeration and
Planning
– Data Analytics, Data Ontologies, Digital Objects
– Digital Humanities, Computational Social Sciences, Cultural Analytics
– Cultures of Software Engineering and Design
– Data, Memory and Materiality: Archives, Paper/Digital Databases,
Warehouses, Data Centres, Server Farms
– Thinking through Digital Infrastructures: Hardware, Code, Meta-Data,
Formats, Protocols, Programming Languages, Information Architectures,
Algorithms, Apps, Interfaces, Platforms, APIs, etc.
– Data-Driven Urbanism: Geographies of Mobile Computing, Locative Apps and
Social Media, GIS, and Smart Cities
– Openness, Transparency and Access to Data/Information/Knowledge. #RTI
#OpenData #DNAProfiling #Copyright #Encryption #Privacy
– Platforms as Government: Transnational Networks of Intermediaries and the
Flows of Data/Capital
– ‘SysAdmin <https://en.wikipedia.org/wiki/System_administrator>’ like the
State: Bio-Politics, Surveillance, User/Citizen, Governance, Policing and
Law. #Aadhaar #ITact #CyberSecurity
– ‘Beautiful Data <https://www.dukeupress.edu/beautiful-data>’: Design,
Aesthetics, Vision and Visualisation
*The Sarai Programme invites submission of abstracts for the ‘Lives of
Data’ workshop. Besides academic researchers, we strongly encourage media,
design and software practitioners to apply for the workshop. Abstracts
should not exceed 300 words, and should be sent to dak(a)sarai.net
<dak(a)sarai.net> by 15 September, 2016, with the subject heading ‘Proposal
for the Lives of Data Workshop.’ Authors of the selected abstracts will be
notified by 01 October, 2016.*
ENGLISH AT THE BOTTOM
¡Saludos Colegas!
Fui aceptada en el programa de Maestría en Español por el Departamento
de Lenguas Romances de la Universidad de Oregon (ciudad Eugene, estado
Oregon, país Estados Unidos). Las clases comienzan el 15 de septiembre
de 2016. La Carta de Admisión incluía una oferta de apoyo financiero a
través del sistema de Beca para Profesor Ayudante (GTF por sus siglas en
inglés). Esta beca incluye un buen salario durante los nueve meses del
curso, una exención de matrícula y seguro médico (general, dental,
oftalmología y medicamentos). Genial, ¿no?
Probablemente sepan que me defino como Marxista feminista y queer, y que
ese marco de referencia ideológico guía mi trabajo e intereses. Como
estoy profundamente comprometida con el feminismo y los derechos LGBT,
leo mayormente ensayos o materiales políticos sobre género y
sexualidades. En mi tiempo libre leo ficción especulativa y veo insanas
cantidades de TV y cine fantástico. Claro, con todo eso encima, mis
intereses investigativos se orientan mayormente a los conflictos
relacionados con el género y las sexualidades disidentes en la
literatura de fantasía y ciencia ficción de Cuba.
Decidí regresar a la academia porque, aunque no soy la única que escribe
sobre fantasía y ciencia ficción en Cuba, si soy la única feminista del
gremio, y al mismo tiempo la única de las feministas en la crítica
literaria sin una formación en lingüística o literatura (soy licenciada
en Crítica Teatral). Quiero cambiar eso, y conseguir una mejor
comprensión en las relaciones entre la literatura especulativa cubana y
sus equivalentes en América Latina y el Caribe.
Bueno, me aceptaron, llené los papeles –físicos y virtuales– de la
matrícula…
Lo único que queda por hacer es conseguir fondos para mudar a mi pequeña
familia (mi mamá, mi hijo y yo) de La Habana a Eugene (4.371 Km, poca
cosa). Por eso te pido ayuda. Necesito $ 3.700 para cubrir el costo de
las visas (solo dos, la del niño no tiene costo), los pasajes de avión,
techo y comida hasta que cobre mi primer cheque de la Universidad de
Oregon.
¿Pueden ayudarme? Diez dólares o cincuenta, cualquier ayuda será
bienvenida, esa es la gracia del micro-financiamiento, después de todo.
La web para recibir las donaciones está en: https://www.gofundme.com/2dwda8k
Tuya
ENGLISH VERSION
Hello dear colleagues:
I was accepted by the Department of Romance Languages of the University
of Oregon (Eugene, Oregon, USA) to obtain a MA in Spanish. The classes
start on September 15th, 2016. The Admission Letter included an offer of
financial support in the form of a Graduate Teaching Fellowship (GTF).
This fellowship provides a nice nine-month salary for each year awarded,
a tuition waiver, and health coverage (medical, dental, vision and
prescription). Cool, isn’t?
Probably you now that I define myself as a Marxist, feminist and queer,
that ideological framework helps me to define my work and research
interests. Since I´m deeply compromised with feminist and LGBTI issues,
I read mostly gender or LGBTI essays or political issues. In my “free
time” I read speculative fiction and watch insane amounts of sci-fi TV
and movies. So, of course, my research interests are related to the
expression of gender issues and dissident sexualities in Cuban science
fiction and fantasy literature. I decided this return to the academia
because I’m not the only person writing about fantasy and science
fiction in Cuba, but I actually do know that I’m now the only feminist
devoted to the subject, and the only feminist literary critic in Cuba
without any academic background in language or literature (my BA was in
Theater Critics). I wish to change that, and achieve a better
comprehension of the relations and coincidences between Cuban
speculative literature and the Latin American and Caribbean speculative
literatures.
So, the only remaining challenge is to fund the moving my little family
(my mom, my son and I) from La Habana to Eugene (4.371 Km from La
Habana). That’s way I ask for your help. I need $ 3.700 in order to pay
for the visas (only two, the child´s is free), flying tickets and living
expenses until I get my first pay check from the University of Oregon.
Can you help me? Ten bucks or fifty, anything will be a help, that’s the
crowdfunding point.
I set up a web site for the help: https://www.gofundme.com/2dwda8k
Yours
--
Yasmín S. Portales Machado
--------------------------------------
Marxista, Feminista y Bloguera
Twitter: @nimlothdecuba
Facebook http://www.facebook.com/profile.php?id=663817529
Mi blog: https://yasminsportales.wordpress.com/
¡A la izquierda, pero por la izquierda!
Dear GO::DH,
This is a reminder that Digital Humanities Summer Institute (DHSI) at the
University of Victoria, Canada offers a number of travel bursaries to
members of the GO::DH community. DHSI is a great community and a great
opportunity to meet people and learn a lot.
The application process for 2017 is now open. For more information visit
http://dhsi.org/scholarships.php
All best,
Élika
**Apologies for cross-posting**
Dear DHresearchers,
LINHD offersthe possibility to appoint a DH Post-Doctoral researcher in Madrid, Spain
LINDH is aresearch center on Digital Humanities at UNED that works as a hub forinnovation, consultancy and training intended for researchers and projects inSpanish. It is a constituent member of the first Spanish Clarin-K Center andthe leader of the DARIAH proposal from the Spanish group.
We areoffering a 4 year Post-Doctoral position co-funded by the Madrid Community Governmentand by UNED to bring talented researchers to our university from foreignuniversities.
Requirementsfor this position are:
-a PhDdegree (not before 2005)
-havingspent at least 3 years outside Spain, and at least 2 of the last 3 years in a foreignuniversity.
-DH orcomputer science training through official degrees and/or courses, or provenexperience in the field.
-at least 5 qualified publications.
-Spanishlanguage abilities (not required, but very desirable)
The closingdate for applications is 27th July 2016, and applications have to be sent via https://gestiona3.madrid.org/quadrivium/talento,but it is a requirement to contact us by email to egonzalezblanco(a)linhd.uned.esas soon as possible and some days before the deadline in order to checkeligibility and guide you through the application process.
Looking forwardto hearing from you soon,
Best regards
Elena González-Blanco
Dpto. deLiteratura Española y Teoría de la Literatura, Despacho 722
Facultad deFilología, UNED
Paseo Senda delRey 7
28040 MADRID
tel. 91 3986873
http://linhd.uned.eshttp://filindig.hypotheses.org/www.uned.es/personal/elenagonzalezblanco
@elenagbg