International Summer School on Digital Art History: Data-Driven Analysis and Digital Narratives (DAHSS18)
Dear colleagues,
We are pleased to announce that the International Summer School on Digital Art History (DAHSS), a joint initiative of the University of Málaga and the University of Berkeley, will celebrate the third edition from September 3 to 8 (2018) in Málaga (Spain).
The application period is now open (until June 21). Please, visit: http://historiadelartemalaga.uma.es/dahss18/en/applications/
Intended audience: postgraduate students, academic researchers, independent scholars and professionals related to the following disciplines: Art History and Visual Studies, Fine Arts, Graphic Design, Computer Sciences, Media and New Media Studies and Museum Studies.
The course has a theoretical-practical orientation: theoretical exchange and critical discussions will be combined with practical sessions (lab-based sessions) through which participants will work collaboratively in common projects.
The course is organized around three tracks.
Track A: Data and the Arts: In Track A, lead by Greg Niemeyer (UC Berkeley), you will explore what role data can play in the arts from the ancient Nilometer to current circulation data and machine vision but also addressing artwork that deals explicitly with the cultural deficit around data and machine learning. You will learn how to collect data with sensors, how to manipulate that data, and how to present it in interactive ways online. No coding experience required, we will teach and use javascript and p5.js for our weeklong projects, and you will go home with a completed project online.
Track B: Data Analysis: What is the story of art that data tells us? How can data analysis create new views on the history of art? What is the meaning of a pixel? In this track B, lead by Harald Klinke (LMU Munich), you will learn the basics of data acquisition, scripting and visualization in order to gain knowledge and experience necessary for pursuing a data-driven Art History (data literacy). No prior knowledge necessary, bring your own laptop.
Track C: 3D Modeling. This track, lead by Justin Underhill (UCB), will explore interactive media using the Unity game engine. We will experiment with different ways of exploring virtual space, and will see how we might use augmented and virtual reality to practice Digital Art History. We will also ask ourselves how to best design visualizations and historical reconstructions for these environments.
The program will include a specific session to discuss the challenges of publishing in Digital Art History, especially publishing data along with research papers.
For more information, please visit: http://historiadelartemalaga.uma.es/dahss18/en/
The iArtHis_Lab research team (www.iarthislab.es)
Excelente Nuria; qué fascinante e importante iniciativa. Felicidades. He compartido y pasaré la voz.
Greetings to all.
Ernesto
@ernestopriego http://epriego.blog/ https://epriego.wordpress.com/ The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025 Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj
The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.
On 30 May 2018 at 09:51, Nuria Rodríguez Ortega nro@uma.es wrote:
Dear colleagues,
We are pleased to announce that the International Summer School on Digital Art History (DAHSS), a joint initiative of the University of Málaga and the University of Berkeley, will celebrate the third edition from September 3 to 8 (2018) in Málaga (Spain).
The application period is now open (until June 21). Please, visit: http://historiadelartemalaga.uma.es/dahss18/en/applications/
Intended audience: postgraduate students, academic researchers, independent scholars and professionals related to the following disciplines: Art History and Visual Studies, Fine Arts, Graphic Design, Computer Sciences, Media and New Media Studies and Museum Studies.
The course has a theoretical-practical orientation: theoretical exchange and critical discussions will be combined with practical sessions (lab-based sessions) through which participants will work collaboratively in common projects.
The course is organized around three tracks.
Track A: Data and the Arts: In Track A, lead by Greg Niemeyer (UC Berkeley), you will explore what role data can play in the arts from the ancient Nilometer to current circulation data and machine vision but also addressing artwork that deals explicitly with the cultural deficit around data and machine learning. You will learn how to collect data with sensors, how to manipulate that data, and how to present it in interactive ways online. No coding experience required, we will teach and use javascript and p5.js for our weeklong projects, and you will go home with a completed project online.
Track B: Data Analysis: What is the story of art that data tells us? How can data analysis create new views on the history of art? What is the meaning of a pixel? In this track B, lead by Harald Klinke (LMU Munich), you will learn the basics of data acquisition, scripting and visualization in order to gain knowledge and experience necessary for pursuing a data-driven Art History (data literacy). No prior knowledge necessary, bring your own laptop.
Track C: 3D Modeling. This track, lead by Justin Underhill (UCB), will explore interactive media using the Unity game engine. We will experiment with different ways of exploring virtual space, and will see how we might use augmented and virtual reality to practice Digital Art History. We will also ask ourselves how to best design visualizations and historical reconstructions for these environments.
The program will include a specific session to discuss the challenges of publishing in Digital Art History, especially publishing data along with research papers.
For more information, please visit: http://historiadelartemalaga.u ma.es/dahss18/en/
The iArtHis_Lab research team (www.iarthislab.es)
-- Nuria Rodríguez Ortega Directora Dpto. Historia del Arte Universidad de Málaga Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 Telf.: 952 132223 / 952131690 (secretaría) Fax: 952 133441
Professor and Chair of the Art History Department University of Málaga (Spain) Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 (Spain) Phone: 00 34 952132223 / 952131690 (admin.) Fax: 00 34 952133441
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¡Muchas gracias, Ernesto! Creciendo poco a poco.
--- Nuria Rodríguez Ortega Directora Dpto. Historia del Arte Universidad de Málaga Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 Telf.: 952 132223 / 952131690 (secretaría) Fax: 952 133441
---------------
Professor and Chair of the Art History Department University of Málaga (Spain) Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 (Spain) Phone: 00 34 952132223 / 952131690 (admin.) Fax: 00 34 952133441
El 2018-05-30 12:09, Ernesto Priego escribió:
Excelente Nuria; qué fascinante e importante iniciativa. Felicidades. He compartido y pasaré la voz.
Greetings to all.
Ernesto
@ernestopriego http://epriego.blog/ [6] The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025
Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj
The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.
On 30 May 2018 at 09:51, Nuria Rodríguez Ortega nro@uma.es wrote:
Dear colleagues,
We are pleased to announce that the International Summer School on Digital Art History (DAHSS), a joint initiative of the University of Málaga and the University of Berkeley, will celebrate the third edition from September 3 to 8 (2018) in Málaga (Spain).
The application period is now open (until June 21). Please, visit: http://historiadelartemalaga.uma.es/dahss18/en/applications/ [1]
Intended audience: postgraduate students, academic researchers, independent scholars and professionals related to the following disciplines: Art History and Visual Studies, Fine Arts, Graphic Design, Computer Sciences, Media and New Media Studies and Museum Studies.
The course has a theoretical-practical orientation: theoretical exchange and critical discussions will be combined with practical sessions (lab-based sessions) through which participants will work collaboratively in common projects.
The course is organized around three tracks.
Track A: Data and the Arts: In Track A, lead by Greg Niemeyer (UC Berkeley), you will explore what role data can play in the arts from the ancient Nilometer to current circulation data and machine vision but also addressing artwork that deals explicitly with the cultural deficit around data and machine learning. You will learn how to collect data with sensors, how to manipulate that data, and how to present it in interactive ways online. No coding experience required, we will teach and use javascript and p5.js for our weeklong projects, and you will go home with a completed project online.
Track B: Data Analysis: What is the story of art that data tells us? How can data analysis create new views on the history of art? What is the meaning of a pixel? In this track B, lead by Harald Klinke (LMU Munich), you will learn the basics of data acquisition, scripting and visualization in order to gain knowledge and experience necessary for pursuing a data-driven Art History (data literacy). No prior knowledge necessary, bring your own laptop.
Track C: 3D Modeling. This track, lead by Justin Underhill (UCB), will explore interactive media using the Unity game engine. We will experiment with different ways of exploring virtual space, and will see how we might use augmented and virtual reality to practice Digital Art History. We will also ask ourselves how to best design visualizations and historical reconstructions for these environments.
The program will include a specific session to discuss the challenges of publishing in Digital Art History, especially publishing data along with research papers.
For more information, please visit: http://historiadelartemalaga.uma.es/dahss18/en/ [2]
The iArtHis_Lab research team (www.iarthislab.es [3])
-- Nuria Rodríguez Ortega Directora Dpto. Historia del Arte Universidad de Málaga Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 Telf.: 952 132223 / 952131690 (secretaría) Fax: 952 133441
Professor and Chair of the Art History Department University of Málaga (Spain) Facultad de Filosofía y Letras Campus de Teatinos, s/n Málaga, 29071 (Spain) Phone: 00 34 952132223 / 952131690 (admin.) Fax: 00 34 952133441
globaloutlookdh-l mailing list globaloutlookdh-l@uleth.ca http://listserv.uleth.ca/mailman/listinfo/globaloutlookdh-l [4]
You are currently subscribed to this list in NON-digest mode. This means you receive every message as it is posted.
If this represents too much traffic, you can also subscribe in DIGEST mode. This sends out a single email once a day containing the entire day's postings. To change your settings go to http://listserv.uleth.ca/mailman/options/globaloutlookdh-l [5] You can request a password reminder from this page if you have forgotten yours.
Links:
[1] http://historiadelartemalaga.uma.es/dahss18/en/applications/ [2] http://historiadelartemalaga.uma.es/dahss18/en/ [3] http://www.iarthislab.es [4] http://listserv.uleth.ca/mailman/listinfo/globaloutlookdh-l [5] http://listserv.uleth.ca/mailman/options/globaloutlookdh-l [6] https://epriego.wordpress.com/ _______________________________________________ globaloutlookdh-l mailing list globaloutlookdh-l@uleth.ca http://listserv.uleth.ca/mailman/listinfo/globaloutlookdh-l
You are currently subscribed to this list in NON-digest mode. This means you receive every message as it is posted.
If this represents too much traffic, you can also subscribe in DIGEST mode. This sends out a single email once a day containing the entire day's postings. To change your settings go to http://listserv.uleth.ca/mailman/options/globaloutlookdh-l You can request a password reminder from this page if you have forgotten yours.
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Ernesto Priego -
Nuria Rodríguez Ortega