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1248 discussions

DH Awards 2014: Voting Open!
by James Cummings 15 Feb '15

15 Feb '15

Please Forward! == Voting for DH Awards is open! DH Awards 2014 is open for voting at:http://dhawards.org/dhawards2014/voting/until the end of *28 February 2015*. Versions of this announcement in French <http://dhawards.org/dhawards2014/voting-announcement-french/>,Japanese <http://dhawards.org/dhawards2014/voting-announcement-japanese/>andSpanish <http://dhawards.org/dhawards2014/voting-announcement-spanish/>are available from the website. Digital Humanities Awards are a set of entirely open annual awards run as a DH awareness raising activity. The awards are nominated and voted for entirely by the public. These awards are intended to help put interesting DH resources in the spotlight and engage DH users (and general public) in the work of the community. Although the working language of DH Awards is English, nominations may be for any resource in any language. Awards are not specific to geography, language, conference, organization or field of humanities. There is no financial prize associated with these community awards. There were many nominations and the international nominations committee (http://dhawards.org/dhawards2014/committee/) reviewed each nomination. We’re sorry if your nomination was not included, or changed category, all decisions are final once voting opens. Please seehttp://dhawards.org/dhawards2014/faqs2014/for this and other frequently asked questions. Anyone is allowed to vote, yes anyone, but please only vote once. Please cast vote by looking at the nominations and following the link to voting form athttp://dhawards.org/dhawards2014/voting/before midnight (GMT) on *28 February 2015*when voting will be closed. Good luck! James -- Dr James Cummings,James.Cummings(a)it.ox.ac.uk Academic IT Services, University of Oxford

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Reminder. Call for Nominations: GO::DH Executive Committee
by Élika Ortega 15 Feb '15

15 Feb '15

Dear GO::DH members, This is a reminder that Global Outlook::Digital Humanities <http://globaloutlookdh.org> is holding its second Executive Committee elections this month. Nominations are open until Friday, February 20th. Any member of our mailing list may stand for election and self-nominations are very welcome. If you would like to nominate somebody for election (including yourself), please email Élika Ortega and Roopika Risam at nominations(a)globaloutlookdh.org. We will need the name and email address of the nominee, along with a brief bio and short candidate statement (200 words maximum). Please ensure that your nominee is willing to stand for election. In keeping with the goals and mandate of GO::DH, we strongly encourage diversity in our nominees: there are no linguistic, geographic, rank, or other requirements for office, and we encourage nominees from all countries and speakers of all languages to apply. To encourage diversity among our candidates, we ask all members to circulate this call for nominations and also to paraphrase it or translate it into other languages to encourage participation from underrepresented groups. More information <http://bit.ly/1D6rfg2> on the GO::DH website. We look forward to your nominations and self-nominations at nominations(a)globaloutlookdh.org. Please feel free to contact us with any questions you have. Sincerely, Élika Ortega and Roopika Risam

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FW: [DIGITALCLASSICIST] Experimental Narratives: From the Novel to Digital Storytelling
by O'Donnell, Dan 09 Feb '15

09 Feb '15

________________________________________ From: The Digital Classicist List [DIGITALCLASSICIST(a)JISCMAIL.AC.UK] on behalf of Samuel Merrill [samuel.merrill.10(a)UCL.AC.UK] Sent: February-08-15 23:56 To: DIGITALCLASSICIST(a)JISCMAIL.AC.UK Subject: [DIGITALCLASSICIST] Experimental Narratives: From the Novel to Digital Storytelling *Apologies for Cross Listing* Subscribers of this list might be interested in the forthcoming conference which amongst other things addresses digital and social media narratives and storytelling. Please note advance registration is required by Friday 13th February. See details below: INSTITUTE OF MODERN LANGUAGES RESEARCH University of London School of Advanced Study Experimental Narratives: From the Novel to Digital Storytelling Thursday, 26 and Friday, 27 February 2015 Keynote speakers: Florian Mussgnug (UCL), Claire Taylor (Liverpool), Marie-Laure Ryan (Colorado), Bronwen Thomas (Bournemouth) Sessions include Hybrid Narratives, Narrative Structures, The Graphic Novel, French Experimental Writing, Multi-Modal and Performative Fiction, Reader Focus, Transmedia Storytelling and TV, Readership of E-Novels, Interactive Storytelling, Material and Digital Cultures. There will also be a presentation by the Bath Spa Group of their work at the bleeding edge of new and hybrid digital forms of literature and a roundtable discussion at which the speakers will include Clodagh Brook, Emanuela Piga and Alessia Risi. Programme (incl. registration details/form) available from: http://bit.ly/1Lrc7xI Registration Closing date: 13 February 2015 Venue: University of London, Senate House, Malet Street, London WC1E 7HU On behalf of Jane Lewin IMLR Trusts Administrator/Events Manager Institute of Modern Languages Research (formerly IGRS) University of London School of Advanced Study Room 239 (new!), Senate House Malet Street, GB- London WC1E 7HU Telephone 0044 (0)20 7862 8966 Website http://modernlanguages.sas.ac.uk

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call for papers: monographic volume on Digital Humanities: Journal Signa
by Elena González-Blanco 09 Feb '15

09 Feb '15

***Apologies for cross-posting, ** Dear friends, To boost DH research, especially in theSpanish-speaking world, the Digital Humanities Innovation Lab @ UNED, LINHD http://linhd.uned.es and the journal SIGNA http://revistas.uned.es/index.php/signa are pleased to announce its next monographic number onDH “Sobre Humanidades Digitales”. SIGNA is a peer-reviewed journal inexed with categoryA in most indexes (including Arts and Humanities Citation Index (A&HCI) andWeb of Knowledge). Articles may be written in any language. Maximumlength is 25 pages with 1.5 space between lines. Please, find guidelines forpresentation enclosed. Call for papers is open till 15th march at 23:59. If you are interested inparticipating, send your article (following the guidelines) to linhuned(a)gmail.com, and in the email subject write: “SIGNA-HumanidadesDigitales”. Find attached SIGNA guidelines. Please, feel free to send this information to any group or person who might be interested.Thanks a lot in advance and best regards Elena González-Blanco Elena González-Blanco García Dpto. de Literatura Española y Teoría de la Literatura, Despacho 722Facultad de Filología, UNED Paseo Senda del Rey 7 28040 MADRID tel. 91 3986873 www.uned.es/remetca http://filindig.hypotheses.org/ http://linhd.uned.eswww.uned.es/personal/elenagonzalezblanco @elenagbg

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FW: Digitisation in a Day: Crowdsourcing
by O'Donnell, Dan 07 Feb '15

07 Feb '15

________________________________________ From: TEI (Text Encoding Initiative) public discussion list [TEI-L(a)LISTSERV.BROWN.EDU] on behalf of Susan Schreibman [susan.schreibman(a)GMAIL.COM] Sent: February-07-15 5:53 To: TEI-L(a)LISTSERV.BROWN.EDU Subject: Digitisation in a Day: Crowdsourcing An Foras Feasa is delighted to announce two 'Digitisation in a Day' workshops organised this term by Maynooth University. The workshops will focus on crowdsourcing (24th February) and 3D recording (12th March) offering hands-on experience on a diverse range of methods and technologies applied to humanities and cultural heritage, while providing an overview of past, present and future practices, debates and challenges. The crowdsourcing workshop will focus particularly on the use of TEI, particularly in terms of user-generated encoding. Please note that spaces are limited and registration is on a first-come, first-served basis. Concessionary fees and bursaries are available to those coming from educational and heritage backgrounds. To find more information and register for the events please visit: http://www.learndigitalhumanities.ie/events/digitisation-in-a-day/ We look forward to welcoming you to Maynooth -- -- Susan Schreibman Professor of Digital Humanities Director of An Foras Feasa Iontas Building National University of Ireland Maynooth Maynooth, Co. Kildare email: susan.schreibman(a)nuim.ie phone: +353 1 708 3451 fax: +353 1 708 4797

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Call for nominations: Global Outlook::Digital Humanities Executive Committee
by Roopika Risam 06 Feb '15

06 Feb '15

Dear GO::DH members, Global Outlook::Digital Humanities <http://globaloutlookdh.org> is holding its second Executive Committee elections. From this election on, according to the approved bylaws <http://www.globaloutlookdh.org/proposed-bylaws/> that establish procedures by which GO::DH is governed, four out of eight of the seats on the executive committee are up for election each year. When we elected the first executive last year, four of the candidates were elected for a one-year (renewable) term: Alex Gil, Daniel O'Donnell, Barbara Bordalejo, and Domenico Fiormonte. The other half, Elena González-Blanco, Élika Ortega, Maria Clara Paixão de Sousa, and Øyvind Eide were elected to a two-year (renewable) term. The four positions held by officers appointed to a one-year term are now up for election to a two-year (renewable) term. Élika Ortega and Roopika Risam are serving as the returning officers and nominations committee for this year's election. Élika is a current member of the executive committee, and Roopika served on the returning and nominations committee for last year's election. We would like to open nominations for candidates for the executive of GO::DH. Any member of our mailing list may stand for election and self-nominations are very welcome. If you would like to nominate somebody for election (including yourself), please email Élika Ortega and Roopika Risam at nominations(a)globaloutlookdh.org. We will need the name and email address of the nominee, along with a brief bio and short candidate statement (200 words maximum). Please ensure that your nominee is willing to stand for election. In keeping with the goals and mandate of GO::DH, we strongly encourage diversity in our nominees: there are no linguistic, geographic, rank, or other requirements for office, and we encourage nominees from all countries and speakers of all languages to apply. To encourage diversity among our candidates, we ask all members to circulate this call for nominations and also to paraphrase it or translate it into other languages to encourage participation from underrepresented groups. Nominations will close February 20th. A ballot will then be prepared with the candidates' names and sent to all GO::DH members (everyone subscribed to the mailing list) where they will be asked to select up to four names for election. The ballot will close one week after it opens and the newly elected GO::DH executive committee members will be announced. The executive will later on choose a chair from among its membership and appoint all the officers the organization requires. We look forward to your nominations and self-nominations at nominations(a)globaloutlookdh.org. Please feel free to contact us with any questions you have. Sincerely, Roopika Risam and Élika Ortega -- Roopika Risam, Ph.D. Assistant Professor of English Salem State University http://roopikarisam.com

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Fwd: [DHSI] CFP: Making Humanities Matter (a volume of #dhdebates)
by Daniel O'Donnell 02 Feb '15

02 Feb '15

-------- Forwarded Message -------- Subject: [DHSI] CFP: Making Humanities Matter (a volume of #dhdebates) Date: Mon, 2 Feb 2015 12:47:56 -0800 From: Jentery Sayers (UVic English) <jentery(a)uvic.ca> Organization: University of Victoria To: institute(a)lists.uvic.ca Hello, everyone. I thought this CFP might interest many of you on the Digital Humanities Summer Institute list. Please don't hesitate to contact me with any questions. The deadline for abstracts is 3 April 2015. Best, Jentery **************************************** Call for Papers: /Making Humanities Matter/ Jentery Sayers, Editor Deadline for Abstracts: April 3, 2015 Part of the /Debates in the Digital Humanities/ Series A book series from the University of Minnesota Press Matthew K. Gold, Series Editor Lauren Klein, Associate Editor What does it mean to describe humanities scholarship as built, assembled, or constructed? To call a humanities argument a persuasive or provocative object? To understand humanities disciplines as creative disciplines? To, in short, make things in the humanities? Engaging these questions and more, this volume in the Debates in the Digital Humanities Series examines the arts and humanities in an age of programmable worlds and digital/analog convergence. As both a working title and a framework, we understand "making humanities matter" to invite submissions that, through an attention to both theory and practice: * Articulate what exactly it means to make things in the humanities; * Describe how humanities research in computing is aligned with the arts and creative practice (e.g., sculpture, performance, visual arts, experimental media, and interaction design), and to what effects on the humanities; * Argue for what "humanities matter" should be or do, and why; * Attend to how humanities scholarship and its materiality are changing alongside or through the Internet of Things, wearables, bots, physical computing, desktop fabrication, rapid prototyping, and speculative design; *Unpack how humanities research is expressed through materials off the page or screen, in the form of tangible objects, tactile media, or human-computer relations; or * Attest to the intersections between making things and the perceived relevance of humanities scholarship, including the role of making in public scholarship, community-based research, activism, and memory institutions. Related questions include but are not limited to: * How is making a form of experimental research or applied media theory? * How can tactile media be scholarship? How can argumentation be expressed through built forms? * How is history being made through the (re)construction of artifacts, exhibits, experiments, and interactives? * How is making associated with reuse, repurposing, old media, and critiques of obsolescence or waste in the humanities? * How are laboratories, studios, and makerspaces playing a role in humanities research? In these spaces, how are people translating technologies and technical practices into humanities research? * What does making mean for writing, rhetoric, public communication, peer review, publishing, and the trajectories of (scholarly) argumentation? * How are teachers integrating making into humanities pedagogy, and how is "making" understood in the scholarship of teaching and learning? * How is making functioning as a brand or fad, and to what effects on practice and practitioners? More generally, what are some critiques of making as a practice, movement, or concept in and beyond the academy? * How are maker, do-it-yourself, or do-it-ourselves movements organized, by whom, for whom, in what relation to industry, and under what assumptions? What are the politics of making? Practitioners from across the disciplines (regardless of rank, position, or whether they are affiliated with an academic institution) are invited to submit 300-word abstracts by 3 April 2015 to Jentery Sayers at jentery(a)uvic.ca. Collaboratively authored submissions are especially welcome. The /Debates in the Digital Humanities/ editorial team will review all abstracts, and authors of selected abstracts will be invited to submit full manuscripts by 15 June 2015, with peer-to-peer review occurring during July 2015. The volume will be published, in print and online, in 2016. For the volume, contributions may ultimately assume the form of critical essays, case studies, or project assessments (among other options). The word count of the submissions may vary from 2000 to 8000 words, depending on the submission. The editorial team will consult with authors of selected abstracts about the word count of their contributions. If you have any questions about /Making Humanities Matter/ or this CFP, then please email Jentery Sayers at jentery(a)uvic.ca. Sayers is Assistant Professor of English and Cultural, Social, and Political Thought, as well as Director of the Maker Lab in the Humanities, at the University of Victoria. /Debates in the Digital Humanities/ is a hybrid print/digital publication stream that explores new debates as they emerge. The first volume was published in 2012 and edited by Matthew K. Gold. For future announcements and news about the series, see http://dhdebates.gc.cuny.edu/news and the twitter hashtag #dhdebates. -- Jentery Sayers Assistant Professor, English Faculty Member, Cultural, Social, and Political Thought Director, Maker Lab in the Humanities University of Victoria jentery(a)uvic.ca <mailto:jentery@uvic.ca> | @jenterysayers <https://twitter.com/jenterysayers> maker.uvic.ca <http://maker.uvic.ca/> | jenterysayers.com <http://www.jenterysayers.com/>

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Fwd: Digital Heritage Granada 2015
by Daniel O'Donnell 02 Feb '15

02 Feb '15

-------- Forwarded Message -------- Subject: Digital Heritage Granada 2015 Date: Mon, 2 Feb 2015 10:30:31 +0100 From: Mª Ángeles Hernández-Barahona <secretaria(a)arqueologiavirtual.com> To: Mª Ángeles Hernández-Barahona <secretaria(a)arqueologiavirtual.com> Dear colleague, I’m sending you the call for participation to the International Meeting “Digital Heritage 2015”, which will take place in Granada from the 28^th of September until the 2^nd of October. I hope you find it interesting. Looking forward for your participation. Best regards, Ángeles Hernández-Barahona Sociedad Española de Arqueología Virtual, SEAV ------------------------------------------------------------------------ <http://www.avast.com/> El software de antivirus Avast ha analizado este correo electrónico en busca de virus. www.avast.com <http://www.avast.com/>

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Fwd: [Humanist] 28.676 events: the Commonwealth cfp
by Daniel O'Donnell 26 Jan '15

26 Jan '15

-------- Forwarded Message -------- Subject: [Humanist] 28.676 events: the Commonwealth cfp Date: Mon, 26 Jan 2015 07:15:31 +0100 From: Humanist Discussion Group <willard.mccarty(a)mccarty.org.uk> Reply-To: Online seminar for digital humanities <humanist(a)lists.digitalhumanities.org> To: humanist(a)lists.digitalhumanities.org Humanist Discussion Group, Vol. 28, No. 676. Department of Digital Humanities, King's College London www.digitalhumanities.org/humanist Submit to: humanist(a)lists.digitalhumanities.org Date: Sun, 25 Jan 2015 19:52:14 +0100 From: Milena Dobreva <milena.dobreva(a)gmail.com> Subject: Call for papers: The Commonwealth and its People: Diasporas, Identities, Memories The Commonwealth and its People: Diasporas, Identities, Memories Conference and Art Exhibition Affiliated with the People’s Forum of CHoGM 2015 Conference: 24-25 June 2015 Old University Campus, Valletta, Malta Exhibition: November 2015, Valletta, Malta Web: www.um.edu.mt/events/dim2015 Facebook: www.facebook.com/dmi2015 ------------------------------------------------------------------------------------------------- PROGRAM COMMITTEE: Selenay Aytac (Long Island University, USA) Nilufer Bharucha (University of Mumbai, India) Milena Dobreva (University of Malta, Malta) Joanne Evans (Monash University, Australia) Neil Forbes (University of Coventry, England) Lorna Hughes (National Library of Wales, Wales) Marinos Ioannides (Technical University Cyprus, Cyprus) Gabriella Ivacs (Open Society Archives, Budapest, Hungary) Marc Kosciejew (University of Malta, Malta) Triantafillia Kourtoumi (Archives Thessaloniki, Greece) Alice Nemcova (OSCE Archives, Czech Republic) Gillian Oliver (Victoria University, New Zealand) Anthony Ross-Hellauer (Vienna, Austria) Seamus Ross (University of Toronto, Canada) Maria Roussou (Hellenic Diaspora Archive, UK) Daniela Sime (University of Strathclyde, Scotland) Beverley Wood (The University of the West Indies, Barbados) OBJECTIVES The Commonwealth is one of the most striking examples of extensive relocation and migration on a world-wide scale. This proposal aims to bring together two ways of exploring the topic of Diasporas, Identities and Memories – as a subject for academic study and discussion, and as a theme captured in artistic expression. The concept behind the conference is to bring for discussion state-of-the-art research related to the theme which will inspire the exhibition taking place during the CHoGM forum. The conference aims to bring together academics specializing in social history, history, information science, art history as well as curators, archivists and librarians interested in the theme. INVITED SPEAKERS: Terry A. Barringer (Cambridge University Library, UK) Dr John Ashley Burgoyne (University of Amsterdam, the Netherlands) Professor Stanley Fiorini (Malta) Professor Daniel Paul O'Donnell (University of Lethbridge, Canada) TOPICS OF INTEREST: The conference welcomes contributions that focus on, but are not limited to the following themes: - What role do researchers have in the capturing and articulation of diasporas, memories and identities? - How do memory institutions support engagement with researchers and the general public? - How the artistic expression captures identity and changes and conflicts related to it? - How to capture and convey trans-generational and community memories? - How does the right to forget manifest in the diasporas’ memories? - What are the specific issues around capturing memories and experiences of children and young people? - What has been the role of Commonwealth institutions or Commonwealth-based supra-national organisations in the formation of memory/identity/diasporas? - How do memory institutions contribute to the development and management of heritage? - How memory institutions across the Commonwealth countries could cooperate better to serve diasporas? - What educational activities targeting memory institutions across the Commonwealth could help cooperation? - How social media are transforming engagement and participation in archival processes? - How is transnationalism influencing the transmission of cultural values? - How much can technologies be of help in capturing memories/nostalgia and in representing identities? EXHIBITION: The conference will help with the concept and coverage of an art exhibition which will address the emotional fabric of communities, their memories and expressing identities. The exhibition will be one of the highlights of the social programme of CHOGM. Those interested in the exhibition component should contact Mr Alexander Debono,, National Museum of Fine Arts, alexander.debono(a)gov.mt. SUBMISSIONS: Authors are invited to submit original, unpublished research papers related to the aforementioned topics. We invite: - regular papers (8 to 12 pages) - short papers (2 to 6 pages) All submissions are required to be in PDF format. Long and short paper submissions must be formatted according to Springer’s LNCS format (www.springer.com/computer/lncs). Please submit your manuscript using the EasyChair online submission system https://easychair.org/conferences/?conf=dim2015. All submissions will be reviewed by three members of the Program Committee. All papers accepted for the conference should be presented during the event. Papers will be published in open access proceedings, and selected papers will be published as a special issue of a journal (currently negotiated with The Round Table: The Commonwealth Journal of International Affairs. IMPORTANT DATES: - Deadline for submissions: 15 February 2015 - Acceptance notification: 20 March 2015 - Camera-ready papers: 30 April 2015 - Conference: 24-25 June 2015 FURTHER INFORMATION: For further information please contact Prof. Milena Dobreva, milena.dobreva(a)um.edu.mt _______________________________________________ Unsubscribe at: http://www.dhhumanist.org/Restricted/listmember_interface.php List posts to: humanist(a)lists.digitalhumanities.org List info and archives at at: http://digitalhumanities.org/humanist Listmember interface at: http://digitalhumanities.org/humanist/Restricted/listmember_interface.php Subscribe at: http://www.digitalhumanities.org/humanist/membership_form.php

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cfp: Reading wide, writing wide in the Digital Age: perspectives on transliteratures
by MIRIAM LLAMAS UBIETO 24 Jan '15

24 Jan '15

*Call for papers* *Reading wide, writing wide in the Digital Age: perspectives on* * transliteratures* *Complutense University of Madrid* *22nd -23rd October 2015* *Organizer: Miriam Llamas & Amelia Sanz (LEETHY Group) * The launching of Google Books and of Google Earth in 2004 could be considered a symbolical landmark in the configuration of memories and localization in space, a kind of milestone. Is there a time before and a time after 2004? Should we be getting ready for a change in literary reading and writing? Certainly, these days, we are witnessing an unprecedented acceleration of the circulation of products and materials, of people, texts and memories, while the national and global imaginaries coexist, fight and produce literatures. Commonplaces are repeated about contemporary literatures, new readers, globalization, the Internet etc., but, in fact, we do not find enough contrasted experiences and studies that support many of these assertions. It is time we ask whether interrelations on a global scale in digital environments have altered, on the one hand, the patterns of production and distribution of writing, of circulation and consumption of reading, and in that case, in what way. But, on the other hand, it is time to ask if these modalities of circulation are creating new narratives and a new effect of globalization. So we are considering global digital circulation as a factual process but also as an imaginary storytelling. In fact, as cinema radically transformed writers’ and readers’ literary imaginary at the beginning of the 20th century, the Internet is definitively modifying rituals of readings, formulas of production, narratives in the 21st century. We believe that it is necessary to verify what marks in the literary writing and reading could be considered symptoms of all these shifting reading patterns, writing strategies and imaginaries. We can explore the possibility that the conceptual metaphor which is being used to understand the literary fact through its genealogy is shifting to the transit and journey of literatures and readings. If the question "where does it come from?" has been used to shape personal and cultural identities, and therefore to build national literary discourses, nowadays it may be replaced by or intersect with the questions "where is it going?” and How is it going across?. This circulating conception of what we can call “transliteratures”, a well-founded and broad-based perspective in the literary field nowadays, should be put to the test in the digital domain. And this is the point: is digital circulation modifying literary imaginaries? We will try to ask to the following questions: - Given the extension and multiplication of digital media, the moving and widening vision of the world, is it really modifying local literary production, located imaginaries*?* - About the configuration of a cultural memory through new digital archives, we can raise the question: how does it influence the connective structures of culture and literature in particular? - Is the circulation of materials on the Web giving birth to new communities of readers-writers, with other modes of reading? Is it announcing the way readers from the new generation are going to read? We intend to gather experts and experiences coming from the world of cyberculture and literary criticism, with distant and distinct approaches, with the aim that, on the basis of an analysis of production cases and literary reading in paper or electronic support, they should offer answers about what is currently happening as much to the traditional and digital editorial world, as well as to the academic world of teaching and research. That means cross-boarding *trans* and *hyper*. Deadlines: Submission of abstracts: April 15, 2015. Notification of selected papers: May-June, 2015. Submissions should include the submitter’s name, institutional address, e-mail address, short CV, and a 250-word abstract (in English) of the proposed 20 min. paper. It should be sent via e-mail to: *readingwide(a)ucm.es <readingwide(a)ucm.es>*, no later than April 15, 2015. Submitters will be notified of the outcome by May/June, 2015. Any questions and queries can also be directed to this e-mail address. Papers can be presented in English. Proposals will be evaluated by a Scientific Committee composed by: · Philippe Bootz (University of Paris 8; http://elmcip.net/person/philippe-bootz) · Manuel Maldonado Alemán (University of Sevilla; https://investigacion.us.es/sisius/sis_showpub.php?idpers=196) · Susana Pajares Tosca (IT University of Copenhagen; http://www.it-c.dk/people/tosca/) · Joseph Tabbi (University of Illinois at Chicago; http://engl.uic.edu/english/directory/faculty/joseph-tabbi) · Teresa Vilariño Picos (University of Santiado de Compostela, http://proxectole.es/quen-somos/teresa-vilarino-picos/ Publication of a selection of the papers is planned. Registration Until June, 30, 2015: registration fee is € 80 / € 40 for students (payment by bank transfer). If the payment is effected at the congress at the time of registration, the fee is € 100 / € 50 for students. Account number: Code IBAN: ES43 2085 9966 1203 3015 1371 Code BIC Ibercaja: CAZRES2Z Concept: Reading wide, Faculty of Arts; Complutense University Bank address: Ibercaja, Agencia Urbana nº 29, C/ Bohemios, 11, 28041 Madrid, España/ Spain. Optional: extra € 25 for the conference dinner on Friday evening, to pay on the venue of the congress. Participants are responsible for covering their own travel, lodging and meal expenses. WEB Site: https://www.ucm.es/leethi/reading-wide -- Miriam Llamas Ubieto Departamento de Filología Alemana, D/2-347 Facultad de Filología Universidad Complutense de Madrid Ciudad Universitaria s/n 28040 Madrid Tel. 913945387/913945399 mllamasu(a)ucm.es <mllamasu(a)filol.ucm.es> http://www.arcomuralla.com/detalle_libro.php?id=853 *https://www.ucm.es/fil_aleman/revista-de-filologia-alemana <https://www.ucm.es/fil_aleman/revista-de-filologia-alemana>* http://www.ucm.es/leethi

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