Please Forward!
==
Voting for DH Awards is open!
DH Awards 2014 is open for voting
at:http://dhawards.org/dhawards2014/voting/until the end of *28
February 2015*. Versions of this announcement in French
<http://dhawards.org/dhawards2014/voting-announcement-french/>,Japanese
<http://dhawards.org/dhawards2014/voting-announcement-japanese/>andSpanish
<http://dhawards.org/dhawards2014/voting-announcement-spanish/>are available
from the website.
Digital Humanities Awards are a set of entirely open annual
awards run as a DH awareness raising activity. The awards are
nominated and voted for entirely by the public. These awards are
intended to help put interesting DH resources in the spotlight
and engage DH users (and general public) in the work of the
community. Although the working language of DH Awards is English,
nominations may be for any resource in any language. Awards are
not specific to geography, language, conference, organization or
field of humanities. There is no financial prize associated with
these community awards. There were many nominations and the
international nominations committee
(http://dhawards.org/dhawards2014/committee/) reviewed each
nomination. We’re sorry if your nomination was not included, or
changed category, all decisions are final once voting opens.
Please seehttp://dhawards.org/dhawards2014/faqs2014/for this and
other frequently asked questions.
Anyone is allowed to vote, yes anyone, but please only vote once.
Please cast vote by looking at the nominations and following the
link to voting form
athttp://dhawards.org/dhawards2014/voting/before midnight (GMT)
on *28 February 2015*when voting will be closed.
Good luck!
James
--
Dr James Cummings,James.Cummings(a)it.ox.ac.uk
Academic IT Services, University of Oxford
Dear GO::DH members,
This is a reminder that Global Outlook::Digital Humanities
<http://globaloutlookdh.org> is holding its second Executive Committee
elections this month. Nominations are open until Friday, February 20th.
Any member of our mailing list may stand for election and self-nominations
are very welcome. If you would like to nominate somebody for election
(including yourself), please email Élika Ortega and Roopika Risam at
nominations(a)globaloutlookdh.org. We will need the name and email address of
the nominee, along with a brief bio and short candidate statement (200
words maximum). Please ensure that your nominee is willing to stand for
election.
In keeping with the goals and mandate of GO::DH, we strongly encourage
diversity in our nominees: there are no linguistic, geographic, rank, or
other requirements for office, and we encourage nominees from all countries
and speakers of all languages to apply. To encourage diversity among our
candidates, we ask all members to circulate this call for nominations and
also to paraphrase it or translate it into other languages to encourage
participation from underrepresented groups.
More information <http://bit.ly/1D6rfg2> on the GO::DH website. We look
forward to your nominations and self-nominations at
nominations(a)globaloutlookdh.org. Please feel free to contact us with any
questions you have.
Sincerely,
Élika Ortega and Roopika Risam
________________________________________
From: The Digital Classicist List [DIGITALCLASSICIST(a)JISCMAIL.AC.UK] on behalf of Samuel Merrill [samuel.merrill.10(a)UCL.AC.UK]
Sent: February-08-15 23:56
To: DIGITALCLASSICIST(a)JISCMAIL.AC.UK
Subject: [DIGITALCLASSICIST] Experimental Narratives: From the Novel to Digital Storytelling
*Apologies for Cross Listing*
Subscribers of this list might be interested in the forthcoming conference which amongst other things addresses digital and social media narratives and storytelling. Please note advance registration is required by Friday 13th February. See details below:
INSTITUTE OF MODERN LANGUAGES RESEARCH
University of London School of Advanced Study
Experimental Narratives: From the Novel to Digital Storytelling
Thursday, 26 and Friday, 27 February 2015
Keynote speakers:
Florian Mussgnug (UCL), Claire Taylor (Liverpool), Marie-Laure Ryan (Colorado), Bronwen Thomas (Bournemouth)
Sessions include Hybrid Narratives, Narrative Structures, The Graphic Novel, French Experimental Writing, Multi-Modal and Performative Fiction, Reader Focus, Transmedia Storytelling and TV, Readership of E-Novels, Interactive Storytelling, Material and Digital Cultures.
There will also be a presentation by the Bath Spa Group of their work at the bleeding edge of new and hybrid digital forms of literature and a roundtable discussion at which the speakers will include Clodagh Brook, Emanuela Piga and Alessia Risi.
Programme (incl. registration details/form) available from: http://bit.ly/1Lrc7xI
Registration Closing date: 13 February 2015
Venue: University of London, Senate House, Malet Street, London WC1E 7HU
On behalf of
Jane Lewin
IMLR Trusts Administrator/Events Manager
Institute of Modern Languages Research (formerly IGRS)
University of London School of Advanced Study
Room 239 (new!), Senate House
Malet Street, GB- London WC1E 7HU
Telephone 0044 (0)20 7862 8966
Website http://modernlanguages.sas.ac.uk
***Apologies for cross-posting, **
Dear friends,
To boost DH research, especially in theSpanish-speaking world, the Digital Humanities Innovation Lab @ UNED, LINHD http://linhd.uned.es and the journal SIGNA http://revistas.uned.es/index.php/signa are pleased to announce its next monographic number onDH “Sobre Humanidades Digitales”.
SIGNA is a peer-reviewed journal inexed with categoryA in most indexes (including Arts and Humanities Citation Index (A&HCI) andWeb of Knowledge).
Articles may be written in any language. Maximumlength is 25 pages with 1.5 space between lines. Please, find guidelines forpresentation enclosed.
Call for papers is open till 15th march at 23:59. If you are interested inparticipating, send your article (following the guidelines) to linhuned(a)gmail.com, and in the email subject write: “SIGNA-HumanidadesDigitales”.
Find attached SIGNA guidelines.
Please, feel free to send this information to any group or person who might be interested.Thanks a lot in advance and best regards
Elena González-Blanco
Elena González-Blanco García
Dpto. de Literatura Española y Teoría de la Literatura, Despacho 722Facultad de Filología, UNED
Paseo Senda del Rey 7
28040 MADRID
tel. 91 3986873
www.uned.es/remetcahttp://filindig.hypotheses.org/http://linhd.uned.eswww.uned.es/personal/elenagonzalezblanco
@elenagbg
________________________________________
From: TEI (Text Encoding Initiative) public discussion list [TEI-L(a)LISTSERV.BROWN.EDU] on behalf of Susan Schreibman [susan.schreibman(a)GMAIL.COM]
Sent: February-07-15 5:53
To: TEI-L(a)LISTSERV.BROWN.EDU
Subject: Digitisation in a Day: Crowdsourcing
An Foras Feasa is delighted to announce two 'Digitisation in a Day'
workshops organised this term by Maynooth University. The workshops will
focus on crowdsourcing (24th February) and 3D recording (12th March)
offering hands-on experience on a diverse range of methods and
technologies applied to humanities and cultural heritage, while
providing an overview of past, present and future practices, debates and
challenges.
The crowdsourcing workshop will focus particularly on the use of TEI,
particularly in terms of user-generated encoding.
Please note that spaces are limited and registration is on a
first-come, first-served basis. Concessionary fees and bursaries are
available to those coming from educational and heritage backgrounds.
To find more information and register for the events please visit:
http://www.learndigitalhumanities.ie/events/digitisation-in-a-day/
We look forward to welcoming you to Maynooth
--
--
Susan Schreibman
Professor of Digital Humanities
Director of An Foras Feasa
Iontas Building
National University of Ireland Maynooth
Maynooth, Co. Kildare
email: susan.schreibman(a)nuim.ie
phone: +353 1 708 3451
fax: +353 1 708 4797
Dear GO::DH members,
Global Outlook::Digital Humanities <http://globaloutlookdh.org> is holding
its second Executive Committee elections. From this election on, according
to the approved bylaws <http://www.globaloutlookdh.org/proposed-bylaws/>
that establish procedures by which GO::DH is governed, four out of eight of
the seats on the executive committee are up for election each year. When we
elected the first executive last year, four of the candidates were elected
for a one-year (renewable) term: Alex Gil, Daniel O'Donnell, Barbara
Bordalejo, and Domenico Fiormonte. The other half, Elena González-Blanco,
Élika Ortega, Maria Clara Paixão de Sousa, and Øyvind Eide were elected to
a two-year (renewable) term.
The four positions held by officers appointed to a one-year term are now up
for election to a two-year (renewable) term. Élika Ortega and Roopika Risam
are serving as the returning officers and nominations committee for this
year's election. Élika is a current member of the executive committee, and
Roopika served on the returning and nominations committee for last year's
election. We would like to open nominations for candidates for the
executive of GO::DH.
Any member of our mailing list may stand for election and self-nominations
are very welcome. If you would like to nominate somebody for election
(including yourself), please email Élika Ortega and Roopika Risam at
nominations(a)globaloutlookdh.org. We will need the name and email address of
the nominee, along with a brief bio and short candidate statement (200
words maximum). Please ensure that your nominee is willing to stand for
election.
In keeping with the goals and mandate of GO::DH, we strongly encourage
diversity in our nominees: there are no linguistic, geographic, rank, or
other requirements for office, and we encourage nominees from all countries
and speakers of all languages to apply. To encourage diversity among our
candidates, we ask all members to circulate this call for nominations and
also to paraphrase it or translate it into other languages to encourage
participation from underrepresented groups.
Nominations will close February 20th. A ballot will then be prepared with
the candidates' names and sent to all GO::DH members (everyone subscribed
to the mailing list) where they will be asked to select up to four names
for election. The ballot will close one week after it opens and the newly
elected GO::DH executive committee members will be announced. The executive
will later on choose a chair from among its membership and appoint all the
officers the organization requires.
We look forward to your nominations and self-nominations at
nominations(a)globaloutlookdh.org. Please feel free to contact us with any
questions you have.
Sincerely,
Roopika Risam and Élika Ortega
--
Roopika Risam, Ph.D.
Assistant Professor of English
Salem State University
http://roopikarisam.com
-------- Forwarded Message --------
Subject: [DHSI] CFP: Making Humanities Matter (a volume of #dhdebates)
Date: Mon, 2 Feb 2015 12:47:56 -0800
From: Jentery Sayers (UVic English) <jentery(a)uvic.ca>
Organization: University of Victoria
To: institute(a)lists.uvic.ca
Hello, everyone. I thought this CFP might interest many of you on the
Digital Humanities Summer Institute list. Please don't hesitate to
contact me with any questions. The deadline for abstracts is 3 April 2015.
Best,
Jentery
****************************************
Call for Papers: /Making Humanities Matter/
Jentery Sayers, Editor
Deadline for Abstracts: April 3, 2015
Part of the /Debates in the Digital Humanities/ Series
A book series from the University of Minnesota Press
Matthew K. Gold, Series Editor
Lauren Klein, Associate Editor
What does it mean to describe humanities scholarship as built,
assembled, or constructed? To call a humanities argument a persuasive or
provocative object? To understand humanities disciplines as creative
disciplines? To, in short, make things in the humanities?
Engaging these questions and more, this volume in the Debates in the
Digital Humanities Series examines the arts and humanities in an age of
programmable worlds and digital/analog convergence. As both a working
title and a framework, we understand "making humanities matter" to
invite submissions that, through an attention to both theory and practice:
* Articulate what exactly it means to make things in the humanities;
* Describe how humanities research in computing is aligned with the arts
and creative practice (e.g., sculpture, performance, visual arts,
experimental media, and interaction design), and to what effects on the
humanities;
* Argue for what "humanities matter" should be or do, and why;
* Attend to how humanities scholarship and its materiality are changing
alongside or through the Internet of Things, wearables, bots, physical
computing, desktop fabrication, rapid prototyping, and speculative design;
*Unpack how humanities research is expressed through materials off the
page or screen, in the form of tangible objects, tactile media, or
human-computer relations; or
* Attest to the intersections between making things and the perceived
relevance of humanities scholarship, including the role of making in
public scholarship, community-based research, activism, and memory
institutions.
Related questions include but are not limited to:
* How is making a form of experimental research or applied media theory?
* How can tactile media be scholarship? How can argumentation be
expressed through built forms?
* How is history being made through the (re)construction of artifacts,
exhibits, experiments, and interactives?
* How is making associated with reuse, repurposing, old media, and
critiques of obsolescence or waste in the humanities?
* How are laboratories, studios, and makerspaces playing a role in
humanities research? In these spaces, how are people translating
technologies and technical practices into humanities research?
* What does making mean for writing, rhetoric, public communication,
peer review, publishing, and the trajectories of (scholarly) argumentation?
* How are teachers integrating making into humanities pedagogy, and how
is "making" understood in the scholarship of teaching and learning?
* How is making functioning as a brand or fad, and to what effects on
practice and practitioners? More generally, what are some critiques of
making as a practice, movement, or concept in and beyond the academy?
* How are maker, do-it-yourself, or do-it-ourselves movements organized,
by whom, for whom, in what relation to industry, and under what
assumptions? What are the politics of making?
Practitioners from across the disciplines (regardless of rank, position,
or whether they are affiliated with an academic institution) are invited
to submit 300-word abstracts by 3 April 2015 to Jentery Sayers at
jentery(a)uvic.ca.
Collaboratively authored submissions are especially welcome. The
/Debates in the Digital Humanities/ editorial team will review all
abstracts, and authors of selected abstracts will be invited to submit
full manuscripts by 15 June 2015, with peer-to-peer review occurring
during July 2015. The volume will be published, in print and online, in
2016.
For the volume, contributions may ultimately assume the form of critical
essays, case studies, or project assessments (among other options). The
word count of the submissions may vary from 2000 to 8000 words,
depending on the submission. The editorial team will consult with
authors of selected abstracts about the word count of their contributions.
If you have any questions about /Making Humanities Matter/ or this CFP,
then please email Jentery Sayers at jentery(a)uvic.ca. Sayers is Assistant
Professor of English and Cultural, Social, and Political Thought, as
well as Director of the Maker Lab in the Humanities, at the University
of Victoria.
/Debates in the Digital Humanities/ is a hybrid print/digital
publication stream that explores new debates as they emerge. The first
volume was published in 2012 and edited by Matthew K. Gold. For future
announcements and news about the series, see
http://dhdebates.gc.cuny.edu/news and the twitter hashtag #dhdebates.
--
Jentery Sayers
Assistant Professor, English
Faculty Member, Cultural, Social, and Political Thought
Director, Maker Lab in the Humanities
University of Victoria
jentery(a)uvic.ca <mailto:jentery@uvic.ca> | @jenterysayers
<https://twitter.com/jenterysayers>
maker.uvic.ca <http://maker.uvic.ca/> | jenterysayers.com
<http://www.jenterysayers.com/>
-------- Forwarded Message --------
Subject: Digital Heritage Granada 2015
Date: Mon, 2 Feb 2015 10:30:31 +0100
From: Mª Ángeles Hernández-Barahona <secretaria(a)arqueologiavirtual.com>
To: Mª Ángeles Hernández-Barahona <secretaria(a)arqueologiavirtual.com>
Dear colleague,
I’m sending you the call for participation to the International Meeting
“Digital Heritage 2015”, which will take place in Granada from the 28^th
of September until the 2^nd of October.
I hope you find it interesting. Looking forward for your participation.
Best regards,
Ángeles Hernández-Barahona
Sociedad Española de Arqueología Virtual, SEAV
------------------------------------------------------------------------
<http://www.avast.com/>
El software de antivirus Avast ha analizado este correo electrónico en
busca de virus.
www.avast.com <http://www.avast.com/>
-------- Forwarded Message --------
Subject: [Humanist] 28.676 events: the Commonwealth cfp
Date: Mon, 26 Jan 2015 07:15:31 +0100
From: Humanist Discussion Group <willard.mccarty(a)mccarty.org.uk>
Reply-To: Online seminar for digital humanities
<humanist(a)lists.digitalhumanities.org>
To: humanist(a)lists.digitalhumanities.org
Humanist Discussion Group, Vol. 28, No. 676.
Department of Digital Humanities, King's College London
www.digitalhumanities.org/humanist
Submit to: humanist(a)lists.digitalhumanities.org
Date: Sun, 25 Jan 2015 19:52:14 +0100
From: Milena Dobreva <milena.dobreva(a)gmail.com>
Subject: Call for papers: The Commonwealth and its People: Diasporas, Identities, Memories
The Commonwealth and its People: Diasporas, Identities, Memories
Conference and Art Exhibition Affiliated with the People’s Forum of CHoGM 2015
Conference: 24-25 June 2015 Old University Campus, Valletta, Malta
Exhibition: November 2015, Valletta, Malta
Web: www.um.edu.mt/events/dim2015
Facebook: www.facebook.com/dmi2015
-------------------------------------------------------------------------------------------------
PROGRAM COMMITTEE:
Selenay Aytac (Long Island University, USA)
Nilufer Bharucha (University of Mumbai, India)
Milena Dobreva (University of Malta, Malta)
Joanne Evans (Monash University, Australia)
Neil Forbes (University of Coventry, England)
Lorna Hughes (National Library of Wales, Wales)
Marinos Ioannides (Technical University Cyprus, Cyprus)
Gabriella Ivacs (Open Society Archives, Budapest, Hungary)
Marc Kosciejew (University of Malta, Malta)
Triantafillia Kourtoumi (Archives Thessaloniki, Greece)
Alice Nemcova (OSCE Archives, Czech Republic)
Gillian Oliver (Victoria University, New Zealand)
Anthony Ross-Hellauer (Vienna, Austria)
Seamus Ross (University of Toronto, Canada)
Maria Roussou (Hellenic Diaspora Archive, UK)
Daniela Sime (University of Strathclyde, Scotland)
Beverley Wood (The University of the West Indies, Barbados)
OBJECTIVES
The Commonwealth is one of the most striking examples of extensive
relocation and migration on a world-wide scale. This proposal aims to
bring together two ways of exploring the topic of Diasporas,
Identities and Memories – as a subject for academic study and
discussion, and as a theme captured in artistic expression.
The concept behind the conference is to bring for discussion
state-of-the-art research related to the theme which will inspire the
exhibition taking place during the CHoGM forum.
The conference aims to bring together academics specializing in social
history, history, information science, art history as well as
curators, archivists and librarians interested in the theme.
INVITED SPEAKERS:
Terry A. Barringer (Cambridge University Library, UK)
Dr John Ashley Burgoyne (University of Amsterdam, the Netherlands)
Professor Stanley Fiorini (Malta)
Professor Daniel Paul O'Donnell (University of Lethbridge, Canada)
TOPICS OF INTEREST:
The conference welcomes contributions that focus on, but are not
limited to the following themes:
- What role do researchers have in the capturing and articulation of
diasporas, memories and identities?
- How do memory institutions support engagement with researchers and
the general public?
- How the artistic expression captures identity and changes and
conflicts related to it?
- How to capture and convey trans-generational and community memories?
- How does the right to forget manifest in the diasporas’ memories?
- What are the specific issues around capturing memories and
experiences of children and young people?
- What has been the role of Commonwealth institutions or
Commonwealth-based supra-national organisations in the formation of
memory/identity/diasporas?
- How do memory institutions contribute to the development and
management of heritage?
- How memory institutions across the Commonwealth countries could
cooperate better to serve diasporas?
- What educational activities targeting memory institutions across the
Commonwealth could help cooperation?
- How social media are transforming engagement and participation in
archival processes?
- How is transnationalism influencing the transmission of cultural values?
- How much can technologies be of help in capturing memories/nostalgia
and in representing identities?
EXHIBITION:
The conference will help with the concept and coverage of an art
exhibition which will address the emotional fabric of communities,
their memories and expressing identities. The exhibition will be one
of the highlights of the social programme of CHOGM. Those interested
in the exhibition component should contact Mr Alexander Debono,,
National Museum of Fine Arts, alexander.debono(a)gov.mt.
SUBMISSIONS:
Authors are invited to submit original, unpublished research papers
related to the aforementioned topics. We invite:
- regular papers (8 to 12 pages)
- short papers (2 to 6 pages)
All submissions are required to be in PDF format. Long and short paper
submissions must be formatted according to Springer’s LNCS format
(www.springer.com/computer/lncs).
Please submit your manuscript using the EasyChair online submission system
https://easychair.org/conferences/?conf=dim2015. All submissions will
be reviewed by three members of the Program Committee. All papers
accepted for the conference should be presented during the event.
Papers will be published in open access proceedings, and selected
papers will be published as a special issue of a journal (currently
negotiated with The Round Table: The Commonwealth Journal of
International Affairs.
IMPORTANT DATES:
- Deadline for submissions: 15 February 2015
- Acceptance notification: 20 March 2015
- Camera-ready papers: 30 April 2015
- Conference: 24-25 June 2015
FURTHER INFORMATION:
For further information please contact Prof. Milena Dobreva,
milena.dobreva(a)um.edu.mt
_______________________________________________
Unsubscribe at: http://www.dhhumanist.org/Restricted/listmember_interface.php
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Subscribe at: http://www.digitalhumanities.org/humanist/membership_form.php
*Call for papers*
*Reading wide, writing wide in the Digital Age: perspectives on*
* transliteratures*
*Complutense University of Madrid*
*22nd -23rd October 2015*
*Organizer: Miriam Llamas & Amelia Sanz (LEETHY Group) *
The launching of Google Books and of Google Earth in 2004 could be
considered a symbolical landmark in the configuration of memories and
localization in space, a kind of milestone. Is there a time before and a
time after 2004? Should we be getting ready for a change in literary
reading and writing? Certainly, these days, we are witnessing an
unprecedented acceleration of the circulation of products and materials, of
people, texts and memories, while the national and global imaginaries
coexist, fight and produce literatures. Commonplaces are repeated about
contemporary literatures, new readers, globalization, the Internet etc.,
but, in fact, we do not find enough contrasted experiences and studies that
support many of these assertions.
It is time we ask whether interrelations on a global scale in digital
environments have altered, on the one hand, the patterns of production and
distribution of writing, of circulation and consumption of reading, and in
that case, in what way. But, on the other hand, it is time to ask if these
modalities of circulation are creating new narratives and a new effect of
globalization. So we are considering global digital circulation as a
factual process but also as an imaginary storytelling.
In fact, as cinema radically transformed writers’ and readers’ literary
imaginary at the beginning of the 20th century, the Internet is
definitively modifying rituals of readings, formulas of production,
narratives in the 21st century.
We believe that it is necessary to verify what marks in the literary
writing and reading could be considered symptoms of all these shifting
reading patterns, writing strategies and imaginaries. We can explore the
possibility that the conceptual metaphor which is being used to understand
the literary fact through its genealogy is shifting to the transit and journey
of literatures and readings. If the question "where does it come from?" has
been used to shape personal and cultural identities, and therefore to build
national literary discourses, nowadays it may be replaced by or intersect
with the questions "where is it going?” and How is it going across?.
This circulating
conception of what we can call “transliteratures”, a well-founded and
broad-based perspective in the literary field nowadays, should be put to
the test in the digital domain.
And this is the point: is digital circulation modifying literary
imaginaries? We will try to ask to the following questions:
- Given the extension and multiplication of digital media, the moving and
widening vision of the world, is it really modifying local literary
production, located imaginaries*?*
- About the configuration of a cultural memory through new digital
archives, we can raise the question: how does it influence the connective
structures of culture and literature in particular?
- Is the circulation of materials on the Web giving birth to new
communities of readers-writers, with other modes of reading? Is it
announcing the way readers from the new generation are going to read?
We intend to gather experts and experiences coming from the
world of cyberculture and literary criticism, with distant and distinct
approaches, with the aim that, on the basis of an analysis of production
cases and literary reading in paper or electronic support, they should
offer answers about what is currently happening as much to the traditional
and digital editorial world, as well as to the academic world of teaching
and research. That means cross-boarding *trans* and *hyper*.
Deadlines:
Submission of abstracts: April 15, 2015.
Notification of selected papers: May-June, 2015.
Submissions should include the submitter’s name, institutional address,
e-mail address, short CV, and a 250-word abstract (in English) of the
proposed 20 min. paper. It should be sent via e-mail to: *readingwide(a)ucm.es
<readingwide(a)ucm.es>*, no later than April 15, 2015. Submitters will be
notified of the outcome by May/June, 2015. Any questions and queries can
also be directed to this e-mail address.
Papers can be presented in English.
Proposals will be evaluated by a Scientific Committee composed by:
· Philippe Bootz (University of Paris 8;
http://elmcip.net/person/philippe-bootz)
· Manuel Maldonado Alemán (University of Sevilla;
https://investigacion.us.es/sisius/sis_showpub.php?idpers=196)
· Susana Pajares Tosca (IT University of Copenhagen;
http://www.it-c.dk/people/tosca/)
· Joseph Tabbi (University of Illinois at Chicago;
http://engl.uic.edu/english/directory/faculty/joseph-tabbi)
· Teresa Vilariño Picos (University of Santiado de Compostela,
http://proxectole.es/quen-somos/teresa-vilarino-picos/
Publication of a selection of the papers is planned.
Registration
Until June, 30, 2015: registration fee is € 80 / € 40 for students (payment
by bank transfer).
If the payment is effected at the congress at the time of registration, the
fee is € 100 / € 50 for students.
Account number:
Code IBAN: ES43 2085 9966 1203 3015 1371
Code BIC Ibercaja: CAZRES2Z
Concept: Reading wide, Faculty of Arts; Complutense University
Bank address: Ibercaja, Agencia Urbana nº 29, C/ Bohemios, 11, 28041
Madrid, España/ Spain.
Optional: extra € 25 for the conference dinner on Friday evening, to pay
on the venue of the congress.
Participants are responsible for covering their own travel, lodging and
meal expenses.
WEB Site: https://www.ucm.es/leethi/reading-wide
--
Miriam Llamas Ubieto
Departamento de Filología Alemana, D/2-347
Facultad de Filología
Universidad Complutense de Madrid
Ciudad Universitaria s/n
28040 Madrid
Tel. 913945387/913945399
mllamasu(a)ucm.es <mllamasu(a)filol.ucm.es>
http://www.arcomuralla.com/detalle_libro.php?id=853
*https://www.ucm.es/fil_aleman/revista-de-filologia-alemana
<https://www.ucm.es/fil_aleman/revista-de-filologia-alemana>*
http://www.ucm.es/leethi